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Tee Pee Records is proud to announce a limited edition pressing of this classic on marbled Tiger's Eye vinyl. Annihilation Time are an incendiary mix of '70s rock and '80s hardcore, with riffs personified by their legendary bar brawls and bloody-faced performances. Then again, constant touring with Municipal Waste and Caustic Christ - during their murky beginnings - can have that effect.

Steve Bicknell returns to KR3, once again unleashing his mastery of power electronics!
Following his two reinterpretations of last year's "JK Flesh Remixes" and four years after his solo EP "A Day In The Life" in 2021, Bicknell takes us deep into the realms of his sonic mysticism, marking a significant milestone in the fifth anniversary of the label.
Several Streams of Thought LP - is an unrelenting and immersive odyssey, presented through nine tracks, seven of which will be available on a double 12-inch vinyl, with two exclusive cuts in a limited 7-inch format.
The album hits hard, straight to the brain, with no warning, across sides A, B, and C. Each side is a raw, untamed techno experience, with Bicknell's unmistakable signature dominating throughout, delivering unwavering intensity and relentless impact.
However, on side D, a transformation takes place: a 15-minute soundscape that turns the embedded waves into breath - a blinding light emerging from the darkness. It's a moment of tribalism and evocative magic, offering a refreshing pause, a return to balance after the intensity of the shadows.
The 7-inch, available in a limited edition under the title "the eye of the invisible world", contains two tracks - one on side E and the other on side F.
The mystical sounds complete this dual experience: one part filled with dark, untamed energy, while the other brings a sense of mental lightness, emphasizing breathwork and emotional self-
healing.
S | B is back, stronger than ever!

Thomas Newman became the ninth composer in the James Bond series history. His score for the 2012 movie Skyfall won the BAFTA Award for Best Film Music. In 2013, it became one of two Bond scores to be nominated for the Academy Award for Best Original Score. Skyfall (2012) is the twenty-third spy film in the James Bond film series. It features Daniel Craig in his third performance as James Bond, and Javier Bardem as Raoul Silva, the film's villain. The movie was directed by Sam Mendes and centers on Bond investigating an attack on MI6. The attack is part of a plot by former MI6 agent Raoul Silva to humiliate, discredit and kill M as revenge against her for betraying him. The film sees the return of two recurring characters to the series after an absence of two films: Q, played by Ben Whishaw, and Moneypenny, played by Naomie Harris. Skyfall is the last film of the series for Judi Dench, who played M, a role that she had played in the previous six films. Skyfall is available as a limited edition of 1500 numbered copies on translucent red coloured vinyl. This 2LP package comes in a gatefold sleeve and includes a 4-page booklet.

House of Gold & Bones – Part 1 is the fourth studio album by American rock band Stone Sour. It is the first Stone Sour album without bass player Shawn Economaki, who left the band in 2012, his studio replacement was Rachel Bolan from Skid Row. Musically, Corey Taylor also described the album's sound as "Pink Floyd's The Wall meets Alice in Chains' Dirt". House of Gold & Bones – Part 1 was released on October 22, 2012 and debuted at number 7 on the Billboard 200 music album charts. The album has sold just under 130.000 copies in the United States alone and got raving reviews all over the globe. The album hasn't been available on vinyl for over 10 years and is now available as a limited edition of 1500 individually numbered copies on gold coloured vinyl and includes a 4 page booklet.

"Return of the Giant Slits" is the second studio album by the English punk band The Slits, released in October 1981 by CBS Records. This album marked a departure from their earlier punk sound, embracing a more experimental approach influenced by afro-pop, dub, and world music. The album was produced by Dennis Bovell, Dick O'Dell and The Slits. Upon its release, "Return of the Giant Slits" received mixed reviews, with some listeners finding its experimental nature challenging. However, over time, it has been re-evaluated and appreciated for its innovative fusion of genres. -Pitchfork described it as "a slippery, glorious mess that will infuriate anyone expecting the Slits to revisit their debut." this MOV release comes as a Limited edition of 750 copies on red & black marbled vinyl.

