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Live-Mitschnitt des Attwenger Konzerts vom 6.12.23 im Chelsea in Wien, verteilt auf vier Seiten aus gelbem Vinyl mit Schwerpunkt auf den letzten beiden atmender-alben "Spot" und "Drum", angereichert mit Slangpunksongs aus den Neunzigern und Nullern. Attwenger ist live sowieso eine andere Geschichte als ein Studioalbum, ein Live-Album ist eine Momentaufnahme, licht, lärm und Leute bestimmen den Augenblick, der Augenblick ist schnell vorbei, aber den Mitschnitt unseres aktuellen Programms, der auf dieser Doppel-LP wiedergegeben wird, kannst du dir in hundert Jahren auch noch anhören und es wird trotzdem ein live-konzert sein. Attwenger live heißt Binder und Falkner auf der Bühne, singen und quetschen, verstärkt und verzerrt, Drums, Maultrommeln und Elektro-Beats, Stücke von 1990 treffen auf Songs, die grade erst im Entstehen sind, Lieder aus unterschiedlichen Entstehungsphasen werden zu ausgedehnten, groovigen Mixes kombiniert, geht alles. Die Reihenfolge der Stücke kann sich ändern, genauso wie die Reihen auf der Ziehharmonika und die Reime der Texte. alles Moment, alles bewegt sich, dreht sich, verästelt sich, die körperliche Intensität ist teilweise arg, die Gedanken sind oft woanders, das Publikum ist da, der Austausch zwischen Spielen und Tanzen führt zu einer Musik, die so dynamisch, stürmisch und euphorisch werden kann, dass du vom Akteur zum Passagier wirst in einem kollektiven Taumel, der alle beteiligten reinzieht, herumwirbelt, fortweht. Als Bonus-Track eine Aufnahme vom Juni 94, als wir mit unserem Gegenbesuch zur Zimbabwe-Tour im Oktober 93, Oliver Mtukudzi and The Black Spirits, einen gemeinsamen Auftritt in der Linzer stadtwerkstatt hatten. Zu hören ein Ausschnitt aus "I wanna know whats going on", in dem es schon damals geheißen hat: es is immer hoiba 8i.

Norwegian Grammy-Winning rock band Seigmen are back with a new album called "Resonans". Ask yourself the question: How many bands have maintained the same lineup throughout a career spanning over three decades? Just count and see how far you get. Seigmen is and remains Alex, Sverre, Noralf, Kim, and Marius. Seigmen's new album Resonans echoes the essence of a longstanding friendship. A strong bond among five guys who found each other through music, learned to play instruments, and express themselves together. They solidified their friendship through muddy and sour tones from the rehearsal room on the old submarine quay, down into a basement in the city center, out to a barn outside the city, up on the heights near the old library, down into the mountain beneath the same hill, and back to a rehearsal container at the old shipyard. Always tied to their home town, Tonsberg in Norway. Resonans is the reverberation of endless evening rehearsals, weekends with "lefse" and freshly ground coffee in thermoses, and syncopations. Smiles, conversations, and gossip. The hard, precise, and long-term work. Love and art. Resonans is guts and integrity, demonstrating the uncompromising nature that Seigmen has always represented.

Limited purple vinyl. Norwegian Grammy-Winning rock band Seigmen are back with a new album called "Resonans". Ask yourself the question: How many bands have maintained the same lineup throughout a career spanning over three decades? Just count and see how far you get. Seigmen is and remains Alex, Sverre, Noralf, Kim, and Marius. Seigmen's new album Resonans echoes the essence of a longstanding friendship. A strong bond among five guys who found each other through music, learned to play instruments, and express themselves together. They solidified their friendship through muddy and sour tones from the rehearsal room on the old submarine quay, down into a basement in the city center, out to a barn outside the city, up on the heights near the old library, down into the mountain beneath the same hill, and back to a rehearsal container at the old shipyard. Always tied to their home town, Tonsberg in Norway. Resonans is the reverberation of endless evening rehearsals, weekends with "lefse" and freshly ground coffee in thermoses, and syncopations. Smiles, conversations, and gossip. The hard, precise, and long-term work. Love and art. Resonans is guts and integrity, demonstrating the uncompromising nature that Seigmen has always represented.

