quête:do
Expansion Records and PIR have got together for a series of souvenir 7” single releases to celebrate the 40th Anniversary of the iconic green label. There will be 500 pressed of each. Profile is huge around the PIR around the anniversary with PIR’s Kenny Gamble interviewed on Radio 2, Jazz FM, Smooth FM and in The Telegraph, Mojo, Blues & Soul and Manifesto. There’s also a “Philly 40” film being uploaded to social networks featuring interviews with Kenny Gamble and Tom Moulton around a series of commemorative releases. The 7” series focuses on the label’s most currently in vogue dance floor records and includes one previously unissued recording by The Jones Girls taken from the company’s Philadelphia vaults. Special PIR 40 logo and design will utilised for the label and 7” range sleeve for this collectors series. More to follow.
- A1: I Saw Her Standing There (Abbey Road, February 11Th, 1963 - Take 9)
- A2: There's A Place (Abbey Road, February 11Th, 1963 - Take 6)
- A3: Do You Want To Know A Secret? (Abbey Road, February 11Th, 1963 - Take 8)
- A4: A Taste Of Honey (Abbey Road, February 11Th, 1963 - Take 6)
- A5: Misery (Abbey Road, February 11Th, 1963 - Take 6)
- A6: From Me To You (Abbey Road, March 3Rd, 1963 - Take 2)
- A7: Thank You Girl (Abbey Road, March 3Rd, 1963 - Take 4)
- A8: One After 909 (Abbey Road, March 3Rd, 1963 - Take 2)
- A9: I'll Be On My Way (Paris Theatre, April 4Th, 1963)
- A10: Baby It's You (Paris Theatre, June 1St, 1963)
- A11: Love Me Do (Aeolian Hall, July 10Th, 1963)
- B1: Slow Down (Paris Theatre, July 16Th, 1963)
- B2: Crying, Waiting, Hoping (Paris Theatre, July 16Th, 1963)
- B3: To Know Her Is To Love Her (Paris Theatre, July 16Th, 1963)
- B4: Long Tall Sally (Paris Theatre, July 16Th, 1963)
- B5: Glad All Over (Paris Theatre, July 16Th, 1963)
- B6: You Really Got A Hold On Me (Playhouse Theatre, July 30Th, 1963)
- B7: Honey Don't (Manchester, August 1St, 1963)
- B8: Ooh! My Soul (Manchester, August 1St, 1963)
- B9: Can't Buy Me Love (Playhouse Theatre, September 7Th, 1963)
- B10: Hold Me Tight (Abbey Road, September 12Th, 1963 - Take 24)
- B11: Don't Bother Me (Abbey Road, September 12Th, 1963 - Take 12)
Repress.
- A1: Santa Claus Is Back In Town
- A10: My Wish Came True
- A11: Don't
- A2: White Christmas
- A3: Here Comes Santa Claus (Right Down Santa Claus Lane) (Right Down Santa Claus Lane)
- A4: I'll Be Home For Christmas
- A5: Blue Christmas
- A6: Santa Bring My Baby Back (To Me) (To Me)
- A7: Silent Night
- A8: Oh Little Town Of Bethlehem
- A9: Treat Me Nice
- B1: I Believe
- B2: Tell Me Why
- B3: Got A Lot O' Livin' To Do!
- B4: All Shook Up
- B5: Mean Woman Blues
- B6: (There'll Be) Peace In The Valley (For Me) (There'll Be)
- B7: I Beg Of You
- B8: That's Men Your Heartaches Begin
- B9: Take My Hand, Precious Lord
One of Dead Moons all time classics, filled with some of their catchiest & most rousing songs.
Rockers of the highest caliber such as ‘Destination X’, ‘Fire in the Western World’ & ‘Don’t look back’ as well as perfect ballads such as ‘You can’t do that’ & Out in the blues’.
An utter masterpiece of psychedelic rock straight from the heart. The most requested Dead Moon LP by Mississippi Records store customers!
- A1: P Lion - Happy Children
- A2: Duke Lake - Do You
- A3: 50 & 50 Brothers - Red Man
- A4: Anthony's Games - Sunshine Love
- A5: Flexi Cowboys - Domination
- A6: Jimmy & Suzy - Come Back
- A7: Spy 71 - Take Me...mr Love
- A8: Koto - Dragon's Legend
- B1: Valerie Dore - The Night
- B2: Radiorama - Vampires
- B3: Brian Ice - Talking To The Night
- B4: Scotch - Pictures
- B5: One System - Life Is Very Short
- B6: Dario Diviacchi - Waiting For Heaven
- B7: Arm - Number One
- B8: Ken Laszlo - Hey Hey Guy
Der legendäre Italo Boot Mix ist zurück !!
