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DROELOE - The Art of Change LP 2x12"

Dutch producer, composer, and multi-instrumentalist DROELOE (1.2M ML) releases the first single from his debut album as a solo artist, coming in September 2023. Extensive 5-single campaign over 5 months, 1k bespoke vinyl run, US and EU touring in Q3-4 2023 (US), as well as Q1-2 2024 (US/EU). $50k total budget for the album inc. $8k ad spend, media partners in key territories, 360 artwork/animations designed in Virtual Reality by concept artist Funi.

out of Stock

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40,29

Last In: 6 months ago
THE LEMONHEADS - DEEP END / SAD CINDERELLA

THE LEMONHEADS

DEEP END / SAD CINDERELLA

12inchFIRELPS804
Fire Records
24.10.2025
 
2
also available

Black Vinyl[26,68 €]

YELLOW VINYL[28,53 €]

White Vinyl[28,53 €]


The Lemonheads tease new material with this super limited 12" single. Rekindling the near-perfect pop for which they're famed, the single focuses on the light and dark balance of their impending new album Love Chant that will be released on Fire Records this Fall. Beautifully ill-balanced, `Deep End' and `Sad Cinderella' traverse the highs and lows of life, perfectly illustrating Evan Dando's esoteric musical taste. `Deep End' is a churning riff monster with light-the-blue-touch-paper guitar breaks by J Mascis of Dinosaur Jr, a compulsive fist-in-the-air piece of timeless punk pop, the perfect soundtrack for bumming a cigarette. Co-written with Australian sparring partner Tom Morgan of Smudge, featuring J. Mascis and Juliana Hatfield! Meanwhile, the exclusive flipside is straight out of the Gram Parsons and Emmylou Harris songbook; a cover of the late, great Townes Van Zandt's `Sad Cinderella', it's a song for the romantics, a tearjerker that could have made its way onto Neil Young's `Harvest', or any aching George Jones opus; filled with regret and remorse, it's a beautifully brittle duet between Evan and Erin Rae. So, two slices of the born-again Lemonheads - a mature phoenix rising from the ashes of this legendary band who've been away way too long.

pre-order now24.10.2025

expected to be published on 24.10.2025

24,16
RUDOLF HECKE + GOD = DOG - RUDOLF HECKE + GOD = DOG

God = doG is the collective around Belpop icon Rudolf Hecke and consists of Nikkie van Lierop (Erotic Dissidents, Praga Khan), Toon Derison (Steven De Bruyn, El Fish), Klaas Tomme (Iskander Moon, Illuminae), and Yassin Joris (Jokke, Naima Joris).

Rudolf Hecke's LP “God is doG spelled backwards” was voted the best Belgian album of 1989 by De Morgen. Humo crowned him “The Nick Cave of Flanders”.

36 years and many musical adventures later, he is back with a strong, dark, and atmospheric album comparable to the works of, for example, This Mortal Coil: different styles of songs sung by different band members. The album is produced by Hecke, David Poltrock, and Ian Caple. Additional lead vocals are by Elsje Helewaut.

Rudolf has also proven to be a gifted author and speaker. On 26 October 2024, he published his ninth book, How Rough is the Stone?, in which he immerses himself in Freemasonry. The journey to that book was accompanied by the recording of new God=doG songs. Mutual influence, symbolism, questioning, insights, and reflection emerged.

Thus, in the fascinating live shows, storytelling is never far away…

pre-order now17.10.2025

expected to be published on 17.10.2025

23,95
BALCONY'S PARADISE - SPOT THE DIFFERENCE
  • Hollow Diary
  • Time After Time
  • Weird Ways
  • Spot The Difference
  • Fishing Next To The Lilies
  • Alone With The Crowd
  • Silly Girl
  • But Of Course
  • Love Longing
  • Aftermoon
  • College Knowledge
  • Outro

Mit Spot The Difference begibt man sich auf eine Reise im chiaroscuro, die das Projekt Balcony`s Paradise in einem neuen Licht erscheinen lässt. Psychedelik setzt eine Veränderung der Wahrnehmung voraus. Vom ersten Stück an machen wir uns auf den Weg in einen zeitlosen Klangraum aus Echos und Resonanzen. O`tool (Chuckamuck/Die Verlierer) ging dieses zweite Album ursprünglich an, indem er zu den Ursprüngen des ersten Albums zurückkehrte, in die Tiefen des australischen Outbacks. Von dort kehrte er mit Songs wieder, die mehr strukturiert, weniger improvisiert, aber genauso eingängig sind. Man findet diesen wilden Charme, eine Garage, die wie aus dem Ärmel geschüttelt scheint. Auf dem Album finden sich auch mehrere Coverversionen, von u.a.Television Personalities, M.O.T.O. sowie Jeff Clarke, Mitglied der Black Lips - Bands, die O'tool musikalisch schon lange beeinflusst haben.

