Hot on the heels of our tentacular project "The Most Famous Unknown", Planet Phuture is proud to welcome rising French talent Cuften to the fold. A most fitting match for PP's phuture-facing vision, Damien Peltier has been pushing some of the finest techno around over the last couple of years, landing a handful memorable cuts via the likes of Parisian label Tripalium and his own imprint, Purusu. Cloaked in dim-lit atmospheres and open-ended post-apocalyptic narratives, his debut solo 12" blends in all of the elements that made his sound stand out from the crowd of releases coming up these days - traversed by dogged primitive rhythms and reassessed 303-infused Detroit'isms, but also stamped with his signature no-frills rave elegance.
Speeding up the cosmic highway like Deckard roams San Fran's neon-splattered alleys on the hunt for replicants, Cuften takes us on a full-immersion journey into dystopian electronic soundscapes. Full-beam on, "Solar Ashes" has us drifting amidst ruins of a devastated city - its lysergic bass languidly threading its way across brutalist concrete facades and cold ember set for reignition. A more martial affair, "The Black Rain Order" pulls out the rattling drums, slo-boiling arpeggios and moebius-strips of wistful acid to score a supremely tense crescendo, both optimally tasted on and off the dance floor.
Moving up closer to the free-spirited vibe of the '90s open-air raves, "Rise Of The Neo-Humans" unleashes a baroque firestorm of sucker-punchy toms and hyperventilating shuffle, woven against an endlessly expanding corolla of hallucinogenic shapes and fluttering harmonics. Sinking further deep into all-dark dubby grounds, "Lasttt Batttle" extrudes its obsessive melody out a thick gangue of squelchy chords and bleepin' engineering to form the kind of brain-washing hybrid pumper that'll roast your last remaining neurones. Trouble-brewing isn't over though and the droney "Kjhfskjoize" shall take you to places unknown through eleven minutes of envelope-shifting shamanism, thinking noise bake-off and gravity-defying arrangements. Bend your mind.
Buscar:dan black
- A1: Vassilis Vassiliadis - Tsiftetelli 1969
- A2: Stelios Kazantzidis & Litsa Diamandi - Den Sou Eleipe Tipota (You Had It All) (You Had It All)
- A3: Stratos Dionisiou - Allaxe Koritsi Mou Myalo (Change Your Mind Girl!) (Change Your Mind Girl!)
- A4: Vassilis Vassiliadis/Dimitris Xanthakis & Litsa Diamandi - Nkount Bai (Goodbye) (Goodbye)
- A5: Michalis Menidiatis - Ena Tefariki
- B1: Panagiotis Michalopoulos - Anastenazo Kaigontai (I Sigh Everything Is Burning) (I Sigh Everything Is Burning)
- B2: Podromos Tsaousakis & Litsa Diamandi - Ti Thes Kai Pas Stis Magises (Why Do You Visit The Witches) (Why Do You Visit The Witches)
- B3: Katy Grey - Dos Mou Tin Kardia Mou Piso (Give Me Back My Heart) (Give Me Back My Heart)
- B4: Vangelis Perpiniadis & Ria Norma - Naxera Pios Pire Ti Chara Mou (I Wish I Knew Who Stole My Happiness) (I Wish I Knew Who Stole My Happiness)
- B5: Ria Norma & Vangelis Perpiniadis - Konta Mou Irthes Pali (You Have Returned To Me) (You Have Returned To Me)
- C1: Stratos Dionisiou - Tsiftetelli Pechnidiariko (Flirting Belly Dance) (Flirting Belly Dance)
- C2: Vangelis Perpiniadis - Ego Den Eimai San Tous Beatles (I'm Not Like The Beatles) (I'm Not Like The Beatles)
- C3: Vassilis Vassiliadis - Solo Tsiftetelli '72
- C4: Manos Papadakis/Babis Tsetinis & Litsa Diamandi - Mavros Kapnos (Black Smoke) (Black Smoke)
- C5: Charoula Lambraki & Vassilis Tsitsanis - Andra Mou Paraponiari (Man, You Grumble Too Much) (Man, You Grumble Too Much)
- D1: Panos Gavalas & Sofia Kollitiri - Tha Fygo Kai Tha Me Zitas (I Will Leave, & You Will Search For Me) (I Will Leave, & You Will Search For Me)
- D2: Sofia Kollitiri - Ego Pono Ki Esy Gelas (I Suffer While You're Having A Good Time) (I Suffer While You're Having A Good Time)
- D3: Charoula Lambraki & Theodoros Sinaidis - Kai Na Fygis Tha Gyrisis (You Will Come Back) (You Will Come Back)
- D4: Giota Lydia - Nacha Ekato Kardies (I Wish I Had Hundred Hearts) (I Wish I Had Hundred Hearts)
- D5: Stelios Kazantzidis & Litsa Diamandi - Efige Efige (She Left She Left) (She Left She Left)
Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!
