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Limitierte Neuauflage des Albums aus dem Jahr 1983 - auf farbigem Vinyl.

Nach der Veröffentlichung ihres selbstbetitelten Debütalbums im Jahr 2019, gefolgt von der EP "Malven" im selben Jahr, dem international von Fans wie Presse gefeierten Zweitwerk "Eremit" (2020) und der Nachfolge-EP "odèm / yola des goz" (2023), wagen sich neànder nun auf neues Territorium und veröffentlichen ihre erste Akustik-EP mit dem Titel "ir" über Through Love Records.

,somewhere in the nowhere, between cows and sheep, there's a little studio:"klingt als ob man den schrank aufmacht und einem fällt alles entgegen" (fortuna ehrenfeld) "sounds shit" (new york times) "nope" (bbc6) "i fucking love it!" (brian eno) "honestly?!" (meg white) "mind opening" (hans zimmer) "well done" (idles) bonny und clyde sind in ein, ja sie hören richtig, walisisch/oberösterreichisches indie-duo reinkarniert und plötzlich riecht hier alles wie reifenabrieb nach einem vollgas-start auf der straße richtung sonnenuntergang.an den drums wird hier schnell eine new sensation offenbar.tank girl, punkbraut, madonna, blumenmädchen.mit roher gewalt und einem einzigartigen stil ballert veva mit stampfenden beats den weg zum tresor frei, während tom lässig mit dem ellenbogen durchs regal geht und die erbeuteten juwelen in form von schmutzig geschliffenen britesquen songzeilen für die ewigkeit auf den pokertisch wirft.im haldern studio hat martin, sänger und mastermind von fortuna ehrenfeld, den beiden einen derart geschmackvollen noise appeal auf die leiber genagelt wie man in hierzulande nur (viel zu) selten hört." FALSE LEFTY stellt die punkwelt auf den kopf. sie brechen nicht nur optisch, sondern auch musikalisch jedes klischee. drei saiten, drei trommeln- mehr braucht das duo FALSE LEFTY nicht. die band bricht mit perfektionismus, reduziert sich von überflüssigem, lässt das unwichtige weg und setzt auf einen minimalismus, der die hoffnung weckt, dass es doch so wenig braucht, um gute musik zu machen- eine vision, zwei menschen, drei saiten, drei trommeln. FALSE LEFTY sind eine newcomer band, bestehend aus einer schlagzeugerin, die im stehen drei trommeln spielt und einem sänger, der seine gitarre nur mit drei saiten bespannt: die frage ist nicht, was gute musik braucht, sondern was sie nicht braucht. seit der gründung der Band vor einem jahr spielten FALSE LEFTY über 40 konzerte, sowohl als headliner wie auch als support für Public Image Ltd., Fortuna Ehrenfeld, The Lathums, SONS, Kapelle Petra, Cash Savage and the last Drinks und viele andere.

DERRYs Debut-EP, Horrorpunk/Punkrock, 6 Songs auf einseitig bespieltem transparent-orangefarbenden 12"-Vinyl über Loikaemies Fettfleck Records-Label! Eine Mischung aus düsteren Klängen, treibenden Beats, einer verspielten Bassline und eingängigen Melodien ohne viel Schnickschnack, gespickt mit Ami-Skate-Punk der 90er Jahre - das lässt den Soundtrack ihrer Jugend schon erahnen. Thematisch hat sich die Band den Werken von Stephen King zugewandt. Remember The Curfew befasst sich dabei exklusiv mit der Stephen-King-Novelle ,IT" (zu Deutsch ,ES") und dem darin personalisierten Horror durch den Clown Pennywise und dessen zahlreicher Fassetten, aber auch wichtigen Themen wie der ersten Liebe, Freundschaft und Verlust. Mit Remember The Curfew geben die fünf Hessen der Horrorpunk-Band DERRY ihr Debüt auf Fettfleck Records. Nach dem im Sommer 2023 erschienenen ersten Demo-Song "The Kids Of Derry" kommt nun die Debut-EP. Inklusive rerecorded "The Kids Of Derry" sowie der Single "His Voice" und Fokustrack "Remember The Curfew" plus drei weiteren Songs, Erhältlich als 12" Vinyl-Auflage (einseitig bespielt) in limitiertem Trasparent Orange, CD sowie EP Digital!

