quête:drea

Genres
Tout
AVENGED SEVENFOLD - AVENGED SEVENFOLD LP 2x12"
  • Critical Acclaim
  • Almost Easy
  • Scream
  • Afterlife
  • Gunslinger
  • Unbound (The Wild Ride)
  • Brompton Cocktail
  • Lost
  • A Little Piece Of Heaven
  • Dear God

Der Nachfolger von City of Evil, Avenged Sevenfold's viertes Studioalbum, das selbstbetitelte Album im schlichten Weiß mit Logo, debütierte auf Platz 4 der US Billboard 200 Chart und Platz 24 in UK. Mit dem Fan-Favoriten "Afterlife", "A Little Piece of Heaven" & "DearGod", wurde das Album mit dem Kerrang!-Awards als Album des Jahres ausgezeichnet. Das Album ist auch auf Kerrangs "666 Alben You Must Hear Before You Die" aufgenommen. Für Fans von Metallica, Slipknot & Bullet For My Valentine. Avenged Sevenfold (abgekürzt A7X) ist die amerikanische Heavy-Metalcore-Band aus Huntington Beach, Kalifornien, die 1999 gegründet wurde. Das aktuelle Lineup der Band besteht aus dem Sänger M. Shadows, dem Rhythmusgitarristen Zacky Vengeance, dem Leadgitarristen Synyster Gates, dem Bassisten Johnny Christ und dem Schlagzeuger Brooks Wackerman. Avenged Sevenfold sind bekannt für ihren abwechslungsreichen Rocksound und teilweise für ihre dramatischen Bilder auf Albumcovern und Merchandise-Artikeln. Die Band trat mit einem Metalcore-Sound auf ihrem Debütalbum Sounding the Seventh Trumpet in Erscheinung und setzte diesen Sound bis zu ihrem zweiten Album Waking the Fallen weitgehend fort. Der Stil der Band hatte sich bis zu ihrem dritten Album und ihrer ersten Veröffentlichung bei einem Major-Label, City of Evil, zu einem traditionelleren Heavy-Metal-Stil entwickelt. Mit dem selbstbetitelten vierten Album erkundete die Band neue Klänge und feierte einen anhaltenden Mainstream-Erfolg, bevor ihr Gründungsschlagzeuger Jimmy ,The Rev" Sullivan 2009 starb. Trotz seines Todes machten Avenged Sevenfold mit Hilfe des Dream Theater-Mitglieds Mike Portnoy weiter und veröffentlichten 2010 ihr fünftes Album Nightmare, das an der Spitze der Billboard 200 debütierte und ihr erstes #1-Album war. Doppel-LP, 2025er Pressung in rot-rotem Vinyl!

pré-commande28.03.2025

il devrait être publié sur 28.03.2025

30,04
SAM AKPRO - EVENFALL

Sam Akpro

EVENFALL

12inch280681
ANTI
28.03.2025
  • I Can't See The Sun
  • Death By Entertainment
  • Chicago Town
  • Evenfall
  • Gone West
  • Tunnel Vision
  • Baka
  • City Sleeps
  • Cherry
  • Cornering Lights

For the past couple of years, Sam Akpro has been rising as one of the brightest talents coming from the thriving UK alternative scene. Hailing from Peckham, South London, he incorporates elements of post-punk, wave, dub, jazz and trip-hop, fueled by a fascinating range of influences (from Joy Division to SAULT, through Miles Davis, Talking Heads, Cocteau Twins, Dean Blunt, Fela Kuti, Frank Ocean). Fuzzy, moody and dreamy at times, "Evenfall" paints a refreshing picture of life in the London suburbs in your twenties. It"s the light, the darkness and the slow passing of time in an accomplished, genre-defying art form. With this beautiful debut, Sam Akpro is destined to break through in 2025.

pré-commande28.03.2025

il devrait être publié sur 28.03.2025

22,65
Heart - Heart

Heart

Heart

12inch7534165
Capitol Records
28.03.2025

Die Vinyl-Wiederveröffentlichung des selbstbetitelten 5-fach-Platin-Albums von Heart aus dem Jahr 1985
mit den Hits „These Dreams“, „What About Love?“ und „Never“.

pré-commande28.03.2025

il devrait être publié sur 28.03.2025

25,63
Miaux, Lieven Martens - Katharina AW: the Pels organ and Hemony carillon of Hoogstraten (TAPE)

2025 cassette edition, originally released in 2023 on 2CD/digital.

Recordings + booklet of the unveiling of »Katharina AW«, a relational artwork by Joris Martens. The unveiling event took place at St. Catharine’s Church in Hoogstraten - a city in the northeast of Belgium - on two Saturdays in May 2021.

