"Erosion" capture the essence of transformation and decay, weaving together layers of distorted beats, haunting melodies, and unexpected sonic explosions.
Evitceles layers each track, employing the interplay of harsh industrial elements and delicate atmospheric textures.
This dynamic fusion serves to explore profound themes of resilience, and the inexorable passage of time.
A visceral exploration of emotion viewed through the lens of post-industrial and ambient soundscapes.
Credits:
Written and produced by Etien Slavchev
Mastered by Red Dungeon Studio
Artwork by Atra Bilis
Search:evitceles
- 1
After two full-length albums, freshly released and shortly out on S+M, Evitceles & Spite Cathedral meet their equally twisted but often polar approaches to electronic music for a 12” split release. Five tracks are inhabiting the Evitceles side of the record and while two of them we already heard on his latest cassette they seem to be living a completely new life when put in the context of this shared release. ‘Endless Reachʼ deceivingly sets a more dreamy tone which is instantly shattered by the tracks to follow. Itʼs not until the second half of ‘Restless Headʼ that the skies are clear again and weʼre once again ready to fall in the warm embrace of “Нелюбов”, the most heart-breaking track in the ever-growing discography of Bulgarian producer Etien Slavchev as Evitceles. While a bigger chunk of Spite Cathedralʼs tracklist can be found on forthcoming new full-length ‘The Human Touch” (Sores022) his side on this record is not less tense and emotionally charged. Usually indulging his musical searches in lengthier releases, here Dan Mortazavi teams up with his long term partner Karsten Svendsen on several tracks to offer us a more dense and saturated version of his recent work as Spite Cathedral. The first half of the material is more rhythm and beat oriented, then the producers carefully refocuses on melody until it all disintegrates into amorphic ambiances and microsound debris.
Following September 2017's release of "Imperfect Charm" a 5-track EP of post-club, haunted techno and heady sound designed industrial.
Evitceles has developed his sound far further, with releases on Seagrave, Yerevan and his own Amek imprint. "The Substance Of My Fantasies" is his first album and boils down the previous work into a narrative and truly dramatic session over its 9 tracks.
Opening gambit "Take Me to Common Ground" unlocks the gates with bruising rave stabs left to exist in a vacuum of sub-bass boom and augmented voice. "Nightcrawler / Third Night" is a diffuse future-garage roller, priming razor-edged basslines against a hollow melancholia, a theme present throughout this album. "Spit Hearts" cranks the busted drum patters out through a super hi-fi field of gothic synthesiser.
Closing piece "Behaviour Exercise" places off-thumbed emo-guitar lines and barely uttered exclamations into a gorgeous outro recalling sad boy rap styles from the darkest corners.
Brutal Nature Redux is a continuation of Rhys Fulber’s “Brutal Nature” album and art concept, featuring remixes by carefully curated artists. Years of Denial’s take on “Rogue Minority” injects some emotion and humanity into the stark and aggressive original while preserving the driving bass riff and lifting it into the sound of a futuristic tribal gathering. Berlin’s Sarin is up next, leaning into the future EBM style he also shares with Fulber but amping up the intensity and apocalyptic dance floor elements of Central State Institute. Night Render is given a darker and more sinister sheen by up-and-coming Bulgarian producer, Evitceles. The nature elements of the original are replaced by a cinematic dystopia, akin to salvaging lost technology in a ruined city. Orphx add their rhythmic sophistication to “Stare at the Sun, tripping and refining the original down to its base elements while tuning Sara Taylor’s (Youth Code) screams across what appears to be several channels of short wave radio. Qual’s radical re-interpretation of “Pyrrhic Act” brings elements of Fulber’s past history in EBM right to the fore, creating a groove that’s both retro and very modern, slowing it down so the tension hangs heavier in the air. Lastly but certainly not least, Vanity Productions highlights the “nature” of “Fragility”, accentuating it with delicate clouds hanging in an air of contemplation; darkness and light coexisting in thick emotional textures. A fine way to close out this collection of cohesive individualism.
- 1