2CELLOS are back with their third album Celloverse, which returns to the sound and concept of their self-titled debut, building on Luka Sulic & Stjepan Hauser's unique ability to re-imagine current and classic rock and pop songs with their own extraordinary energy — blasting instrumental music off into a whole new Celloverse. The album includes audio recordings of their YouTube releases of "Thunderstruck" and "I Will Wait" as well as new takes on songs such as Avicii's "Wake Me Up," Iron Maiden's "The Trooper" and another Michael Jackson favourite "They Don't Care About Us." The title song is a 2CELLOS original, and to top it all off, there's an unforgettable guest collaboration with their good friend, Lang Lang on the Paul McCartney classic "Live and Let Die." Celloverse is available as a 10th anniversary edition of 1000 numbered copies on orange coloured vinyl and includes an insert.

After more than two decades of captivating fans with their signature harmonies and timeless love songs, 98 Degrees returns with Full Circle, an album that marks a new chapter in the group's storied career. This highly anticipated release features five brand new tracks that showcase the evolution of the band’s sound, while still staying true to the essence that made them icons of the '90s and 2000s. Collaborations with powerful vocalists Katrina Velarde and Janine Teñoso bring fresh, dynamic layers to the album, with each artist adding their unique touch to these modern pop-soul anthems. In addition to the new material, Full Circle includes five of 98 Degrees' classic hits, re-recorded and remastered for a new era. These beloved tracks have been given a polished, contemporary update, with richer instrumentation and renewed vocal energy, offering both longtime fans and new listeners a fresh experience of the band’s greatest hits.

From the soulful ballads to the infectious up-tempos, Full Circle perfectly blends the familiar smooth melodies that fans know and love with a more contemporary edge. The title Full Circle reflects the journey the group has taken—from their meteoric rise in the late '90s to their ongoing passion for making music together. With their signature harmonies stronger than ever, Full Circle is a testament to 98 Degrees' enduring legacy and their commitment to creating music that resonates across generations.

Released in 2000, Soundphiles is the debut album by British electronic duo Kinobe. Known for their smooth blend of downtempo, chillout, and trip-hop, Kinobe crafted an atmospheric and cinematic sound that became a staple in lounge and ambient music scenes. The album features the iconic track "Slip Into Something", which gained widespread recognition through its use in commercials and compilations. Other standout songs like "Skyscraper" and "Bopalong" showcase Kinobe’s signature mix of mellow beats, lush instrumentation, and soothing melodies. Soundphiles captures a relaxed yet sophisticated vibe, making it a go-to album for fans of chilled electronic music. Its seamless fusion of organic and electronic elements solidified Kinobe’s reputation in the downtempo genre, earning them a dedicated following. Ideal for laid-back listening, Soundphiles remains a defining release in early 2000s chillout music. Soundphiles is available as a 25th anniversary edition of 500 copies on translucent blue coloured vinyl.

The Bottle Rockets’ 1994 record The Brooklyn Side ranks right up there with Uncle Tupelo’s Anodyne in the pantheon of alt country albums…yet it has NEVER seen a widespread release on vinyl. We hooked up with original producer Eric “Roscoe” Ambel and mastering engineer Scott Hull to score the original tapes and create an all-analog release of this legendary record…but we didn’t stop there. We’ve also added six bonus tracks to flesh out this 2-LP Expanded Edition, winding up with the track that started it all, Brian Henneman’s “Indianapolis.” Reissued with the full consent and cooperation of the band!

