Поиск:edmony krater

Avant-garde percussionist, singer, self-taught trumpet player, composer and author,
Edmony Krater, since the late 1970s has been a go to reference for French Caribbean music and all things Gwakasonné.

This Guadelopean great had been somewhat quiet since the mid 80s, however in 2019, after the recording of a live show for Cult Berlin club night, African Acid Is The Future that received a release via The Vinyl Factory, his light was relit.

Prior to this, in 2015, along with Diggers Digest, Paris based Heavenly Sweetness reissued the highly sought after 1988 album, ‘Ti Jan Pou Velo’ and Edmony began to stir up rumours of new material coming.

2018 saw his first foray into new recordings, Heavenly Sweetness released ‘An Ka Sonjé’, a record garnishing praise from Pan African Music, and he now readies his second for the label with, ‘J’ai Traversé La Mer’ (I’ve Crossed The Sea)

Like the hundreds of thousands before him, Edmony Krater also crossed the sea. Pulled from Africa, caught up in the violent and absurd logic of triangular trade. Slaves were forced to America, the Caribbean and Europe, where many descendants have since become famous writers, poets, leaders, athletes and of course, musicians.

Edmony Krater's work gets 3 remixes for this release! Also comes with the original version of  ''An Ba Jouk''... Check.

A journey to far outlands: this is exactly what one can feel when listening to Béliz. Entitled Mémoires, the album from the band Béliz, explores new territories where the Guadeloupean musical tradition meets the harmonic universe of the harp. Béliz is the dialogue between the world of classical harpist Anne Bacqueyrisse, percussionist Olivier Maurières and multi-instrumentalist and singer Edmony Krater, fervent supporter of the Gwo Ka, the ancestral musical tradition coming from Guadeloupe. Founder of the band Zepiss, once a member of Robert Oumaou's collective Gwakasonné, Edmony Krater always had the will to open the Ka to other cultures and to incorporate new sounds. Indeed, with Ti Jan Pou Vélo, his tribute album in the memory of Marcel Lollia known as Vélo (one of the greatest drummers of Guadeloupe), released in 1987, Edmony Krater brilliantly mixed jazz-fusion, Occitan folklore, synthesizers with the distinctive Ka rhythms.

The meeting of Anne Bacqueyrisse, Olivier Maurières and Edmony Krater at the Music Academy of Montauban, gave birth to Béliz. In 2009 the group of three musicians-teachers, under the impulse of one of their pupils, decided to record in studio their project, Mémoires. Béliz, with its innovative and singular artistic approach, is a true invitation to travel. The title “Arawak É Karayib” is a vibrant tribute to the native West Indian people. “Gwadloup” - an acoustic version of the song already featured on the album Ti Jan Pou Vélo - is an ode to Edmony’s beloved island. “Natibel”, an hymn to Nature - another cover from the Zepiss band – makes sense here in a minimalist version.

A true fusional object, Béliz moves us to new horizons, both imaginary and poetic.