Последний логин: 68 дн. назад
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Последний логин: 68 дн. назад
- 1: The Fermi Paradox
- 2: Cosmic Void Spheres
- 3: Macrocosm + Microcosm
- 4: Spontaneous Synchronization
- 5: Hyperdimensional Physics
- 6: Esoteric Futuristic Visions
- 7: Geometric Congruence Vortex
Baptized with a name derived from astrophysical theories about dark matter and black holes, THE HOLEUM was formed in 2014 in Alicante, Spain. Founded by former members of NahemaH, Demised, quantumXperience, Hela, Neptunian Sun, and Priest of Dawn, the quintet set out to push the boundaries of heavy music and to intensify the emotional impact of darkness in sound. Their concept is both cosmic and sonic: “THE HOLEUM is related to the dark matter that forms the black holes in the universe. THE HOLEUM is not a black hole, but black holes are formed by The Holeum. That is the idea from which we extract our concept – we are a sonic and cosmic vision of the sublime.” With their third album “Ensis” (2025), the band continues its journey through experimental metal, death doom, melodic metal, and post-metal. This work is more than a continuation – it is a condensation and expansion of their previous soundscape. “Ensis” reveals itself as finely nuanced, challenging, yet at the same time profoundly sensitive and multifaceted. The songs unfold like cosmic landscapes where heaviness and melancholy meet subtle emotionality. The intensity remains palpable, but it is complemented by a deeper sensitivity that draws the listener into a fragile balance between harshness and delicacy. “Ensis” is an album that demands and touches at once – a work that makes the complexity of human existence audible in the mirror of the universe.
он должен быть опубликован на 20.03.2026
- A1: Samon 01:49
- A2: Primordial Breath 04:19
- A3: Inis Mona 04:09
- A4: Gray Sublime Archon 04:21
- A5: Anagantios 03:26
- A6: Bloodstained Ground 03:21
- A7: The Somber Lay 04:01
- B1: Slanias Song Ariana Schü... 05:41
- B2: Giamonios 01:23
- B3: Tarvos 04:39
- B4: Calling The Rain 05:06
- B5: Elembivos 06:28
- B6: Samon (Acoustic Version) 01:27
2008 release from the Swiss Folk/Pagan Metal band. Eluveitie belong to the ever-growing Pagan Metal scene which has been producing such bands as Finn troll, Ensiferum, and Turisas. Eluveitie have become one of today's most exciting acts and leaders of this new movement They have become a phenomenon in North America and their sales are definitely on the rise.
он должен быть опубликован на 11.04.2025
он должен быть опубликован на 31.01.2025
Blue Vinyl[24,33 €]
он должен быть опубликован на 18.10.2024
Black Vinyl[21,81 €]
он должен быть опубликован на 18.10.2024
- 1: Testify (Feat. Samy Elbanna) 3:55
- 2: The Game (Feat. Joonas Kosonen & Ben Varon) 3:44
- 3: Gone Without A Trace (Feat. Nico Hartonen) :2
- 4: Pasadena ´78 (Feat. Jules Näveri) 3:0
- 5: Rock & Roll Unites (Feat. Jake E.) 4:17
- 6: Fast Living, Slow Suicide (Feat. Olli Herman) 3:0
- 7: Going Down The Hole (Feat. Nico Hartonen) 3:10
- 8: Not My Time (Feat. Joonas Kosonen & Ben Varon) 3:49
- 9: Wake Up (Feat. Pekka Heino) 4:18
- 10: Flesh From The Bone (Feat. Samy Elbanna) 4:14
- 11: Road Song Ii (Feat. Nico Hartonen) 3:2
Der finnische Metal-Gitarrist EUGE VALOVIRTA veröffentlicht mit "Hardtones" sein drittes Soloalbum. Das Werk ist gespickt mit exklusiven Gastbeiträgen und punktet mit druckvollem Metal-Sound. Valovirta gilt im finnischen Heavy-Metal-Himmel als einer der talentiertesten Gitarristen seiner Generation und hat in zahlreichen inländischen Bands wie Shining, Cyhra, Godsplague und Drive mitgewirkt sowie mit Children of Bodom, Hevisaurus, Ensiferum und anderen gearbeitet.
он должен быть опубликован на 15.06.2024
A new satanic panic is upon us! Satanic North is what happens when you let two well-known Finnish metal artists stare into the abyss for too long. Enter Petri Lindroos (Ensiferum, Warmen) and Janne Parviainen (Ensiferum), far-travelled, well-versed musicians who have been staring into said abyss long enough for the abyss to stare back. And it liked what it saw: Behold the black metal brotherhood Satanic North, the sons of a new northern darkness, delivering a self-titled debut basking in ravishing grimness.