Is this the future sound of black American jazz - an inclusive yet rhythmically complex groove based music that owes as a much to black urban culture - predominantly hip hop and trap music rhythms - as it does to jazz improv techniques and rhythms? It's certainly interesting that similar elements swim through the music of Robert Glasper and Kamasi Washington, who along with Scott are currently big box office, pulling-in substantial new audiences for their music. Ruler Rebel is the first album of a trilogy celebrating 100 years of recorded jazz, and will be followed by Diaspora and Emancipation Procrastination later. At the heart of this music are polyrhythmic grooves that might come from jazz, New Orleans black Indian music, trap, Malian rhythm Kassa Soro and the interplay between an SPD drum machine and live drumming. Largely featuring Scott's trumpet, the record introduces his articulate and frequently eloquent voice as the narrator of Ruler Rebel, much like the Persian Princess Scheherazade narrating her tales of the mysterious east to Sultan Shahriar over one thousand and one nights. A key track is `Encryption', a summation of Scott's direction of travel on the album. Here the running rhythm is derived from the New Orleansian Afro-Indian culture married with Malian Kassa Soro. This is in turn is layered with SPD-SX electronic drum machine and sampling machine played by Joe Dyson and Cory Fonsville that introduce rhythmic elements from trap and hip hop. Sounds complex? Well it is, but it works. Other highlights include `New Orleansian Love Song' and `New Orleansian Love Song II' and a celebration of Afro-Indian culture on `The Coronation of K. Atunde Adjuah'.

Is this the future sound of black American jazz - an inclusive yet rhythmically complex groove based music that owes as a much to black urban culture - predominantly hip hop and trap music rhythms - as it does to jazz improv techniques and rhythms? It's certainly interesting that similar elements swim through the music of Robert Glasper and Kamasi Washington, who along with Scott are currently big box office, pulling-in substantial new audiences for their music. Ruler Rebel is the first album of a trilogy celebrating 100 years of recorded jazz, and will be followed by Diaspora and Emancipation Procrastination later. At the heart of this music are polyrhythmic grooves that might come from jazz, New Orleans black Indian music, trap, Malian rhythm Kassa Soro and the interplay between an SPD drum machine and live drumming. Largely featuring Scott's trumpet, the record introduces his articulate and frequently eloquent voice as the narrator of Ruler Rebel, much like the Persian Princess Scheherazade narrating her tales of the mysterious east to Sultan Shahriar over one thousand and one nights. A key track is `Encryption', a summation of Scott's direction of travel on the album. Here the running rhythm is derived from the New Orleansian Afro-Indian culture married with Malian Kassa Soro. This is in turn is layered with SPD-SX electronic drum machine and sampling machine played by Joe Dyson and Cory Fonsville that introduce rhythmic elements from trap and hip hop. Sounds complex? Well it is, but it works. Other highlights include `New Orleansian Love Song' and `New Orleansian Love Song II' and a celebration of Afro-Indian culture on `The Coronation of K. Atunde Adjuah'.

FUJI||||||||||TA returns to Hallow Ground with his second full-length for the label after we had released his international breakthrough album »iki« in early 2020. Active since 2006, the Japanese composer and sound artist has become prolific since the release of »iki,« releasing a slew of records while also touring the world. His new album »MMM« is Yosuke Fujita’s most complex so far. Changing the set-up of his pipe organ by switching to an electric air pump allowed him to activate new sonic and compositional potentials of the instrument, while he also expanded upon his experiments with his own voice. »MMM« is a masterpiece of conceptual and formal rigour—a testament to how multi-layered and versatile the music of FUJI||||||||||TA can be.

