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KLANGKOLLEKTOR - DUB TAPES VOL.1  LP 2x12"

More astonishing new music from Jason Boardman's BiD imprint.
KlangKollektor is a solo project by Lars Fischer (the drummer with the Psychedelic Cumbia band Trak Trak from Nurnberg.)
The clips here only tell half the story, these are meticulously evolving and utterly absorbing pieces.
A stellar collection of seven dubwise tracks over 4 sides with a Techno and Balearic influence.

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Last In: 2 years ago
26,01 €
The Jazz Defenders - Memory in Motion LP

UK jazz ensemble The Jazz Defenders release their third album "Memory In Motion" in April on Haggis Records (home of The Haggis Horns and Malcolm Strachan). The Bristol jazz boppers deliver another quality release of original material that takes in their usual diverse mix of influences and genres, from timeless acoustic jazz referencing the classic sounds of Blue Note Records, to a more contemporary fusion where jazz meets soul, funk and hip-hop.

Although they love to mix things up, their roots are in the classic acoustic jazz quintet sound of the late 1950s/early 1960s, back when hard bop and modal jazz ruled. They have already explored this musical path well on their previous albums but they still deliver a couple of classic inspired jazz cuts here. "Chasing Fantasies" and "Fuffle Kerfuffle" both give the band some space to cut loose on solos over swing jazz beats that will keep their original jazz audience happy. The latter bubbles away with a jazz shuffle beat that would make drum legend Art Blakey smile.

"Meanderthal" and "Snakebite Playfight" bring soul to this jazz party. Exactly like jazz legends Lee Morgan/Herbie Hancock/Freddie Hubbard etc did back in the early-mid 1960s. The first is a feel-good, toe-tapping gem that's heavy on the backbeat and short and snappy on the solos, the exact reasons that made it the perfect opening single from the album. "Snakebite Playfight" comes with a jaunty New Orleans shuffle before transforming into a heavy psychedelic soul jazz burner, flipping back with ease to the NOLA shuffle for the Mardi Gras meets bebop piano solo by band leader George Cooper.

"Rolling On A High" is a hip-hop/jazz banger that sees the band continue their collaborations with UK rapper Doc Brown, a perfect combination that began on their second album "King Phoenix''. This time, the Doc spits some old-school block party-style bars over a bouncy uptempo funky beat with the band cooking up some soul stew behind him. Definitely dancefloor material.

Another uptempo jam is the heavy jazz fusion jam "Net Zero". It kicks off with some live broken beat kit playing and piano/bass staccato vamping before taking off into Headhunters territory on the solos, sounding both contemporary and classic at the same time. This is The Jazz Defenders at their fiercest and toughest and delivering a track that will have jazz dancers worldwide in an utter frenzy.

It's not all uptempo numbers or dancefloor-oriented compositions on this album. Two tracks take the musical dynamics right down to give a temporary break from the high-energy numbers. "Take A Minute" has a rolling double bass line locked into the groove while the horns play a lazy and laid-back theme with vibes embellishment, sounding like some trippy independent film soundtrack. Another recurring musical reference point for this band over the years.

The album finishes on a poignant and introspective note with a beautiful piano and double bass feature for George Cooper and bassist Will Harris. It's called "Enigma", it was recorded live in Paris and it closes the album on a peaceful note evoking the music and playing of Bill Evans. The perfect way to close this brilliant third album from The Jazz Defenders.

With Memory In Motion, pianist George Cooper and his band undoubtedly pay great homage to a golden era of jazz music that they love, but also elaborate on this influence with a wealth of modern musical experience, to create their own raw and vibrant compositions. The result is an enthrallingly unique sound that is as danceable as it is listenable.

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24,16 €
Unknown - Main Title / One Way Glass

Main Title (The Taking Of The Pelham One Two Three) (Edit) by David Shire b/w One Way Glass (Edit) by Manfred Mann Chapter Three | Galaxy Sound Company, Solo 500 — SOLO500-502 | I am excited to share a sneak peek test pressing of the third & latest entry in @galaxy_sound_company’s Solo 500 series, which digs deep in the jazz-funk crates for killer breaks ya need in yo bag.

Side A is an edit of the jazz-funk intro track “Main Title” from the original soundtrack of 1974 gritty subway hijack film The Taking Of The Pelham One Two Three. The soundtrack with its funk, jazzy score has been a well that hip-hop artists have repeatedly drawn from. Most notably, “Krazy Kings Too” by Company Flow, “Suprize Packidge” by Mix Master Mike, & “I’m Set” by Goodie Mob.

Side B is a subtle edit of “One Way Glass” by Manfred Mann Chapter Three, which is taken from their self-titled 1969 LP. Manfred Mann Chapter Three were a British experimental jazz rock band, 1969 to 1970, founded by South African keyboard player Manfred Mann & long-time partner Mike Hugg, both former members of the group Manfred Mann. The track was sampled by many, most notably by The Prodigy for their 2009 track “Stand Up” & on “Headbanger” by Krafty Kuts in 2011.

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Last In: 9 months ago
11,35 €
Guitarwolf - Black Leather Bomb

Guitarwolf

Black Leather Bomb

12inchMMDS22013LP
MUSICMINE
10.05.2024

This live album is a recording of the last live performance by Drumwolf (Toru)'s with the band. The concert was held at W.W.W.X. in Shibuya on March 11th, 2023 and includes 13 of the songs that they played at this gig.

It is the last memorial live performance for Toru, the bedrock of Guitarwolf for many years and will be permanently etched on vinyl. This is a must record that fans need to get hold of, as it is the live recording of the band's latest performance featuring many of their classic songs.

Guitar Wolf have been expanding their horizons of their activities in recent years, including an appearance at the Shimane Jet festival, and they hope you can appreciate the pure joy of their universal rock 'n' roll vibes on vinyl that might be too hot for the whole world to handle!

And as a bonus item, you can stream the full live performance of this monumental concert of Guitarwolf in its entirety as well! It was directed by Tetsuro Takeuchi who has previously worked on Guitarwolf's music videos for many years.

This video of their live performance was edited full of tension and speed and it truly displays how much Guitarwolf deserves the title of Japan's number one rock 'n' roll band. This fact can also be relived by seeing this video included in this deluxe edition.

Guitarwolf
Members:
Seiji (Guitarwolf): Lead Vocals, Guitar
GOTZ (Basswolf): Bass, Vocals
Shingo (Drumwolf): Drum Note: Joined the band in 2022

Real-life rock 'n'roll super heroes that rock fans all over Japan continue to admire.
While creating numerous legendary myths in the 1990s, being unique beyond comparison, they continue to consistently blare out their spontaneity to the present day,

The band's unusually extreme and bombastic sound amplifies the embryonic impulses of rock 'n' roll, while Seiji's lyrics mix words that evoke the 'universe' and the 'Showa era' with his own unique sense of humor. In their relentless pursuit of a style that has remained unchanged since the band's formation, the music that the three members who don their entire bodies in black leather play, emits power that transcends time and space. While doing so, they continue to gain enthusiastic fans from all over the world.

Formed in 1987, the original members, Seiji and Billy (bass, vocals) and Toru who joined the band later, started their musical activities together and released their debut album "Wolf Rock" in 1993 from the Memphis-based Goner Records. Later, they signed to Matador Records, one of the leading indie labels in the USA. They also made their major label debut in 1997 with the album, "Wolf Planet" on Ki/oon Records/ Sony Music in Japan.

They have released 12 albums to date. The band has also continued to tour energetically around the world, not only in Japan but also in the US, EU countries, Australia and South America. Billy suddenly passed away in 2005. After having two mighty support casts, U.G. and Hikaru, GOTZ (Gotz) joined the band in 2018 as the new bass wolf. Also, Toru who had been with the band as drum wolf for many years left in 2022 and the band is now more energetically active with their new drum wolf, Shingo.

pre-order now10.05.2024

expected to be published on 10.05.2024

19,75 €
HAAL - Return To Shilmarine LP

Combining elements of post-rock, trip-hop, and industrial music, HAAL have quickly become cult favourites in the UK live scene. Their psychotropic blend of samples, DIY pedals, and monolithic instrumentation, has seen the band play and tour alongside the likes of Kyoto Kyoto, WEB, Deliluh, Treeboy & Arc, Katy J Pearson, and Gurriers, as well as appearing at festivals such as ArcTanGent, Dot To Dot and more. Coming off the heels of their recent singles “Janus” and “Judy” (and subsequent remixes by Water From My Eyes and Crimewave), the new EP “Back To Shilmarine” arrives as a blistering snapshot of the band’s protean dynamism.

The band celebrate their late-90s / early-00s influences in a caustic yet melodic blend of tracks that nod as much to the output of labels such as Dischord, Touch & Go, and Nothing Records, as they do their contemporaries in the UK scene such as SCALER, Famous, deathcrash, and LICE. The EP sees them bring all these touchstones together to create a unique and uninhibited maelstrom of sound that spans everything from intricate math-inflected guitar lines and pensive vocals to propulsive drumming, totemic riffing, and warped synths.