The Intercommunal Free Dance Music Orchestra was created in 1971 by French free jazz pianist legend, François Tusques. Free Jazz, was also the name of the 1965 recording Tusques made along with and other Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais. Six years later, in 1971 Tusques would go ahead of free jazz.

Wondering if free jazz wasn’t a bit of a dead end together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), Tusques formed the Inter Communal Free Dance Music Orchestra, an association under the banner of which the different communities of the country would come together and compose, quite simply. If at first the structure was made up of professional musicians from the jazz scene it would rapidly seek out talent in the lively world of the MPF (Musique Populaire Française).French Popular Music, ndlt

Compiling extracts from concerts given between 1976 and 1978, L’Inter Communal demonstrate the “social function” which inhabited free jazz and popular music at the time calling upon Spanish singer Carlos Andreu along with Michel Marre, Jo Maka, Adolf Winkler and Jean Méreu. Andreu, claimed Tusques, was a griot “who created of new genre of popular song improvised with our music, based on events going on at the time”.

L’Inter Communal can start the festivities: on “Blues pour Miguel Enriquez”, it is first Thelonious Monk who is invoked in an homage to one of the leading figures of the Chilean revolution, and a victim of Pinochet. The circumstances may be serious, the music, though, is not. The musicians light a bonfire to bring together on the same frequency France and Spain, the Americas and Africa: “L’heure est à la lutte” (the time to fight is here ndlt), is the new song offered by the l’Intercommunal Free Dance Music Orchestra... As if proof were needed that their music is still more than timely!

"Irish singer, songwriter, multi-instrumentalist, and producer, James Vincent McMorrow, returns to the fore with his seventh full-length album Wide open, horses, out June 14th, 2024.

Wide open, horses is a candid snapshot of everything that has brought James to this point. The album signifies a retaking of his own narrative, a freeing self-acceptance, and a rebuilding of both his sense of self and his connection to music. Singles “Stay Cool”, “Never Gone” and “Give up” offer a first taste of what fans can expect, leaning further into the introspective and sincere indie-folk sound of his earlier material, whilst incorporating elements of his more explorative later releases.

A unique and particularly special artist project, Wide open, horses was initially performed live having booked two nights at The National Concert Hall in Dublin, where he recorded a handful of lo-fi demos, practiced the material for a week, and then hit the stage prior to ever recording a single song. Phones weren’t allowed, but James recorded it to “see what worked and what didn’t work.”

James has beckoned listeners to open their minds and hearts since his emergence in 2010. Along the way, he gathered over 1 billion streams across an expansive catalog. Among many standouts, “Higher Love” went BPI Gold in the UK and ARIA platinum in Australia. His cover of Chris Isaak’s “Wicked Game” soundtracked the trailer for Season Six of HBO’s Game of Thrones and generated over 130 million Spotify streams on its Live At Killkenny Arts Festival version. Toppling charts, 2016’s “We Move” notably debuted at #1 in Ireland. At the same time, he lent his voice to “Hype” from Drake’s multiplatinum blockbuster Views, “I’m In Love” from Kygo’s Cloud Nine, and “Run Away” from dvsn’s Morning After, among others. Meanwhile, he’s sold-out tours on multiple continents, even packing the world-famous Sydney Opera House twice."

"In the wake of SQUID PISSER’s “Vaporize A Neighbor” EP and Comic Book Set and “Vaporize A Tadpole” Collection comes “Dreams of Puke”, the band’s second full length album. Weighing in at a meaty 12 songs and cut at a lean 45 revolutions per minute, “Dreams of Puke” refuses to let up or let down - emitting climax after scintillating climax - a bounteous bouquet of dayglow viscera and tumor-filled sonic snot.