pre-order now17.10.2025

expected to be published on 17.10.2025

23,11
Brògeal - Tuesday Paper Club LP
  • A1: Tuesday Paper Club
  • A2: Vicar Street Days
  • A3: Friday On My Mind
  • A4: Lady Madonna
  • A5: Turn And Walk Away
  • A6: Scarlett Red
  • A7: Dippin’ N Divin’ Wooer Street
  • B1: One For The Ditch
  • B2: Draw The Line
  • B3: Racing Track
  • B4: Apples And Leaves
  • B5: Stuck Inside
  • B6: Go Home To Your Bed
  • B7: Lonesome Boatman
also available

Black Vinyl[24,79 €]


Die schottische Folk-Punk-Indie-Band Brògeal veröffentlicht am 17. Oktober das Debütalbum „Tuesday Paper Club“ über Play It Again Sam. „Tuesday Paper Club“ vermischt Romantik, Verlust, Nostalgie und Unfug und kreiert einen Genre-Mix der kurz vor dem Siedepunkt steht. Das Album ist vollgepackt mit Instrumenten wie Akkordeon, Banjo, Bouzouki, Mandoline und einer flotten Penny Whistle. Es verbindet alte Folk-Traditionen mit dem Indie-Gefühl der Gen Z und kreiert einen Sound, der angesichts der Dunkelheit des 21. Jahrhunderts lacht, singt und tanzt.

Das Album wurde im Black Bay Studio, in einer ehemaligen Fischverarbeitungsfabrik auf der Isle of Lewis aufgenommen, mit einem atemberaubenden Blick auf die Bucht. Aufgenommen haben die fünf Bandmitglieder das Album zusammen mit dem irischen Produzenten Richie Kennedy, der schon mit Künstler*innen wie The Libertines, The Last Dinner Party, Interpol, Dua Lipa und U2 gearbeitet hat.

pre-order now17.10.2025

expected to be published on 17.10.2025

27,69
Ghostface Killah - Supreme Clientele 2 (2x12")
  • 1: Intro By Redman
  • 2: Iron Man
  • 3: Sample 420
  • 4: Curtis May
  • 5: 4Th Disciple
  • 6: Windows
  • 7: Pause (Skit)
  • 8: Georgy Porgy
  • 9: Force Md (Skit)
  • 10: Break Beat
  • 11: Beat Box
  • 12: Rap Kingpin
  • 13: Sale Of The Century (Skit)
  • 14: The Trial
  • 15: Love Me Anymore
  • 16: Soul Thang
  • 17: Metaphysics
  • 18: Candyland
  • 19: Lenny Green (Skit)
  • 20: The Zoom
  • 21: You Ma Friend
  • 22: Knuckles (Skit
also available

cassette[16,18 €]

Marvel Variant Vinyl[30,04 €]


A founding member of the legendary Wu-Tang Clan, Ghostface Killah is Hip Hop’s masked poet — known for his cinematic storytelling, gritty slang, and razor-sharp delivery. With classic albums like Supreme Clientele and Fishscale, Ghostface carved his name into rap history as one of the most original and consistent voices in the game. The Wait is Over. Supreme Clientele 2 is FINALLY here. The highly anticipated album is a vivid- late-night noir where every bar brought Ghost’s inner thoughts to life. From Staten Island to sold out stages worldwide.

pre-order now17.10.2025

expected to be published on 17.10.2025

28,78
Brògeal - Tuesday Paper Club LP

Die schottische Folk-Punk-Indie-Band Brògeal veröffentlicht am 17. Oktober das Debütalbum „Tuesday Paper Club“ über Play It Again Sam. „Tuesday Paper Club“ vermischt Romantik, Verlust, Nostalgie und Unfug und kreiert einen Genre-Mix der kurz vor dem Siedepunkt steht. Das Album ist vollgepackt mit Instrumenten wie Akkordeon, Banjo, Bouzouki, Mandoline und einer flotten Penny Whistle. Es verbindet alte Folk-Traditionen mit dem Indie-Gefühl der Gen Z und kreiert einen Sound, der angesichts der Dunkelheit des 21. Jahrhunderts lacht, singt und tanzt.