Arguably some of HAAL’s heaviest material to date, “Platform 1, 18:19” offers the first look into this new material melding motorik rhythms and hypnotic riffs with sudden explosions of noise and power. However, as ever with HAAL, there is more than meets the eye – the track also features samples completely abstracted from their sources, for instance, the drone that begins the song is taken from a video of frontman Alfie Hay and his friends beating Bop It.

Elsewhere on the EP, the lyrics explore themes of cosmic existentialism, absurdism, meaning, transhumanism, inner reflection, science, history, and general philosophy. “All the lyrics are musings or verses that I wrote at very different times in my life” says Hay. “I then had to fit them around the music, despite being written at wildly different periods.” The record was once again recorded with long-time collaborator Alfie Tyson Brown (Katy J Pearson, LICE, Lazarus Kane) at The Louisiana in Bristol. The band have a tight knit collaborative circle around them, this is particularly notable around the band’s imagery

pre-order now10.05.2024

expected to be published on 10.05.2024

17,86 €
Tee See Connection & Leroi Conroy - Skyline Chili Churner / Queen City

Pressed on limited edition purple rain vinyl. Wrote and produced by Colemine label owner, Terry Cole. Band consists of two members from The Jive Turkeys. The last recordings made at the basement Regent Drive studio in Middletown, OH finally making it to a dirty 45! The Tee See Connection is comprised of members of The Jive Turkeys (Rob Houk - drums, Matt Amburgy - keys, Terry Cole - bass). The A-side, "Skyline Chili Churner" is an organ burner with funky bass and blown out breakbeat style drums while the B-side is straight up boom bap with Matt Amburgy cookin' hard on the keys. Drums and all parts ripe for sampling!

pre-order now10.05.2024

expected to be published on 10.05.2024

10,88 €
GULFER - Third Wind LP

Gulfer

Third Wind LP

12inchLPTSR268C
TOPSHELF RECORDS
10.05.2024

"Named for the band’s third lease on life, Third Wind finds Gulfer at a unique moment in their ten-plus year career. When they started in 2011, Gulfer played scrappy, complex math rock influenced by the emo revival. But in 2024 they’ve emerged almost unrecognizable, while still retaining the spirit of what made them all fall in love with Gulfer in the first place.

Third Wind’s stylistic turns are emphasized by deeper texture and simpler songwriting, influenced by the reemergence of 90s alternative and shoegaze. With a new emphasis on atmosphere and more straightforward composition, Gulfer give themselves space to explore audaciously.

Album opener “Clean” gets as close to pop as the band has ever been, where “No Brainer” dabbles deftly in downer rock that asks “what even is my fucking place in the world? "Bold juxtapositions feature elsewhere on Third Wind: pop-punk bruiser “Too Slow” stops on a dime before evolving into a slow burning drum n bass passage, all within two minutes. And then there’s “Heartshape”, a downright love song shrouded in virtuosic performance and electric-acoustic counterpoint. Although these contrasts could be construed as aimless fiddling, their seamlessness is the true essence of Third Wind, indicative of a sage band with a renewed love for what they do."

pre-order now10.05.2024

expected to be published on 10.05.2024

30,21 €
Missiles - Weaponize Tomorrow LP

Missiles

Weaponize Tomorrow LP

12inchSVART330LPB1
Svart Records
10.05.2024

MISSILES fire off their debut album "Weaponize Tomorrow" on Svart Records Malmö’s MISSILES are set to release their inaugural album, "Weaponize Tomorrow", on May 10, 2024, under the banner of Svart Records. The members of MISSILES are no new kids on the block. Coming from punk, rock, and metal, as well as surf and rather diverse backgrounds, they all answered to the call of their good friend Gabriel Forslund - sincerely interested in doing something new and exciting together. The band's trajectory began with a 7" single released by the Swedish label Fetish in 2016. Initially viewed as a project, MISSILES have organically evolved into a fully dedicated band with a laser-guided focus, causing shock waves in the underground with their jet-fuel genre-clash. Combining abandoned sounds with new inventions on “Weaponize Tomorrow”, MISSILES promises to both pat you on the head and stab you in the back, delivering a unique blend of post-punk with a touch of goth rock. The band’s lineup consists of: Gabriel Forslund (vocals and guitar) Jens Rasmussen (drums) Tobias Augustsson (synthesizers) Sebastian Gadd (guitar) Linus Larsson (bass) MISSILES claim their debut is a one-of-a-kind album, truly a loved bastard. ”Weaponize Tomorrow” will appeal to those who enjoyed the certain “je ne sais quoi” found in the New Wave movement, a line of thought that is liberating to hear today when artists go to the bank with a genre description. MISSILES couldn’t be bothered; it’s rock, it’s pop, its punk, it’s je ne sais quoi. Hard to pin down, but undeniable to freak out to, "Weaponize Tomorrow" is a high yield blast wave that will leave MISSILES hot on the tongues of those looking for a sudden and dramatic, incendiary kick. A gut smashing future shock that will resonate across diverse musical landscapes, “Weaponize Tomorrow” will be the perfect atomic cocktail for fans of Wipers, Dead Moon, The Birthday Party, The Gun Club and even modern iconoclasts Molchat Doma and Beastmilk. Keep your finger on the button for MISSILES‘ explosive debut out on May 10, 2024.

pre-order now10.05.2024

expected to be published on 10.05.2024

25,00 €
Warlord - Free Spirit Soar LP

Die US Metal-Legende Warlord wurde im Jahre 1981 von Mark Zonder und William J. Tsamis gegründet. Ein Jahr später, 1982, erschien der Song "Lucifer's Hammer" (basierend auf einem Roman von Larry Niven und Jerry Pournelle) auf der prestigeträchtigen Compilation "Metal Massacre II". Als Resultat unterzeichneten Warlord einen Kontrakt bei Metal Blade Records und nahmen ihre erste Mini-LP auf. "Deliver Us" erblickte 1983 das Licht der Welt und gilt heute als Blaupause des "Epic Metal" (zusammen mit Manilla Road, Cirith Ungol und Brocas Helm gelten Warlord als Erfinder jenes Stils). Nach zwischenzeitlicher Auflösung erschien im Jahre 2002 das starke Comeback-Album "Rising Out Of The Ashes", erst elf Jahre später gefolgt von "The Holy Empire". "The Holy Empire" sollte das letzte Warlord-Studioalbum mit neuem Songmaterial bleiben, denn Bandgründer William J. Tsamis verstarb am 13. Mai 2021 im Alter von nur 60 Jahren. Allerdings erschien danach noch ein weiteres Warlord-Album, nämlich "The Hunt For Damien" im Jahre 2015. Darauf zu hören ist als Sänger Nicholas Leptos (u.a. auch bei Astronomikon, Prodigal Earth, Gangland und Diphteria tätig). Das jetzt erscheinende "Free Spirit Soar", welches auch zwei überarbeitete Nummern von Lordian Guard enthält, ist ein Tribut von Sänger Giles Lavery an das musikalische Erbe von Bill Tsamis. Er wird dabei unterstützt von Mark Zonder (Drums), Jimmy Waldo (Keyboards/Synthesizer), Phillip Bynoe (Bass) sowie Eric Juris (Gitarre). Alle Songs wurden zwischen März und September 2023 aufgenommen.

Giles Lavery, der auch als Produzent fungierte, erklärt die Entstehungsgeschichte des Albums im Detail: "Unser erklärtes Ziel als Band war es, diese Musik für Bill fertigstellen. Und das vorliegende Material erschien uns ohne Frage stark genug, um uns dazu zu inspirieren. Bill ist bei allen Gitarrenparts zu hören, bei denen es uns möglich war, sie von den ursprünglichen Demo-Recordings zu isolieren - ganz so wie die verbliebenen Beatles die Stimme von John Lennon vom einem alten Demo-Tape zu retten in der Lage waren. Der Großteil der Gitarrenpassagen auf "Free Spirit Soar" wird zwar von Eric gespielt, aber die gesamte Musik stammt aus der Feder von Bill. Und wir haben uns wirklich sehr darum bemüht, seine Arrangements möglichst originalgetreu umzusetzen."

Line-up: Giles Lavery - vocals Eric Juris - guitars Philip Bynoe - bass Jimmy Waldo - keys Mark Zonder - drums

pre-order now10.05.2024

expected to be published on 10.05.2024

25,08 €
Warlord - Free Spirit Soar LP

Die US Metal-Legende Warlord wurde im Jahre 1981 von Mark Zonder und William J. Tsamis gegründet. Ein Jahr später, 1982, erschien der Song "Lucifer's Hammer" (basierend auf einem Roman von Larry Niven und Jerry Pournelle) auf der prestigeträchtigen Compilation "Metal Massacre II". Als Resultat unterzeichneten Warlord einen Kontrakt bei Metal Blade Records und nahmen ihre erste Mini-LP auf. "Deliver Us" erblickte 1983 das Licht der Welt und gilt heute als Blaupause des "Epic Metal" (zusammen mit Manilla Road, Cirith Ungol und Brocas Helm gelten Warlord als Erfinder jenes Stils). Nach zwischenzeitlicher Auflösung erschien im Jahre 2002 das starke Comeback-Album "Rising Out Of The Ashes", erst elf Jahre später gefolgt von "The Holy Empire". "The Holy Empire" sollte das letzte Warlord-Studioalbum mit neuem Songmaterial bleiben, denn Bandgründer William J. Tsamis verstarb am 13. Mai 2021 im Alter von nur 60 Jahren. Allerdings erschien danach noch ein weiteres Warlord-Album, nämlich "The Hunt For Damien" im Jahre 2015. Darauf zu hören ist als Sänger Nicholas Leptos (u.a. auch bei Astronomikon, Prodigal Earth, Gangland und Diphteria tätig). Das jetzt erscheinende "Free Spirit Soar", welches auch zwei überarbeitete Nummern von Lordian Guard enthält, ist ein Tribut von Sänger Giles Lavery an das musikalische Erbe von Bill Tsamis. Er wird dabei unterstützt von Mark Zonder (Drums), Jimmy Waldo (Keyboards/Synthesizer), Phillip Bynoe (Bass) sowie Eric Juris (Gitarre). Alle Songs wurden zwischen März und September 2023 aufgenommen.