These 20 carefully selected songs serve as an introduction to this mind-blowing music for the non-aficionado, as it is the first album of its kind to be released outside of Greece or the Greek migrant communities. The extended and illustrated liner notes take you back to the heyday of Greek pop music and put this cultural movement into an historical perspective.
Velvet Season & the Hearts of Gold is the musical adventures of Gerry Rooney & Joel Martin. They have a rich musical history with Gerry Black Cock Records & Joel Quiet Village.
Aldo Tamborrelli – ‘Voices’ (VSHOG Special Version)
VSHOG present their official special version of this highly desirable hidden treasure of hypnotic electronic sleaze excavated from the cult soundtrack to a 1983 Italian ‘Apocalypse Now’ cash-in, and transform it into an 8 minute erogenous bump n’ grind trip to the twilight zone torture garden, cruising leather boys & fetish girls looking for Love in all the wrong places !
‘Voices’ is a narcotic synthesised masterpiece of body music to completely immerse your dark desires on the dancefloor. A dark risqué world of crisp chugging drum machines, mesmerising warm bass pulses, and the erotic wails of seductive screams in the night !
Stefano Torossi – ‘Having Fun’ (VSHOG Special Version)
The VSHOG version of 'Having Fun', from Stefano Torossi's 1974 album 'Feelings' (a holy grail of Italian library music) is an uplifting lush orchestral string laden funky breakbeat feel-good track to raise your vibrations!
Opening with a chunky stripped down drum & bass intro, the strings entice you further in & then the Disco Funk Psyche guitar riff really lifts the track to the sweet spot & you are completely hooked! A beautiful piece of music for all occasions - Balearic Sunsets/Sunrise, Disco dancing, B-Boys and Hip-Hop heads, Jazz Dancers & library music connoisseurs!
Another fantastic offering from the VSHOG Special Version series of releases.
- A1: Brand New Thing- Part 1
- A2: 3 Days 1 Hour 30 Minutes
- A3: I've Got To Get Back (Country Boy)
- A4: So You Say You Wanna Dance (Workout # 2)
- A5: Stop Lying
- A6: Let Me Build
- B1: Brand New Thing - Part 2
- B2: Soul Galore
- B3: What's Done In The Dark (Will One Day Come To Light)
- B4: I Got My Mind Made Up
- B5: Everything's Gonna Be Fine
- B6: Your Loss, My Gain
• This is the first ever vinyl reissue of ‘Soul Galore’, the 1966 album by the all time great Jackie Wilson
• Featuring 12 Big City Soul masterpieces and classic mod dancers.
