Buscar:doom

A resiny slab in the grand tradition of weed-fiend odysseys from Sleep, Weedeater and Bongzilla, ready to inebriate the riff-obsessed masses. Red-eyed at the crossroads of thunderous stoner sludge and towering doom, Hashtronaut are ready to daze and inebriate the riff-obsessed masses on this planet and beyond. No Return is a resiny slab In the grand tradition of weed-fiend odysseys from Sleep, Weedeater and Bongzilla, an intoxicating and pummeling journey through time and space infused with a lungful of potent hook-doom. Pummeling and intoxcating stoner metal for fans of Sleep, Bongzilla, Electric Wizard and Monolord LP re-pressed on weedy green vinyl w/ ripple effect!

Un auténtico monstruo si hablamos de discos privados USA de hard–rock 70s. Bolder Damn provenían de Florida y editaron esta barbaridad en 1971. Potente y crudo sonido con devastadora guitarra ultra–distorsionada, apabullante sección rítmica y poderosa voz. En la onda de Sabbath, Blue Cheer, MC5, Pentagram, Sainte Anthony’s Fyre...Descubierto por el legendario sello Rockadelic en los 90, "Mourning" se ha convertido en estos últimos años en un disco de culto para amantes del hard–rock oscuro y proto–doom.
Después de años descatalogado, presentamos la reedición definitiva: arte original, sonido remasterizado e insert de 4 páginas con notas y entrevista a uno de los músicos.

Gerade erst hat Ole Luk mit seiner Hauptband Solbrud den renommierten Gaffa-Pris für das Metalalbum des Jahres abgeräumt und eine Nominierung für den nicht minder renomierten Nordic Musik Price erhalten.

2025 schüttelt der kreative Musiker mit seinem Soloprojekt Afsky ein Debütalbum aus dem Ärmel, das definitiv seine Spuren im Blackmetal hinterlassen wird. Luk setzt auf Bewährtes: Depressiv-raue Prügelparts reihen sich aneinander und erzeugen eine frostige Atmosphäre, aber er scheut auch nicht davor zurück, Melodie (wohl dosiert), Postrock, Doom und nordische Folkelemente einzubauen. Auch das ist nicht neu und wurde schon das eine oder andere Mal in diesem Genre praktiziert, aber Luk setzt es mit einer Entschlossenheit um, dass diese Parts nicht wie Fremdkörper, sondern als vollständig integrierte Teile der Songs wirken. Bemerkenswert ist der Gastauftritt von Amalie Bruun (Myrkur), die für den Song »Oh Månelose Nat« ihre Nyckelharpa sowie Gesang beisteuert.

Deathchain’s early albums reissued on vinyl for the first time in May via Svart Records Finnish death-thrashing maniacs Deathchain’s debut and sophomore albums will be available on vinyl for the first time ever on May 30th, 2025 via Svart Records. Deathchain, hailing from the city of Kuopio, was formed in 2001 from the remains of Winterwolf when the band’s guitarist Corpse moved from the countryside to the city to kick things off, and they continue their illustrious and wild axe wielding path to this day. DEADMEAT DISCIPLES (2003) and DEATHRASH ASSAULT (2005) were originally released by Dynamic Arts Records only on CD. The debut gained a lot of great reviews in Europe, paving the way for the band’s substantial touring around Central Europe, Netherlands, and Belgium. The sophomore album DEATHRASH ASSAULT, which ended in the 18th place on the Official Finnish Album Chart, unleashed Deathchain on the Hellhoundz of Doom and Thrash -tour with Candlemass and Destruction, playing live shows in thirteen countries across Europe. The Japanese version of the album was later released on CD in 2006, featuring a bonus cover track of Slayer’s Black Magic. Corpse comments the reissues: ”It's been over two decades since we recorded our first two albums, and finally they will be unleashed to haunt in the format that is closest to our hearts. Both of these albums were recorded in Kuopio at Studio Perkele, which was the beating heart of the underground back then. We were young and handsome alcohol fueled bastards aiming to make music that is fast, furious, and riff driven. The legendary Valhalla metal bar scene was our home and starting point, and surely you can hear the echoes of North Sawonian madness within these albums. Those times were full of insanely good times, and we did our best to catch the spirit of the old school within our music. Finally with the help of Svart Records we are proud to present you these buried gems of death thrashing metal.” DEATHRASH ASSAULT is available on Svart exclusive black & white marble vinyl, limited natural vinyl, and classic black vinyl. Includes Slayer's Black Magic cover as a bonus track.