While beholding the artwork, a woven tapestry, you listen to organ music by Miaux. Outside the church, you hear the carillon gurgle with music by Lieven Martens and town carillonneur Luc Dockx, prolonging the event into the public space.

Joris Martens created »Katharina AW« for the city hall of Hoogstraten. The tapestry now serves as an informal conversation starter in the conference room. Joris Martens is a multi-disciplinary artist and works in the field where applied arts and fine arts meet.

Miaux played her own compositions on the church organ. The songs appeared on the albums Black Space White Cloud, Hideaway, Dive and Gigi - released by Ultra Eczema, Lal Lal Lal, and Alien Passengers - and were originally written for electronic keyboard. Mia demonstrates that the church organ, which is normally used as an underscore for sadness or compelling thoughts, is a fitting instrument of connection. Through its resonance, we communicate our sounds.

Lieven Martens invented sketches for the carillon—by loading bird sounds into the computer program Melodyne, varying them and converting them to musical notes. As a nod to the religion crazy Olivier Messiaen, who considered the birds to be God’s chosen singers and songstresses. The trifles were translated on the carillon by town carillonneur Luc Dockx. The playing comes into and out of focus. In this way, Lieven creates a dreamscape and breaks with the dreary carillon as an instrument of power.

Luc Dockx studied church music at the Lemmens Institute in Leuven and the carillon at the Royal Carillon School in Mechelen. He is the city carillonneur of Hoogstraten since 2002. Dockx is an active practitioner of the art of improvisation on the carillon.

pré-commande28.03.2025

il devrait être publié sur 28.03.2025

14,71
Dean Wareham - That’s The Price of Loving Me

That’s the Price of Loving Me marks Dean Wareham’s (Galaxie 500, Luna, Dean & Britta, ) evocative return, rekindling his partnership with producer Kramer for the first time since Galaxie 500's This Is Our Music in 1990.

Recorded in six days in Los Angeles, the album is steeped in lush, haunting soundscapes, driven by Wareham's signature reverb-soaked guitars and melancholic, dreamlike vocals. Britta Phillips joins on bass and harmonies, while Gabe Noel’s cello adds depth and tension. “Two takes yield more treasure than twenty,” notes longtime friend Matt Fishbeck, as Kramer's insistence on spontaneity infuses the project with raw immediacy.

Thematically, Wareham delves into the poetry of memory, set against a backdrop of wistful nostalgia and existential reflection. "Songs are in dialogue with other songs" Fishbeck writes. The lead single, “We’re Not Finished Yet,” is a playful, introspective meditation where Wareham drops his own name while relishing the tactile joy of the guitar. “You Were the Ones I Had to Betray” unfolds like a somber narrative, underpinned by Noel’s cello and crowned with a haunting bass harmonica by Kramer, encapsulating the emotional ambivalence of friendship and loyalty.

“That’s the Price of Loving Me” pulses with conga rhythms and Kramer’s vintage Moog, capturing Wareham’s musings on the life of a performer and the sacrifices it demands. Fishbeck describes “The Mystery Guest” as "an acrostic poem" and concludes by saying "We're not finished yet." 'Loving Me' also includes two covers, Mayo Thompson's 'Dear Betty Baby' and Nico's 'Reich der Träume.' The latter highlights his love for blending history and homage, sung entirely in German for a chillingly authentic touch.

Dean returns with his fourth solo album and his first album for Carpark Records. Inspired by the past yet resonant in its present-day relevance, the album’s sonic palette is reminiscent of Galaxie 500’s dream-pop roots, tempered with the matured introspection of Wareham’s later works. “Dean traffics in memory,” writes Fishbeck, reflecting on the record’s seamless blend of intimate recollections and catchy hooks. The result is a cohesive work encapsulating the duality of Wareham’s career: haunted by the past, yet steadfastly pushing forward. As Fishbeck poignantly puts it, “Imagination is nothing but the working over of what is remembered.”

pré-commande28.03.2025

il devrait être publié sur 28.03.2025

23,32
Blind Gary Davis - Harlem Street Singer LP

Reverend Gary Davis aus Laurens, South Carolina war Singer-Songwriter, Gitarrist
und ein wahrer Virtuose des Piemont-Blues-Fingerpicking-Stils. Jack White
erwähnte ihn als einen seiner Gitarrenhelden in der Dokumentation It Might Get Loud
und zeigte darin den Videoclip von Death Don't Have No Mercy (He'll come to your
house and he won't stay long).
Blind Gary Davies spielte Gitarre mit Daumen und Zeigefinger auf eine Weise, die nur
ein blinder Mann spielen kann. Viele seiner Songs wurden im Laufe der Zeit von
internationalen Künstlern gecovert; unter anderem gehören The Grateful Dead und Bob
Dylan zu den Interpreten, die durch ihre Davis-Interpretationen dem blinden Virtuosen
Ehre erwiesen. Harlem Street Singer beinhaltet seine größten Hits, die bis heute
populär sind.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,59

Last In: 10 months ago
Various - YVES DERUYTER 40 YEARS (10x12")
 
47

Celebrating 40th anniversary of Yves Deruyter's musical career with this 10 x 12" Vinyl Box Set. Including tracks from F.U.S.E. vs LFO, Tronikhouse, Robert Armani, L.S.G., Edge Of Motion, Plastikman, The Prodigy, Ecstasy Club, and the master himselfYves Deruyter.



