Felicity is an Australian sound artist, composer and educator based in Berlin and her latest effort "Train Tracks Recorded And Edited By Felicity Mangan" will be out world wide on tape and digital December 9.
"Train Tracks Recorded And Edited By Felicity Mangan" composed of field recordings was made during a Green Tour, while traveling only by train and ferry through Denmark, Sweden, Finland and Norway in June 2022.
For this release Felicity utilised raw and sampled field recordings to create a sense of slow travel by train, train networks, train delays and the moments in between waiting for trains or missed train connection in cities and small towns.
Felicity has presented projects in many different settings from galleries, gardens, clubs, festivals and online platforms throughout Europe, including National Gallery Denmark, Technosphärenklänge CTM/HKW, Sonic Acts Academy, RIVERSSSOUNDS.org and recently sound design for 100 Climate Conversations , Powerhouse Museum, Sydney, Australia.
““Stations In Between” establishes a pulse early, recreating the initial excitement that turns to tedium. Four minutes in, the drums disappear, swept away by chimes; no longer stuck, the passenger is moving forward again. The station comes to life: another radio, a street musician, a bicycle, a cough ~ the last sound bearing a reminder of the last two years.”
Richard Allen — A Closer Listen
“the elements of sound are manipulated for effect, and the performance nature of Mangan’ work tends to be an effects driven construction of collated and improvised sounds.”
INNERVERSITYSOUND — Cyclic Defrost
“Throughout the album, it sounds rather as if Mangan had written elaborate electronic music permeated by discreet rhythms and pulsating drones equipped with a whole range of devices. The fact that this is not the case is as impressive as the actual music itself.”
— Fieldnotes Berlin
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One Instrument welcomes the Australian sound artist and composer Felicity Mangan. Based in Berlin since 2008 she plays her found native Australian wildlife archive and other field recordings exploring the timbre and biorhythm of animal voices and field recordings to create minimal quasi-bioacoustic environments.
For the release on One Instrument the mouth organ is her instrument of choice. Felicity explores the resonance and pitch of the reeds within at the harmonica The Echo Harp of the brand M.Hohner. “Bell Metal Reeds” shows a committed and ambitious composition in each singular tone. The striking attention to detail and commitment to investigating tonal possibility characterizes throughout the whole body of work.
As an amateur player, through breath and minimal electronic music composition techniques she composed four beautiful organic ambient pieces within the parameters of the One Instrument concept.
Felicity breaths new life into the harmonica and meditates on a the single instrument where she takes extraordinary sounds out of. The Echo Harp that Felicity used was found on a flea market in Hamburg in February 2020. All tracks were composed during the severe lockdown in the Autumn of 2020 in Berlin.
Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany since 2008. In different situations such as solo performance, collaborative projects with other musicians or installation, Felicity plays her field recording archive exploring timbres and biorhythmic patterns to create quasi-bioacoustic electronic music. Felicity has played in collaborative projects Native Instrument (Shelter Press, Entr’acte) presenting electro-acoustic bug beats with vocalist Stine Janvin.
Felicity has released solo publications on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic – presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field.
More recently a tape release titled Creepy Crawly on Slovakian label Mappa Editions. With the up and coming release Bell Metal Reeds on One Instrument, November 2021. Felicity has presented projects in many different settings from galleries, gardens, clubs, festivals and online platforms throughout Europe, including National Gallery Denmark, Technosphärenklänge CTM/HKW, Sonic Acts Academy and RIVERSSSOUNDS
- A1: Svitanie - Jonáš Gruska
- A2: Yamaha Birds Pt 1 - Dialect
- A3: La Guardiana De Las Ondas Radiales 1 - Makakinho Do Amor
- A4: Sonderbare Ereignisse Am Lake Hillier - Baldruin
- A5: Kirkas Laulu, Haalea Valo - Olli Aarni
- A6: Wind Up Paradise Birds -Øyvind Torvund, Bit20 Ensemble, Trond Madsen, Jørgen Træen, Kjetil Møster
- A7: Whizz -Vic Bang
- A8: A Glitch In The Jungle - Grykë Pyje
- A9: Harpusta / Tarjous -Tomutonttu
- B1: Vögel Unserer Heimat - Native Instrument
- B2: Irekle Qoştar - Hmot
- B3: Ptakodisk - Artificial Memory Trace
- B4: Mijn Papegaai Fluit Pure Tonen - Floris Vanhoof
- B5: Aviary - John Also Bennett
- B6: Susurrus - Cheryl E Leonard
- B7: The Wild Birds Of Bluesealand - Mike Cooper
- C1: Un Signe Sylvestre - Matthias Puech
- C2: Barrockstadt Feathered Symphony - Enchanted Lands
- C3: Kolibřík - Ursula Sereghy
- C4: Pigeon Tones For Eggflute - Ecka Mordecai, Malvern Brume
- C5: Bird To Bottle - Banana, Alexandra Spence, Mp Hopkins
- C6: Whistle & Bag - Rie Nakajima
- C7: The Listener - Martina Lussi
- D1: Clivis - James Rushford
- D4: Synthetic Birdsong - Andrew Pekler
- D5: 030652_0125ꜱ12 ᴡᴀᴠ - Atte Elias Kantonen
- D6: Dive Woodz - Kensho Nakamura
- D7: Time Flys - Felicity Mangan
- D8: While They Gathered My Ears Grew - Maria Komarova
- D9: Birds In Gutter - Misha Kurilov
- D2: Three Calls - Kate Carr
- D3: Starlings Gulls Doves - Infant
When you listen to birds, they usually talk about food, sex/family, or anxiety. If they knew about the true nature of humanity's cruel and exploitative relationship with birds, they would be discussing rebellion. Humanity's current trajectory about birds is to cause the extinction of one-third of all bird species by the end of this century.
This record crystallises the borders between memory, beauty, and anxiety. At the core is an amalgam of all the birds we have met and heard, their sounds synthesised from a blend of memories. Esthetically it simulates the qualities of bird sounds, hitting similar frequential sweet spots. There is a great variety of birds captured here, from high to low frequencies, from solo voices to groups, from birds standing on their own to complex world-building, where the bird voices are part of an ecosystem, becoming one of the instruments.
You could stop there, enjoying this record on a musical level, but it invites us to do one step further, to consider reconfiguring our relationship with the Earth and its inhabitants. To question our impact, and to ask why we need synthetic bird music. Is it just a visionary endeavour or is it because we are failing at fostering a world in which organic birds and other creatures can thrive?
32 artists from the whole world, including our favourite artists from Eastern Europe, have contributed to this compilation both with new and previously released music. Their music is ordered from dawn to dusk and into the night. For many of the artists it's their first time on mappa, but some have previously released an album with us.
- A1: Memotone - False Cobra
- A2: Giuseppe Ielasi - Untitled, February 2023
- A3: Andrew Pekler - Neon Nocturne
- A4: Rome´o Poirier - Haut Lieu
- A5: Nikolaienko - Ambianta Vi
- A6: Felix Kubin - Spukflattern
- B1: Jake Muir - Spindle
- B2: Felicity Mangan - Wings
- B3: Star Searchers - Previsual Stingray Motion Fx
- B4: Tarotplane - We Stutter Between
300 (hand-stamped, hand-numbered) The fourth episode of the Test Pressing series compilations includes tracks from such artists as Memotone, Giuseppe Ielasi, Andrew Pekler, Rome o Poirier, Nikolaienko, Felix Kubin, Jake Muir, Felicity Mangan, Star Searchers, and Tarotplane.
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