Suche:dj s 4

Following the success of their 4th album 'Malamore' released in April this year, French duo The Limiñanas have now trusted London star DJ, producer and friend Andrew Weatherall to remix the flagship single Garden Of Love (feat. Peter Hook). The collaboration has resulted in two unique remixes. When we released Je Ne Suis Pas Très Drogue in 2009, Andrew played it in his radio show in London. Then Bernie Fabre contacted me because Andrew wanted us to play in his festival De La City A La Cité in Carcassone. That's how we met. When we worked with Peter Hook, the idea of a maxi with one or two remixes made sense. So we did this record with the original edit of Garden Of Love and two remix edits by Andrew Weatherall. - Lionel Limiñana

It is very difficult to present David Duriez without writing an encyclopedic tome as its influence on the House music in France was decisive. Since its inception in 1992, David released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020Vision, Ovum, Systematic, Pokerflat, F Communication, Under the Counter, Stickman, Crosstown Rebels, The End, etc .. (the list is long, see Discogs to be convinced) and as many remixes for some of the greatest artists (think Moby, Dj Sneak, Gemini, DJ Hell, Llorca, Telex, Random Factor, Johnny Fiasco, Paul Johnson, Jori Hulkkonen, Ralph Lawson, Random Factor, Kenny Hawkes or Mr.C).

Founder of the label Brique Rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as Robsoul with Phil Weeks, Freak n'Chic with Dan Ghenacia (from Apollonia) or Rz Muzik. At a time when David had federated online the cream of the House producers via a forum (far and long before social networks), Ivan Smagghe had nicknamed him "the producer of the producers." , A true House Music activist,

But most of all David Duriez is a devastating dancefloor DJ, He did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. Truly one of the most important players in the French electro scene, David is back on tracks after a few years hyatus. But don't call it a comeback because he has never really gone awol, he has been watching the scene and now he's back in the studio. You can expect a (very) long serie of releases for 2016, you have been warned!

Modularz 25 Produced by South American Techno Queen Adriana Lopez who now resides in Barcelona. The Colombian born Producer & DJ has been putting out music on Modularz for a few years as well as her own imprint Grey Report. This is her first full EP on Modularz and were very happy with the results. Four driving techno cuts that are made for non stop mixing. All the tracks on the ep are great for the club or the warehouse.

Enjoy.

With his first EP on Orbis, Binny is ramping it up, once again.
We're very pleased & honoured to host him, his 11th appearance on a vinyl record so far.
Someone to watch out for!

"Resistance" & "Infinite Ratio" has a brilliant hypnotic tension to it.
We won't bother explaining these two. Simply Binny, UK tension building up and excellent for playing 3 decks.
Excellent DJ tools.

On the B-side, Lee takes it to the raw side of analogue techno.

Lee Holman, a veteran that should ring a bell.
Performing in clubs since the late nineties, he has travelled throughout Europe compounding a reputation for his unique vision on Techno.
Production has earned him international recognition, leaving his mark building a reputation for consistency, originality and delivering his dynamic sound on both cutting edge and classic Techno Labels. In other words, Perfect Orbis material!

"Instructional" is no-nonsense raw material, the way Lee likes to build up his tracks.
Straight forward. No compromises. Plain old good techno.
If you're a fan of some older and raw flavoured repetitive techno, you'll want this to light up the dancefloor!

"Urbanite" well. Quircky, filthy, heavy, stomping,... You get the picture.

We're very honoured to host these the gentlemen,
as we're convinced they are a very good fit that matches our vision: transcending mediocre electronic music.

TS08 is the 3rd EP of the TONE SERIES project and in line with the previous two releases TS09 and TS10. However, its two tracks HAWAIAN JAM and 24 BAR PER DAY present rather refreshing grooves, right on time for the summer.

HAWAIAN JAM makes you feel like in a Jeep, driving around the Hill of Mauï while looking at the best waves. And whereas HAWAIAN JAM follows the rythm of cutting edge and caraibian slide guitars with a touch of reggae, 24 BAR PER DAY unveals jumping drums and druggie pumping sounds surrounded by bitchy voice cuts.

With regard to the artwork, as shown on the cover, each track has its own colour. There is neither a A nor a B-side. The same applies to the record vinyl itself. Each track stands on it own. As a result, HAWAIAN JAM and 24 BAR PER DAY distinguish themselves from each other through their vibes and colours, although they remain in the same spirit.

