Cerca:dos

Gerade erst hat Ole Luk mit seiner Hauptband Solbrud den renommierten Gaffa-Pris für das Metalalbum des Jahres abgeräumt und eine Nominierung für den nicht minder renomierten Nordic Musik Price erhalten.

2025 schüttelt der kreative Musiker mit seinem Soloprojekt Afsky ein Debütalbum aus dem Ärmel, das definitiv seine Spuren im Blackmetal hinterlassen wird. Luk setzt auf Bewährtes: Depressiv-raue Prügelparts reihen sich aneinander und erzeugen eine frostige Atmosphäre, aber er scheut auch nicht davor zurück, Melodie (wohl dosiert), Postrock, Doom und nordische Folkelemente einzubauen. Auch das ist nicht neu und wurde schon das eine oder andere Mal in diesem Genre praktiziert, aber Luk setzt es mit einer Entschlossenheit um, dass diese Parts nicht wie Fremdkörper, sondern als vollständig integrierte Teile der Songs wirken. Bemerkenswert ist der Gastauftritt von Amalie Bruun (Myrkur), die für den Song »Oh Månelose Nat« ihre Nyckelharpa sowie Gesang beisteuert.

This release blends Acid, Electro, Minimal and Dub, pressed on 180-gram vinyl in a limited edition of 100 copies. Includes a hypnotic remix by Franco Cinelli.

Proudly presenting Maravilhosamente Bem the powerful, female-centred third album by Brazilian singer, songwriter, actress, and creative director, Julia Mestre.
Alongside being a member of the Latin Grammy-winning Brazilian supergroup, Bala Desejo, Julia has been steadily building a solo career where her unique vision and alluring soft, sultry voice take centre stage. Drawing inspiration from ‘80s ballads, MPB, pop and disco productions, each song on this third album finds Julia creatively exploring different characters and tones.

A love-song-driven LP at its core, Maravilhosamente Bem holds a playful mirror up to blissful days gone by, artfully reimagined with Julia’s own modern twist. An album filled with love and nostalgia, it pays homage to her love of classic female disco divas such as Donna Summer, Sade, Alcione, Lady Zu, and the Brazilian rock queens Rita Lee and Marina Lima. Of that latter pairing, the late iconic Brazilian vocalist and musician Rita Lee (Os Mutantes) is referenced in the music video for the first single, ‘Sou Fera’, blessing Julia with a magical guitar. Marina Lima then provides guest vocals on the album’s closing track, ‘Marinou, Limou’, with her name transformed into a mantra by Julia.

Channelling a lo-fi ‘80s ballad aesthetic, Julia navigates a multitude of themes across the nine sublime tracks. From the sexy, whispered performances on vintage horror movie-inspired tunes ‘Vampira’ and ‘Pra Lua’ to the delicate, fragile love lullabies of ‘Sentimento Blues’ and ‘Cariñito’, and the seductive disco diva embodiment on dance tracks ‘Veneno de Serente’ and title track ‘Maravilhosamente Bem’. Another hidden highlight is the palette-cleansing mini-suite, ‘Interlúdio dos Amantes’. A luscious strings instrumental piece that lends to the beautiful Sade-esque ‘Seu Romance’.

Produced by Julia and longtime collaborators Gabriel Quirino, Gabriel Quinto, and João Moreira, Maravilhosamente Bem sees Julia embarking on a new era of her musical career. This sensational third album is a captivating showcase of the creative vision and versatility of one of Brazil’s finest stars.

Released on Mr. Bongo (ROW) and Altafonte (Brazil).

German trio Cloud Management approached Digital-Sting in late 2023 and started a conversation concerning a loose configuration of improvisations, studio experiments and rehearsal jam recordings. The timing was particularly serendipitous with Feel Free Hi Fi fresh off a West Coast USA tour with Exotic Gardens where we had spent several long drives along the California coast listening to Cloud Managements prior records on Altin Village. The second of which included collaborations with Exotic Gardens. This release " Unfinished Business" inhabits much of the musical history and influences foundational to the Digital Sting sound and ethos making the link up an obvious one. I don't want to be overly predictable in the comparison to the great body of work created by German legends like Moebius, Roedelius, Plank and others but it is there. Also present are heavy doses of dub wandering not too far from the furthest out zones created by African Head Charge or Dub Syndicate. Some creeping psychedelic unease in the way of Industrial Records also sits in the mix. Comparisons aside, Cloud Managements embrace of collaboration and jammy experimentalism create a sound that is unique and a bit rare in the contemporary dub and electronic music continuum where perceptions of genre restrictions can guide a bit too much. The two side long continuous tracks documented in this release lock in and groove as much as they wander, drift and break apart in subtle shifting ways making for special repeat listening where something new is always waiting.