Giles Lavery, der auch als Produzent fungierte, erklärt die Entstehungsgeschichte des Albums im Detail: "Unser erklärtes Ziel als Band war es, diese Musik für Bill fertigstellen. Und das vorliegende Material erschien uns ohne Frage stark genug, um uns dazu zu inspirieren. Bill ist bei allen Gitarrenparts zu hören, bei denen es uns möglich war, sie von den ursprünglichen Demo-Recordings zu isolieren - ganz so wie die verbliebenen Beatles die Stimme von John Lennon vom einem alten Demo-Tape zu retten in der Lage waren. Der Großteil der Gitarrenpassagen auf "Free Spirit Soar" wird zwar von Eric gespielt, aber die gesamte Musik stammt aus der Feder von Bill. Und wir haben uns wirklich sehr darum bemüht, seine Arrangements möglichst originalgetreu umzusetzen."

Line-up: Giles Lavery - vocals Eric Juris - guitars Philip Bynoe - bass Jimmy Waldo - keys Mark Zonder - drums

pre-order now10.05.2024

expected to be published on 10.05.2024

25,08 €
UNWED SAILOR - UNDERWATER OVER THERE LP

Tulsa, Oklahoma's Unwed Sailor have been on a tear over the past few years. Following a quiet phase through much of the 2010s, they reëmerged with the aptly titled Heavy Age (2019), and two more full-lengths, Truth Or Consequences (2021) and Mute The Charm (2023), that chart a remarkable evolution of their bass-led, pop-leaning post rock. On Underwater Over There - their ninth LP overall - a current of 80s goth and jangle-pop runs beneath a litany of memorable hooks and compositional left turns, creating a propulsive and intricate world of sound. The band worked collectively on all elements of mixing and production to craft a meticulously layered environment, while maintaining an air of spontaneity and experimentation across the set. Early standout, "Final Feather", drifts through varying landscapes of airiness and haze on a high-neck bass hook, while the hum of voices adds a contrast of angelic comfort. Bearing influence from New Order and The Cure in particular, its balance of gravitas and shimmer is the result of founding member Johnathon Ford's intuitive writing method: the lead bass line comes first, followed by supporting melodies, drums, guitars, keys, and final detailing. "Dusty" is a prime example of this process, as Ford's powerful, low-end groove anchors a full-spectrum array of guitars, bells, and arpeggiations along with Matt Putman's energetic drum section. Its fluid pacing provides a perfect establishing shot, with shifting moods that gather into a coda guided by David Swatzell's harmonized, glittering guitar riffs - a sunrise after a moonless night. In quick succession, "Blue Tangier" widens the aperture with a pounding percussive refrain, vibrant bass tone and an unforgettable, fuzzed-out melodic motif. Sprawling centerpiece, "Junko", is a loose callback to 2003's The Marionette and The Music Box, its deliberate stride and interwoven melodies evoking the hands of a mechanical clock, and the anticipation of something long-awaited but nebulous. It drifts effortlessly from innocence to intrigue, expands into a mesmerizing howl, and vanishes abruptly into mist. While honoring their forebears in winks and nods, Unwed Sailor remain totally inimitable in their approach and style, twenty-five years into an acclaimed career. The band's clear vision for Underwater Over There has yielded some of their most indelible work, and their inventive, passionate approach gives a strong sense of plenty more beyond the horizon.

pre-order now10.05.2024

expected to be published on 10.05.2024

25,17 €
Queen - Queen Rock Montreal LP 3x12"
pre-order now10.05.2024

expected to be published on 10.05.2024

39,92 €
Krissy Matthews - Krissy Matthews & Friends

It is a monster album which unites the who's who of the modern blues and rock scene and took Krissy one year to produce! Friends on the album include rap metal giants Clawfinger, the god of hellfire Arthur Brown, the voice Chris Farlowe, Germany's soul queen Inga Rumpf, legendary singer songwriter Stoppok, the iconic Hamburg Blues Band, elite drummers Dennis Chambers & Curt Cress, Blues singing dynamite Big Daddy Wilson and many more. The album includes 24 songs and is almost 3 hours long with a mix of Krissy's original material and his favourite cover songs. "It was a long time in the making and I managed to get it done. I started the pre-production in November 2022 and went in the studio to begin the meat and potatoes process in January 2023. I wanted to get all my favourite musicians together that I have met on the road in my career. They are not all here by any means, but a good handful are! I did not want this album to have a box, so there are many different genres from metal to blues and jazz to rock'n'roll. But in the end, it is a Krissy Matthews record."

pre-order now10.05.2024

expected to be published on 10.05.2024

36,56 €
Turist - Turist EP

Turist

Turist EP

7"-VinylLBM028
Little Beat More
10.05.2024
 
2
also available

yellow 7"[12,82 €]


Little Beat More is proud to present you a two-track EP by Turist, a Vienna based psychedelic Dembow project, founded to combine the energy of a live band with the tightness of an overdub session. ?Turist made it their mission to revive handmade music from the 60's and 70's aiming for the dancefloors of today!
The two tracks demonstrate how they interlace heavy basslines, colorfully echoing guitars and driving drums, drawing inspirations spanning from Ghanian highlife to Peruvian cumbia.
“Skeet”, on Side A, is the band’s manifesto with their special blend of Caribbean dance rhythms and Californian surf music psychedelia. Side B's "Ez Up" is a straightforward champeta song, the Afro-Colombian style that fuses sweet soukous guitar lines with uplifting soca rhythms, making you want to immediately look for the nearest Pico Soundsystem.
Set off on a rhythmic journey following Turist in their musical nomadism with us!

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Last In: 2 years ago
11,35 €
Amanaz - Africa (Dry Mix) (2x12")

Amanaz

Africa (Dry Mix) (2x12")

2x12inchNA5203LP
NOW AGAIN
10.05.2024

Repress
Dry mix only single LP edition, reverb mix of 2LP edition excluded.

Issued in 1975, this is the articulation of Zambia’s Zamrock ethos. Its' musicians were anti-colonial freedom fighters, it envelops Zambian folk music traditions, and it rocks - hard. Amanaz were serious, and they made a serious stab at an album. They titled their album Africa, according to original band member Keith Kabwe, “because of how it was shared and how its inhabitants were butchered and enslaved, its resources stolen... all the atrocities slave drivers committed. “ Thus, their “Kale,” a blues sung in Nyanja, that traced the continent’s arc from slavery to Zambia’s independence closes the album. Kabwe and rhythm guitarist John Kanyepa have a winsome softness to their vocals, which sit politely aside the feral growl of drummer Watson Baldwin Lungu, bassist Jerry Mausala and bandleader/lead guitarist Isaac Mpofu. Africa’s vibe ranges from anxious (“Amanaz”) to escapist (“Easy Street”) to straight-up pissed-off. On the “History of Man,” his voice whiskey-burned, his distorted guitar buzzing like swarming hornets, Mpofu indicts his species. There’s a darkness to Africa not found on any other Zamrock records, and a melancholy drifts throughout, specifically on Mpofu’s more restrained “Khala My Friend,” which stands as an effective, bleak situation for the Zambian everyman, the average citizen of a struggling, new nation, who might have had relatives in conflict-torn countries on the horizon, who might have been struggling to find his next meal, who might have seen a bleaker future than his president promised. Then there’s the clear Velvet Underground-influence on the nostalgic “Sunday Morning,” which, as Kabwe recalls, was the first song written for the album, back in 1968, when Velvet Undergound and Nico was a new release - and the underground funk of “Making The Scene.” The album also tackles traditional Zambian music and early-‘60s rock – punctuated, of course by Kanyepa’s wah-wah and Mpofu’s fuzz guitars. But every time Amanaz get too deep, too violent, they come back with an accessible song and woo their listener back to the groove. “Green Apple” is a civil song, featuring Kanyepa’s sighing guitar.