TONE SERIES was born from the collaboration between Villa's former bouncer (one of the most underground clubs of Berlin) - Wolfram, French music producer, live performer and DJ - David K, and LumièresLaNuit's co-founder and An der Grenze's
founder - Edouard. In summary, TONE SERIES brings together the idea of interdependence between music and design: what colour follows on from music and, in return, which musicality
comes out of colours.

Vinyl Only

Anunnaki Cartel is up next with another release from label co-owner Chris Mitchell. This is his follow up to the Din Gir Dialectic EP that was released last year. Remnants is a more introspective outing with a sobering feel. These are heady selections for a darker floor, and will satisfy those DJ's who want to inject this into their sets.

Philippe Quenum returns to Cadenza Music with 'Solitaire', some thirteen years after helping kick start the Swiss label with the 2003 release 'Orange Mistake'/'Funky Dandy'. This groundbreaking single, co-produced with Luciano, has since become a landmark release, not just for the label, but also as the benchmark for the micro-house and minimal tech-house genre that developed over the decade. With a music career than spans back to the mid-80s (dancing in NYC as part of the breakdance troupe, The Magnificent Force), Quenum found his forte with house music, both as a DJ, and as a producer and label owner. Setting up the Access 58 label in 1998 as a platform for his music and collaborations, Quenum has consistently released over the years for labels like Crosstown Rebels, Soma, alphahouse, Thema and Trapez LTD. 'Solitaire' finds Quenum on fine form; on the lead track, dubby FX and bass shaking shots roll out over an urgent disco beat, muted brass and technoid stabs fire from all directions as the tension building pads flourish. Shadowy forces are at play on 'Mystic'; discordant sounds echo and bellow over reverberating percussion and a dense back beat that fire into life with shuffling hi-hats. Wrapping up this welcome return to the label is 'Mystery'; whipping snares and industrial clangs rumble over the urgent drums for more hypnotizing dancefloor work from Philippe!

Chances are you've already danced to one of his sets at Panorama Bar - Matthew Styles has been a regular guest DJ at the club for several years -, but you've probably also come across at least one record with music that went through the Englishman's meticulous hands. While Matthew has released great but small numbers of 12"es on various labels since 2007, his credits in mixing, engineering and mastering exceed his solo discography by far.
With the Metro EP we're finally offering a full solo release by Matthew Styles on Ostgut Ton, accounting for his consistent productional finesse, especially with his original track "Liquid Sky" (on Nick Höppner's Panorama Bar 04, 2012) and his 'Dub Mix' of Dinky's "Planes" (on Ostgut Ton / Zehn, 2015).
"I've never worked on a sequential set of songs that came out on the same record," Matthew commented on this 12". As with his productional approach in general, the Metro EP has a certain timelessness: "One piece is from 8 years ago, one from 3 years ago and another from around the time of the recent birth of my second son. I'll leave it up to the listener to guess which is which."
The eponymous "Metro" on A is an elated seven-minute, trippy, meandering analogue synth exploration in House and Cosmic Disco. "Wave 6" opens the flipside with a simple yet beguiling melody: 6 notes dancing completely beatless in 5/4 time, meandering repetitively and escalating towards a blissful - yet only anticipated - climax. "Border" on B2 is a solid addition to the long history of Dub Techno - smooth, steady, super layed back, but also offering many colorful melodic elements.
(de) Gut möglich, dass du schon einmal zu einem seiner DJ-Sets in der Panorama Bar getanzt hast - Matthew Styles spielt seit Jahren regelmäßig am Wriezener Bahnhof -, aber sicherlich hast du wenigstens eine Platte gehört, die vorher durch die akribischen Hände des Engländers gegangen ist. Obwohl Matthew seit 2007 tolle aber wenige 12"es auf verschiedenen Labels veröffentlicht hat, übertreffen seine Credits als Mixer, Engineer und in Mastering seine Solodiskografie bei weitem.
Mit der Metro EP hat Ostgut Ton nun endlich ein volles Solorelease von Matthew Styles im Angebot, das seiner konsistenten Produktionfinesse - besonders bei seinem Track "Liquid Sky" (auf Nick Höppners Panorama Bar 04, 2012) und seinem 'Dub Mix' von Dinkys "Planes" (auf Ostgut Ton / Zehn, 2015) - Rechnung trägt.
"Ich habe noch nie aufeinanderfolgend Stücke produziert, die dann auf derselben Platte erschienen wären", kommentierte Matthew diese 12". Wie generell bei seinen Produktionen besticht die Metro EP durch eine gewisse Zeitlosigkeit: "Ein Stück ist acht Jahre alt, eines von vor drei Jahren, ein anderes von kurz nach der Geburt meines zweiten Sohnes. Die zeitliche Einordnung möchte ich dem Hörer überlassen."
Das gleichbetitelte "Metro" auf A ist eine beschwingte 7-minütige, trippige, mäandernde Analog-Synth-Erkundung in House und Cosmic Disco. "Wave 6" beginnt die B-Seite mit einer einfachen aber betörenden Melodie: 6 Noten tanzen beatbefreit im 5/4-Takt, treiben repetitiv und ansteigend auf einen beseelten - aber nur erhofften - Höhepunkt zu. "Border" auf B2 ist eine solide Dreingabe zur langen Geschichte von Dub Techno: sanft, stetig, super entspannt, aber mit vielen melodischen Elementen.