ZYX Italo Disco Boot Mix Vol. 1 knüpft an die großen Zeiten dieser Kult-Serie an. Zuerst gibt es die beiden Mixe als CD, einige Wochen später veröffentlichen wir die Boot-Mixe für alle Vinyl-Liebhaber als LP.
Auf Vol. 1 vertreten sind P. Lion, Duke Lake, Koto, Valerie Dore, Radiorama uvm.
- A1: I'd Do Anything For Love (But I Won't Do That) (But I Won't Do That)
- A2: Life Is A Lemon & I Want My Money Back
- B1: Rock & Roll Dreams Come Through
- B2: It Just Won't Quit
- B3: Out Of The Frying Pan (& Into The Fire) (& Into The Fire)
- C1: Objects In The Rear View Mirror May Appear Closer Than They Are
- C2: Wasted Youth
- C3: Everything Louder Than Everything Else
- D1: Good Girls Go To Heaven (Bad Girls Go Everywhere) (Bad Girls Go Everywhere)
- D2: Back Into Hell
- D3: Lost Boys & Golden Girls
25 Years after it was released, the 16x platinum selling Bat Out of Hell II: Back Into Hell is to be repressed on vinyl for the first time since its initial release. Featuring the classic #1 single 'I Would Do Anything For Love (But I Won't Do That)'.
And following on from the hugely successful Bat Out of Hell II: Back Into Hell, Welcome To the Neighbourhood is to be repressed on vinyl for the first time since its initial release in 1995. Featuring the hit single 'I'd Lie For You (and That's The Truth)'.
- A1: Margie Joseph - I Can't Move No Mountains
- A2: Rick Sheppard - Can We Share It
- A3: Patti Austin - Are We Ready For Love
- A4: Tsu Tornadoes - What Good Am I
- A5: Mystique - Spoiled Like A Baby
- A6: Satyr - Free & Easy
- A7: Timeless Legend - I Was Born To Love You
- A8: Leon Ware - What's Your Name
- B1: Felix Cavaliere - Never Felt Love Before
- B2: Chuck Cissel - Don't Tell Me You're Sorry
- B3: Crystal Motion - You're My Main Squeeze
- B4: Ben E King - What Do You Want Me To Do
- B5: Gerald Sims - You'll Never Be Sorry
- B6: Dede Schwartz - Funny How We Change Places
- B7: Linda Clifford - March Across The Land
- B8: Ed Robinson - Temptation's Bout To Get Me
While Soul Togetherness' on Expansion continues to feature the best new floor fillers of each year, Soul Festival' is here now with a collection of music reflecting the label's love of 70s soul.
Soul Festival' spans the period from when new soul music took influence from the Northern soul we enjoy here at UK clubs and events. As the decade progressed, records became more lavish in their arrangement and grander in production, always with that essential soul feel, and that's what you will find here on this compilation.
- A1: A Certain Ratio - Do The Du
- A2: Quando Quango - Love Tempo
- A3: 52Nd Street - Cool As Ice
- B1: Cabaret Voltaire - Yashar (John Robie Remix)
- B2: New Order - Your Silent Face (Live 1989)
- B3: Konk - Baby Dee
- C1: Section 25 - Looking From A Hilltop (Megamix)
- C2: Streetlife - Act On Instinct
- C3: Marcel King - Reach For Love (New York Remix)
- D1: Thick Pigeon - Subway
- D2: Ike Yard - Kino
- D3: Arthur Baker - Come On
- D4: Anna Domino - Summer (Arthur Baker Remix)
Factory Benelux and New Order present Of Factory New York, a unique benefit album released to assist Michael Shamberg, who ran the NYC office of Factory Records during the celebrated label's Eighties heyday.
Controversy, Prince's fourth album, originally released by Warner Bros in 1981 and now re-issued by Rhino with original content.
For the most part, the album was an expansion of its predecessor, 1980's Dirty Mind. This record was considered to be his most political to date. The album was also an important stepping stone from his early works to the more mature song writing of the mid 1980s.