Yves Deruyter - 40 Years at the Pinnacle of the Night

Forty years. A rollercoaster of a musical career, meandering through five decades, leaving timeless marks on the collective dancefloor memory. Yves Deruyter is the exception that proves the rule. An icon behind the decks, celebrated far beyond national borders for his legendary sets, impeccable musical choices, and the anthems released under his name. The result of collective effort, where Yves, with his vision and unique touch, consistently left his mark-transforming good tracks into inescapable bombs that still resonate through time.

If you've spent forty years living to the pulse of music, the night is in your DNA. Yves Deruyter, a DJ to the core-the real deal. The man who bent the night to his will, dragging weekend vibes into the workweek like a warrior, a true master behind the turntables who made his people dance. His beats: the oxygen that generations lived on.

Yves sharpened his musical weapons in the early '90s within the iconic afterparty scene of Barocci and The Globe-places that became sanctuaries in Belgium's endless night. Here, die-hard dancefloor warriors, cutting-edge music lovers, and night owls from the four corners of the globe gathered. They willingly followed Yves' masterful mixing and his razor-sharp set construction. Clubs with a more conventional timeframe were the next step, with the iconic Cherrymoon as his home base for years-alongside endless guest DJ spots and global gigs. From there, the underground pulsed through Yves' hands and crates, reaching ever-larger crowds-without ever compromising for commercial or crossover sounds. Yves stayed true to his choices, lifting his audience to euphoric heights like a craftsman, armed with his hits, hidden gems, and freshly unearthed nuggets.

From the pounding energy of Rave City to the flippy, epic flashes of Calling Earth-tracks that not only captured the spirit of the times but conquered dancefloors worldwide. This isn't just music; it's a time capsule-a connection between generations and a reminder of the energy from a golden era.

With musical partners like Roel Butzen, Frederico Santini, M.I.K.E. Push, and more recently, Insider, Yves forged a sound that etched its place into rave and dance history. From The Rebel to The House of House, parts of Yves' musical taste have become immortal pillars of dance music heritage. In the early rave days, he topped Belgium's DJ rankings year after year, elevating every club he played to the highest echelons of popularity. The same held true for the records where his name appeared like a badge of honor.

From The Globe to the globe itself-it seemed almost written in the stars. Yves, thestar DJ, became one of the instigators of the electronic music storm that put Belgium on the global map-a storm that never subsided. Festivals like Love Parade, Mayday, I Love Techno, Nature One, and Tomorrowland saw Yves as a trusted force, effortlessly commanding crowds and turning dancefloors inside out. Forty years later, that storm still ignites partygoers, vibrates through dancefloors, and keeps entire generations moving.

Even today, Yves still holds a steady residency with Yves Deruyter and Friends at Club Moustache, where his concept always sells out. Here, both fresh talent and seasoned DJs deliver a killer blend of modern electronic dance music and timeless classics, creating an atmosphere that hooks the crowd every single time.

Because partying doesn't need an excuse. But forty years? That deserves the spotlight-not as a mere milestone, but as a showcase of timelessness. Music mutates, reinvents itself for new generations, yet retains the same impact as that very first time. Yves proves that forty is just a number, and relevance isn't about trends-it's about vision, energy, and an unmistakable touch. His sets? Indestructible. His sound? A heartbeat echoing through time.

And Yves? He doesn't live in the past. Today, Yves distills those four decades into a compilation capturing the essence of his career. Belgian beats, interpreted and refined into a sound that powered raves around the world. Ten vinyls featuring not just a fiercely curated selection that contextualizes the magic of his early days, but also new versions of three unbeatable anthems-potent hits designed to turn dancefloors upside down in wonder, without losing a shred of their soul. Yves remains a beacon in the night, a searchlight for that one perfect beat-always relevant, always chasing that magical moment.

Yves Deruyter-a name spoken in the same breath as the greats of the scene. A ten-vinyl compilation is more than a celebration; it's a well-earned trophy. As unique, indestructible, and uncompromising as the man himself.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

128,28

Derniere entrée: 5 jours
Horse Meat Disco - Horse Meat Disco Presents Disco & Boogie From Brazil Vol. 1 LP 2x12"

13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.

Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.

“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”

9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.

Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Źe Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.