It means Noisy Stars'' - Fergus Lawrie.

So it's coming up for the 20th anniversary of the We Are Urusei Yatsura' album, so what better time to look back at the broken Woolworths guitars, damaged eardrums and bleeding knuckles of Glasgow's lo-fi, Tokyo dreaming geek rock quartet

You could say it all began at the Glasgow Sound City event, when legendary BBC DJ John Peel came along to check out Urusei Yatsura at the 13th Note at the invitation of future Franz Ferdinand front-man Alex Kapranos. Liking the chaos that he saw, Peel invited the band to record a session for his show, asking live on air while guitarist and singer Graham Kemp was visiting the studio to talk about his Kitten Frenzy' fanzine the next day.

Peel arranged for us to record the session in Glasgow' says Kemp, We didn't have any amps or any money to get to London.' Producer Stewart Cruickshank told the band that it was the first Peel Session recorded outside of Maida Vale since the Undertones. So no pressure there then.

This began a long association with John Peel and the BBC, which saw the band record 5 Peel Sessions, 3 Evening Sessions for Steve Lamacq, play live to air for Mark Radcliffe, and appear regularly on Radio Scotland for John Cavanagh and Mark Percival. Digging through old C-90's that had been partly taped over with that week's charts, the band have pieced together a compilation of the best tunes for you, the discerning 90's indie rock aficionado.

..they sounded a bit like the Saints' - Thurston Moore, SELECT

Some of the recordings we did for the BBC, I think, are better than what eventually made it onto vinyl. We did Kewpies Like Watermelon' live in the control room for Radio Scotland and we had just learned it so it sounds really fresh and exciting. The version of Siamese' is the best we ever captured, and I love the Dice/Nae Dice' tune we wrote especially for Peel'. - Kemp

The challenge of recording and mixing four songs in a single day brought out the best in the band, and suited their impulsive, DIY rock n' roll spirit. The album, available on CD and vinyl, features 11 songs, including session versions of 6 singles, choice album tracks and live favourites from the only band who have been threatened by both the Yakuza and the Mafia (the latter incident generating the hilarious headline Nerds Threatened With Death' in the Sun newspaper'). The band have decided to call this hand-picked selection of the highlights of an eight year career', You Are My Urusei Yatsura, BBC Radio Sessions.

Other highlights of said career include, a number one indie single with a video shot in a Star Trek themed bar (Phasers On Stun), a Peel Festive Fifty placing (Kewpies Like Watermelon) an actual top 40 hit (Hello Tiger), numerous chaotic tours of Europe, UK and USA ,narrowly surviving a collapsing stage at Benecassim and a tent fire at Phoenix Festival, releasing three studio albums and 13 singles (including splits with Mogwai, the Delgados and the Blisters), taking Mogwai, Eska and Pink Kross on their first UK tours, supporting Super Furry Animals, Pavement and Teenage Fanclub, playing at Roskilde, Reading and T In The Park festivals, The CMJ festival in New York and MIDEM in Cannes.

The band consisted of the writers Fergus Lawrie (guitar and vocals) and Graham Kemp (guitar and vocals), with brother and sister rhythm section Elaine and Ian Graham on bass and drums respectively.