Deathchain’s early albums reissued on vinyl for the first time in May via Svart Records Finnish death-thrashing maniacs Deathchain’s debut and sophomore albums will be available on vinyl for the first time ever on May 30th, 2025 via Svart Records. Deathchain, hailing from the city of Kuopio, was formed in 2001 from the remains of Winterwolf when the band’s guitarist Corpse moved from the countryside to the city to kick things off, and they continue their illustrious and wild axe wielding path to this day. DEADMEAT DISCIPLES (2003) and DEATHRASH ASSAULT (2005) were originally released by Dynamic Arts Records only on CD. The debut gained a lot of great reviews in Europe, paving the way for the band’s substantial touring around Central Europe, Netherlands, and Belgium. The sophomore album DEATHRASH ASSAULT, which ended in the 18th place on the Official Finnish Album Chart, unleashed Deathchain on the Hellhoundz of Doom and Thrash -tour with Candlemass and Destruction, playing live shows in thirteen countries across Europe. The Japanese version of the album was later released on CD in 2006, featuring a bonus cover track of Slayer’s Black Magic. Corpse comments the reissues: ”It's been over two decades since we recorded our first two albums, and finally they will be unleashed to haunt in the format that is closest to our hearts. Both of these albums were recorded in Kuopio at Studio Perkele, which was the beating heart of the underground back then. We were young and handsome alcohol fueled bastards aiming to make music that is fast, furious, and riff driven. The legendary Valhalla metal bar scene was our home and starting point, and surely you can hear the echoes of North Sawonian madness within these albums. Those times were full of insanely good times, and we did our best to catch the spirit of the old school within our music. Finally with the help of Svart Records we are proud to present you these buried gems of death thrashing metal.” DEATHRASH ASSAULT is available on Svart exclusive black & white marble vinyl, limited natural vinyl, and classic black vinyl. Includes Slayer's Black Magic cover as a bonus track.

Skyjoggers, the innovative band from Tampere, Finland, fuses the exhilarating elements of space rock and psychedelic soundscapes. Their music captures the essence of cosmic exploration, characterized by hypnotic riffs and an experimental approach that pushes boundaries. With a focus on dynamic performances and rich instrumental textures, Skyjoggers invites listeners on a journey through uncharted musical territories.
On ”12021 : Post-Electric Apocalypse” Skyjoggers focus on themes such as death, loss and despair. Writing of the album took place during the pandemic, forest fires in the Amazon and wars around the planet - the band took inspiration from such themes trying to channel the hard topics into something beautiful shining a ray of hope and light into the world through music. The album showcases the heaviest side of Skyjoggers heard to this day, bringing elements of black and doom metal into the band's unique mix of modern space rock.
Skyjoggers are:
Alexi Belle - guitars & effects - Juan Rico - bass, synth & vocals - Gabo Sabor - drums & vocals

After hiding out in the catacombs of Creepsylvania for years, Ghoul returns with their 4th album. 11 tracks of their trademark death-thrashing crossover mayhem tweaked with elements of surf rock and doom. SPLATTER VINYL