Previous releases had already showcased Fujita's interest in working with the rhythmic potentials of the organ he built himself in 2009. Replacing its hand-operated air pump with an electric one allowed him to work with it more freely and simultaneously record its sounds. This marked the starting point for the opener »M-1,« for which he recorded the pipes by waving a gun microphone close to it, thus creating shifting rhythmic patterns. The piece engages in a perpetual play of repetition and difference, balancing sonic intensity with compositional dramaturgy. For »M-2,« the artist uses his voice and works with a singing technique he has developed over more than a decade: constantly exhaling and inhaling, he puts a strain on his internal organs in order to create what he calls a »third voice.« The resulting piece is built on a throbbing rhythmic foundation topped by wordless melodies.

»M-3« closes the album as a synthesis of these two pieces, but is far more than the mere sum of its parts. The subtle tonal shifts of the organ take on a more subdued role this time, and Fujita’s scat growling and singing reappears in processed form. »M-3« combines the rhythms and melodies of the previous pieces to let something entirely new emerge out of them, much like the album is based on perpetual changes and recombinatory strategies. In fact, Fujita explains, the acronymic title can be read in many ways: this album is minimalistic, but freely mixes and mingles different materials in magical and even metaphorical ways while also paying its dues to his wife and daughter—M. and M. Just like its title can mean a lot of different things, »MMM« itself is ever-evolving, traversing different moods and opening itself up to a plethora of interpretations at each of its many turns.

BALANCE OF POWER are back with new band members and a brand-new album! Founding members Tony Ritchie (bass) and Lionel Hicks (drums) are joined the band's new lead vocalist Hazel Jade as well
as guitarists Chris Young and Adam Wardle, who have since taken over the reins from guitarists Chris Masimore and Stoney Wagner, with whom the band worked on and recorded the upcoming album
"Fresh From The Abyss"
BALANCE OF POWER melden sich mit neuen Bandmitgliedern und einem brandneuen Album zurück!
Zu den Gründungsmitgliedern Tony Ritchie (Bass) und Lionel Hicks (Schlagzeug) gesellen sich die neue Leadsängerin Hazel Jade sowie die Gitarristen Chris Young und Adam Wardle, die inzwischen in die Fußstapfen der Gitarristen Chris Masimore und Stoney Wagner getreten sind, mit denen die Band am kommenden Album "Fresh From The Abyss" gearbeitet und es gemeinsam aufgenommen haben.
"Fresh From The Abyss" ist eine Kollektion von Songs, die entweder die Uhr anhält und auf einen bestimmten Moment in der Zeit verweist oder zurückblickt und die Unendlichkeit von Zeit und Raum, des Lebens und des Sterbens thematisiert.

Paul Pecho schüttelt einfach - mir nichts, dir nichts - zwei psychedelische Garagerock-Perlen aus dem Ärmel. Oder sind es garagige Psych-Perlen? Egal, denn es zählt, was auf dem Plattenteller liegt und das sind verdammt hitverdächtige 7 Inch! Paul ist sonst Sänger und Gitarrist bei den doomig-psychedelischen BLACK SALVATION (Leipzig/Relapse Records). Für seine Solo-Debüt-Single hat er alles selbst eingespielt und gleich noch schicke Videos dazu gedreht. "Neatly Framed" ist ein verschrobener 2-Minute-Banger, der an Ty Segall in seiner "Melted"-Phase erinnert. "Curtis Yellingmouth" fährt das Tempo etwas runter und kriecht als leicht kaputter LoFi-Ohrwurm direkt ins Belohnungszentrum des Hirns.

Yes! Tommy Guerrero’s revered Return Of The Bastard gets its first ever vinyl reissue. Endearingly simple but beautifully beguiling, it's lo-fi dusty break business with the most elegant guitars this side of Vini Reilly and Gabor Szabo. Tommy's breezy drum-machine guitar-soul should be prescribed to soothe an aching world. By rights, he should also be a Balearic god. Here's 14 tracks of drop-dead laconic beauty, all of them combining to create this unheralded masterpiece. Working with Tommy directly, the LP has been fully remastered and sounds as dazzlingly, heartbreakingly beautiful as it did back in 2007.