The original line up of all women featured Sally Sweet of Minneapolis garage bands THE CAVEGURLS and THE BLUE UP. After some time the original line up morphed into a mixed band of men and women and the group released a 45 on Ramo Records. This caught the attention of Boston record label RUM BAR RECORDS, who would release the BEEBE GALLINI album 'Pandemos', a collection of material made during the worldwide pandemic. A well-received collection ranging from garage nuggets to 60's BEE GEES' hit and original material.

For their next project producer and drummer for the group Travis Ramin brought the group into the legendary Kay Bank Studio in Minneapolis. A studio rich in musical history where everything from DAVE DUDLEY's Six Days on the Road and THE FENDERMEN's Muleskinner Blues to THE TRASHMEN's Legendary Surfin Bird and all of Soma Records' Big Hits Of Mid America were recorded. The early GUESS WHO recorded there and decided on their name in the building even ... the list goes on and on!

Travis' idea for a record was to re- record some Minnesota garage classics that were originally recorded there in the same room and invite some of their garage rockin' friends to join them. Run Run Run by THE GESTURES and Why by THE ACCENTS would feature on lead guitar Keith Patterson (formerly of THE FUNSEEKERS, THE SPECTORS, and THE CONQUERORS). I Believe from THE HIGH SPIRITS would feature Melanie Vammen of THE PANDORAS organ solo and Russell Quan famously of THE MUMMIES, FLAKES and DUKES OF HAMBURG would take lead vocal on THE KAN- DELS raucous Cry Girl. The session was so successful that it expanded into the full- length album "Begged, Borrowed and Stealed" and batch of material expanding beyond the Minnesota borders, with tunes from DAVE DEE, DOZY, BEAKY, MICK & TICH, OTIS REDDING, BEEBE themselves and more! Recording in the sacred space made for a special rock and roll party album which also features the artwork of legend Cliff Mott! So, get ready for an all-star cast and a little dose of Minnesota Garage Rock and Soul!

Co-Accused are back for their first release of 2025 with a dose of raw and relentless techno from one of Glasgow’s most solid of underground forces Fear-E. 9 Darter EP presents four slabs of peak-time pressure, polished with the refined edge of the Posh End Music boss’s production. No surprise this EP is in parts inspired by the sounds of UK techno legend Dave Angel and in others of the general free-wheeling ethos of the 90s - feeling as relentless as a basement session in that golden era.

Fear-E has built a reputation as a beacon of putting out high quality club tracks through his career, releasing on the likes of Dame Music, Dixon Avenue Basement Jams and Dark Entries, while also running his own imprint Posh End Music alongside its hardcore-driven sister label Breakbeat Energy. His records are regularly supported by the likes of Dave Clarke, Ben Sims, The Hacker, Randomer, Jerome Hill, Marcel Dettmann, and James Ruskin, with airplay on BBC Radio 1 and 6 Music.

A special Japan connection for the next release on DJ Nobu's Bitta label. Osaka-based Erik Luebs joins the roster with an EP of iconic, tranceinfluenced techno melancholia. Having released most of his work through his own DIY channels, Luebs' sounds have reached many dancefloors worldwide. He now teams up with Bitta for something special. On Nontemporal Void, Luebs delivers four tracks that perfectly showcase his diverse sound palette. Each track hits a different box of energy--all while injecting a healthy dose of hypnotism. With a keen eye for detail, the EP moves from slowly built-up tension to eyes-closed techno grooves and synth-heavy euphoria, showcasing the many sides of a magnificent sound designer and creative artist.