At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

27,94

Last In: 3 months ago
Florence Cats - shell I (TAPE)

»Shell I« is the second edition on Edições CN by Brussels sound artist Florence Cats. It is a magical collection of 23 edits for voice, field recordings, theremin, and piano. Cats’ recorded piano rehearsals and singing sketches reminds us of Cornelius Cardew works. They are at the heart of Edições CN, where a sketch or rehearsal holds as much, if not more, truth than a definitive composition.

A melody line from Debussy passes by. Waves crash in the distance. Sails and flagpoles are sounding by the winds. Florence singing a stream of consciousness poem next to a water stream. Track by track you dream deeper in this generous collection. While the album’s A Side is an aquatic storyboard, the B Side is the essence of storms and days spent in the forest.

Cats holds a singular position at the firmament of Belgian sound explorers. Her art, almost unspectacular, is an important voice in these algorithmic times.

Florence Cats (Be, 1985) is an experimental artist working somewhere between music, sound, visual art and acupuncture. In 2023, she was selected as an emerging sound artist by Stuk, Q-O2 and Musica. Her work is a needle or antenna, inspired by the vibrations of sound and light in nature, travel, telepathy and dreams. She plays the theremin in experimental ways, interacting with her body, voice, water, radio and various.

pré-commande27.03.2025

il devrait être publié sur 27.03.2025

14,71
Megabasse - Flamenca (LP)

Pierre Bujeau is an expert at creating temporary escape zones—musical structures to evade the everyday. Sometimes he works collectively as part of the mysterious French groups Omertà and Tanz Mein Herz. But it’s when he’s on his own, performing as Megabasse, that he offers the most complete break from reality. His kit is simple: a few bottles of cheap lager, twin Fender amps, and his double-necked guitar. An instrument like this normally signals maximum rockist excess—think Jimmy Page, Geddy Lee, or that dude from the Eagles. In Pierre’s hands, it becomes more like a zither or a dulcimer, producing soft chiming patterns that build against themselves until the sound of the room, passed back and forth between his two amps, starts to blur everything, and we are away in another world. Wait, though—let down your yoga bun and don’t light the palo santo yet. The new space he creates has nothing to do with smug wellness. It’s a rough, do-it-yourself psychedelia, scuffed but hopeful. Not a perfect blank space to be your best self in, but instead a communal dreaming, an uncanny place where all are welcome.

Until now, without catching him live, the Megabasse experience has been difficult to find: CD-Rs, short-run tapes, and one blink-and-you-missed-it LP. Thankfully, this record on Efficient Space, a reissue of some pieces that were previously only available on a small cassette edition, will put that right. Here are two long, intricate pieces, and something new—a shorter track that hints at a move toward beautiful, burnt-out guitar soli.

Unless you are very lucky, wise, or rich, life imposes its structures on you. Maybe a record of shimmering, tranced guitar is all you need to get out from underneath?

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

20,97

Last In: 3 months ago
Tokyo Tea Room - No Rush LP

first pressing sold out on pre-order - here's a repress for late March 2025 on green vinyl - new barcode, new SKU.

After a first This album cover is quite mysterious, isn't it? Let's uncover what's behind it. The first notes of the opening track immediately set the tone: the journey begins. Take the album title literally and allow yourself to be comforted by the tenderness the British band is about to offer.

Dream pop is a genre of its own, characterized by a warm sound, enveloping bass lines, dreamy synths, and beautiful vocals. With "No Rush," Tokyo Tea Room guides the listener through an exploration of their emotions and an escape from everyday life.

Each of the 13 tracks on this project exudes the same tender energy, yet stands out with creative and meticulously crafted compositions. This project is poised to become a staple of the genre.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

23,95

Last In: 7 months ago
Eliza Niemi - Progress Bakery
  • A1: Do U Fm
  • A2: Novelist Sad Face
  • A3: Green Box
  • A4: Dusty
  • A5: The Linda Song
  • A6: Dm Bf
  • B1: I Tried
  • B2: Melodies Like Mark
  • B3: Wildcat
  • B4: How U Remind Me
  • B5: Pocky
  • B6: Bon Tempiii
  • B7: Pt Basement
  • B8: Alberqurque Ii
  • B9: Mary's

Kneading dough is tricky – you should know how it’s supposed to feel. If you try too hard you could make it worse. It’s a beautiful practice – creation with a gentle touch, to work at something so it can be left alone. “If it’s too drawn out it’s awful. It’s easy to give too much.” Dance in the mirror. Contemplate your veiny hands. Who do they remind you of?