Coolly opening the album, "And The Folklore Continues" can be said to be both a titular and actual nod to his past work. As ever, there's heavenly Latin guitar stylings that make you swoon and the melancholic vibe is accentuated by the addition of some melodic wordless vocals from Tommy. Just divine. The sparkling "La Califas Perdido" follows, all dreamy melodic guitars and twinkling vibes over dusty drums and a fine bassline. The shuffling, conga-assisted "I Would Go With You" is a gentle, romantic gem whilst the brief but beautiful "No Time For Time" feels in a hurry to let us know that Tommy can work with more propulsive rhythms. In this case, they underpin Tommy's gorgeous, shimmering guitars wonderfully well.

The head-nod funk of "Calling For Ya!" (get it?) features Curumin delivering the clever title as a hypnotic vocal refrain peppered throughout, all hung around some buried spoken word vocals and gorgeous cello work from Lenny Gonzalez. "Bloodinthemud" is a low-down gritty funk workout whilst "Zapata's Boots" is a total low-key groover, all Latin percussion and Morricone muscle aided by a whistled Spaghetti Western melody. The startling instrumental "Mosaic Man" closes out the side with a lean slice of mellifluous, virtuoso guitar bliss.

The reflective "What Have I Been Doing Since I Was Gone?" opens the B-side in glorious fashion, the type of melancholic melodic head music that should soundtrack a bright walk on a cold winter's day. The hypnotic groover "Paper Switchblade" is a razor-sharp fuzz-funk whilst the beautifully downbeat "Never Forget To Remember" is a kaleidoscopic kalimba-koolout. Galloping cop-funk breaks workout "Run With The Hunted" is a rollicking ride and it's followed by the fresh chiming guitar funk of "New Terrain".

The upbeat and bright "40 Summers", featuring congas from Alfredo Ortiz, is as clean and poppy as Tommy gets and it really is a look he wears incredibly well. Just straight up guitar pop. "The Simple Man" a gorgeous, melancholic ballad, closes out the record with deeply yearning vocals from Tommy, a rarity and a treasured one at that.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

It's the year 2003. the world is bad and it would only be your fault if it stays that way. but the ärzte are doing what they've never done before: a double album. Everything has to be included! Punk, jazz, rumba, hard rock ... so many ideas, so many songs ... Even "Als ich den Punk erfand..." (When I invented punk ...) clarifies some aspects of human cultural history that have been clearly neglected up to now. The light-heartedly silly "Jag Älskar Sverige!" is a crowd favorite, "Geisterhaus" plays in the league of the great goth rock anthems, "Deine Schuld" provides the soundtrack to the clenched-fists-in-the-air resistance that is as permanently valid as it is double-edged, while "Die klügsten Männer der Welt" is more of a subtle dialectical critique. "Nothing in the World" is the official heartache cracker. There's also the bundle of pitch-black, cynical "Der Tag" with the blazingly amorous "Die Nacht" and two of the most good-humored zombie homage rock smashers of all time. And the absolutely compelling "Unrockbar" is instantly one of the signature hits of the best band in the world.

Renowned for their boundary-pushing sonic explorations, Klein Zage and Joey G ii join forces to deliver a captivating fusion of spoken word and electronic beats in their latest collaborative EP, ‘From New Cross To Ridgewood’ inspired by their time living together in South London. The EP promises an immersive auditory experience that transcends genre boundaries featuring remixes from Local Artist, DJ Python and Ariel Zetina.

The EP marks a return to the stripped back musical style Sage became known for early in her career on Orphan Records, such as Womanhood EP and the sensational ‘The Sayers’ on the 2022 edition of Shouts.

The record effortlessly blends the ethereal spoken word prowess of Klein Zage with the electronic breaks wizardry of Joey G II. The duo's ability to seamlessly merge spoken word poetry with innovative electronic soundscapes creates a unique and compelling listening journey that captivates from start to finish. Adding to the allure of the EP are the remix contributions from three distinct artists, each bringing their own perspective to the project.