Jello Biafra and the Guantanamo School of Medicine are at it again! Hot on the heels of their debut full-length The Audacity of Hype, the group—featuring Ralph Spight (Victims Family, Freak Accident, Hellworms), Jon Weiss (Sharkbait, Horsey), Billy Gould (Faith No More) and Kimo Ball (Freak Accident, Carneyball Johnson, Mol Triffid, Griddle)—roars back with five unreleased rippers. CD and download versions include “Metamorphosis Exploration on Deviation Street,” a transmogrified 18-minute cover of the Deviants’ classic. The band’s twin guitar attack retains some of the space punk overtones and spy-music-on-meth chaos of Dead Kennedys, while adding a healthy dose of Detroit-style proto-punk, flavoured with Weiss’s industrial excursions into metal percussion. This is Biafra’s first full-time band since Dead Kennedys broke up in 1986, and the depth and breadth of his musical chops and lyrical triumphs are on full display on these ferocious tracks

Jello Biafra and the Guantanamo School of Medicine are at it again! Hot on the heels of their debut full-length The Audacity of Hype, the group—featuring Ralph Spight (Victims Family, Freak Accident, Hellworms), Jon Weiss (Sharkbait, Horsey), Billy Gould (Faith No More) and Kimo Ball (Freak Accident, Carneyball Johnson, Mol Triffid, Griddle)—roars back with five unreleased rippers. CD and download versions include “Metamorphosis Exploration on Deviation Street,” a transmogrified 18-minute cover of the Deviants’ classic. The band’s twin guitar attack retains some of the space punk overtones and spy-music-on-meth chaos of Dead Kennedys, while adding a healthy dose of Detroit-style proto-punk, flavoured with Weiss’s industrial excursions into metal percussion. This is Biafra’s first full-time band since Dead Kennedys broke up in 1986, and the depth and breadth of his musical chops and lyrical triumphs are on full display on these ferocious tracks

Die Herzschmerz-Verkäufer Nature TV verkaufen von Tür zu Tür ein Elixier aus Jangle-Indie und melancholischem Yacht-Rock. Ihr Debütalbum "Unlucky For Some" ist eine Sammlung von 7 EPs, die ewig liebeskranken Dream-Pop mit klassischer Soundinnendekoration und kompositorischen Wendungen paaren. Die reichhaltigen Songs setzen das Thema Liebeskummer in High-Fidelity fort. Das Ergebnis ist eine LP, die mit akribischer Liebe zum Detail summt und sich dennoch so benommen anfühlt wie die Einnahme von Beruhigungsmitteln im Whirlpool. Eine Indie-Jangle-Partyband auf dem Höhepunkt ihres Könnens, nur dass die Party vorbei ist und sie mit dem Soundtrack für das Aufräumen beauftragt wurden. Jemand liegt bewusstlos im Gartenstuhl, Zigarettenstummel stecken in leeren Dosen, eine Tür ist aus den Angeln gerissen, der Pool ist halb versickert, Regen strömt an den Fenstern herunter und alle müssen morgen früh arbeiten. FFO-Immobilien, Ducktails, Glitzerparty.

- "Verträumt schöner Indie-Pop mit einem subtilen Hauch von Introvertiertheit." - CLASH

- "Ein Song für die Heimreise am späten Freitagabend, wenn Ihre Hoffnungen zerstört wurden und Sie etwas Zuneigung brauchen." - Line Of Best Fit

- "Indies neuste strahlende Sterne." - DIY

Surrender to the calming essence of summer with Saturday Chillin’! Allow yourself to unwind and cherish the weekend with the soft rhythms and soulful harmonies of our latest compilation. Transport yourself to a place where time seems to slow down, enveloped by warm sunlight and fragrant flowers, escaping the bustle of city life. Let these soothing melodies set the perfect tone for your ideal summer days.