You begin by mixing flour and water. “What happens when your people die? Why’d they move the rock to the other side of Ulster Park?” Eliza Niemi asks two seemingly unrelated questions in a rising melody with guitar accompaniment, like fingers playing spider up to the nape of your neck. Gentle pressure. Strands of gluten form to bind the mix. A new question lingers in the binding. When she admits “but I don’t know how to tell if I’m feeling it or not,” that question surfaces through the text. It is reiterated throughout the album. When I’m working with dough I think the same thing to myself.

On Progress Bakery, her second album as a solo artist, Eliza knows to leave some questions alone – to let juxtaposition and tension be the proof. It doesn’t have to be hard. The feelings and revelations they provoke rise in the heat. The smell is sweet. Crispy on the outside and soft all the way through. She playfully slip-slides through words and sounds and images, delighting in surprise, skimming ideas like stones cast across clear water, touching down briefly with uncommon grace.

The question provoked between those opening lines resurfaces in the strands between songs – “Do U FM” is fully formed and beautifully layered, while “Novelist Sad Face” is a short, acapella rendering of gentle curiosity. What is holding these ideas together? Some songs demand more, seem to carry a whole load – eventually the skipping stone will halt to sink and resume its idle duty – while others drift in and out of focus, the way thoughts and dreams become interwoven before the mind is sunk into true sleep.

Music and words don’t always have to interact. Where she decides to keep them apart gives a new contour to where and how she puts them together. The kind of thing you’re supposed to take for granted with songs and their singers comes alive in Eliza’s hands – the little miracle of mixing, kneading, stretching, and stopping.

So often on Progress Bakery, Eliza teases out truth and meaning by asking questions. “Do I wanna be crying?” “Do you want me good or do you want me bad?” “Do I need an eye test?” “I’m writing songs in my head while you’re going over stuff with me — is that cruel??” In “Pocky” Eliza ends with a question that feels to me like the actual biography, succinct and revealing:

I don’t wanna be made to see
I just wanna ask “what’s that?”

Grace that ought to be rare, but in its care and precision is offered humbly, with great generosity, and without announcing itself. Eliza’s simple, miraculous music is given further form and shape by a group of collaborators – invaluable guest musicians Jeremy Ray, Evan Cartwright, Steven McPhail, Kenny Boothby, Ed Squires, Carolina Chauffe, Dorothea Paas, Louie Short, and Avalon Tassonyi. Together with Louie Short, who recorded, mixed, and produced the album along with Jeremy Ray and Lukas Cheung, Eliza has cultivated a richness in sound and texture that prods and provokes the ticklish ear. Barely audible guitar tinkering, a brief lo-fi field recording of trumpets, the harmonic clicking of a looped synthesizer, a flourish of reeds, a child’s conversation, each uncanny sound perfectly placed, rippling out under a soft breeze.

Lay in bed alone at night and ask aloud to the stillness,

“What were you doing at the Albuquerque Airport?
What were you doing there??”

And hear your question answered by a dream of swelling, undulating cellos. Try to grasp at the melody and structure. It’s not an answer (if there could be one), but it moves deeper, closer to the weird layer of fleeting moments and disconnected images, barely perceptible at its core. Wait for the dream reel to click into place.

Eliza took me for a ride in Nicole (her beloved Dodge Grand Caravan) and told me she’d been thinking of the album as an embodiment of transition – and I think every transition, known or unknown, carries the weight of new meaning, skittering off the surface tension of life as you know it, creating ripples, sometimes bouncing off and sometimes breaking through. There is a trick you can use to tell if a dough is glutinous enough. You’re supposed to stretch it out as thin as you can without breaking it and hold it up to the light. If you can see through, even if it renders the world murky and uncertain, you should leave it alone. I love this trick. It’s one that Eliza seems to know intuitively: work gently and ask questions and don’t always expect answers, and when you can, take a glimpse at something new, and then leave.

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

25,17
Donny Benét - MR EXPERIENCE LP

After humble lo-fi beginnings in the Australian Art-Pop Underground, Donny Benet has expanded his cult-like following across the Globe with a resonant Array of danceable Repertoire dealing with Love- and Affection. New album "Mr Experience" marks a new chapter, informed by a wealth of musical- and personal development.

For Mr Experience, Donny envisioned a Soundtrack to a Dinner-Party- Set in the late 1980's. While his earlier Recordings drew Inspiration from DIY Pop Conspirators such as Ariel Pink & John Maus, Donny channelled the Stylings of Bryan Ferry & Hiroshi Yoshimura as the Impetus for new Material, evident on the Intimacy found on ‘Girl Of My Dreams’ and it's lush production- with a soothing whistle-along Chorus for good Measure!

Sincerity has been a key component of Donny Benet’s output since the beginning. His songs deal with genuine Emotion served on a kitsch Platter. An alter-ego manifested in the beginning of the 2010's, Donny has blurred the Lines of Artifice to create a back- Catalogue that can embrace- and challenge, often simultaneously, - the notion of Irony in Art.