TO THE LIMIT ist eine durchdachte Zusammenstellung von 51 Songs aus den Studioalben und Live-Aufnahmen, die die Eagles zwischen 1972 und 2020 veröffentlichten. Die bekanntesten Titel der Band sind hier vertreten, darunter die Nummer-1-Hits "New Kid In Town", "One Of These Nights", "Best Of My Love", "Hotel California" und "Heartache Tonight". Mit Songs wie "Desperado", "Victim Of Love" und "In The City" enthält das Set auch viele Fan-Favoriten. Außerhalb des Studios beleuchtet TO THE LIMIT das beeindruckende Tournee-Erbe der Eagles mit mehr als einem Dutzend elektrisierender Live-Tracks. Dazu gehören Ausschnitte aus Eagles Live (1980) - darunter der Top-40-Hit "Seven Bridges Road" - sowie Songs aus Hell Freezes Over (1994), The Millennium Concert (2000), Live At The Forum '76 (2017) und Live From The Forum MMXVIII (2020).

TO THE LIMIT ist eine durchdachte Zusammenstellung von 51 Songs aus den Studioalben und Live-Aufnahmen, die die Eagles zwischen 1972 und 2020 veröffentlichten. Die bekanntesten Titel der Band sind hier vertreten, darunter die Nummer-1-Hits "New Kid In Town", "One Of These Nights", "Best Of My Love", "Hotel California" und "Heartache Tonight". Mit Songs wie "Desperado", "Victim Of Love" und "In The City" enthält das Set auch viele Fan-Favoriten. Außerhalb des Studios beleuchtet TO THE LIMIT das beeindruckende Tournee-Erbe der Eagles mit mehr als einem Dutzend elektrisierender Live-Tracks. Dazu gehören Ausschnitte aus Eagles Live (1980) - darunter der Top-40-Hit "Seven Bridges Road" - sowie Songs aus Hell Freezes Over (1994), The Millennium Concert (2000), Live At The Forum '76 (2017) und Live From The Forum MMXVIII (2020).

NIGHT MIASMA with members from East German Postpunk-band L'APPEL DU VIDE plays a seldom heard mix of Dark Punk with a very melodic edge reminescent of early LA-Punkbands like Adolescents, 45 Grave or T.S.O.L.. Deep and harmonic vocals borrowed from old british or belgian Postpunkbands and a creepy Coldwave-organ build up a melancholic atmosphere. But the four songs never drift into depressing territory. Melodic guitar hooks and up-tempo drums create a positve despair.

High quality lacquer cut LP in reverse board cover. It comes shrink wrapped with EAN sticker on shrink wrap.

Jay Worthy and Harry Fraud are back at it, bringing Kamaiyah with them this time around on The Am3rican Dream, now available on vinyl. The 9-track album features Jay Worthy and Kamaiyah throughout, with their west coast style pairing perfectly with Harry’s plush production. The rappers trading bars alongside Worthy & Kamaiyah over the course of the project include Ty Dolla $ign, Max B, Buddy, DRAM, Guapdad 4000, Leven Kali and Big Body.

Am 12.04.23 veröffentlicht Unter Schafen Records das Best Of-Album ''Retrospective'' von Sharon Stoned als limit. 2LPVersion bei Unter Schafen Records.

Die experimentelle Lo-Fi-Noise-Rock-Band Sharon Stoned wurde 1995 von Mark Kowarsch und Christopher Uhe direkt nach der Trennung ihrer Band Speed Niggs gegründet. Nach ihrem großartigen Debütalbum „License To Confuse“ und der Tape-EP auf dem Berliner Label City Slang unterschrieben Mark und Krite bei Sony Columbia und veröffentlichten das hochgelobte Doppelalbum „Sample & Hold“, das besondere Gastbeiträge von Künstlern wie Evan Dando enthielt (die Band unterstützte The Lemonheads während ihrer Car Button Cloth Europatour 1996), Lou Barlow, The Notwist, Tom Liwa, Furtips, Gitbox!, Tuesday Weld, Tocotronic und Mitglieder von HP Zinker und Die Goldenen Zitronen.







