Buscar:dj thi

Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.

A1 - Tried So Hard
Intensely atmospheric from the outset, Tried So Hard sees ASC explore a more minimal approach to breakbeats with sparse drums and kicks tentatively held at arm's length by imposing hi hats. Dripping with depth and a dense layer of synthwork enveloping the landscape, this unique track develops continually with a suite of interlocking effects while the vocal yearns "I've tried so hard" - both haunting and thought provoking.

A2 - Parallel Seas
Cheery synths and lively bongos introduce us to Parallel Seas, which quickly becomes a glorious, powerful amen workout providing that perfect blend of atmospheric bliss alongside crunchy, analogue amens programmed with ASC's exquisite attention to detail - crashing triumphantly to an upbeat rhythm, littered with rousing vocal hits, elegant synthwork and nods to yesteryear galore.

AA1 - Alacrity
An energetic, surging breakbeat powers Alacrity as ASC utilises breaks reminiscent of classic driving atmospheric tracks of the past from scene legends including Intense and Artemis. Uniquely constructed with a pulsating, fluid energy, the break pattern utilises relentless kicks, cymbals and a wonderful long snare primed to move the dancefloor as synths wash and a lush vocal whooshes along in ecstasy.

AA2 - Glimmer Of Hope
Jumping straight in with a DJ-friendly beat intro, ASC selects a crisp, definitive selection of old school cuts for Glimmer of Hope, chopped and served with a barrage of sci-fi effects, micro melodies, a bellowing, rumbling bassline and a serene intensity driven by dreamy pads resulting in a perfect patchwork of elements, offering endless layers of detail for your ears to pick through with each listen.

Words by Chris Hayes (Spatial / Red Mist)

This Pink Lambo’s EP rides smooth with a hip-house bounce, that trunk-rattling bass, and a touch of Miami flash. Retro flair, rooftop energy — strictly for those who move slick and think fast.

Tunnel was made in Naples in 1978 by Giorgio Verdelli and Danilo Rustici only on 7inch and it was the theme song for two RAI radio programs. Going through the names of the musicians we begin with the inimitable voice and the splendid guitars of Danilo Rustici, then passing through the saxophones of Enzo Avitabile we arrive at the keyboards of Joe Amoruso, musician-arranger who left a great void with his untimely death. For Joe, who crossed his experience with Premiata Forneria Marconi, Zucchero, Vasco Rossi, Mauro Pagani and was part of that 'dream team' of Pino Daniele - made up of technically extraordinary musicians, but above all gifted with an inimitable sound - this one-off project represented his recording debut. 'Tunnel Lights' and 'Speed Up' have been brought to light by Dario Di Pace and Claudio Casalini, two visionaries who believe that Neapolitan music is a sonic mixture of ancient and modern musical registers even if it sometimes develops a conflict between tradition and modernity as the recovery of popular tradition is strongly opposed to the push for innovation. This therefore is the reason for a 12" reissue in which the evocative original songs - from almost 50 years ago - are reflected in the new versions created by a bevy of talented DJ-arrangers including Massimo Berardi (with the bassist Luca Andreozzi) and by the industrious and passionate Francisco & Malkuth (ed: Francesco De Bellis and Cosimo 'Cosmo' Mandorino in disguise) in turn assisted by other zealous musicians and dee-jays - including the very good and always very collaborative Raffaele Arcella - who took part in a remix of this EP with enormous fervor The 12" reissue of Tunnel was released both on the classic black vinyl and in the very limited red vinyl version, in order to reflect the lips of the extravagant cover, a graphic work by another brilliant and multifaceted artist: Lino Vairetti, legendary singer of the historic prog rock band Osanna. The envelope developed by Best Record is embossed (front and back cover) to further enhance the passion that Neapolitan musicians have always had in knowing how to combine their roots with all the other musical genres of the world.

LILAS06 — FEDO
For its sixth chapter, Lilas Records shines the spotlight on a rising voice in the Eastern European minimal movement: FEDO.

Hailing from Ukraine and of Greek descent, FEDO is more than a producer — he’s an architect of acoustic space. With a seasoned background as a DJ and sound designer, he bypasses genre boundaries, carving out his own distinct path between deep minimalism and textural innovation.

On LILAS06, he delivers four original tracks that encapsulate his sonic philosophy:

Precision without coldness, groove without compromise.