Die deutschen Epic-Doom-Metal-Meister Lord Vigo veröffentlichen im Mai 2025 ihr sechstes Studioalbum auf High Roller Records. Nach den von Presse und Fans gleichermaßen gefeierten "Danse De Noir" (2020) und "We Shall Overcome" (2022) handelt es sich bei "Walk The Shadows" mitnichten um den dritten Teil der begonnenen Trilogie. ""Walk The Shadows" steht für sich alleine und ist unabhängig von einem durchgehenden Konzept", erläutert Schlagzeuger, Sänger und Keyboarder Vinz Clortho. "Das war nach zwei doch sehr ausgefeilten Konzeptalben eine schöne Abwechslung für uns. Es hat wirklich Spaß gemacht." Stücke wie "Through A Glass Darkly", "Servant Of The Dark" oder "The Triumph Of The Killing Heart" verströmen eine Art von Gothic-Horror-Atmosphäre, die einem eklektischen Mix aus Sisters Of Mercy, Fields Of The Nephilim und sogar The Cure ziemlich nahe kommt. "Das kann man durchaus so ausdrücken", stimmt Vinz Clortho zu. "Das Album kombiniert viele verschiedene Stile und kreiert dadurch etwas ganz Neues. Meine Roots liegen im klassischen Metal, und dies in Kombination mit den düsteren Songs auf der neuen Platte ergibt eine komplett andere Richtung für Lord Vigo. Ich denke nicht, dass es ein Album gibt, das ähnlich wie "Walk The Shadows" klingt. Ich weiß nur nicht, ob das ein Vorteil oder ein Nachteil ist." "Der Song 'Walk The Shadows' ist die erste Single", erklärt Vinz. "Dazu haben wir auch ein Video gedreht. Jeder Song steht für sich. Deswegen ist es auch schwierig, bestimmte Nummern herauszuheben. 'El Hakim' ist zwölf Minuten lang, es ist nicht nur der längste Song des Albums, sondern auch der atmosphärisch dichteste. Ganz sicher einer meiner Favoriten." "Stilistisch ist das neue Album sehr wohl ein Sprung für uns" fährt Vinz fort. "Aber genau aus diesem Grund denke ich, dass es eine wegweisende Platte für uns werden kann. Es gibt Gruppen, die immer wieder das gleiche Album schreiben. Aber das sind nicht wir. Bei Lord Vigo klingt jede Scheibe anders. Diesmal haben wir unsere Komfortzone verlassen. Kommerziell mag das nicht unbedingt sinnvoll sein. Aber das ist uns ziemlich egal. Wir wollen Erfolg auf unser Weise. Stellenweise singe ich eine ganze Oktave tiefer als für gewöhnlich. Auch das ist ein Grund dafür, warum "Walk The Shadows" so klingt, wie es klingt."

Picture Disc, limited to 500 copies. THE ANTICHRIST IMPERIUM debut album 10th anniversary limited edition reissue! Brace yourselves for an unrelenting sonic assault as Antichrist Imperium featuring members of AKERCOCKE, THE BERZERKER, WEREWOLVES & VOICES unleashes their explosive debut album, a thunderous entry into the world of extreme metal. From the first blistering note to the last, this album crushes with an intensity and fervor that's almost apocalyptic. Known for their ferocious blend of thrash, black, and death metal, the band wastes no time in establishing their dominance, offering a sonic journey that is both raw and refined. With lightning-fast riffs, pounding drums, and ferocious vocals that sound like they've been dragged straight from the abyss, Antichrist Imperium delivers a relentless barrage of aggression and passion. The album's production is crisp yet full of grime, creating the perfect balance between clarity and chaos, allowing every intricacy of the band's ferocity to shine through. Lyrically, the album explores themes of apocalyptic destruction, existential rage, and the obliteration of morality told through the lens of a dystopian, anti-religious perspective. These themes resonate with a sense of inevitable doom, driving each track forward like a relentless storm that refuses to let up. The standout tracks are full of both technical mastery and ferocious energy. With riffs that will have you headbanging and beats that will rattle your very core, Antichrist Imperium sets a new benchmark for thrash metal in the modern age. It's a fusion of old-school thrash influences and cutting-edge extreme metal, creating an album that feels both nostalgic and forward-thinking. Antichrist Imperium's debut is a thrilling, no-holds-barred rollercoaster of destruction that cements their place in the pantheon of modern metal. A must-listen for fans of thrash, black, and death metal, it is an uncompromising and absolutely fiery introduction to a band that's ready to reign terror across the metal scene.

Die skandinavischen Wüstenrocker Kal-El präsentieren ihren neuen Epos 'Astral Voyager - Vol. 1'! Kal-El wurden 2012 in Norwegen gegründet und vermischen Stoner Rock, klassischen Metal, Psychedelic mit Doom Elementen und anspruchsvollen Science Fiction Themen in ihrem Sound. Klingt wie Truckfighters, Dozer oder Monster Magnet!