pre-order now10.05.2024

expected to be published on 10.05.2024

28,53 €
NGWAKA SON SYSTEME - IBOTO NGENGE LP

Ngwaka Son Systéme’s debut album Iboto Ngenge means “power struggle” or “seizing the opportunity” but while words can only be roughly translated, the music reaches listeners unambiguously: A potent mixture of techno, rumba, soukous, zagué and dancehall with the unique “Kinoise” brand fresh out of Kinshasa, the Congolese megacity that never stops innovating in the music landscape worldwide. Ngwaka Son Systéme is led by musicians Love Lokombe and Bom’s Bomolo, having previously founded the band KOKOKO!. This new project continues the contemporary Congolese tradition of reinventing electronic music by shaping and crafting music instruments made of household objects. As a means to continue strengthening the links between Africa and Latin America, Eck Echo has tasked Colombian dub engineer Diego Gomez with the analog mixing of the stems, originally recorded by Levy David at Timbela Ba Studio in Kinshasa. With the aim to bring the lexicon of shared Colombian and Congolese music into the next chapter, we proudly present to the world the magnificent music of Ngwaka Son Systéme. The inadvertently techno-oriented Lakala, a trance-inducing experience where listeners can quickly relish to the lyrics even without speaking Lingala, for the shapes of the words are already inviting listeners to dance, sing and smile, all the while virtuoso percussionist Steroy operates the DIY-drum kit at high-tempo. The call-and-response effect, where each musician lends their voice to the choir, is particularly felt in Bo Lobi Pe, where the vocals guide us ever so playfully to the tune of an acoustic guitar that invites us to take off our shoes, kick back and relax. Zanga Mbongo (translated as “there is no money”) is lyrically a proud anthem to celebrating life in spite of economic scarcity, and musically it is a triumphant renewal to the legendary soukous genre of the 1970s, championed by worldwide renowned stars such as Pepe Kallé and Sam Mangwana.

pre-order now10.05.2024

expected to be published on 10.05.2024

25,84 €
Brian Auger's Oblivion Express - Live Oblivion Vol.1

Live albums are often a ‘hit or miss’ affair but ‘Live Oblivion’ 1 & 2 buck that trend, Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. The group were finishing off a huge US tour that had roared down the east coast then across the Midwest and by the time they hit LA, as Brian recalls “we were all absolutely performing at our height. So I decided that I really needed to record the band live at that point”. Utilising the Wally Heider Mobile Truck, the scene was set for one of the greatest jazz-fusion live recordings to be made. The show opens with a hyper fast version of Beginning Again due to drummer Steve Ferrone being almost an hour late and running high on adrenaline, Brian remembers thinking “I don’t even know if I can play it that fast!” Fortunately, he and the Oblivion Express including stellar vocalist Alex Ligertwood rise to the challenge and the result is akin to some frenetic jazzy drum & bass but also pushes the group onto another level altogether for the rest of the show. Across both volumes there are no fillers and the highlights are many - Bumpin’ On Sunset, Freedom Jazz Dance, and Inner City Blues are all stunning, but especially the epic version of Maiden Voyage which Mos Def sampled on his 1997 'If You Can Huh! You Can Hear', and both DJ Mitsu in 2004 and 2017 Crimeapple both dipped into Live Oblivion to sample that fire for their own projects.

pre-order now10.05.2024

expected to be published on 10.05.2024

24,16 €
Brian Auger's Oblivion Express - Live Oblivion Vol.2 (2x12")

Live albums are often a ‘hit or miss’ affair but ‘Live Oblivion’ 1 & 2 buck that trend, Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. The group were finishing off a huge US tour that had roared down the east coast then across the Midwest and by the time they hit LA, as Brian recalls “we were all absolutely performing at our height. So I decided that I really needed to record the band live at that point”. Utilising the Wally Heider Mobile Truck, the scene was set for one of the greatest jazz-fusion live recordings to be made. The show opens with a hyper fast version of Beginning Again due to drummer Steve Ferrone being almost an hour late and running high on adrenaline, Brian remembers thinking “I don’t even know if I can play it that fast!” Fortunately, he and the Oblivion Express including stellar vocalist Alex Ligertwood rise to the challenge and the result is akin to some frenetic jazzy drum & bass but also pushes the group onto another level altogether for the rest of the show. Across both volumes there are no fillers and the highlights are many - Bumpin’ On Sunset, Freedom Jazz Dance, and Inner City Blues are all stunning, but especially the epic version of Maiden Voyage which Mos Def sampled on his 1997 'If You Can Huh! You Can Hear', and both DJ Mitsu in 2004 and 2017 Crimeapple both dipped into Live Oblivion to sample that fire for their own projects.

pre-order now10.05.2024

expected to be published on 10.05.2024

26,01 €
FRANKA OROZA - INDECISION

Franka Oroza

INDECISION

7"-VinylTRLPC1749
Timmion Records
10.05.2024
 
2
also available

Black Vinyl[10,04 €]


The musical Oroza bloodline just seems to keep pumping soul music from Finland for the world to hear. Now it's time for Franka to step to the stage and she comes out from the gate swinging with a sublime beat ballad "Indecision". Backed by the faithful Timmion Records house band Cold Diamond & Mink, Franka's folk jazzy vocal stylings seep into fertile ground. Building from the intro drum roll to the rootsy organ-led groove Franka jumps on the beat with a Joni Mitchell twist and it's immediately apparent that we're in for a treat. The vocal glides effortlessly between firm and delicate tones, perfectly underlining the lyrical content. Franka takes her time in setting the scene, holding a veil before the fact that we're actually listening to a love song. If all you're looking for is good songwriting with a soulful backbeat, with Franka Oroza you'll get a unique voice to boot. This is another sure shot for all fans of independent downtempo soul from the Timmion stable.

pre-order now10.05.2024

expected to be published on 10.05.2024

10,88 €
ABIGAIL LAPELL - Anniversary LP

Abigail Lapell

Anniversary LP

12inchLPOUTS9278C
Outside Music
10.05.2024

Lapell's deft lyrics jostle with love song tropes, grappling with love's finitude and the irony of how codependency and longing are revered in popular music. A ghost story is woven through the album: waltzing in the dusty barroom country of "Blue Blaze," buried in the superstitious lyrical streak of "Rattlesnake" and audible in a wheezing organ as it shuts down at the end of "Footsteps."

Still, "Anniversary" emerges as an earnest celebration of commitment. Earworms like "Anniversary Song" and "Someone Like You" showcase intricately layered harmonies, while closer "Stars" affirms that there's no place the speaker would rather be than with the one she loves. Dekker and Lapell assembled a stellar cast of musicians to support Lapell's powerhouse vocals, piano, harmonica and signature fingerstyle guitar.

The core band includes Dan Fortin on bass, Jake Oelrichs on drums, and Tania Gill on the church's piano, harpsichord and organ. Rounding out the ensemble's sensitive orchestral arrangements are Rebecca Hennessy (trumpet), Rachael Cardiello (viola), Michael Davidson (marimba and vibraphone) and Joe Lapinsky (pedal steel), who also engineered and mixed the record. Abigail Lapell has garnered three Canadian Folk Music Awards, hit number one on Canadian folk radio and reached a staggering 40 million + streams across digital services. She has toured widely across Canada and the U.S, and will be touring internationally (UK, EU, AUS and more) in 2024.

pre-order now10.05.2024

expected to be published on 10.05.2024

28,99 €
Exhumed - Necrocracy LP

Exhumed

Necrocracy LP

12inchRR52971
Relapse Records
10.05.2024

With over two decades of gruesome grinding under the belts, you might think that EXHUMED would be ready to slow down. You'd be DEATHLY wrong. Necrocacy is EXHUMED's political manifesto for a new dark day---no democracy, no equal rights, no freedom of choice---bow down to your one true master---THE SAW. Nine sickening new tracks of prime Exhumed gore---blazing guitars, filthy vocals and obscene blasting drums. Quite possibly their finest hour, as the years roll by EXHUMED refuse to mellow. This is a band that stinks like the rotting flesh of a nation waiting for revolution: vote Necrocracy Party 2013!

pre-order now10.05.2024

expected to be published on 10.05.2024

23,32 €
Garth Erasmus - Threnody for the KhoiSan LP

Garth Erasmus is an artist and musician based in Cape Town, South Africa. 'Threnody for the KhoiSan' is his first album under his own name. Since 1985 his artistic interests have broadened to include music-making, designing and making his own instruments based on indigenous KhoiSan knowledge. From 1999 to 2012 he was a member of the South African First Nation activist group Khoi Khonnexion. In the past couple of years Garth Erasmus has also been a pivotal part of various international performance pieces and exhibition projects which brought him regularly to Europe. Most of these activities were developed and performed in collaboration with the Hamburg based band Kante and his band Khoi Khonnexion. In April 2024 Garth Erasmus will be part of the group exhibtion 'Oscillations' at Akademie der Künste, Berlin.

His works in music are predominantly characterized by a restless quest for alternative forms of expression and materials including self build instruments, field recordings or various electronic music devices.

In this context the music on 'Threnody for the KhoiSan' takes on a primal and metaphorical meaning. Rather than a formal, physical initiation, this process is more spiritually inclined, yet it is a spirituality which is consistently put into action.. “Ever since I was an art student I have experimented with alternative materials to release me from the Western education values I received. When I started to make these instruments in the 1980s, my intention was to create art objects but when I discovered the sound they made, it unlocked a door that transported me deeper in my quest in the realization that I was on the right path.