What Ever Not is the variegated music outlet from experienced Dodi Palese and Dan Mela, Italian DJs and producers supporting, selling, playing and releasing instrumental and dance music for two decades. What Ever Not tenth record, 'Galegos Bar / The Ritual', sees a split release signed by Dan Mela and Marco Erroi. Label co-founder Dan Mela inaugurates a new moniker 'Man Dela' for 'The Ritual' - the original track gets remixed by Anton Zap, with whom Mela already collaborated for a digital release on his own Ethereal Sound. Flipping on the other side, Marco Erroi, head of Common Series Ltd, continues his production career with 'XXXV Gold Fingers' for the 'Galegos Bar' side - one of the many different aliases he personifies - also contributing by realizing the artwork. 'Galegos Bar / The Ritual' offers two sides of the same coin and we can have both things with one stroke. The common denominator is the ethnical ritual. It is fully expressed in the Man Dela side with deep and hypnotic ride out turned upside down by Anton Zap with a dynamic electronic waltz. The same item, however, is magically hidden in the XXXV Gold Fingers side, where we can find it in the form of drink beer and play cards just like in most terrible bars in South of Italy.

mathias kaden's project "mathimidori" is back to mule musiq since our first release in 2013.
this time he teamed up with japanese female singer shoco (she is actually girlfriend of our friend "dj pige"). it's a great mixture of atmospheric tech house and cool japanese poetry reading.

Alleviated Records is proud to present the first edition of ''Underground Files''. We hope to introduce you to new Artists/Producers/Technicians with this series. This first edition includes selections by 2 Memphis-based dj/technicians/producers, Adam Arthur and Michael Kuntzman. Side A features Arkansas native Adam Arthur starting off with ''Rogue Intent''. If you're looking for radical-pumping house, look no further to get your crowd going crazy on the dancefloor. Next, we change the flavor a bit with ''Flamenco'' for when you need some downtempo warm seductiveness. Side B features 2 selections from Memphis dj/producer Michael Kuntzman. First up is ''Shutter'' with a bumping sci-fi-house flavor. Then we have ''Mondane'' with a pumping abstract-tribal-surreal tone. We hope you enjoy these for many years to come! Musically yours!

Vinylmania: As classic disco came bounding through the late '70s and into the electronically orientated sounds of the '80s, New York was one of the undisputed frontiers for the latest developments in dance music culture, nightclubs and the art of DJing. At the center of this seminal time for vinyl culture was a store called Vinylmania, set up by Charlie Grappone in the heart of Greenwich Village, Manhattan, just as the culture of 12-inch singles and promo copies was taking hold. From supplying Levan, Tony Humphries and many more with the latest imports to championing the emergence of house music in the mid-'80s, Grappone and his staff played a significant role in New York's own dance music story. Through the '90s and up until closing in 2007, Vinylmania was a store that catered to DJs from across the complex mixture of racial, social and sexual demographics that made up New York and its legendary nightlife. Man Friday: As the NYC Peech Boys came to an end, Man Friday became Larry Levan's newest production project. Fronted by Kofi Morny and Brodie Williams, their dubut single 'Love Honey, Love heartache' was released by Vinyl Mania in 1986 with Larry Levan at the helm of the mix. Love Money: In the spirit of most dance music borrowing elements from other sources, 'Love Honey' was heaviliy inpired by another Paradise Garage & Loft classic from 1980 and its remix in 1981 by UK Outfit Funk Masters / TW Funkmasters. A dubbed out track big in the Jazz-Funk scene in the UK, it became a hit among underground Deejays in Both NYC & Chicago. Love Honey: No matter what list you look at. 'Love Honey' is always attached to Larry Levan's tenure at the Paradise Garage. All the elements of a Garage Track are here; Dub Echoes, Synth Basslines, Percussions that linger, FX -that one can only dream of hearing on a Richard Long System- and an Organ, because after all, they say the Garage was like going to Church. Remember when you'd buy a record after hearing it at the Club We miss that. As a result, We are proud to Introduce Get On Down Sound with the aim to bring back our favorite Dance 12's to a new generation of Vinyl-DJs. Re-mastered for optimal club use, these are official re-issues of some of Dance Music's most influential cuts.

De Sluwe Vos (Dutch for 'The Sly Fox', a name derived from Aesop's fable of the Fox and the Crow) is the newest addition to the Dutch house and techno scene. His productions are supported by artists such as DJ Sneak, Joy Orbison, Boddika andBicep. Moreover, De Sluwe Vos has a packed tour schedule and travels many miles for all his national and international gigs.

With strong hooks and dirty kicks as his specialities, De Sluwe Vos has released multiple tracks on labels like 4Lux and Slapfunk. Lately, this cheerful producer from Dutch city of Deventer has even been gaining a foothold in the pop scene. His gig at Noorderslag did not go unnoticed: national music platform 3voor12 named him the best act of the festival.