[g] My Style [feat. The Notwist] (05:11)
[h] Special Plan [feat. Evan Dando] (03:54)

[j] Some [feat. Lou Barlow] (02:40)

[l] Down [feat. Roeland Van Niele] (03:52)
[m] Never Dare To Ask [feat. Dirk Von Lowtzow] (04:00)
[n] Tape [feat. The Notwist] (06:45)
[o] Your Own [feat. Tom Liwa] (03:38)

Scottish rock heroes GUN are delighted to announce their ninth studio album, Hombres, via a new label deal with Cooking Vinyl. It is the first album of all new music from the group since 2017"s Favourite Pleasures and also features new full-time guitarist, Ru Moy, adding further heft to their rock ballast. GUN were formed by guitarist Giuliano Gizzi. During their career GUN achieved 3 UK top 20 albums and 8 UK top 40 singles including a cover of Cameo"s "Word Up" which reached the UK top 10 and charted all over Europe. GUN has toured extensively over the years most notably with The Rolling Stones on their Steel Wheels & Urban Jungle tours. The thirteen tracks on Hombres were recorded and produced by Simon Bloor (Trevor Horn) with mixing by Daryl Thorpe (Foo Fighters).

Scottish rock heroes GUN are delighted to announce their ninth studio album, Hombres, via a new label deal with Cooking Vinyl. It is the first album of all new music from the group since 2017"s Favourite Pleasures and also features new full-time guitarist, Ru Moy, adding further heft to their rock ballast. GUN were formed by guitarist Giuliano Gizzi. During their career GUN achieved 3 UK top 20 albums and 8 UK top 40 singles including a cover of Cameo"s "Word Up" which reached the UK top 10 and charted all over Europe. GUN has toured extensively over the years most notably with The Rolling Stones on their Steel Wheels & Urban Jungle tours. The thirteen tracks on Hombres were recorded and produced by Simon Bloor (Trevor Horn) with mixing by Daryl Thorpe (Foo Fighters).

Diane Birch emerges as a formidable American singer-songwriter and pianist, boasting a repertoire of critically lauded releases spanning a rich decade-long career. With an eclectic array of musical influences stemming from a globe-trotting childhood - ranging from her humble beginnings as a preacher's daughter in Zimbabwe and South Africa to her transformative years as a gothic teen immersed in the vibrant cultural underbelly of Portland, Oregon. Her discovery while living in London via Myspace led to a record deal in New York, where she then spent the next few years.

Diane's journey is as diverse as her sound. Her profound experiences have culminated in a unique musical blend, characterized by her stint performing soulful covers and original pieces in the swanky lounges of the Beverly Hills elite. Receiving widespread attention with her debut album "Bible Belt" and her follow-up projects "Speak A Little Louder" and "Nous", these works not only cemented her position in the international music scene but also earned her accolades and respect from esteemed peers including Prince, Daryl Hall, Mark Ronson, Dave Stewart, Questlove, Elvis Costello, Bryan Ferry and Stevie Wonder.

Returning with her latest work, "Flying On Abraham", Diane presents a meticulously crafted collection of original compositions. This album is a heartfelt homage to her vast and varied musical roots, weaving together the rich tapestry of 70s AM radio, soul, jazz, classic rock, 80s/90s pop and R&B. Despite the eclectic mix, Diane's sound remains distinctly her own - her voice a blend of raw emotion and refined grace, echoing the legacy of iconic artists like Carole King, Carly Simon and Rickie Lee Jones, yet standing out with an authenticity and individuality that is unmistakably Diane Birch. Produced by renowned English musician Paul Stacey, known for his work with Noel Gallagher and the Black Crowes, "Flying On Abraham" was recorded in the UK, backed by an impressive lineup of musicians. This album is not just a collection of songs but a narrative of her artistic journey, offering a window into the soul of a woman who has traversed continents and musical genres to create something truly extraordinary.

With "Flying On Abraham", Diane Birch reaffirms her status as a musical virtuoso, continuing to enchant audiences worldwide with her evocative lyrics. It represents Diane's enduring vision of "making American music with an English sensibility."