"Mr Experience" moves further away from ironic Notions as Donny explores lyrical- and musical themes which embody Observations of Maturation in his audience, his tightknit musical Community- and himself. While ‘mature’ is a term that often rings hollow as an album descriptor, the term couldn’t be more apt for Mr Experience.

Previous album The Don was created with the luxury of time. The phenomenal Response to that Album across Europe- and the United States - fuelled by accompanying Music Videos clocking in Views in the Millions- meant that there were scant Windows of Opportunity to write- and record a follow-up.

With a legacy in Sydney’s music community, working with Sarah Blasko, and tightknik collaborators Jack Ladder & Kirin J Callinan, Donny Benet is accustomed to collaboration on the Stage- and in the Studio, mostnotably on the 2014 full-length release Weekend At Donny’s.



“There is such immense talent evident in every aspect of the Donny Bene experience - the vision of the character, the steadfast adherence his narrative and the musicality of Benet himself all combine to makesomething truly genius.” - Double J, Australin.

“Donny Benet makes feminine music for everybody” - Vice, Netherlands.

“The Don does not sound like amusical copying machine”. - 3voor12 National, Netherlands.

“The set was punctuated with virtuosic solos and exquisite harmonies, and added another layer of genius to the show.
We almost couldn’t handle it... Donny for president!" - Indie Berlin.

“Everyone loves Donny Benet” - Feature in Gonzai, France.

“Phenomenal Australian Showman... Offers Top-Class Dance Music with Virtuose-Bass Guitar- and Keyboard Parts & incredible Sound-Colour feel.” - Podujatie.sk, Slovakia.

Donny has toured Europe five times since the start of 2018 and has played in the UK, Austria, Germany, Slovakia, France, Netherlands, Spain, Portugal, Belgium, Denmark, Switzerland, Czech Republic, Greece and Sweden. The Don will revisit Europe twice in 2020, once for his own headline shows in May then back again in August for festivals!

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

27,19
Selofan - Partners In Hell

BLACK/RED VINYL

A match made in heaven and hell, since forming in the cradle of Europe Athens, back in 2012, dark synth duo Selofan have paved their own perditious way, reinventing the modern Darkwave scene throughout the continent and worldwide with their prolific creativity and work ethic over the past decade. Through varied experimental synth-scapes conjured with keen ears for sound design, production, and theatrical aesthetics, Selofan rest not on the laurels of just creating highly danceable coldwave infused music, but with together with Joanna Pavlidou's haunting vocals, and Dimitris Pavlidis' throbbing bass guitar, and modular synth compositions, the pair conjure whole other worlds and narratives throughout each album and music video they create. Thus far the Selofan have released 5 studio albums, issued through their own legendary label they curate themselves: Fabrika Records. Through their Fabrika family, Selofan have championed such acts as Lebanon Hanover, and She Past Away, aiding these bands in becoming two of the most popular Darkwave acts worldwide. Drab Majesty even cameoed in a She Past Away video while being hosted by Selofan during one of the band's frequent stays in Athens, and Kaelan Mikla, a handpicked favorite of The Cure, were first championed by Selofan, through the release of the Icelandic Trio's self-titled debut in 2016. In the Spring of 2020, Selofan released the video for the hopelessly plaintive "There Must Be Somebody", the first single from their forthcoming sixth studio album Partners In Hell, the follow-up to 2018's widely popular Vitrioli LP. "There Must be Somebody" is a discordant composition, mimicking the startled song of birds after a disturbance in a wooded enclave on a mountainside, while a magick ritual unfolds. The album itself opens with "Grey Gardens", a menagerie of morose melodies setting a sombre tone for the rest of a bleak record whose sound design and dreamscapes evoke the best sounds of British and German post-punk of the 80s. "Almost Nothing" is a brooding bell-driven track with a dark and pirouetting melody that is the perfect soundtrack to a figurine twirling in a music box. The German language "Nichts" means No, and this song is both sinister and cinematic with sighing keys, shuddering drum machines, and German lyrics sung with sorrowful conviction. "Zusamen", is a word often asked if you are together, or separate, is a dark ballad whose shadowy keys weave a nightmarish delirium, evoking the soundscapes of a lullaby sung in a haunted dollhouse. "4am" is a restless rhythm, whose soft percussive melody tosses and turns alongside subtle bass and string accents overlaid with despondent vocals. "Happy Consumers" sounds like the swirling of a finger drawn upon the edge of crystalline glass, with vocals and drum machines coming emanating from an adjacent room with echoing acoustics, collectively evoking the sound like lingers when the somnambulist wakes from his dream. "Absolutely Absent" hums onward like a phantom train ride that is a one-way ticket to madness, and with the next track "Metalic Isolation" the locomotive beats gather more steam, propelled forward with anachronistic melody. The album closes with "Auf Dein Haut", which translates as on your skin, and the song is both tactile and tenebrous with sensuously dark synth textures amidst howling German vocals that take flight like witches during a sabbat. Partner's In Hell was mixed and produced by Serafim Tsotsonis, and mastered by Doruk Ozturkcan. Genre: Alternative / Post-Punk / Cold Wave

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

31,72

Last In: 13 months ago
UNIVERSAL CAVE & THE STREET ROAD BAND - (TIL YOU'RE) BACK IN MY ARMS

From the deepest trenches of deadstock 45s and the unsung annals of soft rock infamy, we present SR4HT02: (Till You're) Back In My Arms.