In the madrigal-strewn world of neo folk-psychedelia, the queen of drones holds court…In this late teen decade, as green men are burnt, resources dwindle and naturalists plunder for authentic Englishness, the hunt for the grail-like Silver Globe continues. Back in 2014, the story was first whispered; A mythical jaunt set to a motorik rhythm, played out in an overgrown forest of ideas: Jane Weaver’s ‘The Silver Globe’ was a conceptual delicacy – “a synth-ridden post-apocalyptic prog-pop opus based on tightly embroidered, non-linear recurring themes inspired by esoteric stories, cosmic imagery and re-filtered past experiences”. Since those heady beginnings, our heroine has time travelled to darker times and been celebrated for her glorious ‘Modern Kosmology’ (top album of 2017, here, there, everywhere).
“A full-scale leap into the cosmic void of contemporary space rock” The Quietus

“As a child of the 1970’s I can thank my friends’ brothers for their space rock record collections and concept album sleeves that I would spend hours looking at, then my first love for Kate Bush followed by a heavy dose of disco and synth pop. I guess ‘The Silver Globe’ is just a subconscious inspired imprint of those things that have never left me, married with an accidental viewing of a vintage Polish sci-fi film that was so bizarre I couldn’t stop thinking about it and so it became my muse...” Jane Weaver. Set the controls…

2025 Repress

Nach dem Erfolg seines letzten Albums „Chloë and The Next 20th Century“ (2022) kehrt Father John Misty mit einem neuen Werk zurück.

To celebrate the label's 10th & 11th release, Soul Quest Records have curated a family type affair that sees faces both new and old for the label. An encapsulation of the sound that the label has been pushing since its inception back in 2023, the VA contains a wide reaching spread of house orientated cuts that showcases the labels musical personality and depth - and is reflective of the supreme talents behind the music.
The A side opens proceedings with three emotive house numbers, with label co-founder Max Sinàl and King Crowney’s track ‘Intentions’ landing first. A smooth, soul-laden progression, with subtly placed muted trumpet throughout. From the ethereal vocal lines of Liv East through to the gentle breeze of thechords, this one is Soul Quest to its core. Co-founder SIxm Sol lands next with ’NYBB’, a percussive groover that once again demonstrates a deft level of subtle interplay within the melodic layers. Dreamy vocal lines hit all the right notes alongside a blend of atmospheric pads and tinkling jazzy notes. Wrapping up the A side, Hitch 93 presents ‘Uno, Dos, Tres, Four’, which features an ear worm of a chord progression weaves its way around a rock solid percussive foundation, as the vocals chime out through the middle that helps craft a deeply hypnotic atmosphere.
The B Side opens up with Rob Redford and his track ‘Garden Party’. This track focuses around an inspired ‘everybody loves the sunshine’ sample, and exudes big level, blue sky energy, with hands in the air feels throughout as the dance shifts with smiles all round.

Two prime house steppers land next, with ‘The Blues Kitchen’ by Soul Groove presenting a top quality drum pattern that entices whilst the vocal lines and engrossing melodic section wrapping the dance around its little finger; and finally, ‘Edith’ by Flying Moth may be short but its ever so sweet - skipping stepped grooves interlaced with a bass line that thuds to the rhythms of the heart, whilst the melodies atop stir the emotions ever so delicately.

Originally released on a 7' in 2011, Mudd extends the track
for a 12'release with vocal & instrumental version.
Recorded at Can's legendary Innerspace Studio, It's a seedy
late night boogie with sultry vocals from a tempting hostess
and the gentlemanly yet sinister host, the legendary Holger
Czukay. A grinding, guttural bass, rolling groove and slinky good dose of organ comes into the second half and picks up
the step. The results are of the kind when records become
loved for their obscure oddity and otherwordliness. A track

Grammy-nominated Canadian ensemble BADBADNOTGOOD present the latest edition of Mr Bongo’s iconic Brazil 45 boxset series.
Hailing from Toronto, the band, which now consists of Alexander Sowinski, Chester Hansen and Leland Whitty, made its name by crossing genres and developing a distinctive amalgamation of jazz, hip hop and psychedelic grooves. Their rise to the forefront of their scene has led to collaborations with icons such as Tyler, The Creator, Kendrick Lamar, MF Doom, Samuel T. Herring (Future Islands) and Ghostface Killah. With a penchant for an earworm hook, their sound takes cues from across the globe, both past and present, not least from the wealth of music that has emanated out of Brazil over the last 70 years.

Beatmakers, musicians and record collectors at their core, the influence of Brazilian music on BADBADNOTGOOD’s productions is clear to see, with previous collaborators including Arthur Verocai and Tim Bernardes. It seemed only right then, to hand them the reins for the next edition of our signature boxset series. As ever, the brief was simple, compile a selection of your favourite Brazilian cuts from the country’s rich musical makeup. A captivating collection of sought-after tracks crossing genres, decades and tempos, offering a glimpse into BADBADNOTGOOD’s eclectic tastes, whilst exploring ever further the richness of Brazil’s musical history.