In 2005, the Grand Rapids band Still Remains dropped their first studio album Of Love and Lunacy, and since that time its reputation has only grown as one of the great lost classics of the metalcore genre. Now, with full support of the band, we at Real Gone are releasing Of Love and Lunacy on vinyl for the first time to celebrate its 20th anniversary. It’s not just the musicianship that sets this record apart, though this band’s ability to punctuate pummeling passages with fantastically progressive melodic interludes is definitely one of its calling cards. It’s also the impassioned poetry of the lyrics, which often employ startling, spiritually-tinged imagery to express extreme states of emotion. Too sensitive for some? Maybe. But it also rocks like all get-out, especially in this remastered-for-vinyl (by Mike Milchner at Sonic Vision) edition. Jungle swirl pressing at Gotta Groove Records, limited to 750 copies, complete with a color printed inner sleeve with lyrics.

Townes Van Zandt’s eighth studio album, released in 1978, from one of the most influential figures in country, folk, and Americana music, returns with a new analogue mastering on a limited edition blue vinyl — complete with a color insert featuring sleeve notes, a rare Townes Van Zandt interview, and the full lyrics.

This reissue celebrates the album’s enduring legacy and its importance as Townes’ debut release on Tomato Records – the label run by his long-time manager Kevin Eggers. Originally recorded at Nashville’s famed American Studios and produced by Chips Moman, Flyin’ Shoes features some of Van Zandt’s finest work, including standout tracks like the heartfelt ‘Loretta’, the haunting ‘No Place to Fall’ the mystical title track, and the standout ‘Rex’s Blues’. The album also introduces ‘Pueblo Waltz’, a song that, alongside others, solidified Van Zandt’s reputation as a master of blending poetic lyricism and melancholic storytelling. In addition to its timeless tracks, Flyin’ Shoes has a unique history. Indeed, the album includes material from a previously abandoned 1973 project, 7 Come 11, that would be released years later under the title The Nashville Sessions in 1993, also available on Charly Records. Many of the songs from that unfinished album were re-recorded for Flyin’ Shoes, and these fresh takes represent Van Zandt’s growth as an artist while staying true to the raw authenticity that fans have come to cherish

Die beliebte New Yorker Rockband Sunflower Bean meldet sich neu belebt mit ihrem vierten Album zurück. In Eigenregie produziert, von Caesar Edmunds (The Killers, Wet Leg) gemischt und von Sarah Tudzin (Illuminati Hotties, Boygenius) engineert, liess sich die Band von Alternative Rock, verträumter Psychedelia und Arena-Ehrgeiz inspirieren, um mit "Mortal Primetime" das härteste und verletzlichste Album ihrer Karriere zu liefern. Die Songs sind ungeschminkt und offen, Dissonanz und Unsicherheit werden akzeptiert. Sunflower Beans breite Palette von Einflüssen würden die meisten Bands nicht wagen, in einem Satz zusammenzufassen, und diese Kühnheit hat sie undefinierbar gemacht. Der Power-Pop-Opener "Champagne Taste" kanalisiert Iggy Pops "The Idiot"-Phase, "Look What You've Done To Me" beschwört den beunruhigenden Wahnsinn und die Launenhaftigkeit von Kate Bush, und die hochfliegenden Powercords auf "Nothing Romantic" erinnern an Arena-taugliche 70/80er Hits von Heart, Pat Benatar und Joan Jett. "Manchmal denke ich, diese Platte ist wie eine Mischung aus Belle And Sebastian und Alice In Chains", sagt Frontfrau Julia Cumming.