Eglo Records are proud to present Fatima's highly anticipated debut album 'Yellow Memories'.
Featuring production work from the likes of Floating Points, Theo Parrish, Oh No, Scoop DeVille, Computer Jay, Knxwledge and more... the velvet toned Swede has truly crafted something special.
Offering a modern take on classic Soul and RnB, the album strikes a beautiful balance of cutting edge, contemporary production, soulful expression, melancholic introspection and vibrant, candy coated melody. An accomplished singer /song-writer with a stunning range, her prowess and versatility are a force not to be reckoned with. As powerful and mesmerising on stage as she is in the studio, Fatima possesses a talent heard all to rarely in todays musical climate.
Taylor Swift, seven-time GRAMMY award winner, and the
youngest recipient in history of the music industry's highest
honor, the GRAMMY Award for Album of the Year. She is the
#1 digital music artist of all-time and is the first artist since the
Beatles (and the only female artist in history) to log six or more
weeks at #1 with three consecutive studio albums. Taylor has
an album on Rolling Stone's prestigious The 50 Greatest
Albums of All Time (by women) list, Time magazine has named
her one the of the100 Most Influential People in the world, and
she is Billboard's youngest-ever Woman of the Year. Taylor
has career record sales in excess of 30 million albums and 75
million song downloads worldwide, and has had singles top both
the pop and country radio charts around the globe.
LONDON, 18th August 2014 - Taylor Swift, announced her new
album 1989 and it is available immediately for pre-buy on
TaylorSwiftand iTunes. In addition, Taylor released Shake
It Off, the first single and video from her fifth studio album.
1989 is a touchstone - Taylor's songwriting and sonic evolution
surprises us more than ever before. Heavily keyboard and beat
driven, the pop sensibilities that have always been the hallmark
of Taylor's music now move front and centre on 1989. "I spent
two years making 1989. Two years gives you enough time to
grow and change and let things inspire you. I was listening to a
lot of late 80's pop music and how bold those songs were and
how that time period was a time of limitless possibilities. In
thinking about that, this album is a rebirth for me. This is my
very first documented, official pop album. 1989 is the most
sonically cohesive album I have ever made and my favourite
album I have ever made," said Taylor.
- A1: Let's Shake Hands
- A2: When I Hear My Name
- A3: Jolene
- A4: Death Letter
- A5: Cannon
- A6: Astro/Jack The Ripper
- A7: Hotel Yorba
- B1: I'm Finding It Hard To Be A Gentleman
- B2: Screwdriver
- B3: We're Going To Be Friends
- B4: You're Pretty Good Looking
- B5: Boll Weevil
- B6: Hello Operator
- B7: Baby Blue
- C1: Lord, Send Me An Angel
- C2: Dead Leaves And The Dirty Ground
- C3: I Think I Smell A Rat
- C4: Let's Build A Home/Goin' Back To Memphis
- C5: Little Room
- C6: The Union Forever
- C7: The Same Boy You've Always Known
- D1: Look Me Over Closely
- D2: Looking At You
- D3: St. James Infirmary Blues
- D4: Apple Blossom
- D5: Do
- D6: Rated X
- D7: Jumble, Jumble
- D8: Little People
Repress
Be With Records present the hugely anticipated first ever vinyl release of r'n'b star Cassie's seductive debut. A late-night classic of chilly electro-soul, the self-titled album has influenced many in the dance music fraternity since its original CD-only appearance back in 2006. Particularly revered by Jamie xx, Four Tet, Hot Chip and Tri Angle Records, the r'n'b cognoscenti went into overdrive when rumours of this release first leaked.
Perhaps most famously, it features the slick summer smash "Me&U" which reached No.6 in the UK charts and topped the US equivalent. Yet the remaining 10 tracks serve to create a "minimalist r'n'b" masterpiece; the intricate and space-filled arrangements are laced with sinister synth bleeps that wouldn't have been out of place on an early 90s Warp record. The dark, hypnotic high ends coupled with Cassie's ice-queen delivery made this stand out from the tired crowd of mainstream r'n'b at the time. It still sounds wholly and eerily unique.
Like all Be With releases, this record is officially licensed and has been cut by Frank Arkwright at the legendary Abbey Road Studios. Pressed on audiophile 180gram vinyl - befitting the heaviness of the music contained within - it also features the original artwork set elegantly within its 12"x12" borders.