Deathchain’s early albums reissued on vinyl for the first time in May via Svart Records Finnish death-thrashing maniacs Deathchain’s debut and sophomore albums will be available on vinyl for the first time ever on May 30th, 2025 via Svart Records. Deathchain, hailing from the city of Kuopio, was formed in 2001 from the remains of Winterwolf when the band’s guitarist Corpse moved from the countryside to the city to kick things off, and they continue their illustrious and wild axe wielding path to this day. DEADMEAT DISCIPLES (2003) and DEATHRASH ASSAULT (2005) were originally released by Dynamic Arts Records only on CD. The debut gained a lot of great reviews in Europe, paving the way for the band’s substantial touring around Central Europe, Netherlands, and Belgium. The sophomore album DEATHRASH ASSAULT, which ended in the 18th place on the Official Finnish Album Chart, unleashed Deathchain on the Hellhoundz of Doom and Thrash -tour with Candlemass and Destruction, playing live shows in thirteen countries across Europe. The Japanese version of the album was later released on CD in 2006, featuring a bonus cover track of Slayer’s Black Magic. Corpse comments the reissues: ”It's been over two decades since we recorded our first two albums, and finally they will be unleashed to haunt in the format that is closest to our hearts. Both of these albums were recorded in Kuopio at Studio Perkele, which was the beating heart of the underground back then. We were young and handsome alcohol fueled bastards aiming to make music that is fast, furious, and riff driven. The legendary Valhalla metal bar scene was our home and starting point, and surely you can hear the echoes of North Sawonian madness within these albums. Those times were full of insanely good times, and we did our best to catch the spirit of the old school within our music. Finally with the help of Svart Records we are proud to present you these buried gems of death thrashing metal.” DEADMEAT DISCIPLES is available on Svart exclusive green & yellow marble vinyl, limited transparent green vinyl, and classic black vinyl.

Deathchain’s early albums reissued on vinyl for the first time in May via Svart Records Finnish death-thrashing maniacs Deathchain’s debut and sophomore albums will be available on vinyl for the first time ever on May 30th, 2025 via Svart Records. Deathchain, hailing from the city of Kuopio, was formed in 2001 from the remains of Winterwolf when the band’s guitarist Corpse moved from the countryside to the city to kick things off, and they continue their illustrious and wild axe wielding path to this day. DEADMEAT DISCIPLES (2003) and DEATHRASH ASSAULT (2005) were originally released by Dynamic Arts Records only on CD. The debut gained a lot of great reviews in Europe, paving the way for the band’s substantial touring around Central Europe, Netherlands, and Belgium. The sophomore album DEATHRASH ASSAULT, which ended in the 18th place on the Official Finnish Album Chart, unleashed Deathchain on the Hellhoundz of Doom and Thrash -tour with Candlemass and Destruction, playing live shows in thirteen countries across Europe. The Japanese version of the album was later released on CD in 2006, featuring a bonus cover track of Slayer’s Black Magic. Corpse comments the reissues: ”It's been over two decades since we recorded our first two albums, and finally they will be unleashed to haunt in the format that is closest to our hearts. Both of these albums were recorded in Kuopio at Studio Perkele, which was the beating heart of the underground back then. We were young and handsome alcohol fueled bastards aiming to make music that is fast, furious, and riff driven. The legendary Valhalla metal bar scene was our home and starting point, and surely you can hear the echoes of North Sawonian madness within these albums. Those times were full of insanely good times, and we did our best to catch the spirit of the old school within our music. Finally with the help of Svart Records we are proud to present you these buried gems of death thrashing metal.” DEADMEAT DISCIPLES is available on Svart exclusive green & yellow marble vinyl, limited transparent green vinyl, and classic black vinyl.

Ende Mai 2025 veröffentlicht das schwedische Powerhouse Caregah sein mit Spannung erwartetes Debütalbum »Osmium«. Nachdem es 2023 von der Band noch in Eigenregie erschien, war die Nachfrage nach diesem Metal-Juwel im Untergrund so massiv angewachsen, dass sich ROAR der Band und dem Album angenommen hat.

Untamed Swiss dark wave metal mongers SYBREED are finally reissuing their much sought after classic albums in physical format after gathering millions of plays on Spotify. The records will be available with bonus tracks on de luxe digipacks and double gatefold coloured vinyls on May 30, 2025. First time on vinyl , Grab them now !.