In fact all instruments which appear on 'Threnody for the KhoiSan' are products of a process of discovery starting from square one. All this is based and founded on the beauty of simplicity and minimalism as symbolized by the single string Khoisan musical bow and arrow as trance musical instrument. In this sense it soon became manisfest for Garth Erasmus to combine the bow instruments with various electronic instruments. Besides developing his own unique language in music he also shared an expressed interested in experimental sound aesthecis, Avantgarde composition and Free Jazz. However, his non - academic approach towards sound and music was always fueled by the desire for a reconnection to the land and to the idegenious knowledge of the KhoiSan, whose struggle for First Nation status continues.

Song for Morenga
This song is dedicated to a guerilla leader, named Jacob Morenga, who was the leader of the nama/herero anti-german uprisings that occured between 1904 and 1907.

Amaseh Amen
This is a classic mouthbow piece that conjures the spiritual nature of Khoisan cultural praxis.

Gwaing Reverie
It was composed as a personal gift to the other members of newly formed electro-acoustic trio „Gwaing". „Gwaing" is an ancient Khoisan place name, meaning the mouth of the river.

Mcinci Song
A typical meditation on the traditional Mcinci flute. This flute was originally played by shepherds and was made of reed.

The Ascension of Milford Graves
This piece attends to capture the risen spirit of the legendary African American drummer Milford Graves. It was composed soon after his death in 2021.

Song for The Sisters of the Soil
A live improvisation dedicated to Lucelle and Melissa (The Sisters of the Soil) on the occasion of visiting them at their residence, known as „Oppieyaart" on the Cape Flats. On 10 September 2022 there is an online event with them at Kunsthaus Hamburg.

out of Stock

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Last In: 9 months ago
27,10 €
Chief Commander Ebenezer Obey & His Inter-Reformers Band - Eyi Yato Remixes

Sol Power Sound is back in a big way with a reissue and remix EP from the legendary Nigerian Ju-Ju king, Chief Commander Ebenezer Obey. The double A-side EP features 'Eyi Yato' a tune from 1981 that captures Chief Commander and his band at their absolute funkiest, with a driving drum and bass groove, wah-wah guitar, and signature call-and-response vocals. Remixers include the legendary dub producer Mad Professor, the disco don Eddie C, and the Sol Power All-Stars themselves.

The Sol Power All-Stars keep things organic with chugging drums, heavy analog synth bass and sequences, as well as Daniel Meinecke’s additional keys and solos. The Canadian disco don Eddie C goes a little electro and a little acid with his analog bass-heavy flip.
Like a good dub should, Mad Professor’s version accentuates the drum and bass groove and drenches everything in vintage sounding Mad Professor delay, reverb, and filtered dub-sauce, live and direct from his classic mixing desk. Alongside an extended edit of the original, the Eyi Yato EP is sure to find a permanent spot in DJ record bags around the world.

out of Stock

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Last In: 16 months ago
13,87 €
Turist - Turist EP

Turist

Turist EP

7"-VinylLBM028C
Little Beat More
06.05.2024
 
2
also available

black 7"[11,35 €]


Little Beat More is proud to present you a two-track EP by Turist, a Vienna based psychedelic Dembow project, founded to combine the energy of a live band with the tightness of an overdub session. ?Turist made it their mission to revive handmade music from the 60's and 70's aiming for the dancefloors of today!
The two tracks demonstrate how they interlace heavy basslines, colorfully echoing guitars and driving drums, drawing inspirations spanning from Ghanian highlife to Peruvian cumbia.
“Skeet”, on Side A, is the band’s manifesto with their special blend of Caribbean dance rhythms and Californian surf music psychedelia. Side B's "Ez Up" is a straightforward champeta song, the Afro-Colombian style that fuses sweet soukous guitar lines with uplifting soca rhythms, making you want to immediately look for the nearest Pico Soundsystem.
Set off on a rhythmic journey following Turist in their musical nomadism with us!

pre-order now06.05.2024

expected to be published on 06.05.2024

12,82 €
The Baby Seals - Chaos LP

The Baby Seals

Chaos LP

12inchTAR130V
TRAPPED ANIMAL
05.05.2024

The Baby Seals debut album, "Chaos," is a sonic exploration that blends heavy guitars, a pop edge, and a punk rock garage spirit with a heavy attack. The band, comprised of Amy "Amos" Devine on drums and backing vocals, Kate Shore on bass and backing vocals, and Kerry Devine on guitar and lead vocals, delivers a raw and energetic collection that captures the essence of their live performances. Recorded in March 2023 in Thaxted, just outside of Essex, "Chaos" embodies the DIY ethos that has defined The Baby Seals' approach to music. Working with engineer Joe in a secluded outhouse surrounded by fields, the band laid down the tracks live over a day, capturing the unfiltered essence of their sound. Joe's extensive collection of homemade pedals added a unique touch to the recording, while Benny T's mixing expertise brought the album to its final form. The decision to minimise post-production sets "Chaos" apart from previous recordings, reflecting the band's commitment to authenticity and a desire to showcase their growth and maturity. On Chaos Kerry says: “Chaos is the next phase in life for us lasses in the band - babies and mid-life responsibilities. The album definitely is about how we feel and experience the world around us in our 30s and 40s. Someone who heard the album recently said it's like the The Baby Seals have grown up and I liked that because that's what I feel likes happened to me in the last two years… The album definitely has Themes: inclusivity, gender inequality, the mental load, the motherload, power, body positivity, challenging taboos, liberation. The importance of what to take seriously and what not to take seriously. Title track, Chaos is one of the songs on the album which I'd written after a series of events including watching an interview with the late writer Benjamin Zephaniah who said the only way to liberation for all was to tear big governments down and to believe in your community. The cover photo by Jeff Pitcher sums us up and hopefully gives you a feeling of what the album sounds like. Album design was created by Igor Prato Luna, he just seemed to understand what we are about. He referenced loads of wonderful album cover, poster and flyer artwork from the 60s - 90s, and even some fabulous sci-fi artwork from the 1920s and those incredible 1950s sci-fi pulp book covers. Nothing was referenced too heavily, though, and Igor definitely made it his own

pre-order now05.05.2024

expected to be published on 05.05.2024

23,32 €
Twelve Cubic Feet - Straight Out The Fridge LP

“Suddenly it’s ok to be a square” - Twelve Cubic Feet, a clear case of a band which should have been bigger than The Beatles but, for some malignant reason, became a blurry footnote in the history of underground music. Formed from the ashes of Exhibit A in the Spring of 1981, the band disappeared leaving no trace shortly after 1983. During their brief existence they released a series of stickers, a monthly newsletter, two cassette tapes and their incomparable ‘Straight Out Of The Fridge 10”, which was at the very top of our dream records to release since we started Sealed Records. Twelve Cubic Feet released this perfect 22 minute 7 track album in 1982 on Namedrop Records (home to Doof, Philip Johnson and Cold War and ran by Philip Johnson and 12CF guitarist Paul Platypus). It is a glorious scratchy DIY indie pop gem with a post punk spirit. The sound is naive and fragile yet very addictive. Based around jangly clean guitars, drums that are on the edge of falling apart, haunting keyboards and a female vocalist that has a knack for a golden pop hook. Hard not to fall in love with. It’s beautiful with a ragged charm that deserves to be heard by the masses. Anarcho Indie pop anyone?? The band played a lot of the anarcho punk haunts of the early 80’s - Autonomy Centre in Wapping, Centro Iberico and London Music Collective and were equally heralded by punks (Andy Martin from The Apostles released one of their tapes) and the DIY music crowd. The line up changed after the 10” and they recorded a Joe Foster produced demo and fell in with Alan McGee's Communication Club crowd. Twelve Cubic Feet burned bright for just a handful of years and now it’s time to burn bright again. Hopefully this reissue will help them reverse one of their sticker statements “today we’re nobodies but tomorrow you’ll know who we are”. This reissue comes with the 16 page booklet that came with the original 10". Twelve Cubic Feet feature members who did time in bands such as Khmer Rouge, The Reflections, Solid Space, Doof and What Is Oil? Amongst others. For fans of the Marine Girls, Girls at our Best, Hornsey At War, Swell Maps and Postcard Records

pre-order now05.05.2024

expected to be published on 05.05.2024

26,68 €
Vanishing Twin - The Age of Immunology

Vanishing Twin is songwriter, singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti, bassist Susumu Mukai, synth/guitar player Phil MFU and visual artist/film maker Elliott Arndt on flute and percussion; and on this album they have made their first artistic statement for the ages.

Some of its great power comes from liberation. The album was produced by Lucas in a number of non-standard, non-studio settings. 'KRK (At Home In Strange Places)' summons up the spirit of Sun Ra's Lanquidity and Broadcast And The Focus Group Investigate Witch Cults Of The Radio was simply recorded on an iPhone during a live set which crackled with psychic connectivity on the Croatian island of Krk.
The magical Morricone-esque lounge of 'You Are Not an Island', the blissed-out Jean-Claude Vannier style arrangement of 'Invisible World' and burbling sci fi funk ode to a 1972 cult French animation, 'Plane`te Sauvage', were all recorded in nighttime sessions in an abandoned mill in Sudbury. The only two outsiders to work on the recording were '6th member' and engineer Syd Kemp and trusted friend Malcolm Catto, band leader of the spiritual jazz/future funk outfit The Heliocentrics, who mixed seven of the tracks (with Lucas taking care of the other three).