Das Album wurde im Black Bay Studio, in einer ehemaligen Fischverarbeitungsfabrik auf der Isle of Lewis aufgenommen, mit einem atemberaubenden Blick auf die Bucht. Aufgenommen haben die fünf Bandmitglieder das Album zusammen mit dem irischen Produzenten Richie Kennedy, der schon mit Künstler*innen wie The Libertines, The Last Dinner Party, Interpol, Dua Lipa und U2 gearbeitet hat.

pre-order now17.10.2025

expected to be published on 17.10.2025

24,79
Danny Elfman - Bullet Time (cassette)

Danny Elfman, film composer, classical composer, singer-songwriter, and recording artist, has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall. Elfman has been Tim Burton’s composer for more than 35 years, having scored 17 Burton films such as Batman, Pee-wee’s Big Adventure, Beetlejuice, Edward Scissorhands, Charlie and the Chocolate Factory, Big Fish, Alice in Wonderland, and Beetlejuice Beetlejuice, as well as music, lyrics and songs for  The Nightmare Before Christmas for which he also sang the part of Jack Skellington. Elfman was also the lead singer and songwriter for the LA rock band Oingo Boingo for 17 years.
Waxwork Records is thrilled to release BULLET TIME Original Animated Picture Soundtrack by Danny Elfmanas a deluxe 7" vinyl EP and also on cassette! Features include 90s inspired splatter colored vinyl, an insert, and artwork by Kostas Firinidis and cassette artwork by Tristan Tait and Kostas Firinidis.

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23,11

Last In: 7 months ago
AKIRA MIYAZAWA QUARTET - KISO LP

"Kiso", "Asama", "Hakuba" and "Hida". He recalls the landscapes of his past and carefully weaves his feelings and emotions into the music. This work is one of the pinnacles that Akira Miyazawa has reached.

This work was released in 1970 as one of Victor's "Japanese Jazz" series. "We are Japanese, so I think we have to create something that only Japanese people can do." These are the words of Akira Miyazawa from this period. When Miyazawa tried to create a work that only Japanese people could do, it was inevitable that he would choose his own origins, the hometown where he was born and raised, as a motif. For Miyazawa, who was born in Matsumoto City, Nagano Prefecture and loved fishing, "Kiso", "Asama", "Hakuba" and "Hida" are truly landscapes of his past. Takeo Moriyama's raging drums, Yasuo Arakawa's rich bass, Masahiko Sato's overflowing piano, and Miyazawa's saxophone, which is like a mass of emotion. Nostalgia and admiration for the land where he was born and raised, as well as admiration and reverence for Mother Nature. Miyazawa looks to his roots and weaves his thoughts and images into his music with sincerity and care. This album, "Kiso" is the pinnacle that Miyazawa has reached.

Text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY)

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47,02

Last In: 7 months ago
SEOI NAGE - NO RETREAT, NO SURRENDER
  • Gongs, Fists & Cymbals
  • Gentle Ways Are Harder Than (Dear Visitor Ii)
  • The Perils Of Pleasure
  • Caine Vs Shaolin Bounty Hunter
  • Kano Jigoro
  • Master Shogoro Yano (Interlude)
  • Enter The Dragon
  • Brotherhood Of The Wolf
  • Wu Tang Chief
  • Muneta
  • No Retreat, No Surrender

Yellow Vinyl. Playing it cool like it's 1974 - but sounding like 2025. Prepare to step into a parallel universe of groove-soaked funk and cinematic flair: Seoi Nage will release their debut album No Retreat, No Surrender on October 10th. Named after a classic judo throw and shaped by their shared martial arts background, the four-piece outfit from Münster- Jakob Hersch, Anton Zimmermann, Pascal Schaumburg, and Pogo McCartney - deliver an eleven-track tour-de-force that feels like the soundtrack to a cult film that never existed. Imagine Eastern martial arts cinema colliding with Italian giallo, sleazy car chases, and psychedelic noir-an instrumental crime thriller steeped in color, swagger, and funk. Mixed by McCartney, mastered by Alexander von Hörsten, and wrapped in the cinematic artwork of Benni Demmer, No Retreat, No Surrender is more than just retro-it's retro-futurism with a punch. Think MF Doom's crate-digging spirit meets the analog grit of 1970s detective flicks. This is Fan Art Music at its most vivid.

pre-order now10.10.2025

expected to be published on 10.10.2025

22,48
DIDJITS - STRICTLY DYNAMITE: THE BEST OF DIDJITS
  • Killboy Powerhead
  • Max Wedge
  • Stingray
  • Captain Ahab
  • Plate In My Head
  • Gold Eldorado
  • Mama Had A Skull Baby
  • Under The Christmas Fish
  • Evel Knievel
  • Fire In The Hole
  • Who's Ready To Get High
  • Jerry Lee
  • Headless
  • Top Fuel
  • Pet Funeral
  • Joliet
  • Dad
  • Que Sirhan Sirhan