More than 20 years after their debut, Witchcraft's seventh album, 'IDAG,' is an awaited full accounting of who they are as a band. Those who have clamored for the return to an earlier sound rooted in '70s classic progressive and heavy rock will delight to the strut of "Irreligious Flamboyant Flame" while the eight-minute opening title-track is the heaviest the band have ever sounded, and a succession of interspersed acoustic-based pieces helps create a vision of a new, soulfully folkish doom taking shape as they continue to move inexorably forward. Founding guitarist/vocalist, Magnus Pelander, says of 'IDAG': "This album will reap souls and destroy wicked minds. And perhaps mend a couple of broken ones." These enigmatic few words from the Swedish band's main songwriter give clues as to the songs' intentions; a reference dropped to Coven's 1969 album, 'Witchcraft Destroys Minds and Reaps Souls.' Coven also had a folkish, proto-doomed take at that point in their history, and that multifaceted nature has been a part of Witchcraft all along. On one level, Magnus is winkingly telling you it's a Witchcraft record. The actual meaning of that becomes clear when you hear the album and find out just how much 'a Witchcraft record' can encompass. The storyline of Witchcraft's growth, from Pelander's starting the band in Örebro in 2000 in the wake of his prior outfit Norrsken's disbanding. A generational landmark of a 2004 self-titled debut helped spark a retroist movement that has become its own subgenre, but Witchcraft never stopped growing. 2005's 'Firewood' and 2007's 'The Alchemist' introduced more progressive sounds, and five years later, the pointedly modern 'Legend' established in 2012 that they had moved beyond the analog worship they had been a part of pioneering within the contemporary heavy rock and doom scene. In 2016, the 2LP 'Nucleus' introduced fuller-toned doom, and 2020's 'Black Metal' diverged into moody acoustic minimalism familiar to some fans from Pelander's early solo work, but different from anything Witchcraft had done prior. 'IDAG,' then, is the tie that draws all of this - more than two decades of exploring and growth - together. Whatever they've done in the past and whatever they'll do in the future, 'IDAG' feels like a nexus for defining who and what Witchcraft are. Even crazier, that might be the point of the thing. JJ Koczan

More than 20 years after their debut, Witchcraft's seventh album, 'IDAG,' is an awaited full accounting of who they are as a band. Those who have clamored for the return to an earlier sound rooted in '70s classic progressive and heavy rock will delight to the strut of "Irreligious Flamboyant Flame" while the eight-minute opening title-track is the heaviest the band have ever sounded, and a succession of interspersed acoustic-based pieces helps create a vision of a new, soulfully folkish doom taking shape as they continue to move inexorably forward. Founding guitarist/vocalist, Magnus Pelander, says of 'IDAG': "This album will reap souls and destroy wicked minds. And perhaps mend a couple of broken ones." These enigmatic few words from the Swedish band's main songwriter give clues as to the songs' intentions; a reference dropped to Coven's 1969 album, 'Witchcraft Destroys Minds and Reaps Souls.' Coven also had a folkish, proto-doomed take at that point in their history, and that multifaceted nature has been a part of Witchcraft all along. On one level, Magnus is winkingly telling you it's a Witchcraft record. The actual meaning of that becomes clear when you hear the album and find out just how much 'a Witchcraft record' can encompass. The storyline of Witchcraft's growth, from Pelander's starting the band in Örebro in 2000 in the wake of his prior outfit Norrsken's disbanding. A generational landmark of a 2004 self-titled debut helped spark a retroist movement that has become its own subgenre, but Witchcraft never stopped growing. 2005's 'Firewood' and 2007's 'The Alchemist' introduced more progressive sounds, and five years later, the pointedly modern 'Legend' established in 2012 that they had moved beyond the analog worship they had been a part of pioneering within the contemporary heavy rock and doom scene. In 2016, the 2LP 'Nucleus' introduced fuller-toned doom, and 2020's 'Black Metal' diverged into moody acoustic minimalism familiar to some fans from Pelander's early solo work, but different from anything Witchcraft had done prior. 'IDAG,' then, is the tie that draws all of this - more than two decades of exploring and growth - together. Whatever they've done in the past and whatever they'll do in the future, 'IDAG' feels like a nexus for defining who and what Witchcraft are. Even crazier, that might be the point of the thing. JJ Koczan

Purple Vinyl, limited to 450 copies. More than 20 years after their debut, Witchcraft's seventh album, 'IDAG,' is an awaited full accounting of who they are as a band. Those who have clamored for the return to an earlier sound rooted in '70s classic progressive and heavy rock will delight to the strut of "Irreligious Flamboyant Flame" while the eight-minute opening title-track is the heaviest the band have ever sounded, and a succession of interspersed acoustic-based pieces helps create a vision of a new, soulfully folkish doom taking shape as they continue to move inexorably forward. Founding guitarist/vocalist, Magnus Pelander, says of 'IDAG': "This album will reap souls and destroy wicked minds. And perhaps mend a couple of broken ones." These enigmatic few words from the Swedish band's main songwriter give clues as to the songs' intentions; a reference dropped to Coven's 1969 album, 'Witchcraft Destroys Minds and Reaps Souls.' Coven also had a folkish, proto-doomed take at that point in their history, and that multifaceted nature has been a part of Witchcraft all along. On one level, Magnus is winkingly telling you it's a Witchcraft record. The actual meaning of that becomes clear when you hear the album and find out just how much 'a Witchcraft record' can encompass. The storyline of Witchcraft's growth, from Pelander's starting the band in Örebro in 2000 in the wake of his prior outfit Norrsken's disbanding. A generational landmark of a 2004 self-titled debut helped spark a retroist movement that has become its own subgenre, but Witchcraft never stopped growing. 2005's 'Firewood' and 2007's 'The Alchemist' introduced more progressive sounds, and five years later, the pointedly modern 'Legend' established in 2012 that they had moved beyond the analog worship they had been a part of pioneering within the contemporary heavy rock and doom scene. In 2016, the 2LP 'Nucleus' introduced fuller-toned doom, and 2020's 'Black Metal' diverged into moody acoustic minimalism familiar to some fans from Pelander's early solo work, but different from anything Witchcraft had done prior. 'IDAG,' then, is the tie that draws all of this - more than two decades of exploring and growth - together. Whatever they've done in the past and whatever they'll do in the future, 'IDAG' feels like a nexus for defining who and what Witchcraft are. Even crazier, that might be the point of the thing. JJ Koczan