“Dreams of Puke” is the face ripping, dolphin-loving, anthropomorphized mountain of nuclear sludge intravenously injected with methamphetamines that listeners have been clamoring for. Tommy Meehan's use of effects pedals and sonic textures create a dense soundscape of intestinal debris, mortared with a grout of pus, goo, gummy candy and pure, unadulterated insanity. Meanwhile, Seth Carolina's all out, rage-fueled and categorically pummeling approach to slamming the beats down lays out a visceral scene of absolute intensity - a great white shark attack on The Mall of America.

Tommy explains “The writing sessions for this album resulted in about 100 songs... Demos, seedlings, and scraps were strewn about everywhere. Then Seth and I assembled them into a viable and tangible fruition. I tracked all of the guitars, bass, and vocals myself at Los Angeles’ Castle Barf Studios. The drums we did at Sea Horse Sound downtown”.

“Dreams Of Puke” is an aural DMT trip that will leave brains boggled. Its atonal anthems of slime are a kaleidoscope of brilliant, bespeckled rage that, in the end, will scalp the world & mutate the throne.

Glass Mastered Compact Disc includes Mystery Matrix Message and comes packaged in a Six Panel Tri-Fold Jacket with corresponding Fold-Over Lyric Insert. LP and CD formats each sport unique, subliminally different cover art by painter Gregory Jacobsen of the band Lovely Little Girls. Parental Advisory: Explicit content"

Vilhelm Bromander is a much in demand bass player with a unique voice as a musician and composer. The debut album of his Unfolding Orchestra features a 13-piece ensemble, performing three extended, stellar compositions by Bromander. This is a important artistic statement in the history of Swedish free jazz, performed by some of the most urgent voices from the current scene of jazz- and improvised music, together with the otherworldly voice of dhrupad singer Marianne Svašek.

Now available as limited LP edition on dark green vinyl.

"2024 marks the 40th anniversary of Bruce Springsteen's 'Born In The U.S.A.' Although it would become his biggest selling album with seven top 10 singles on the Billboard Hot 100, Luther Dickinson of North Mississippi Allstars says ""any of those songs could be played with acoustic guitar alone and still be great."" Taking this idea as its premise, 'Dead Man's Town: A Tribute to Born in the U.S.A' strips the album's twelve indelible originals to the core, with contributions from Jason Isbell & Amanda Shires, Low, Nicole Atkins, Justin Townes Earle, Blitzen Trapper, Joe Pug, Trampled by Turtles, and more. Rolling Stone premiered Jason Isbell and Amanda Shires' Dave Cobb-produced cover of ""Born I n The U.S.A,"" saying these artists are ""reimagining 'Born in the U.S.A. with a reduced approach more influenced by that of the acoustic, ""Nebraska.""

Isbell says of his cover, """"Born In The U.S.A."" is one of my favorites because so many people have seemingly misunderstood the lyrical content and the song's overall tone. When you listen to the demo, the dark, minor key arrangement makes it clear that this is not strictly a song of celebration. We wanted to stay true to that version."" Amanda Shires adds, ""I love that the song paints a picture of struggle in the face of the American dream, and the irony in the chorus is delivered with such force that it nearly transcends irony altogether."""

Neunzehn pointierte Betrachtungen zu allen möglichen und unmöglichen Aspekten des Lebens, und das in unter 44 Minuten: Tempo, verzerrte Powerchords und eingängige Melodien sind die Hauptzutaten für den GRUSS AUS DER KÜCHE, das neue Album von Ernte 77. Die Songs sind wieder kürzer geworden, die Ideendichte dafür höher. Ohne Verschnaufpause geht es von einem lyrischen Mikrokosmos zum nächsten, während sich notorisch durch die (nicht nur) Punk-Historie zitiert wird. Das Album ist eine bandtypische Gratwanderung zwischen harmonischen Refrains und anstrengendem Gekreische. Ernte 77 ziehen in DIY-Manier unbeirrt weiter ihr Ding durch und bleiben deshalb eine der eigensten Punkbands, im besten Sinne des Wortes.