Vanishing Twin formed in 2015 - their first LP, Choose Your Own Adventure, which came out on Soundway in 2016; followed by the darker, more abstract, mostly instrumental Dream By Numbers EP in 2017. The band explored their more experimental tendencies on the Magic And Machines tape released by Blank Editions in 2018, an improvised session recorded in the dead of night, offering a glimpse into their practice of deep listening, near band telepathy, and ritually improvised sound making. These sessions formed the basis of The Age Of Immunology.

pre-order now05.05.2024

expected to be published on 05.05.2024

28,45 €
Mammoth Penguins - Here LP

Mammoth Penguins

Here LP

12inchFIKA100LP
Fika Recordings
05.05.2024

Mammoth Penguins are a 3-piece indie powerhouse, showcasing the songwriting and vocal talents of Emma Kupa (Standard Fare) backed up by the noisiest rhythm section in indie pop. May 2024 sees the release of their fourth album Here on Fika Recordings. After 2019’s big, bold and confident There’s No Fight We Can’t Both Win, and the initial shock of the global pandemic cancelling a trip to SXSW in 2020, the band returned to the studio in the summer of 2021 to start recording. The new record leans into a raw pop-punk power-trio sound more than ever, with a deep growl in layered guitars and bursts of percussion and harmony. The songs and artwork explore themes about finding a place for yourself and familiarity with people and places. Although it turns back towards a classic three-piece sound, the band weren’t restricted by that palette, adding finishing touches of percussion, extra guitars and backing vocals in short bursts in a garden shed, and also bringing in gorgeous strings to sweeten the title track. The sound builds on the band’s first album, Hide and Seek, which was released with the much-loved and sorely missed Fortuna POP! in 2015. The follow-up LP John Doe in 2017 was an ambitious concept album, exploring the feelings of loss and anger at a man who fakes his own death only to return years later, expanding well beyond the 3-piece rock‘n’roll template, with washes of strings, synths and samples. The ‘Penguins have been smashing it at some high-profile support slots in the lead up to this album release, including at Allo Darlin’s joyous reunion at Islington Assembly Hall (Oct 2023) and Muncie Girls last ever London show (Dec 2023). They play the Leicester Indiepop all-dayer and Wales Goes Pop in March, before heading out on tour in support of the new album in May. Those big singalong choruses need your voice shouting back from the crowd with joy and defiance. Mammoth Penguins are Emma Kupa (guitar, vocals), Mark Boxall (bass, vocals) and Tom Barden (drums, vocals). Reminiscent of the pop melodies of The Beths, the indie dissonance of Land of Talk, and the guitar forward slacker rock of Weezer, Mammoth Penguins marry heart-ache indiepop with spiky guitars and Emma’s frank confessional songwriting. “wonderfully awkward indie pop with a literate flair, sounding a lot like a Weezer record or even a more feminine Wedding Present” Clash // “eminently relatable earworms” Brooklyn Vegan // “one of the finest examples of simple and true indie rock around” All Music // “her characterful voice still carrying masses of charm and the messier, grungey approach bringing a strength all of its own, aided by a clutch of cheerful hooks and riffs that contrast nicely with lyrics dealing mostly with heartbreak and misery” Drowned In Sound

pre-order now05.05.2024

expected to be published on 05.05.2024

28,15 €
Remember Sports - All Of Something LP

Repress of the 2015 album on transparent caramel vinyl. Remember Sports is a 4-5 piece basement rock band, started in 2012 at Kenton College in Gambiet, Ohio. The band’s second album titled All of Something was recorded in Philadelphia with celebrated DIY producer and musician Kyle Gilbride (Waxahatchee, Girlpool, Swearin’). The quintet found a fuller sound with all hands on deck. All of Something unfurls like a flag outside a midwestern bedroom window, lifted with the air of uncertainty of those first, confusing steps of adulthood. Perry’s freckled voice, equal parts longing and hopeful, carries through with damning drums and tickling guitar solos. Each song jangles on, sometimes releasing declarative, fighting words and other times as careful as notes left on the fridge

pre-order now05.05.2024

expected to be published on 05.05.2024

26,68 €
IBIBIO SOUND MACHINE - PULL THE ROPE

Pull the Rope, the new record by Ibibio Sound Machine, casts the Eno Williams and Max Grunhard-led outfit in a new light. The hope, joy, and sexiness of their music remain, but, further honing the edge of their acclaimed 2022 album Electricity, the connection they aim to foster has shifted venues from the sunny buoyancy of a sunlit festival to a sweat-soaked, all-night dance club. Williams and Grunhard attribute this shift to a matter of collaborators, recording Pull the Rope with Sheffield-based producer Ross Orton (Arctic Monkeys, M.I.A.) over the course of two weeks. The way the pair wrote songs changed significantly_rather than Eno penning lyrics to music generated by Max and company's jamming, Orton started with Eno and Max writing together before adding the band. With less time in the studio and a new way of considering how they built songs, the duo found making decisions about Pull the Rope's sound quicker and more instinctual than before. "Ross is from Sheffield, which has an edgier, more industrial vibe than London," Grunhard explains. "He hears things differently than us, is more grounded in rave and grungier sounds, and knew when to add drums or push the instrumentation more. It was very different for us, but it lends itself to where Ibibio Sound Machine is going." In melding their songwriting process, Grunhard and Williams have, impossibly, pulled the trick of making Ibibio Sound Machine a tighter band than ever before, building out from their core in a way that highlights the electrifying group of musicians they play with. Rather than recording with the full band in the room, Pull the Rope was sculpted, elements added and shaped by Grunhard, Williams, and Orton along the way. As a result, Pull the Rope is a nimble, sleek machine that's thrilling from the first note of the opening title track, Eno's otherworldly voice and PK Ambrose's throbbing bass driving through a kaleidoscopic array of house, post-punk, funk, Afrobeat and disco, bangers and ballads, making an argument for unity that begins on the dancefloor. "We are the places we grew up, the places we've been, and the people we've met along the way," Williams says. "Hopping around the globe, we've found that people are fundamentally the same_they're people. Opposing sides push and pull, but there is an alternative to war, violence, and suffering." Lead single "Got to Be Who U Are" literally globetrots, name checking locales across the world that would feel disparate were it not for how well-traveled they are. Eno growing up in the musical melting pot of the Ibibio region of Nigeria and Max being a conservatory-trained musician from Australia, one could call their meeting in London and formation of Ibibio Sound Machine predestined. "Mama Say" and "Let My Yes Be Yes" touch themes of female empowerment. They're indicative of the band's depth as they push further into the electronic; "Mama Say" hits notes of electropop while "Let My Yes Be Yes" fuses electro to Afrobeat. Ibibio Sound Machine have always imbued their music with political consciousness, and the light that shines through in Williams' vocals and voice has never felt more necessary. The sound of Pull the Rope, then, is hope in darkness, bliss in spite of bleakness. Once again, Ibibio Sound Machine are here to provide the soundtrack to the best night of your life, and the better world to come.

pre-order now03.05.2024

expected to be published on 03.05.2024

26,01 €
CAMERA OBSCURA - LOOK TO THE EAST, LOOK TO THE WEST LP

"Look to the East, Look to the West", das neue Album von Camera Obscura, ist eine Offenbarung. Die von Tracyanne Campbell geleitete Band hat sich wieder mit dem Produzenten Jari Haapalainen zusammengetan und ein Album geschaffen, das daran erinnert, warum die langjährigen Fans sie seit Jahrzehnten heiß und innig lieben, und das gleichzeitig ihr bisher anspruchsvollstes Werk ist. Es ist auch das am härtesten umkämpfte Album in der Karriere von Camera Obscura. Nach dem Tod von Gründungsmitglied, Keyboarder und Freund Carey Lander im Jahr 2015 (an den der vorletzte Track "Sugar Almond" gerichtet ist), ging die Band in eine längere Pause. Sie blieben in Kontakt, aber ihr Status war ungewiss. Nachdem sie eingeladen worden waren, im Rahmen von Belle & Sebastians Kreuzfahrtfestival Boaty Weekender 2019 aufzutreten, kündigten sie ihre Rückkehr an. Donna Maciocia (Keyboards und Gesang) stieß bei diesen Shows zu den Gründungsmitgliedern Kenny McKeeve (Gitarre und Gesang), Gavin Dunbar (Bass) und Lee Thomson (Schlagzeug und Perkussion) und ist seitdem Songwriting-Partnerin von Campbell. Aufgenommen im selben Raum, in dem Queen "Bohemian Rhapsody" schrieb, fühlt sich "Look to the East, Look to the West" groß an, eine Breitwand-Neuinterpretation des Camera Obscura-Sounds, bei der die Band paradoxerweise zu den Grundlagen zurückkehrte - es gibt keine Streicher- oder Bläserarrangements, der Schwerpunkt liegt auf Klavier, Synthesizern, Hammond-Orgel und Drumcomputern, und, was vielleicht am auffälligsten ist, die Gruppe hat den Hallschleier fallen lassen, der ihre früheren Alben charakterisierte. Der Hauch von Country und Soul, der Camera Obscuras barocke Interpretation von Popmusik so bittersüß macht, war noch nie so offensichtlich - die Gitarren schimmern in die Ferne, die Tasten spuken, und Campbells Stimme sucht nach dem Herzen, reflektiert über Liebe, Verlust und den Lauf der Zeit. "Look to the East, Look to the West" ist Camera Obscura in seiner besten und eindrucksvollsten Form, ein Album, das den emotionalen Kern des Hörers völlig neu ordnet und ihn gleichzeitig traurig und beschwingt zurücklässt. Der Katalog von Camera Obscura ist voll von Liedern, die Menschen als lebensverändernd bezeichnen, Lieder, die sie ihr ganzes Leben lang begleiten werden. "Look to the East, Look to the West" hat 11 davon zu bieten.

pre-order now03.05.2024

expected to be published on 03.05.2024

27,52 €
CAMERA OBSCURA - LOOK TO THE EAST, LOOK TO THE WEST

Galaxy Vinyl-
blue + white vinyl pressed galaxy effect in a gatefold jacket with lyrics.