Kryptograf has carved out a distinct niche by fusing the raw, heavy sounds of late 60s / early 70s rock with the intensity and aggression that doom metal and stoner rock are known for. Formed in Bergen, a city known for its robust and unique musical scene, Kryptograf debuted with a sound that resonated deeply in the underground scene. Their homage to classic rock giants and a contemporary edge has made them stand-out interpreters of that era's atmospheric riffs and gritty tones. Their upcoming third album marks an evolution in their sound, with a deepened focus on melody and dynamic songwriting without sacrificing their core intensity. The A-side carries a distinct "Scandi-rock" flavor, while the B-side's darker, doom-laden tracks suggest they're leaning even further into heavier, moodier depths. Kryptograf's unmistakable, collective vocal delivery and riff style ensure this album will retain their signature sound while showcasing a mature, nuanced approach to the genre. "Kryptonomicon" is a rich, complex listen that's still undeniably Kryptograf.

Debut album from Durango's Tenebrae. A blackened-doom post-metal meditation on the silhouettes of existence. Ltd ed of 250 eco mix colored vinyl. All new vinyl LP from Durango's TENEBRAE, featuring members of Sementales Salvajes and Saturno Grooves. A blackened-doom, post-metal meditation on the silhouettes of existence. Ltd ed of 250 on eco mix colored vinyl. Includes 11x17 poster, printed insert, and stickers. For fans of Neurosis, Godflesh, Anathema

Drone legends Earth, the Seattle group led by Dylan Carlson, ready their first release on Fire Records. Deluxe Ltd edition 'Dark Star' effect vinyl with matte and spot UV sleeve, DL card. Unreleased live recording taken from their show at London's KOKO in 2016. Includes live renditions of fan favourites 'The Bees Made Honey In The Lion's Skull' and 'High Command'. For fans of: Sunn O))), Sleep, Boris, OM, Spacemen 3, Witch, Hawkwind, Boris, Melvins. Seattle drone-rock titans Earth release their latest live document, WEM Dominator (Live in London NW1, 2016), an unrelenting display of the band's seismic force, recorded during their performance at London's KOKO in 2016. Sharing the bill with legendary heavyweights Neurosis, Earth delivered a set of hypnotic intensity, crushing volume, and towering, glacial beauty. For over three decades, Dylan Carlson and his ever-evolving ensemble have been crafting tectonic soundscapes that defy convention, forging a path between meditative drone and colossal doom-laden riffs. WEM Dominator is an album of mesmeric modal patterns, it's a recording that captures the trio's intricate, slowly evolving euphoria in a period when their experimentation swerved through endless possibilities. From the creeping grandeur of "The Bees Made Honey In The Lion's Skull" to the ominous crawl of "Even Hell Has Its Heroes," the album presents Earth at their most immersive and powerful. This record reasserts Earth's mastery of atmosphere and weight, where every note feels tectonic, and silence itself becomes an instrument of crushing tension. It is a hypnotic, stripped down sonic symphony embracing influences as wide ranging as the Velvet Underground, Terry Riley and La Monte Young, a visceral slow-motion reading of the original sound that inspired Sun O))) and the generation that followed. The lineup of this performance was Dylan Carson (guitar), Jodie Cox (baritone guitar) and Adrienne Davis (drums), it was recorded live at KOKO, London on November 7th 2016 and is mixed and mastered by Mell Dettmer at Studio Soli in Seattle.