CAJU, THE SECOND ALBUM BY BRAZIL'S UPCOMING STAR - LINIKER

A SEAMLESS BLEND OF POP, SAMBA, JAZZ, R&B, AND HOUSE, FEAT. LULU SANTOS, PABLLO VITTAR, TROPKILLAZ, MELLY, PRISCILA SENNA, BAIANASYSTEM, AMARO FREITAS & ANAVITÓRIA

LIVE - JUNE 14 - ELECTRIC BRIXTON

VINYL IS A 2LP GATEFOLD with a 4Page Booklet

+ OBI & PRINTED INNER SLEEVES

BorninAraraquara/SãoPaulo,Liniker is a multitalented artist - singer, songwriter, music producer, and actress - whose passion for the arts began in childhood. Influenced by her mother and uncles, who were active in samba rock circles, Liniker's early musical experiences planted the seeds for her future career. Today she is one of the most exciting Brazilian artists. In 2022, she won the Best Brazilian Album category at the Latin Grammy Awards with Indigo Borboleta Anil. In 2023, Liniker became immortalized by the Brazilian Academy of Culture, taking the seat once held by Elza Soares, the eternal Brazilian singer. Liniker's sophomore album CAJU, released in August 2024, has quickly become a classic in Brazilian popular music. The album's 14 tracks—some extending beyond 7 minutes—demonstrate Liniker's commitment to artistic expression over commercial constraints. Liniker showcases versatility and artistic growth through a seamless blend of pop, samba, jazz, R&B, and house. Songs like "Veludo Marrom", "Tudo" and "Ao Teu Lado" shine for their musical complexity and emotional depth. Its success led to multiple wins at 2024 Multishow Brazilian Music Awards, including Artist and Album of the Year. The album features Lulu Santos, Pabllo Vittar, Tropkillaz, Priscila Senna, Melly, BaianaSystem, Amaro Freitas and ANAVITÓRIA.

Viele Wellen bis zum Abwinken, eine klangliche Erinnerung, ein Tremoloboot in der Sommersonne. Nichts vergeht mit voller Kraft voraus, hier kommt Semi Trucks aus Kalifornien mit Georgia Overdrive. Über 10 Tracks hinweg basteln Brenden Sepe (Gitarre und Gesang), Finn Beard (Gitarre und Gesang), Bronwyn Bradshaw (Bass und Gesang) und Ian Collins (Schlagzeug) ihre Pop-Moral mit einem kruden Unterbau. Eine immerwährende Gänseblümchenkette. Locker gefesselt in Big Blue, in den weiten, sonnendurchfluteten Straßen, in einer Garage auf der Lexington, in den kleinen Bars, in denen sich alle wie Stars aufführen. Aufgenommen im Frühjahr 2024 in Los Angeles mit Robbie Cody (Wand, Pink Trash Can), spielt Georgia Overdrive wie ein Best-Of, ein Hit-geladener Schlag in den Magen. Momente, die an Velvet Underground oder an die Sonics erinnern, an die SST-Rocker Opal aus den späten 80ern oder an die Indie-Expressionisten Summer Hits, kulminieren in einer Zärtlichkeit und einem Geräuschgerangel. Entstanden in ihrer Heimatstadt Los Angeles, ist dies das erste Semi Trucks-Album mit voller Bandbesetzung (Sepe veröffentlichte ,Vs California" 2021 als Solo-Schlafzimmerprojekt). Sie gingen hart zur Sache und achteten sehr darauf, mit Tiefe und Präzision zuzuschlagen, indem sie Feedback und zuckersüße Hooks verwoben. Sepe's mühelose Gesangsmelodien tanzen mit dem gehauchten Gesang von Bradshaw. Das Zusammenspiel und der Schlagabtausch ist mühelos, während sich die Platte entfaltet. Ein Lauffeuer. Zerbrochene Keramik. Orange- und rosafarbenes, flockiges Chrom in einer Dose. Glückselige Untermalung, dunkler als die Nacht, volle Kraft voraus, nirgends abzuschalten.