De Sluwe Vos mixes various styles to create his own 'signature sound' with which he manages to constantly keep himself at the center of attention. His 'OG Anthem' is possibly one of the most notable tracks of the moment, this underground hit found its way to the surface and received airplay on both Dutch radio station 3FM and BBC Radio1.

With his discography, De Sluwe Vos is constructing a steady career. But he's not one to stay hidden away in the studio: he's at his best when dominating dance floors in clubs and at festivals. His ultimate goal is to bring the crowd to a higher state of mind, where worries simply disappear and the music takes over. Time and time again, De Sluwe Vosprovides proof for the big bang theory with his performances. Whether it's at Awakenings Festival in the Netherlands or at Together Festival in Cardiff: during his shows he is pure energy. His duet between his Roland TR- 909 drum computer and turntables is always a bold endeavor, just like his stage diving.

The fact that he is a fixture of the club scene is proven by his monthly international gigs, his own night The Core and his notorious live act. With the audiovisual show 'Kontra live', De Sluwe Vos is well underway to becoming 'one of the greats'. And that's no fable!

Label from London's E1S acid techno dj Acid Steve. Feat. The OB1, Acid Steve, Sterling Moss & Darc Marc and Tik Tok!

(Frequency / The Nighttripper) Vinyl part 2 / 4 of the Orlando Voorn COLLECTED double CD what we believe is the best from the Dutch producer in his early days. This EP focuses on the early '91 rave side of Orlando Voorn. Classics!
Second Ep (of four) announcing the forthcoming Orlando Voorn COLLECTED double CD that will showcase what we believe is the best from the Dutch producer in his early days. This EP focuses on the early '91 rave side of Orlando Voorn and gather on one slice of wax 4 sureshot thrilling techno classic and moving warehouse tracks for the most hardcore djs.

Londoner Endgame is a new addition to the Hyperdub roster after releases on Lisbon's Golden Mist Records, and NYC-based Purple Tapes Pedigree. Endgame hosts an excellent monthly show 'Precious Metals' on NTS and produces and DJs as part of the Bala Club crew (also featuring Uli K, Kamixlo and Rules) who are regulars at Lexxi's occasional club night 'Endless'. He already has mixes and features with the likes of the Fader, Fact, Dazed and Confused and ID under his belt in the short time he's been releasing music. In his ice-cold productions, Drill, Grime and most notably South American dance riddims are threaded and mutated into tracks that he describes as an ever-evolving vision of the dystopian underbelly of London. 'Felony Riddim' is an icy introduction to the EP, an explosive club jam with a menacing and stabbing chime melody leading up to a pounding kick drum. It's all out war, but you can definitely roll your hips to it. 'Sittin' Here Redux' recasts Dizzie Rascal's 'Boy In Da Corner' opener into a tense anthem, with police sirens wailing in the background, dogs barking, and rolling 808 snares that bring a vibe somewhere between reggaeton and drill. Next up is 'Fallen' featuring the MC Organ Tapes - a slow burner that works both as a moody headphone track or a club slow jam. Organ Tapes' slurred autotuned vocals flow perfectly with Endgame's blend of grime drums and chiming rap production. The EP finishes as it began, going out with the explosive and high-energy 'Toxic Riddim'. It's a mix of reggaeton and futurist dancehall, with a menacing melody and relentless electric shock-like hi hats across a deep sub. Endgame takes you all around the world - but the ice-cold tone unmistakably brings you right back to winding in a dark club in London's culture clash

Re issue of the classic Heavy Disco remix of Kate Bush. This edit has been a mainstay of many DJs' playlist over the years. It's a deep, throbbing, psychedelic monster with added keyboards and efx. Absolutely essential! one sided Limited pressing act fast!!

MONDO DISKO club has been, for over the past 16 years, the flagship for discerning electronic music lovers and dancers in Madrid. With a loyal and enthusiastic crowd and a booking policy that combines a selection of solid resident djs alongside a list of high quality international artists, creating a record label seemed to be the most reasonable step to follow..

MONDO DISCOS is born as an extension of the club, with the sole intention of bringing to light musical projects that excite us, projects with which we feel particularly identified.

For our first reference, which we found particularly important as it will set the tone, we have a very special and mysterious proposal called MENTHO. This is the brand-new side project of a well known house duo that wishes to remain anonymous for now, and wanted to dig deeper into their more experimental side

Teo's Sock consists basicaly on a mix of electronic, experimental music, halfway between mental electronic vibes and instropected techno. Polirithmic and intrincate patterns with an afro sounding background, deep and moody synth work and an overall endless melodic vibe.