"Look to the East, Look to the West", das neue Album von Camera Obscura, ist eine Offenbarung. Die von Tracyanne Campbell geleitete Band hat sich wieder mit dem Produzenten Jari Haapalainen zusammengetan und ein Album geschaffen, das daran erinnert, warum die langjährigen Fans sie seit Jahrzehnten heiß und innig lieben, und das gleichzeitig ihr bisher anspruchsvollstes Werk ist. Es ist auch das am härtesten umkämpfte Album in der Karriere von Camera Obscura. Nach dem Tod von Gründungsmitglied, Keyboarder und Freund Carey Lander im Jahr 2015 (an den der vorletzte Track "Sugar Almond" gerichtet ist), ging die Band in eine längere Pause. Sie blieben in Kontakt, aber ihr Status war ungewiss. Nachdem sie eingeladen worden waren, im Rahmen von Belle & Sebastians Kreuzfahrtfestival Boaty Weekender 2019 aufzutreten, kündigten sie ihre Rückkehr an. Donna Maciocia (Keyboards und Gesang) stieß bei diesen Shows zu den Gründungsmitgliedern Kenny McKeeve (Gitarre und Gesang), Gavin Dunbar (Bass) und Lee Thomson (Schlagzeug und Perkussion) und ist seitdem Songwriting-Partnerin von Campbell. Aufgenommen im selben Raum, in dem Queen "Bohemian Rhapsody" schrieb, fühlt sich "Look to the East, Look to the West" groß an, eine Breitwand-Neuinterpretation des Camera Obscura-Sounds, bei der die Band paradoxerweise zu den Grundlagen zurückkehrte - es gibt keine Streicher- oder Bläserarrangements, der Schwerpunkt liegt auf Klavier, Synthesizern, Hammond-Orgel und Drumcomputern, und, was vielleicht am auffälligsten ist, die Gruppe hat den Hallschleier fallen lassen, der ihre früheren Alben charakterisierte. Der Hauch von Country und Soul, der Camera Obscuras barocke Interpretation von Popmusik so bittersüß macht, war noch nie so offensichtlich - die Gitarren schimmern in die Ferne, die Tasten spuken, und Campbells Stimme sucht nach dem Herzen, reflektiert über Liebe, Verlust und den Lauf der Zeit. "Look to the East, Look to the West" ist Camera Obscura in seiner besten und eindrucksvollsten Form, ein Album, das den emotionalen Kern des Hörers völlig neu ordnet und ihn gleichzeitig traurig und beschwingt zurücklässt. Der Katalog von Camera Obscura ist voll von Liedern, die Menschen als lebensverändernd bezeichnen, Lieder, die sie ihr ganzes Leben lang begleiten werden. "Look to the East, Look to the West" hat 11 davon zu bieten.

pre-order now03.05.2024

expected to be published on 03.05.2024

25,63 €
Terminal Nation - Echoes Of The Devil’s Den LP

Seit der Veröffentlichung des ersten Terminal Nation-Albums "Holocene Extinction" im Jahr 2020 haben sich die Spaltungen in den USA nur noch vergrößert, die Fronten verhärtet und Kompromisse sind keine Option mehr. Das brandheiße neue Album "Echoes Of The Devil's Den" der Band verkörpert diese kochende Wut und erscheint einmal mehr am Vorabend eines wiederkehrenden Albtraum-Wahlzyklus mit fossilen Relikten aus dem 20 Jahrhundert.

Die Esenz von Terminal Nation besteht im Kern aus unverschämt heavy Midtempo-Riffing und Bulldozer-Breakdowns, die auf ein neues Niveau extremer Brutalität gebracht wurden - über denen Stan Liszewskis giftige Stimme die brodelnde Wut einer Bevölkerung ausstrahlt, die mit ihrer Geduld am Ende ist.

Doch jenseits dieses Unterbaus hat sich Terminal Nation's Songwriting beträchtlich weiterentwickelt, was sich in Songs wie 'Embers of Humanity' zeigt, der ein episches Heavy Metal-Flair in seine Balladen einbaut und sich zu einem Stadion-Banger steigert. Auf der Single 'Merchants of Bloodshed' streut die Band hymnischen, fast schon radiotauglichen Clean-Gesang von Jesse Leach (Killswitch Engage) ein - nur einer von vielen Gastauftritten auf dem Album.

Textlich predigt die Band in "Echoes of the Devil's Den" sowohl mit der vernichtenden Gesellschaftskritik, für die sie bekannt ist, als auch mit einer eher intimen, reflektierenden Erzählung, die sich auf einige massive persönliche Umwälzungen bezieht, die sie in den vorangegangenen Jahren durchgemacht hat. Geschmiedet in den Feuern einer schwelenden Frustration, greift Terminal Nation's "Echoes of the Devil's Den" mit der Kraft eines ausbrechenden Vulkans an und verbrennt die Falschheit unseres Zeitalters zu Asche!

Additional Vocals auf "Written by The Victor" by Todd Jones of Nails
Additional Vocals auf "Merchants of Bloodshed" by Jesse Leach of Killswitch Engage
Additional Vocals auf "Cemetery of Imposters" by K. Kennedy of Sex Prisoner
Additional Vocals auf "Spikes Under the Bridge" by Zak Vargas of Elysia
Additional Vocals auf "Release the Serpents" by Dwid Hellion of Integrity
Additional Drums auf "Written by the Victor" and "Dying Alive" by Juan Cebreros

pre-order now03.05.2024

expected to be published on 03.05.2024

23,49 €
Terminal Nation - Echoes Of The Devil’s Den LP

Seit der Veröffentlichung des ersten Terminal Nation-Albums "Holocene Extinction" im Jahr 2020 haben sich die Spaltungen in den USA nur noch vergrößert, die Fronten verhärtet und Kompromisse sind keine Option mehr. Das brandheiße neue Album "Echoes Of The Devil's Den" der Band verkörpert diese kochende Wut und erscheint einmal mehr am Vorabend eines wiederkehrenden Albtraum-Wahlzyklus mit fossilen Relikten aus dem 20 Jahrhundert.

Die Esenz von Terminal Nation besteht im Kern aus unverschämt heavy Midtempo-Riffing und Bulldozer-Breakdowns, die auf ein neues Niveau extremer Brutalität gebracht wurden - über denen Stan Liszewskis giftige Stimme die brodelnde Wut einer Bevölkerung ausstrahlt, die mit ihrer Geduld am Ende ist.

Doch jenseits dieses Unterbaus hat sich Terminal Nation's Songwriting beträchtlich weiterentwickelt, was sich in Songs wie 'Embers of Humanity' zeigt, der ein episches Heavy Metal-Flair in seine Balladen einbaut und sich zu einem Stadion-Banger steigert. Auf der Single 'Merchants of Bloodshed' streut die Band hymnischen, fast schon radiotauglichen Clean-Gesang von Jesse Leach (Killswitch Engage) ein - nur einer von vielen Gastauftritten auf dem Album.

Textlich predigt die Band in "Echoes of the Devil's Den" sowohl mit der vernichtenden Gesellschaftskritik, für die sie bekannt ist, als auch mit einer eher intimen, reflektierenden Erzählung, die sich auf einige massive persönliche Umwälzungen bezieht, die sie in den vorangegangenen Jahren durchgemacht hat. Geschmiedet in den Feuern einer schwelenden Frustration, greift Terminal Nation's "Echoes of the Devil's Den" mit der Kraft eines ausbrechenden Vulkans an und verbrennt die Falschheit unseres Zeitalters zu Asche!