он должен быть опубликован на 19.04.2024
Gwendydd aus Sofia, Bulgarien, erobern die Extrem-Metalszene im Sturm. Die Female-Fronted-Band ist eine der sich am schnellsten entwickelnden Bands in der Szene. Die Band hat bereits ein Album veröffentlicht, das in Fachzeitschriften wie dem Rock Hard oder dem Metal Hammer auf großes Interesse gestoßen ist. Gwendydds zweites Album "Censored" ist der nächste Meilenstein in der Geschichte der Band und ein echter und brutaler Soundtrack verschiedener Realitäten, Hoffnungen und Träumen. Da sich die Welt nach langer Zeit wieder zu öffnen beginnt, wird die Band als Support-Act mit Dark Tranquillity und Ensiferum auf Tour gehen.
он должен быть опубликован на 31.03.2023
INFO
FOR FANS OF: Korpiklaani, Alestorm, Eluveitie, Ensiferum, In Extremo, MONO INC.
Nach ihrem Törn in ruhigen Gewässern im Jahr 2021 schlagen Storm Seeker nun wieder härtere Saiten an. Die Folk Metal Band aus dem
hanseatischen Neuss sticht erneut in See und präsentiert am 28.04.2023 mit Nautic Force ihr drittes und bisher mitreißendstes Studioalbum, das
neben der gewohnten steifen Brise aus Rock und Metal auch einiges an romantischen Abenteuergeschichten bereithält. Werde Teil der Nautic Force
und stürze Dich mit Storm Seekers neuestem Meisterwerk ins Abenteuer auf hoher See!
Mit Nautic Force entfesseln Storm Seeker die Kräfte des Meeres und beschwören einen wahren Sturm herauf. Die fünf Vollblutmusiker haben sich
und ihren Sound derart erweitert und perfektioniert, dass sie mit ihrem neuen Album auch die letzten Kritiker überzeugen dürften. Storm Seeker
entführen ihr Publikum darauf in Klangwelten, die man so noch nicht gehört hat. Orchestrale Elemente und starke Chöre ergänzen nun noch mehr
den ohnehin schon unverwechselbaren Sound der Band und runden ihn ab. Textlich hat sich Mastermind Olaf mal wieder selbst übertroffen und eine
wahre Schatzkiste aus ernsten, nachdenklichen Geschichten, aber auch feiertauglichen Mitsing-Nummern geschaffen.
он должен быть опубликован на 17.03.2023
- A1: Kebrou - Banjey ‘Boogie’
- A2: Ateg Ould Syed - L’ensijab
- A3: Jeich Ould Chighaly - Wezin
- A4: Kebrou - Banjey
- A5: Deye Ould Amartichitt - Paris
- A6: Mohammed Guitar - Banjey & Medh
- B1: Baba Ould Hembara & Mama Mint Hembara - Moulana, Laa Moulana
- B2: Luleide Ould Dendenni - Wezin
- B3: Mohammed Guitar & Sbeyniat - Gelbi Vatimetou
- B4: Mohammed Cheikh Ould Syed - El Horr & Az-Zrag
- B5: Kweli Ould Seyyid & Klayhid Ould Meylid - Wezin
Legendary psychedelic guitar music from the Islamic Republic of Mauritania finally available on vinyl!
Originally released as a double CD in 2010, Wallahi Le Zein! has persisted as a cult classic, a collection of a rarely heard and utterly unique underground music scene, raw and unfiltered.
For fans of the more raw side of Sublime Frequencies, Sahelsounds, the ripping tape-hiss psychedelia of Les Rallizes Denudes, and anyone remotely interested in GUITARS.
12” 160 gram black vinyl LP, with 2 spot color reverse-board jacket, and 8-page full sized booklet with extensive notes and photos, and a history of Mauritanian guitar playing.
‘’this is the first curated collection of unfiltered Mauritanian guitar music ever, and I'm glad it's been introduced with such thoroughness and care.’’ 8.0 Pitchfork
The LP version we now present is intended as an immersive entry into this music: gnarled and virtuosic electric guitars weave hypnotically throughout melismatic sung poetry and exclamations, pulsing hand drums, party chatter, buzzing rigged desert sound systems, and all manner of the ambient sounds of Nouakchott wedded to oversaturated cassette in all its swirling, breathing, psychedelic glory. Operating entirely outside of any local recording industry, these songs were collected from bootleg tape stalls, wedding souveniers, and networks of musicians, expertly curated, researched and produced by Matthew Lavoie.
Drawing from the deep well of Mauritanian classical music, the gamut of musical modes and the tidinitt lute repertoire are transposed to the electric guitar - often with frets removed or additional frets installed, “heavy metal” distortion pedals and phasers built into guitar bodies, blurring the lines between Haratine and Beydane musical cultures, the ancient and the futuristic. At times transcendent and transfixing, and conversely a furious and cascading intensity that commands jaw-dropping attention.
он должен быть опубликован на 16.07.2021
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