- A1: Pinta Manta - António Sanches
- A2: Dia Ja Manche - Dionisio Maio
- A3: Morti Sta Bidjàcu - José Casimiro
- A4: Pontin & Pontin - Bana
- B1: That Day - Fany Havest
- B2: Odio Sem Valor - Pedrinho
- B3: Mino Di Mama - Quirino Do Canto
- B4: Mundo D'margura - Tchiss Lopes
- C1: Po D'terra - Joao Cirilo
- C2: Corre Riba, Corre Baxo - Abel Lima
- C3: Ilyne - Os Apolos
- C4: Sintado Na Pracinha - Americo Brito
- D1: Capchona - Elisio Vieira
- D2: Djal Bai Si Camin - Antonio Dos Santos
- D3: Stebo Cu Anabela - Abel Lima
repress
2LP 140G VINYL + 12 PAGE BOOKLET.
"Space Echo - The mystery behind the "Cosmic Sound" of Cabo Verde finally revealed!" is the 20th release by the fabulous Analog Africa Label.
In the spring of 1968 a cargo ship was preparing to leave the port of Baltimore with an important shipment of musical instruments. Its final destination was Rio De Janeiro, where the EMSE Exhibition (Exposição Mundial Do Son Eletrônico) was going to be held.
It was the first expo of its kind to take place in the Southern Hemisphere and many of the leading companies in were all eager to present their newest synthesisers and other gadgets to a growing and promising South American market, spearheaded by Brazil and Colombia.
The ship with the goods set sail on the 20th of March on a calm morning and mysteriously disappeared from the radar on the very same day.
One can only imagine the surprise of the villagers of Cachaço, on the Sao Nicolau island of Cabo Verde, when a few months later they woke up and found a ship stranded in their fields, in the middle of nowhere, 8 km from any coastline.
After consulting with the village elders, the locals had decided to open the containers to see what was inside - however gossip as scintillating as this travels fast and colonial police had already arrived and secured the area.
Portuguese scientists and physicians were ordered to the scene and after weeks of thorough studies and research, it was concluded that the ship had fallen from the sky. One of the less plausible theories was that it might have fallen from a Russian military air carrier. The locals joked that again the government had wasted their tax money on a useless exercise, as a simple look at the crater generated by the impact could explain the phenomena. "No need for Portuguese rocket scientists to explain this!" they laughed.
What the villagers didn't know, was that traces of cosmic particles were discovered on the boat. The bow of the ship showed traces of extreme heat, very similar to traces found on meteors, suggesting that the ship had penetrated the hemisphere at high speed. That theory also didn't make sense as such an impact would have reduced the ship to dust. Mystery permeated the event.
Finally, a team of welders arrived to open the containers and the whole village waited impatiently.
The atmosphere, which had been filled with joy and excitement, quickly gave way to astonishment. Hundreds of boxes conjured, all containing keyboards and other instruments which they had never seen before: and all useless in an area devoid of electricity. Disappointment was palpable. The goods were temporarily stored in the local church and the women of the village had insisted a solution be found before Sunday mass.
It is said that charismatic anti-colonial leader Amílcar Cabral had ordered for the instruments to be distributed equally in places that had access to electricity, which placed them mainly in schools.
This distribution was best thing that could have happened - keyboards found fertile grounds in the hands of curious children, born with an innate sense of rhythm who picked up the ready-to-use instruments. This in turn facilitated the modernisation of local rhythms such as Mornas, Coladeras and the highly danceable music style called Funaná, which had been banned by the Portuguese colonial rulers until 1975 due to its sensuality!
The observation was made that the children who came into contact with the instruments found on the ship inherited prodigious capabilities to understand music and learn instruments. One of them was the musical genius Paulino Vieira, who by the end of the 70s would become the country´s most important music arranger. 8 out of the 15 songs presented in this compilation had been recorded with the backing of the band Voz de Cabo Verde, lead by Paulino Vieira, the mastermind behind the creation and promulgation of what is known today as "The Cosmic Sound of Cabo Verde".
The field of electronic music were involved. Rhodes, Moog, Farfisa, Hammond and Korg, just to name a few.
Sly Stone is a songwriter and record producer, mostly famous for his role as front man for Sly and the Family Stone. The band played a critical role in the development of soul, funk, rock, and psychedelics in the 1960s and '70s.