• Standouts including ‘Brand New Thing’, ‘So You Say You Wanna Dance’, ‘Stop Lying’ and the title track ‘Soul Galore’
• Jackie Wilson was one of the greatest singers who remained with Brunswick since his early days with a dazzling record of 54 US Hot 100 and 49 R&B single chart entries
• Reissue is on 140g black vinyl with original artwork and printed inner sleeve
- A1: Diamond Ring
- A2: Blue Trash
- A3: Black Lung
- A4: The Recap
- A5: Boots
- A6: Spaghetti
- A7: Miss Mary
- A8: Broken Cowboy
- A9: That Bastard Son
- B1: Snakeman Pt1 & 2
- B2: Time For Crawlin
- B3: Fat Little Killer Boy
- B4: Heaven In A Wheelbarrow
- B5: In Hell I'll Be In Good Company
- B6: Honey You
- B7: Travellin' Man
- B8: Banjo Odyssey
ENDLICH....das Live-Album der Bluegrass/Folk-Helden mit 17 Songs! Vor über 6 Jahren entdeckten wir die vier Gentlemen von THE DEAD SOUTH aus Regina, Saskatchewan während der Canadian Music Week in Toronto sehr spät am Abend in einem eher spärlich gefüllten Club. Unsere Begeisterung wurde von einer Vertragsunterzeichnung begleitet und so veröffentlichten wir im November 2014 ihr Debütalbum "Good Company". Natürlich sind wir ziemlich stolz, dass wir eine Indie- Erfolgsgeschichte mit der Band schreiben konnten, die nun mit einem Doppel-Live- Album namens "Served Live" gefeiert wird. Natürlich ist die Idee nicht ganz neu, aber wenn es bei einer Band doch Sinn macht, dann bei The Dead South, denn ihre Live-Shows sind schon jetzt recht legendär und vor allem auf der Bühne zeigen sich ihre Stärken, die doch recht schwer auf einem Studioalbum zur Geltung kommen: unbändige Spielfreude, eine genre-sprengende Live-Dynamik, eine gute Prise Humor sowie ein sich gegenseitiges Pushen sind nur einige Attribute, die mir gerade so einfallen wollen. Die "Die-Hard-Fans" der Band werden natürlich nicht 100%ig zufrieden sein, da trotz lediglich drei Studioalben sicher der eine oder andere Song fehlt - mir vor allem _ÇÜGunslinger's Glory', aber dieser ist halt auch sehr lang. Auch sind einige ihrer Cover- Versionen von Bands wie den Animals, The Decemberists oder diverse Tradionals Teil ihrer Live-Sets, aber hier sollten es halt nur eigene Songs auf die Platten bzw. CDs schaffen. Die 17 Songs auf "Served Live" wurden auf 17 verschiedenen Shows mitgeschnitten, denn die Band wollte so vielen Fans wie möglich ein kleines Dankeschön sagen, aber leider hat Covid-19 diesem Unterfangen einen für uns bedeutenden Strich durch die berühmte Rechnung gemacht und es fehlen jegliche Deutschland-Shows, wohingegen USA (L.A., Seattle, Portland, Boston, Atlanta, Denver, NY), GB (Manchester, London, Newcastle, Portsmouth, Belfast, Dublin) und ihre Heimat Kanada (Edmonton, Halifax, Montreal) vertreten sind. "Served Live" ein unglaublich energetisches und authentisches Live-Dokument, das auch hiesigen Fans von The Dead South sehr viel Freude bereiten wird und ein warmes Trostpflaster für die Zeit des Wartens auf die nächste Tour.
Goat Girl’s new album ‘On All Fours’ was produced by Dan Carey (Kae Tempest, Black Midi, Franz Ferdinand) in South London in early 2020. This new record sees the band veer away from the confrontational lyricism of their debut and indicates Goat Girl’s maturing perspectives in discussing the world’s injustices and social prejudices, using the music to explore global, humanitarian, environmental and mindful wellbeing.
Throughout ‘On All Fours’, Goat Girl’s frequent use of sci-fi synthesisers, off-beat chord progressions, analogue drum machines, diverse vocal styles and distinct, gritty guitars fuses a musical language that expresses both former characteristics and newer developments of the band’s sound and vision.




