Feather-light percussion meets rolling basslines, wrapped in immersive atmospheres and delicate spatial play.

Here, minimalism is no longer austere — it becomes expressive, hypnotic, and profoundly human.

Limited to an exclusive run of 200 copies, this release has already garnered fervent support from a distinguished roster of industry heavyweights including Raresh, Reiss, Ramona Yacef, NTFO, Enzo Siragusa, Silat Beksi, and more.

LILAS06 isn’t just another record — it stands poised to leave an indelible mark on the global underground music scene.

After a string of mesmerizing digital releases and steadily building momentum in Europe’s club circuit, Swiss DJ and producer Audrey Danza marks a major milestone: her debut vinyl EP, titled Laughing in 4D, out this July on .

A six-track excursion through shifting emotional states and tightly wound rhythmic explorations, Laughing in 4D captures Danza’s signature tension between restraint and release. Twisting basslines stretch, snap, and spiral through layers of percussion, driving textures, and off-axis melodies — a sonic palette that feels both introspective and deeply physical. Hints of Psy-Trance, Techno, and House swirl through elastic grooves — equally suited for deep listening or peak-time disorientation. Her tactile, percussive movement ripple with tension, curiosity, and sly humor — true to the artist’s reputation for weaving high-pressure rhythms with emotional nuance. Known for her distinct and dynamic presence behind the decks, Danza has quickly become a name to watch in the contemporary electronic music scene. This first physical release captures the same refined yet playful approach to a contemporary club sound that has defined her growing reputation as a DJ.

Two decades after its original release, the trance classic “The Morgan’s Wave” returns in a fresh and contemporary form. Born in 2003 from the creative meeting between vocalist Caroline Eloy and producers Patrick Ketels and Xavier Romain, the track first gained attention through David Altrix (Galaxie Radio), and was signed by Diki Records in 2004 on its sub-label Green Valley.
In 2025, the idea to revive the track came from Caroline Eloy—now performing as Ce’Loy—who teamed up once again with David Altrix to envision a remix with a modern twist, keeping the original lyrics and piano melody while exploring a new musical direction.

They entrusted the remix to Narik (Freegrant Music, Bonzai Progressive, EinMusika), whose timeless production style brings a unique reinterpretation of the track. His version features deep, emotional textures and a subtle deconstruction of the vocal part, blending nostalgia with innovation.

Now released on Clair Obscur, this 2025 remix also serves as a heartfelt tribute to Patrick Ketels, who sadly passed away a few years ago.
“The Morgan’s Wave (Narik 2025 Remix)” bridges eras with elegance — a moving reinvention of a beloved track, available soon on both vinyl and digital formats.

Français

Deux décennies après sa sortie originale, le classique trance “The Morgan’s Wave” revient dans une version fraîche et contemporaine. Né en 2003 de la rencontre créative entre la chanteuse Caroline Eloy et les producteurs Patrick Ketels et Xavier Romain, le morceau s’est d’abord fait remarquer grâce à David Altrix (Galaxie Radio), avant d’être signé en 2004 par Diki Records sur son sous-label Green Valley.

En 2025, l’idée de raviver le morceau germe dans l’esprit de Caroline Eloy — désormais connue sous le nom de Ce’Loy — qui s’associe de nouveau à David Altrix pour imaginer un remix à la fois fidèle et modernisé, conservant les paroles originales et la mélodie au piano tout en explorant une nouvelle direction musicale.

Ils confient cette mission au producteur Narik (Freegrant Music, Bonzai Progressive, EinMusika), dont le style intemporel offre une relecture unique du titre. Sa version déploie des textures profondes et émotionnelles, et déconstruit avec subtilité la partie vocale, mêlant habilement nostalgie et innovation.

Désormais publié sur le label Clair Obscur, ce remix 2025 constitue aussi un hommage sincère à Patrick Ketels, disparu il y a quelques années.

“The Morgan’s Wave (Narik 2025 Remix)” fait le lien entre les époques avec élégance — une réinvention touchante d’un morceau culte, à paraître prochainement en vinyle et en digital.

DJ FEEDBACK
Early support from Jam El Mar, Fedele, Township Rebellion, Themba, Roger Sanchez, Dan Marciano, DJ Fire, Tocadisco, Yalla Techno, Tom Leclercq, ….