Scorpion Child wields a sound that hearkens back to when guitar rock ruled the airwaves and going to concerts was the ultimate main event. The Austin, TX quintet released its self-titled debut in 2013 via Nuclear Blast Records. The album landed at #26 on the Billboard Heatseekers Chart and #99 on the Billboard Hard Music Albums chart. Following its premiere by Eddie Trunk, iTunes named "Polygon Of Eyes" its "Single of the Week," and Scorpion Child earned a nomination for "Best New Band" at the Classic Rock Magazine presented "Classic Rock Awards." The group's second album, 2016's 'Acid Roulette' was recorded with GRAMMYr Award-nominated producer Chris "Frenchie" Smith Meat Puppets, _And You Will Know Us By The Trail of Dead and featured the fan-favourite tracks "Reaper's Danse", and "My Woman in Black". The band's new album, 'I Saw The End as it Passed Right Through Me', is set for release on February 14 '25. Austin, Texas band, Scorpion Child, plays dark rock and roll that blends haunting themes and atmospheric melodies; the group's unique fusion of post-punk, hard rock, and brooding aesthetic has garnered it a dedicated fanbase. On the heels of a multi-year reinvigoration, the unit returns in 2024, galvanized with a fortified lineup and renewed dedication. The first taste of what the strengthened Scorpion Child delivers lies in wait with the new single, "Outliers", a powerful punch of a song, filled with introspective lyrics, that perfectly encapsulates the band's distinct style. "Outliers" was recorded at Austin's Point West Recording with Charles Godfrey (Black Angels, The Mountain Goats) and represents the first official new music from Scorpion Child since the 2016 release of its full-length LP, 'Acid Roulette' (Nuclear Blast Records). "Outliers" will appear on Scorpion Child's impending new album, 'I Saw The End as it Passed Right Through Me', slated for an early 2025 release date via Noize In The Attic. With the drop of "Outliers" comes the track's accompanying music video; stream Scorpion Child's "Outliers" now at this location. "Outliers" deep dives into the organizational use of fear tactics and the related, unknown forces that we are supposed to run from, or conform to," offers Scorpion Child vocalist Aryn Jonathan Black. "The song is a look into the thought that "they" are always watching us and that we should play the same game from our POV in the shadows." The vinyl LP is milky clear.

Die isländische Band KALEO kündigt ihr drittes Studioalbum "Mixed Emotions" für den 9. Mai bei Atlantic Records an. Das Album, produziert von Eddie Spear und mitkoproduziert von JJ Julius Son und Shawn Everett, verspricht eine Mischung aus energiegeladenen und tiefgründigen musikalischen Elementen. Die neue Single "Back Door" ist bereits erhältlich.
"Mixed Emotions" thematisiert persönliche und gesellschaftliche Herausforderungen und spiegelt die emotionalen Höhen und Tiefen des Lebens wider. JJ Julius Son beschreibt das Album als vielfältig und für jeden Geschmack etwas bietend. Die Aufnahmen begannen im März 2023 in Nashville und wurden zwischen Tourneen fortgesetzt.
KALEO hat sich mit über 4 Milliarden Streams, internationalen Auszeichnungen und ausverkauften Shows zu einem weltweiten Phänomen entwickelt. Ihr Hit "Way Down We Go" ist Teil des "Spotify Billions Club".
Die Band plant umfangreiche Tourneen, inkl einem Festival Stopp beim Open R Festival in Uelzen am 26. Juni 2025. Das Album enthält zehn Tracks, die eine breite Palette von musikalischen Stilen abdecken.

Ende 1974 kehrte George Harrison nach Kalifornien zurück, um sein nächstes Album, das soulige Extra Texture (Read All About It, aufzunehmen. Leon Russell spielte Klavier auf „Tired of Midnight Blue“, und bei einigen Sessions wurde Harrison von Gitarrist Jesse Ed Davis sowie Jim Keltner, Paul Stallworth und David Foster von der neuen Band Attitudes begleitet, die später von Georges neu gegründetem Label Dark Horse unter Vertrag genommen wurden.

Thomas Newman became the ninth composer in the James Bond series history. His score for Skyfall won the BAFTA Award for Best Film Music. In 2013, it became one of two Bond scores to be nominated for the Academy Award for Best Original Score. The other to be nominated was the score from The Spy Who Loved Me. Skyfall does not contain the title song performed by Adele.