Zooparty ist laut Record Collector (UK) ,Schwedens beste Punkband"! Wenn du deinen Punk verdammt eingängig magst, dann kann ich dir das nicht genug empfehlen", so Maximum Rock'n'roll (USA). "No matter what you say" ist ihr sechstes Album und enthält 12 brillante, zeitlose neue Punkrocksongs. Original-Sex Pistols-Basist Glen Matlock ist als Gast mit dabei (und wenn man sich ,Elephants" anhört, ist das wie eine Rückblende/ Hommage an die "Holidays In The Sun"-Zeiten). Außerdem spielt Hans Östlund von The Nomads noch mit. Die Texte wurden zusammen mit Stephen Straughan (UK Subs) und Gaz Moore (The Reverends) geschrieben. Produziert hat Chips Kiesbye (Sator, Nomads, Hellacopters, The Boys etc.) und das Master stammt von Henryk Lipp. Bislang spielten ZOOPARTY dreimal auf dem Rebellion Festival in Blackpool, UK. Sie tourten durch das Vereinigte Königreich, die Tschechische Republik, Deutschland, Irland, Norwegen und Schweden. "No Matter What They Say" ist ein klassisch, zeitlose Punkrock-Juwel! 180gr. 180g-Vinyl Edition in einer Auflage von 300 Stück (weltweit) gesamt, erhältlich in klassisch schwarzem und sehr limitiert auf farbigen Vivyl! Ein Coop-Release von Sunny Bastards (Welt ohne Schweden) & Bollmora Records (Schweden)

Zooparty ist laut Record Collector (UK) ,Schwedens beste Punkband"! Wenn du deinen Punk verdammt eingängig magst, dann kann ich dir das nicht genug empfehlen", so Maximum Rock'n'roll (USA). "No matter what you say" ist ihr sechstes Album und enthält 12 brillante, zeitlose neue Punkrocksongs. Original-Sex Pistols-Basist Glen Matlock ist als Gast mit dabei (und wenn man sich ,Elephants" anhört, ist das wie eine Rückblende/ Hommage an die "Holidays In The Sun"-Zeiten). Außerdem spielt Hans Östlund von The Nomads noch mit. Die Texte wurden zusammen mit Stephen Straughan (UK Subs) und Gaz Moore (The Reverends) geschrieben. Produziert hat Chips Kiesbye (Sator, Nomads, Hellacopters, The Boys etc.) und das Master stammt von Henryk Lipp. Bislang spielten ZOOPARTY dreimal auf dem Rebellion Festival in Blackpool, UK. Sie tourten durch das Vereinigte Königreich, die Tschechische Republik, Deutschland, Irland, Norwegen und Schweden. "No Matter What They Say" ist ein klassisch, zeitlose Punkrock-Juwel! 180gr. 180g-Vinyl Edition in einer Auflage von 300 Stück (weltweit) gesamt, erhältlich in klassisch schwarzem und sehr limitiert auf farbigen Vivyl! Ein Coop-Release von Sunny Bastards (Welt ohne Schweden) & Bollmora Records (Schweden)

The wait is over: With the 14th June release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released. 2LP- 50 years after their initial recording, the sessions for Wings One Hand Clapping will be released for the very first time. Discs 1 and 2 are newly mixed with 12 tracks that didn’t appear in the original film, including reworked extracts of Beatles classics. The package includes original artwork, plus a TV sales brochure created for the film.