Universal Cave and the Street Road Band cover Dan Strimer with Insured Sound's cult anthem (Till You're) Back In My Arms which was originally released as a 45 in 1977 on Lost Nation Records out of Guysville, Ohio. When Universal Cave featured Back in My Arms on Soft Rock for Hard Times Vol 8 in 2023, we reached out to Dan Strimer to tell him how much we loved his record, and quickly made a friend who helped us release a cover of his song 47 years after it first came out. Dan is still making music to this day and there are even rumors of some unreleased recordings making their way out in the near future.

On vacation in Hawaii when we released Soft Rock for Hard Times Vol 8, Alex Tebbs Mitchell of Universal Cave kept coming back to Dan's catchy, rural classic rock tune. When Alex returned to Philadelphia, he assembled the Street Road Band to record a laid back, 'southwestern Balearic' cover version with André Ethier on vocals, Charles Simon on guitar, Jesse Spearhawk on Pedal Steel, Alex Tebbs Mitchell on Rhodes and bass, Ryan M. Todd on synthesizers, and Shawn Ryan and Brian Cassidy on additional programming and arrangement. The result is a blissful soft rock ballad inspired by the likes of Chris Rea and Mark Knopfler.

After recording the cover, we called in the UK's finest Balearic maestro's Coyote to take the multitracks to the White Isle and back for a remix worthy of Cafe Del Mar. Coyote send the song into a dreamy, dubby, deep house groove, confirming that the record is, in fact, Balearic.

Mixed by Alex Tebbs Mitchell
Mastered by Mat Leffler-Schulman

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

15,92

Last In: 12 months ago
EL LEON PARDO - VIAJE SIDERAL

El Leon Pardo

VIAJE SIDERAL

Pict-VinylAYALP17
Aya Records
21.03.2025
  • Invocación
  • Viaje Sideral
  • Urmah
  • Cumbia Espacial
  • El Porro Del Olvido
  • Cuando El Río Suena
  • Sofi Entre Constelaciones
  • El Tigrillo Mono
  • La Perica

It's hard to imagine El León Pardo, a loyal advocate of some of the most advanced projects in which folklore is the road map and the destination itself, without his kuisi. It's hard to see him with his hands free. Always holding on to that ancestral instrument, that pre-Colombian flute that survived the conquest and has become a symbol of resistance, overcoming the ravages of time, the imposition of ideologies, dogmas and religions. Despite all that, the kuisi continues with its liberating sound, the power of its cry, its invitation to dance, its sound a cure and a blessing. That's why it leads the way in this Viaje Sideral ("Space Voyage"), an astral journey in which the kuisi is the vehicle and the life force of the rhythm. Viaje Sideral feels like floating eternally in the infinite cosmos. This second long player from El León Pardo is inspired by humanity's relationship with the stars, escaping to mythical planes and led into a trance by Caribbean percussions, analog synths, deep bass, electric guitars and the hypnotic vibrations of the kuisis and trumpets that complete the soundtrack of this voyage. Through these nine songs, El León Pardo continues to create a sound of his own, evolving in his intention to pay tribute to the psychedelia of the tropical world of the Caribbean in the 1970s and 80s, but this time also taking as reference artists like Terry Riley, Kraftwerk and Mad Professor, including the roots of ambient and electronic music with the characteristic sound of the kuisi, an encounter of dreamlike and astral sounds, with the music of the bandas pelayeras of the tropics and figures like Pedro Laza and Juan Lara. In this new universe the Cartagena trumpeter dialogs with the past, processing the ideas that have emerged over the years and morphed into his personal search that gives an identity to his ideas, nurtured by figures like producer Diego Gómez (Llorona Records, Discos Pacífico, Cerrero) who awoke his interest in electronic instruments, Edson Velandia and kuisi maestros like Juan Carlos Medrano and Fredy Arrieta. In his sound there is a particular feature, one that contains histories of personal experiences, accompanied by the kuisi, including ancient Zenú flutes dating from between 600 and 800 AD and which helped create the atmosphere of "Invocación." "Viaje Sideral," the song that gives the album its name, was born from a dream in which two stars speed towards the earth and an imminent collision. As the record continues, the stellar connection becomes clear with songs like "Urmah" with Edson Velandia, inspired by an article about extra-terrestrial races and how the Urmah were a race of hominid felines, the greatest geneticists of the universe; and "Cumbia espacial," featuring rapping from N. Hardem, seeking to create that aura of immensity and consciousness of the infinity of the universe.