Bangladeshi Born Producer Lady Tazz, debuts ‘Sleaze’ with a killer remix from Radio Slave this June. At the heart of Lady Tazz’s mission is Mind Medizin, her label and event series that champions the sound of kindred spirits, now inviting Radio Slave to the mix this June.

Lady Tazz has overcome many cultural obstacles to achieve her rightful place as one of Toronto’s foremost electronic dance exports. A renegade of sorts, as a teenager, she would regularly visit the UK and Germany without her parents’ knowledge to attend London’s Sound Academy and to party in Berlin, whilst continuing to pursue her aspirations of becoming a DJ.

The Bangladeshi producer and DJ is proud of her heritage but is realistic about the social expectations of throwing raves in her hometown. She moved to Toronto in her teenage years, where she grew up, educating herself on music and a place that has perfected a sound that remains organic and raw. Her record label and party series, Mind Medizin, taps into an erotic lifestyle that embraces the unconventional and free-spirited, which inspires and motivates Lady Tazz on numerous artistic levels.

For Mind Medzin’s latest release, Lady Tazz will drop ‘Sleaze’ on the 27th June, to include a special remix from Rekids founder and UK godfather, Radio Slave, making his debut on her label.
Foreboding and dripping with lascivious intent, ‘Sleaze’ brazenly stalks into existence by way of warping synth fills and glitching hi-hats. The lyrical component consists of a series of smouldering vocal hooks which salaciously enrapture one’s senses, tightly wrapping around the creeping melody before succumbing to the beat’s stomping dominance.

On the flipside, Radio Slave’s remix revs and fires with shots of ringing overtones atop a deep thud, husky vocal and swooshing cymbals. Whilst upping the ante of the original, its stripped-back charm remains, culminating in a moody, chugging rework bubbling with tension and fraught with Radio Slave’s brand of dark, fractured house.

The duo of DJ producers DJ Marrrtin and Deheb reunite after a five-year hiatus, during which they each pursued solo
projects. Deheb released the LP Jazz Mirrors, while Marrrtin put out a Disco Funk EP titled Aktshun, a hip-hop album La
Pie Bavarde in collaboration with Dayton, Ohio rapper Tino, and his third solo project Cyclothymix.
They return with a new 11-track album steeped in Jazz-Funk flavor, blending heavy breakbeats—recalling their earlier
albums that have been featured at major international breakdance events—with nods to their shared influences: Jazz, Latin
Funk, Hip Hop, Psychedelic Groove, Library Music, and Blaxploitation soundtracks. The record plays like an imaginary film
score, a sonic illustration of a relentless chase scene—picture The J.B.'s jamming with Piero Piccioni, accompanied by
Mongo Santamaria.

The album features a lineup of international collaborators, including:
Saucy Lady (USA) on Tambourine,
Felix (Fusik, USA) on Payback Run,
Roma Scotch (True Flavas Band, Russia),
Leo Debroise (Namas Trio, France),
Medline (My Bags, France),
Louise Chavanon, an incredible 18-year-old flutist from France,
and Antoine Laloux (The Selenites Band).
This album further develops the duo’s signature sound—a perfect blend of powerful grooves and deeply soulful musicality.

500 Copies , Covers hand made screenprinted and Hand Numbered
400 white with Black ink
100 with various colours

Italian DJ Plant Texture drops ambitious techno odyssey 'Mondo Nuovo' on Mutual
Rytm sub-label, X.

Bari-based underground mainstay Dona Basile, aka DJ Plant Texture, has been crafting forward-thinking techno for a decade, releasing on leading labels from Ilian Tape to Tresor Berlin. Adding to his rich catalogue, his label debut on SHDW's Mutual Rytm sub-label X is a homage to the spirit of space travel. With the label boss already a long-time fan and having dropped tracks from this EP in his sets for a while, the partnership creates an ideal match for an artist and label looking to push the boundaries of the genre. With Basile's distinctive style perfectly fitting with the label's vision, each of the productions provides a tribute to space exploration - fusing analogue hardware and deep rhythmic invention while channelling everything from early sci-fi cinema to the 80s ambient soundtracks. "Space exploration is the ultimate metaphor for creative freedom. This album is my way of sonically mapping the cosmos, not through melody but through mood, modulation and motion", notes Basile.