Waxwork Records is thrilled to release THE EXORCIST III Original Motion Picture Score by Barry DeVorzon. THE EXORCIST III is a 1990 American supernatural horror film written and directed by William Peter Blatty based on his 1983 novel Legion. The film is set fifteen years after the events of The Exorcist (1973) and follows a character from the original film, Lieutenant William F. Kinderman who investigates a series of demonic murders in Georgetown that have the hallmarks fo the Gemini, a deceased serial killer.

THE EXORCIST III features a dark ambient score by Barry DeVorzon (The Warriors, Night of the Creeps). It was the last film score he ever created and features synth drones, sampled chanting, synthesized voices and real voices, and experimental sound design. Of the score, DeVorzon provided exclusively to Waxwork for this album's liner notes: "I was exploring a lot of synthesized sounds and textures and trying to do something that would make the scenes more chilling. Anything that was different, eerie, and had nothing to do with an orchestra. This was new territory for me - it wasn't orchestral, it wasn't rhythm oriented. It was just a really different animal."

Waxwork Records is proud to present THE EXORCIST Original Motion Picture Score for the first time in any format. Sourced from the original masters and then mixed, mastered, and constructed into a cohesive double LP soundtrack experience. The album features 150 gram purple smoke colored vinyl, exclusive liner notes by composer Barry DeVorzon, heavyweight gatefold packaging with matte satin coating, a 12"x12" four page booklet, and new artwork by Suspiria Vilchez."

Continuing the re-issue program on STD Black LP - Rolling Stones No.2 - The second UK Rolling Stones studio album, released in 1965 following the success of their 1964 debut album The Rolling Stones. A huge success in the UK, the album was number one on the charts for 10 weeks and includes the band’s cover of ‘Time Is On My Side’ and ‘Everybody Needs Somebody To Love’. The album also contains three compositions from the still-developing Mick Jagger/Keith Richards songwriting team (‘What A Shame’, ‘Grown Up Wrong’ and ‘Off The Hook’), with all the other songs being covers of American R&B and rock and roll numbers, like the first album. December’s Children (And Everybody’s) US - The fifth American studio album, released in December 1965. The last Stones album in which cover material accounted for 50 percent of the content was compiled from a variety of singles, British LP tracks, outtakes, and a cut from an early 1964 U.K. EP. The album demonstrates the continuing development of Jagger & Richard’s songwriting with a further two pop classics – the string-laden affecting ballad – ‘As Tears Go By’ and ‘Get Off My Cloud’.

Continuing the re-issue program on STD Black LP - Rolling Stones No.2 - The second UK Rolling Stones studio album, released in 1965 following the success of their 1964 debut album The Rolling Stones. A huge success in the UK, the album was number one on the charts for 10 weeks and includes the band’s cover of ‘Time Is On My Side’ and ‘Everybody Needs Somebody To Love’. The album also contains three compositions from the still-developing Mick Jagger/Keith Richards songwriting team (‘What A Shame’, ‘Grown Up Wrong’ and ‘Off The Hook’), with all the other songs being covers of American R&B and rock and roll numbers, like the first album. December’s Children (And Everybody’s) US - The fifth American studio album, released in December 1965. The last Stones album in which cover material accounted for 50 percent of the content was compiled from a variety of singles, British LP tracks, outtakes, and a cut from an early 1964 U.K. EP. The album demonstrates the continuing development of Jagger & Richard’s songwriting with a further two pop classics – the string-laden affecting ballad – ‘As Tears Go By’ and ‘Get Off My Cloud’.

Ltd Edition!

Monsters of Folk - bestehend aus Jim James (My Morning Jacket), M. Ward, Conor Oberst und Mike Mogis (Bright Eyes) - haben 2009 ihr erstes gemeinsames Album veröffentlicht. Das Album wurde in Malibu und Omaha aufgenommen, alle Instrumente von den vier Mitgliedern selbst einspielt. Es war ihr einziges gemeinsames Album als Band. Diese Neuauflage enthält ein überarbeitetes Artwork, das Originalalbum mit 15 Songs sowie fünf unveröffentlichte Studiotracks aus dem Jahr 2012, die für ein zweites, nie fertiggestelltes Album vorgesehen waren und auf denen „5th Monster“ Will Johnson zu hören ist.