Skyfall (2012) is the twenty-third spy film in the James Bond film series. It features Daniel Craig in his third performance as James Bond, and Javier Bardem as Raoul Silva, the film's villain. The movie was directed by Sam Mendes. The story centres on Bond investigating an attack on MI6. The attack is part of a plot by former MI6 agent Raoul Silva to humiliate, discredit and kill M as revenge against her for betraying him. The film sees the return of two recurring characters to the series after an absence of two films: Q, played by Ben Whishaw, and Moneypenny, played by Naomie Harris. Skyfall is the last film of the series for Judi Dench, who played M, a role that she had played in the previous six films.

The limited edition of Skyfall of 1.500 individually numbered copies is pressed on coloured (transparent & black mixed) vinyl. The package includes a big poster, a 4-page insert and 2 printed innersleeves. Both innersleeves have one hole in the middle to show James Bond on the labels. Don't forget to check the secret service inscriptions on the run out grooves.

The Scream, Siouxsie & the Banshees' first album, was released late enough in the punk era to bear some claim as the first post-punk album, with only a minor traces of 'punk' (one lingering early song, "Carcass" comes to mind) and enough hints of what had come even earlier, Andy MacKay-like saxophone flourishes - to feel utterly new. Not to mention the effort producer Steve Lillywhite must have put into the album, his first fully-credited major label production. Siouxsie was clearly the focus of the band, with her unique vocal style and lyrics, but the real star, we've always known, was John McKay, who wrote most of the album's music (as well as singles like "Hong Kong Garden"), creating a wholly new guitar sound - harsh and brittle, yet melodically intoxicating . . . best articulated by a somewhat confounded Steve Albini years later ". . . only now people are trying to copy it, and even now nobody understands how that guitar player got all that pointless noise to stick together as songs". McKay's influence lives on; many of the most influential guitarists of the past four decades credit him as a major influence - Geordie from Killing Joke, Jim Reid of The Jesus And Mary Chain, U2's The Edge, Thurston Moore, Johnny Marr and even the two guitarists - The Cure's Robert Smith and Magazine's John McGeoch - who followed him in The Banshees. McKay's burgeoning status as the anti-guitar hero was halted when he and Banshees drummer Kenny Morris - at odds with Siouxsie and bassist Steve Severin - fled the band just after the start of a tour supporting the group's second album, Join Hands. It was a weekly music paper scandal, later the subject of a BBC documentary, and Siouxsie's vitriol working its way into the lyrics of a later Banshees b-side, "Drop Dead / Celebration". Aside from a solitary single on Marc Riley's In Tape label nearly a decade later, no music was heard from McKay again. So it comes as a major surprise to learn of a pile of excellent recordings made in the years just after he left The Banshees, unheard by all but a very few, some of which feature drummer Kenny Morris, plus Mick Allen from Rema Rema, Matthew Seligman of the Soft Boys and longer-term collaborator Graham Dowdall and John's wife Linda . . . the latter three of whom now all sadly deceased. Sixes And Sevens is an historic lost album. Brazenly genius and bearing fair claim as the lost treasure of the post-punk era, the album collects eleven studio tracks, carefully mastered from original tapes. It's a masterpiece which best speaks for itself.

DMV-by-way-of-the-U.K. punk duo Teen Mortgage have announced their debut album, Devil Ultrasonic Dream, out May 9th on vinyl via Roadrunner Records.
Produced by the band alongside longtime collaborator Kenny Eaton, the album’s first single, “BOX,” is a two-minute sprint of seething defiance, packed with hooks and unrelenting energy.
The album’s title, Devil Ultrasonic Dream, leans into the 1980s-era satanic panic in rock and roll. “The Devil Ultrasonic Dream,” explains frontman James Guile, “is about realizing a fantasy that Christian fascists don’t understand or want you to have. The devil—Satan—has always been a symbol of counterculture.”
Originally from England, Guile had been toying with the Teen Mortgage project under various monikers for years, crafting a sound steeped in sociopolitical commentary and built for the mosh pit, heavily influenced by classic ’80s punk. After relocating to Maryland five years ago, he connected with drummer (and former nurse) Edward Barakauskas via a Craigslist ad. Since then, the duo have spent years building Teen Mortgage’s presence in the DMV scene. In between a global pandemic and Barakauskas serving as an ER frontline worker, they managed to drop an EP and a string of singles before signing to Roadrunner Records in 2024.
Teen Mortgage has earned support slots with a stacked list of artists, from Weezer, Smashing Pumpkins, OFF!, and Alkaline Trio and return to the UK in June to play Download Festival and support Weezer at their Halifax Piece Hall show.