Sly Stone was identified as a musical prodigy at a young age. By the time he was seven, Sylvester had already become proficient on the keyboards and by the age of eleven he had mastered the guitar, bass, and drums as well. While still in high school, Sylvester had settled primarily on the guitar and joined a number of high school bands.
In 1993 he was inducted into the Rock and Roll Hall of Fame as a member of the group.
High On You (1975) is the first solo album by songwriter and multi-instrumentalist Sly Stone. For the most part Stone performed a large part of the instrumentation for each song on his own by using multi-tracking. The album prominently features vocalist Rudy Love and includes the singles I Get High on You', Le Lo Li' and Crossword Puzzle'.
- A1: Motherland
- A2: Roots Mural Theme
- A3: Main Title: Mama Aifambeni (Premiere Episode)
- A4: Behold, The Only Thing Greater Than Yourself (Birth)
- A5: Oluwa (Many Rains Ago) (African Theme)
- A6: Boyhood To Manhood
- A7: The Toubob Is Here! (The Capture)
- A8: Middle Passage (Slaveship Crossing)
- A9: You In Americuh' Now, African
- B1: Roots Mural Theme Intro (Slave Auction)
- B2: Ole Fiddler
- B3: Jumpin' De Broom (Marriage Ceremony)
- B4: What Can I Do (Hush, Hush, Somebody's Calling My Name)
- B5: Roots Mural Theme Bridge (Plantation Life)
- B6: Oh Lord, Come By Here
- B7: Free At Last (The Civil War)
- B8: Many Rains Ago (Oluwa) (African Theme: English Version)
30th anniversary pressing limited to 1000 copies. With the 2016 Roots
mini-series such a success, there is new interest in Quincy Jones’ original
soundtrack to the ground-breaking 1977 mini-series.
Highlights include the “Roots Mural Theme,” composed by Gerald Fried, and
the 28 minute, ‘Roots Suite,’ with Letta Mbulu as the featured vocalist. Plus
the stunning “Main Title: Mama Aifambeni” as sampled by Moodymann and Andrés.
Also included are snippets of dialogue from Roots actor Lou Gossett. Featured
players include: Shelly Manne, Victor Feldman, Ernie Watts and Lee Ritenour.
- A1: Main Title
- A2: North Of The Wall
- A3: Goodbye Brother
- A4: The Kingsroad
- A5: The King's Arrival
- A6: Love In The Eyes
- B1: A Raven From King's Landing
- B2: The Wall
- B3: Things I Do For Love
- B4: A Golden Crown
- B5: Winter Is Coming
- B6: A Bird Without Feathers
- B7: Await The King's Justice
- B8: You'll Be Queen One Day
- B9: The Assassin's Dagger
- C1: To Vaes Dothrak
- C2: Jon's Honor
- C3: Black Of Hair
- C4: You Win Or You Die
- C5: Small Pack Of Wolves
- C6: Game Of Thrones
- C7: Kill Them All
- C8: The Pointy End
- D1: Victory Does Not Make Us Conquerors
- D2: When The Sun Rises In The West
- D3: King Of The North
- D4: The Night's Watch
- D5: Fire And Blood
- D6: Finale
- D7: Main Title - Season Two (Bonus Track)
- A1: (Your Love Keeps Lifting Me) Higher And Higher
- A2: All I Can Do
- A3: Jolene
- A4: There\'S No Place Like Home
- A5: My Tennessee Mountain Home
- B1: Do I Ever Cross Your Mind
- B2: Coat Of Many Colours
- B3: Applejack
- B4: Light Of A Clear Blue Morning
- C1: I Will Always Love You
- C2: Getting In My Way
- C3: Me And Little Andy
- C4: How Does It Feel
- D1: Holdin\' On To You
- D2: The Seeker
- D3: You Are / I Will Always Love You (Reprise)
- D4: Love Is Like A Butterfly
DELUXE VINYL EDITION!!!By the time this performance was recorded on the final night of her NYC debut in 1977, this show had become the hottest ticket in town and the Bottom Line was deluged with celebrity ticket requests, including from other iconic performers like Bruce Springsteen and Mick Jagger, who both attended. This three night engagement at the legendary music room was essentially Parton's New York City coming out party, and even those not necessarily country fans can surely appreciate this show for its pure entertainment appeal and Dolly's undeniable charisma.




