Format: - 2LP Col. Ltd. - Klarsicht-Vinyl in Gatefoldhülle inkl. Poster, limitiert auf deutschlandweit nur 110 EH!!!

"Loving You Backwards, the debut album from Blood, flourishes in the subtle, the ambiguous, the shades of gray. In winter of 2021, longtime Austin residents Blood made a fresh start, using a move into a house together in Philadelphia as a chance to reorient and spend time writing music around the clock. As they wrote, the sound of the band began to shift. Blood, in the past, made huge, angry, grandiose, operatic songs. Loving You Backwards, was not that. Instead, this debut record is quieter, less reactive, but no less powerful.

As an organism, Blood circa Loving You Backwards, was a six piece. Tim O'Brien is the lyric writer, but the song writing and arrangement is a painstakingly collaborative process in which the band aims for democracy over swiftness. The record also features the band’s first major work with the producer Daniel Enrique Howard, whom the band recorded with at his studio in Brooklyn. Howard helped guide Blood into this new sonic territory. It is not a bedroom project, but instead fully realized, somehow sounding both intimate like Liz Harris’ Grouper feels intimate and totally vast in the way that a Talk Talk record feels vast. It’s in the same universe as Ought in its earlier iterations.

The songs on Loving You Backwards exist in the realm of ballads, heart-wrenching and weird pop with a post rock sensibility. It explores, as the title implies, approaching a relationship in the reverse, dealing with your past while you try to stay in the present. Loving You Backwards is a record of ideas and big honesty, but it’s also a record of genuinely pristine pop. A definitive statement from a band that is more than on the rise as truly excellent songwriters and performers."

Norwegian Grammy-Winning rock band Seigmen are back with a new album called "Resonans". Ask yourself the question: How many bands have maintained the same lineup throughout a career spanning over three decades? Just count and see how far you get. Seigmen is and remains Alex, Sverre, Noralf, Kim, and Marius. Seigmen's new album Resonans echoes the essence of a longstanding friendship. A strong bond among five guys who found each other through music, learned to play instruments, and express themselves together. They solidified their friendship through muddy and sour tones from the rehearsal room on the old submarine quay, down into a basement in the city center, out to a barn outside the city, up on the heights near the old library, down into the mountain beneath the same hill, and back to a rehearsal container at the old shipyard. Always tied to their home town, Tonsberg in Norway. Resonans is the reverberation of endless evening rehearsals, weekends with "lefse" and freshly ground coffee in thermoses, and syncopations. Smiles, conversations, and gossip. The hard, precise, and long-term work. Love and art. Resonans is guts and integrity, demonstrating the uncompromising nature that Seigmen has always represented.

Limited purple vinyl. Norwegian Grammy-Winning rock band Seigmen are back with a new album called "Resonans". Ask yourself the question: How many bands have maintained the same lineup throughout a career spanning over three decades? Just count and see how far you get. Seigmen is and remains Alex, Sverre, Noralf, Kim, and Marius. Seigmen's new album Resonans echoes the essence of a longstanding friendship. A strong bond among five guys who found each other through music, learned to play instruments, and express themselves together. They solidified their friendship through muddy and sour tones from the rehearsal room on the old submarine quay, down into a basement in the city center, out to a barn outside the city, up on the heights near the old library, down into the mountain beneath the same hill, and back to a rehearsal container at the old shipyard. Always tied to their home town, Tonsberg in Norway. Resonans is the reverberation of endless evening rehearsals, weekends with "lefse" and freshly ground coffee in thermoses, and syncopations. Smiles, conversations, and gossip. The hard, precise, and long-term work. Love and art. Resonans is guts and integrity, demonstrating the uncompromising nature that Seigmen has always represented.