Illusive Bristolian producer Claude Cooper returns with ‘Friendly Sounds Vol 1’; part psychedelic trip, part romping beat tape, part party. The album was inspired by the vinyl discoveries made from Cooper’s months of digging and cataloguing the bulging inventory of Bedminster’s Friendly Records record shop. Cooper fed these myriad captured sounds through the studio and then, blurring the lines between sampling and performance, arranged and embellished them with keyboards, drum machines, bass guitar and more, also co-opting BEAK> bassist Billy Fuller and esteemed composer Ben Salisbury to contribute.

With most of the tracks in and out within 90 seconds, the album is best enjoyed as a continuous course. Play side A, play the B, then flip it back and listen all over again. Stand out moments include tremulous cut ‘n’ paste jam ‘Jackie’, the moody string-laden ‘Rainbow Eternity’, funky sitar workout ‘Nerd Nork’, and atmospheric closer ‘Take Flight’. Sharing a similarly broad and experimental sound palette as the likes The Avalanches, Madlib, The Go Team, and Edan; ‘Friendly Sounds Vol 1’ is the soundtrack to a wild joyride down South Bristol’s North Street, foot on the gas, hand on the horn, LPs spilling from the boot.

Cooper’s irrepressible debut album ‘Myriad Sounds' (Jan ‘22) caught the attention of the UK's press and radio alike. Mojo's four star review described it as “Bristol’s beat scene backdrops late night jams”, Uncut enjoyed the "rugged psych-funk romp" and Louder than War declared "it’s vital and vibrant and exactly what we need to kick start the year”. Bonus round 'More Myriad Sounds' (Apr ‘23) added Brooklyn vocalist Brain Fog to the melange with a bounty of pyretic vocal performances. DJ Mag called it “A fierce, kaleidoscopic trip” while Bandcamp Daily said “This album of cross-genre influences is as likely to get it included in any number of best-of columns, with the theme of serious fun as their common element”. Called a "mysterious Bristol breaks scientist" by Lauren Laverne, BBC radio DJs including Cerys Matthews, Gideon Coe, Huw Stephens, Jamie Cullum, Stuart Maconie, and Tom Ravenscroft have rinsed Cooper’s tracks, with Huey Morgan inviting Cooper to contribute a Block Party Mix for his show.



‘Stay A While’, the first showing of Cooper’s new shop sampling stunners, was released on 7” in January ‘24. Lush string flourishes sliced with 6Ts girl-group vocals and rollicking piano chords resulted in a dreamy, end of night, lights up anthem in-the-making that The Arts Desk called “A horn-fired, beatsy, chop-around that recalls The Avalanches”. Releasing the album is Friendly Records, the best little record shop in Bristol and now a burgeoning record label. Opened by Tom Friend on North Street in 2016, it’s gone on to become a hub of the local musical community. As well as Claude Cooper, the label has released LPs by Alison Cotton, Floating World Pictures, Christian Madden & The Enemy Chorus, Nick Craft, as well as handling the War Child series of 7”s with BEAK>, Idles, J Dilla, PJ Harvey, Portishead, and Sleaford Mods + Hot Chip.



Claude Cooper will DJ at the one-day Friendly Festival on 10th May in aid of War Child, which will feature Sleaford Mods, Katy J Pearson, The 45s, Zalizo and DJ sets by Ishmael Ensemble, Heavenly Jukebox and Friendly Records DJs.