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

22,27
Collage - Mit den Puppen tanzen

We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small FMusic label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.

Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".

By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.

Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.

The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").

Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released. In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.

The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

16,77

Last In: 12 months ago
Wolfgang Seidel - Krautrock Eruption

Das Krautrock-Buch von Wolfgang Seidel in englischer Übersetzung Mit "Wir müssen hier raus!" hat Wolfgang Seidel, Gründungsmitglied der Ton Steine Scherben, eine mitreißende Gegenerzählung zu den inzwischen gängigen Darstellungen des Krautrock verfasst. Nun erscheint sein wegweisendes Buch in englischer Übersetzung, ergänzt um Bildmaterial und eine Diskografie der 50 wichtigsten Krautrock-Platten. Mit dem Wissen desjenigen, der dabei war, bei den Hausbesetzungen und Demos, den ersten Konzerten von Bands wie Cluster, Tangerine Dream und Ash Ra Tempel, legt Seidel ein Buch vor, das die alte Bundesrepublik wieder zum Leben erweckt. Mit all ihren Widersprüchen und Kämpfen, in der gerade deswegen entstehen konnte, was heute als Krautrock gefeiert wird und was damals ein Versuch war, den Soundtrack zur Revolution beizusteuern. Die Revolution ist ausgeblieben, die BRD gibt es nicht mehr - und gestorben scheint ebenso die Utopie eines besseren Lebens, für das es sich zu kämpfen lohnt, auf der Straße wie im Tonstudio. Dabei sollte angesichts der gesellschaftlichen Verhältnisse die Parole noch immer lauten: "Wir müssen hier raus!" Wolfgang Seidel zeichnet, ausgehend von diesem Lebensgefühl, dem Fluchtinstinkt der Jugendlichen, ein Bild der alten Bundesrepublik, das anders gefärbt ist als die vielen Gründungsmythen der ersten genuin deutschen Popkultur, des Krautrock, der eines vor allem nicht sein wollte: deutsch.

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

18,07
Kinky Friedman - The Poet of Motel 6 (Ltd. Vinyl)
  • A1: Poet Of Motel 6
  • A2: Hello, Good Morning
  • A3: Buddy, You're Living My Dream
  • A4: See You Down The Highway
  • A5: The Life And Death Of A Rodeo Clown
  • B1: Sometimes
  • B2: Banjo, Sophie, And Me
  • B3: Hummingbird Lanai
  • B4: Kacey Needs A Song
  • B5: Whitney Walton Has Flown Away

Kinky Friedman's final record (he passed away on June 27, 2024) Poet of Motel 6 is a moving collection of ten songs about love and loss. From his tribute to Billy Joe Shaver, The Poet of Motel 6, to his paean to the late, notorious mystery woman, Miranda Grosvenor, in “Whitney Walton Has Flown Away,” Kinky plumbs the depths of love and mortality on his final album. Joined by Texas royalty like Jimmie Dale Gilmore, Rick Trevino, Amy Nelson, Rodney Crowell, and produced by fellow Rolling Thunder Revue alumni David Mansfield, this record truly lays bare the heart of this Texas bard.

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

26,01
Church Tongue - You'll Know It Was Me
  • 1: Heart Of Darkness
  • 2: One Hand Wrapped Around The Sun
  • 3: When It Betrays (Feat. Colin Young)
  • 4: The Fury Of Love (Feat. Crystal Pak)
  • 5: Bury Me (One Thousand Times)
  • 6: You'll Know It Was Me (Feat. George Clarke)

Midwest band Church Tongue have announced they have signed to Pure Noise Records and will release EP "You'll Know It Was Me" on 14th February 2025. The 6 track EP continues its complex, uncompromising and emotionally charged sound with guest features from Colin Young (Hardlore podcast), George Clarke (Deafheaven), and Crystal Pak (Initiate)​"You’ll Know It Was Me is a short record about love. Love looks like a lot of things, and each track touches on it in its own way." says Mike Sugars. "People close to me have heard about me wanting to make this kind of record for a long time. I just hadn’t grown enough to realise the dream of it, and I knew it had to be a Church Tongue record. I’ve been with this band, these guys, for the majority of my life now. I’ve made records with other bands, and so have the other guys, but this idea felt sacred to my beginnings. I knew this record was in us, was who we are, and I’m honoured to have made it with my brothers."

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

23,11
Articles par page:
N/ABPM
Vinyl