Opener 'Wormhole' is a raw, driving sound with synth pulses and jacked-up drums for peak time chaos, while 'Echoes' evokes ramps it up further with panel-beating percussive loops, earth-shattering bass and twisted stabs. The title track pairs more physical and booming drums with introspective synth craft that encourages deep thought. 'Flex The Beat' is the first of two digital only cuts and offers a chaotic collision of overdrive percussion, manic vocal loops and reversed stabs for utter dance floor carnage, before 'Let It Go' (Jungle Mix) provides a dark exploration of
frenzied jungle breakbeats with drilling bass to close the offering.

FCL presents Can We Try — A Deep House Anthem remixed and
remastered for 2025 including flips from Jimpster, Ben Hixon & Deetron

The ever-reliable FCL—aka Belgian house heroes San Soda and Red D—are back on the block with this remastered remix package of Can We Try, a soul-drenched dancefloor meditation that taps into the timeless tension of love and longing. With its raw vocal hooks (courtesy of Lady Linn), analog warmth, and stripped-down groove, the original cut is pure FCL: emotionally rich, effortlessly deep, and aimed straight at discerning dance floors.

Bringing fresh heat to the 2014 original, three heavyweights of house and techno step in for remix duties—each reworking the track in their own signature style:
Jimpster injects his trademark deep, jazzy finesse, flipping Can We Try into a swirling, soulful roller—lush pads, Moog flourishes, and enough swing to keep bodies moving and hearts locked in. Ben Hixon, the Dallas-based underground wizard, lays down a chunky, hardware- heavy rework full of crunchy drums and woozy funk. It's lo-fi soul with hi-fi intent. Deetron closes it out with a peak-time bomb—big room pressure, hypnotic bass, intense stabs and the kind of tension-release dynamics that only a true craftsman can deliver.
This limited-edition white label 12" vinyl is circulating in the wild—no frills, no hype, just a nod to those who know. Pressed loud and cut for the floor, it’s already making waves in the bags of tastemaker DJs from Berlin to Brooklyn. Can We Try is a reminder that dance music doesn’t need to shout to speak volumes. With this return, FCL prove they’ve still got their finger on the pulse—and their heart in the mix

The title says it all - A Cellarful Of Motown! ..A Northern Soul Love Affair.

West Grand has been set up to mine the deep vaults of mighty Motown courtesy of a licence deal with Universal Music.

The first West Grand LP fuses two musical religions, Motown and Northern Soul.

In some ways they are unlikely bedfellows. Motown became known as Hitsville by churning out hit after hit, while Northern Soul passion is fired by a constant search for the unknown and the obscure.
The 16 tracks here - on incredibly the first Motown various artists vinyl album released worldwide for 40 years - join the dots. All of them were recorded in the 1960s. None of them were released at the time, despite being prime examples of the sublime magic conjured up by Berry Gordy’s genius-like team of singers, writers, producers, arrangers and musicians at that tiny little snakepit of a recording studio on West Grand Boulevard in Detroit.

Motown authority Adam White’s album sleeve notes confirm just how productive that studio was. It often ran 24 hours a day, 7 days a week.
As a result, lots of the most sublime music ever made was somehow rejected for release. It would have stayed unknown and unloved in tape boxes if it had not been for detective work by Soul aficionados turned detectives. That’s Northern Soul power. Many were DJs and collectors tracking down cassette copies or acetates (some of them found in rubbish skips and about to be destroyed). Others, notably Paul Nixon, the founder of the CD series A Cellarful Of Motown! which inspired this album, badgered the Motown gatekeepers so much they were eventually granted access to the forbidden kingdom.

Over recent years all the tracks contained here have been released—some bootlegged, some on legitimate seven-inch issues, some on CD, one download-only. The album proudly boasts debut vinyl release for some in the collection. All have been remastered and have never sounded better.

As a homage to Motown music makers + Rare Soul fanaticism, WEST GRAND believe we have come up with a classic.

Legendary Dutch producer Stefan Robbers returns to De:tuned with his first new Terrace album in almost 15 years entitled 'Branches'. In the early 90s, the well-respected Eevo Lute originator built a firm connection with the first wave of Detroit producers and since then he has put the city of Eindhoven on the worldwide techno map. This new 10-track album represents the trademark Terrace sound, expertly produced throughout extensive hardware studio sessions and completely mesmerizing from start to finish. A classic yet innovative exploration of Motor City techno with a unique Dutch twist.

Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

Legendary Dutch producer Stefan Robbers returns to De:tuned with his first new Terrace album in almost 15 years entitled 'Branches'. In the early 90s, the well-respected Eevo Lute originator built a firm connection with the first wave of Detroit producers and since then he has put the city of Eindhoven on the worldwide techno map. This new 10-track album represents the trademark Terrace sound, expertly produced throughout extensive hardware studio sessions and completely mesmerizing from start to finish. A classic yet innovative exploration of Motor City techno with a unique Dutch twist.

Al White and Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

Dentelles Records presents La Fontaine EP Vol. 2 incl tracks by Chris Lowone, Xylène, Greg All, & Francesco Marra



Following the success of its debut release, Dentelles Records — the sub-label of Diki Records founded by Greg All — is proud to unveil the second volume in the La Fontaine vinyl series. Rooted in the spirit of the Les Dentelles Electroniques festival, this new chapter continues to celebrate the vibrant and festive energy that defines the label.



La Fontaine EP Vol. 2 brings together four exclusive tracks crafted by artists closely linked to the La Fontaine experience. This edition features a groovy and soulful vocal house track by Chris Lowone, an impressive Afro House debut by rising talent Xylène, a high-energy and captivating vocal track by Greg All, and a punchy Tech House cut by Francesco Marra.



To make this release even more special, the EP is available both on digital platforms and as a limited edition transparent Curaçao blue vinyl, adding a colorful and collectible touch to the listening experience.



Once again, Dentelles Records delivers an inspired and festive selection that captures the essence of La Fontaine's dancefloor. A must-have for vinyl lovers, DJs, and all fans of vibrant electronic grooves.



Francais



Dentelles Records présente La Fontaine EP Vol. 2!



Suite au succès de sa première sortie, Dentelles Records — le sous-label de Diki Records fondé par Greg All — est fier de dévoiler le deuxième volume de la série vinyle La Fontaine. Inspiré par l’esprit du festival Les Dentelles Électroniques, ce nouveau chapitre perpétue l’énergie festive et vibrante qui fait l’identité du label.



La Fontaine EP Vol. 2 réunit quatre titres exclusifs signés par des artistes étroitement liés à l’univers La Fontaine. On y retrouve un morceau House vocal groovy et soulful de Chris Lowone, une première sortie Afro House prometteuse de la jeune talentueuse Xylène, un titre vocal énergique et entraînant de Greg All, ainsi qu’un track Tech House percutant signé Francesco Marra.



Pour rendre cette sortie encore plus spéciale, l’EP est disponible à la fois sur les plateformes digitales et en édition limitée sur un vinyle bleu curaçao transparent, apportant une touche colorée et collector à l’expérience d’écoute.



Une fois de plus, Dentelles Records livre une sélection festive et inspirée, capturant toute l’essence du dancefloor de La Fontaine. Un indispensable pour les amateurs de vinyles, les DJs et tous les passionnés de grooves électroniques vibrants.

Mood Child Presents ‘Various Moods Vol. 4’: Six Multi-Mood Tracks from Nick Curly, Joey Daniel, Wilder (ITA), and more

Mood Child, the forward-thinking label helmed by Sirus Hood and Manda Moor, proudly unveils Various Moods Vol. 4, a striking album of six genre-blending tracks that each bring a unique sonic perspective. Set for release on both vinyl and digital formats, this carefully curated collection showcases the label’s signature commitment to innovation, groove, and dancefloor energy.

Side A leans into classy, funky house vibes, while Side B ventures into wilder, tech-driven territory, offering a versatile listening experience for both crate diggers and peak-time DJs.

The compilation marks the return of German house icon Nick Curly, Italian heavy-hitters Wilder (ITA) and Mattia Scolaro, and rising Brazilian talents Las Heras and ROKKE, who teamed up with RAMOOX for a potent collaboration. Mood Child is also thrilled to welcome Dutch maestro Joey Daniel to the label for the first time.

London based Surusinghe creates percussive, bass-driven dance music, combining South Asian rhythmic ideas with UK-rooted sounds. Her arrival on dh2 is a surefooted four-track EP of tightly-wound club gear that sees her spreading out into exciting new realms. First single received multiple plas across 6 Music, Radio 1, NTS and Rinse FM. Press support from Dazed, Resident Advisor, Mixmag, DJ Mag, Crack and NME. Upcoming festival appearences including Gala, Love Saves The Day, Parklife and Glastonbury.