Additional Vocals auf "Written by The Victor" by Todd Jones of Nails
Additional Vocals auf "Merchants of Bloodshed" by Jesse Leach of Killswitch Engage
Additional Vocals auf "Cemetery of Imposters" by K. Kennedy of Sex Prisoner
Additional Vocals auf "Spikes Under the Bridge" by Zak Vargas of Elysia
Additional Vocals auf "Release the Serpents" by Dwid Hellion of Integrity
Additional Drums auf "Written by the Victor" and "Dying Alive" by Juan Cebreros

pre-order now03.05.2024

expected to be published on 03.05.2024

24,58 €
Great Falls - Objects Without Pain LP

Read any article or comment thread about the Seattle noise-rock outfit GREAT FALLS and you're likely to see descriptors like cathartic, heavy, crushing, and unhinged. Maybe even psychotic. And sure, those are all apt: For over a decade, vocalist/guitarist Demian Johnston and bassist Shane Mehling (who also played together in the early-2000s noisecore band PLAYING ENEMY and the experimental duo HEMINGWAY) have honed their sludgy, overwhelmingly intense brand of heaviness, punctuated by delectably discordant riffs, terrifyingly low, thwacking bass lines, and mesmerizingly tight percussion. In the live setting, too, they’re notorious for a stage presence that is so aggressively confrontational and menacing that Mehling once broke his own arm mid-set.

But the most striking aspect of GREAT FALLS, setting them apart from the murky sea of sludge metal and AmRep-inspired noise-rock bands, is their ability to paint a deeply, utterly human story through an all-out assault on the senses: an art the band has perfected on their fourth full-length album OBJECTS WITHOUT PAIN, out September 15 via NEUROT RECORDINGS.

The album is not only their NEUROT debut, but also the first LP featuring drummer Nickolis Parks (GAYTHEIST, BASTARD FEAST), who joined the band prior to the release of their exhilarating, cacophonous 2023 EP,FUNNY WHAT SURVIVES.

OBJECTS WITHOUT PAIN takes us on a bleak, purgative journey through a separation–a snapshot of the turmoil and indecision that occurs after the initial realization of someone's misery, and before the ultimate decision to end a decades-long partnership. From the foreboding intro riffs of “DRAGGED HOME ALIVE” to the end of the 13-minute closer “THROWN AGAINST THE WAVES,” its eight tracks explore the thoughts that come up when a person is staring down the barrel of blowing up their life: How did this happen? Is it too late for a new life? Will the kid be OK? What will make me happier: familiar torment or unknown freedom?

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Last In: 2 years ago
27,52 €
Sonic Youth - Walls Have Ears LP 2x12"

Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band's story, Sonic Youth's `Walls Have Ears' appeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité on par with elements of side B of `Master Dik' to come later. With a bit of complexity to the situation of the release itself. But that's a different story. Deleted as quickly as it appeared then, it's now issued for the first time officially under the band's auspices. In this 2LP set brimming with primitive classics like "The Burning Spear", "I Love Her All The Time", "Death Valley 69" and "I'm Insane" (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board. The first two sides of `Walls' are massive, cavernous, with newly-drafted drummer Steve Shelley in tow taking on past tunes and unveiling "Expressway To Yr Skull" in glorious form. They tear it up especially on one trash-fi excerpt of "Blood On Brighton Beach" (actually "Making the Nature Scene") from a legendary outdoor gig November 8th where Moore, Gordon and Ranaldo's guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame. The record's second slab spotlights an April 1985 pre-Shelley gig supporting Nick Cave at London's Hammersmith Palais and was one of the final appearances live of Bob Bert, again featuring some molten takes on "Brother James", "Kill Yr Idols", "Flower" (Iisted as "The Word (E.V.O.L.)"), "Ghost Bitch" and others. The emergence of the Jesus and Mary Chain in the world gave Brit scribes a lazy and easy parallel, addressed here with a wink with the inclusion of "Speed JAMC", another offstage tape interlude playfully scrolling through one of that band's songs at fast-forward. This document remains an essential representation of some lean and mean years of the quartet's throttling march out into the world in the mid eighties. Coloured vinyl, one red, one yellow LP.

pre-order now03.05.2024

expected to be published on 03.05.2024

40,29 €
Vanishing Twin - The Age of Immunology LP

Limited edition Cream and Black swirl PICTURE DISC is for Indie stores only.

Vanishing Twin is songwriter, singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti, bassist Susumu Mukai, synth/guitar player Phil MFU and visual artist/film maker Elliott Arndt on flute and percussion; and on this album they have made their first artistic statement for the ages.

Some of its great power comes from liberation. The album was produced by Lucas in a number of non-standard, non-studio settings. 'KRK (At Home In Strange Places)' summons up the spirit of Sun Ra's Lanquidity and Broadcast And The Focus Group Investigate Witch Cults Of The Radio was simply recorded on an iPhone during a live set which crackled with psychic connectivity on the Croatian island of Krk.
The magical Morricone-esque lounge of 'You Are Not an Island', the blissed-out Jean-Claude Vannier style arrangement of 'Invisible World' and burbling sci fi funk ode to a 1972 cult French animation, 'Plane`te Sauvage', were all recorded in nighttime sessions in an abandoned mill in Sudbury. The only two outsiders to work on the recording were '6th member' and engineer Syd Kemp and trusted friend Malcolm Catto, band leader of the spiritual jazz/future funk outfit The Heliocentrics, who mixed seven of the tracks (with Lucas taking care of the other three).

Vanishing Twin formed in 2015 - their first LP, Choose Your Own Adventure, which came out on Soundway in 2016; followed by the darker, more abstract, mostly instrumental Dream By Numbers EP in 2017. The band explored their more experimental tendencies on the Magic And Machines tape released by Blank Editions in 2018, an improvised session recorded in the dead of night, offering a glimpse into their practice of deep listening, near band telepathy, and ritually improvised sound making. These sessions formed the basis of The Age Of Immunology.

pre-order now03.05.2024

expected to be published on 03.05.2024

28,36 €
Various - LEFTO PRESENTS JAZZ CATS VOLUME 3 LP 2x12"

Limted version on 2LP transparent violet vinyl in gatefold sleeve, 300 copies! ‘Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent.



'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.

Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.



2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.

Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.

Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.

Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."

pre-order now03.05.2024

expected to be published on 03.05.2024

27,52 €
Leon Dinero - Heartbreak / Cut Both Ways 7"

Who is Leon Dinero? From whence did he come? The soulful singer dropped his first single this past June, tearing up a ska version of Lee Fields & Sugarman 3's classic "Lover Like Me". Backed by The Frightnrs, and with Victor Axelrod in the producer's chair Leon returns with "If You Ask Me", a gorgeous piece of wax that draws inspiration from the deep vaults of Jamaican Rocksteady.

Originally penned for The Frightnrs' debut long player but never tracked as such, this version showcases Dinero's timeless vocal delivery - his voice etched with honey-dipped imperfections that call to mind the classic vocals of Alton Ellis and Hopeton Lewis. Gracing the flip-side is"Bandits", a lyrical takedown of the continuing gentrification of New York City that rides the A-Side's instrumental in pure Jamaican DJ style. Vocal duties for this stellar side are brought to you by Screechy Dan, who's often described as the glue that holds the NYC reggae community together.

Beyond his classic tunes like"Pose Off" and "Big Bills", Screechy has nurtured generations of young artists, sound systems and selectors, forging deep ties that bind Jamaica to New York and veteran artists to the new school. Victor Axelrod expertly handles the production by employing the rhythmic powerhouse that is The Frightnrs to help mine the sweetness of rock steady for the A-side whilst tempering it with the drum and bass toughness of classic rub-a-dub for the flip. We're looking forward to much more to come from this extraordinary group of musicians!

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Last In: 2 years ago
9,03 €
SANAM - Live at Cafe Oto MC (TAPE)

Live recording of the final show of SANAM's debut European 2023 tour at London's home for experiemntal music, Cafe Oto.

Beirut's SANAM burst on the scene in 2023 with their debut album Aykathani Malakon, chosen by The Guardian as one of their 5-star albums from 2023: "Aykathani Malakon thoroughly embodies their originating influences, whipping up kosmische, post-punk, psych rock, free jazz and Levantine folklore into an alchemical tour de force delivered with a defiant, DIY disposition".

Under difficult conditions, the band took to the road for a European tour in November 2023 with the final show at Café Oto. From their incendiary European debut earlier that month at LeGuessWho then rapturous, sold out shows in Switzerland, Belgium, Germany and the UK, spirits for the Cafe Oto gig were high and it was destined to be a tour highlight. 'Live at Café Oto' captures the intensity of the shows, a ritual where improvised rock, free jazz and noise underscored an exorcism of traditional Egyptian song and Arabic poetry.

Drummer Pascal Semerdjian adds: "On this tour, I felt the album evolve from being a set of improvised tracks captured spontaneously, into ripe solid songs. Playing these shows back-to-back, our chemistry kept growing, we got closer, and our live sets, at least to me, were an embodiment of this evolution. In a way, this was the real birth of the band"

Vocalist Sandy Chamoun: "We started the tour with a great push at LeGuessWho, and we kept this energy throughout the whole tour. Every gig felt like I was playing the songs for the first time, providing a new and fresh experience for me. We finished the tour with an emotionally intense gig at Cafe Oto, a dream venue. The audience was incredible, as if we had known each other for a long time and the energy was intense and intimate at the same time; it felt like we were in a small circle of fire together, both us and the audience."

"There was definitely magic in the air for our show at cafe oto - an iconic, humble and warm venue and the last show of the tour – it felt like everything was in the right place. It was my favourite show by far, specially that we were also comfortably able to talk about Palestine, the atrocity we have to live with and can't ignore." Pascal Semerdjian

pre-order now03.05.2024

expected to be published on 03.05.2024

12,56 €
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