2025 Repress

HUGE CONGRATULATIONS TO MOXIE AND THE LOVE INTERNATIONAL X TEST PRESSING TEAM FOR WINNING THE BEST COMPILATION IN THE DJ MAG BEST OF BRITISH AWARDS 2025


“I feel really chuffed as a lot of work went into building this compilation,” beams Moxie, when we congratulate her on the award. “I also worked alongside a great team, including Dave Harvey, Ellie Stokes, Chez de Milo and everyone at Prime Distribution. I’d been manifesting working on a project like this for years, so when it all came together I was so happy with it. But to have recognition from the DJ Mag public vote is the cherry on the cake.”


Few artists have shaped their local scene quite like Alice Moxom under her celebrated Moxie alias. A born-and-bred Londoner, Moxie is a dance music powerhouse whose influence runs deep—from the grassroots to global stages. Her trajectory spans early teenage years digging for garage records, to dubstep sets at legendary club nights, to running her long-standing and beloved NTS Radio residency. For over a decade, she’s been a midweek staple on NTS, championing deep house, Detroit techno, and all things dubby, groovy, and percussive, while regularly platforming artists through guest mixes and interviews with icons like Jeff Mills, Four Tet, and Or:la.

Her latest endeavor, the Love International compilation, brings that wealth of experience to life. 'I’d secretly been manifesting this for a while,' Moxie admits. 'Love International has such a specific energy, and I wanted the compilation to reflect that—dubby, fun, euphoric, deep. It’s all the styles of music I love, pulled together in harmony. Being at Love International always feels like coming home. Whether it’s dancing in Barbarellas or sharing a smile with a stranger on the dancefloor, there’s this sense of unity that’s hard to describe. That’s why I chose ‘U Skladu’ for the sleeve—because that’s what it feels like: in harmony.'

DJ support from - Hector Romero, Marco Lys, Mousse T, Sam Divine, Vintage Culture, Ferreck Dawn, Mat.Joe, Claptone, Joseph Capriati, Claude VonStoke, Dennis Cruz, Huxley, Mark Knight, Format:B, Nic Fanciulli.

Riva Starr presents his fifth album 'Keep Me On The Dancefloor' on Snatch! Records.
An opportunity to demonstrate his growth as a producer and as an artist, the album showcases an unexpected Riva Starr sound – one that explores a fresh creative approach, focussing on songwriting, collaboration, and telling stories that are firmly rooted on the dancefloor.

Featuring collaborations with Chromeo, Flight Facilities, Harry Stone and more.
'The album was entirely crafted through writing sessions with talented musicians, writers, and singers. This approach brings something unique, as being in the room with other creatives adds an extra layer of creativity and depth, enhancing the production quality. Most of the tracks came together quickly, thanks to the incredible vibe and chemistry in the studio. Sometimes, the process needed a bit of back and forth and more than one session to perfect.' – Riva Starr

Fusing sounds that represent different eras of Riva’s career, 'Keep Me On The Dancefloor' wistfully and effortlessly glides between disco, funk, soul, filtered house, and even the guitar licks of classic rock; a sum of his career to date, it is a body of work that focusses on amplifying the positive moments, memories, and experiences that can only be found in music. Exploring what it means to connect with someone in the moment; a celebration of losing your inhibitions to the music and finding yourself completely in sync with someone you’ve only just met.

Charged with storytelling and heartfelt lyrics, his most personal work to date is the result of a considered approach to making music, one of collaboration with one foot still on the dancefloor, and the other firmly in the studio guiding an array of talent to build something unique with him. Moving away from the DJ-friendly cuts that have underpinned much of Starr’s career, the fifteen tracks on 'Keep Me On The Dancefloor' are much deeper. With singer Harry Stone providing catchy toplines and infectious vocals across at least half of the album, there is a clear maturity on display at every level.

Additional features come from electro-funk duo Chromeo on the irresistibly groovy 'I Was Lost', and Prince-esque vocals from Nic Hanson on '(I’ll Be Your) Paradise'. 'Know You Love Me' – the laid-back, sun-kissed cut with Flight Facilities – compliments the melancholy vocals of Biishop on “Wildfire” and the disco-infused 'It Feels Much Better' with Harry Stone.

Music is a tonic for the soul, but it feels much better with someone else.