Didjits verbanden ihre Liebe zu Hard Rock (AC/DC, Black Sabbath, Cheap Trick), Punk (Sex Pistols und vor allem die metallische Kunstshow von The Plasmatics) und Rock'n`Roll der 50er Jahre (insbesondere Jerry Lee Lewis und Little Richard) zu einer Marke, die, wie Dexter Holland von The Offspring treffend beschreibt, ,ein wackeliger Zug war, der kurz vor der Entgleisung stand". Bei chaotischen Live-Shows brachte Gitarrist und Sänger Rick Sims das Publikum gekonnt gegen sich auf und trug so zur Raserei des rasanten Rocks bei, den sie langsam perfektionierten. Jello Biafra, ein früher Unterstützer der Didjits, bewunderte ihre Fähigkeit, das Punk-Publikum zu vergraulen und es dennoch mit offenem Mund und Hörverlust zurückzulassen. Ab 1988 veröffentlichten die Didjits fünf Alben in voller Länge bei Touch and Go Records (darunter eine Neuauflage ihres 1986 selbst veröffentlichten Debütalbums Fizzjob) sowie zwei Singles und eine EP. Es folgten MTV-Videos, ausverkaufte Clubs, Tourneen durch Europa und Nordamerika - bis 1994 (ironischerweise das selbe Jahr, in dem The Offspring ihr Platin-Album "Smash" veröffentlichten, das ein Cover von ,Killboy Powerhead" aus Didjits 1990er Veröffentlichung "Hornet Pinata" enthielt). Diese LP, gepresst auf 180 Gramm schwerem, opakem lila Vinyl, ist ein Archivdokument der Band von ihren Anfängen im ländlichen Illinois bis zu ihrer Auflösung über ein Jahrzehnt später. Die ausgewählten Tracks vereinen 17 Fan-Favoriten aus Didjits' Touch and Go-Diskografie auf einer einzigen LP.

pre-order now03.10.2025

expected to be published on 03.10.2025

26,01
CAREY, S. - WATERCRESS

Carey,S.

WATERCRESS

12inchJAGLP472
JAGJAGUWAR
03.10.2025
  • Watercress
  • Daylight
  • Honey-Eyed
  • Anchorage

,Watercress" beginnt mit einem coolen, klaren Gitarrenriff. Die Stimmung hat sich gegenüber dem letzten Mal, als wir von S. Carey gehört haben, deutlich verändert. In ,Break Me Open" aus dem Jahr 2022 war er noch schwer besorgt - niedergeschlagen und reumütig nach einer großen verlorenen Liebe. ,Watercress" hingegen beginnt mit dem Klang hart erkämpfter Hoffnung. Tatsächlich wächst Brunnenkresse nur in klarem, seichtem Wasser. Und genau an diese Orte kehrt Sean Carey immer wieder zurück - um zu fischen, nachzudenken und zu wachsen. Die Jahreszeiten sind vergangen und er hat Zeit damit verbracht, im Wasser zu heilen, fließend und still. Die Teile wurden gesammelt und wieder zusammengesetzt. Natürlich wird die Musik von S. Carey immer etwas Wehmütiges haben. Aber hier ist es die Wehmut eines hellen, klaren Oktobermorgens. Diese gitarrenlastigen Songs sind in vielerlei Hinsicht eine Fortsetzung des beliebten Albums ,Hundred Acres" aus dem Jahr 2018. Die Gitarren geben den Takt vor. Das Schlagzeug ist das Rückgrat. Und Seans Stimme erzählt die Geschichte. Das klingt nach einem einfachen Rezept, aber es steckt mehr Nuance dahinter als bei einer Hochseilnummer. Aufgenommen im Hive in Eau Claire von Zach Hanson und Brian Joseph aufgenommen, mit der üblichen Besetzung, die bei Bedarf für Instrumentierung und Co-Composition sorgt, sowie den Gastsängerinnen Gia Margaret und Hannah Hebl, die sich wunderbar in das Gesamtgefüge einfügen und einen Sound schaffen, der vertraut und fast nostalgisch klingt - aber auch glänzend und neu. Sean Carey ist seit über fünfzehn Jahren ein wichtiges Mitglied von Bon Iver. Beginnend mit ,All We Grow" aus dem Jahr 2010 sind seine vier Alben und einige epische EPs auf offensichtliche und subtile Weise naturalistische Erkundungen der Landschaften des Herzens und der realen Welt, jede einzelne mit der Geduld eines echten Fischers und dem Scharfsinn eines Folk-Jazz-Phänomens.

pre-order now03.10.2025

expected to be published on 03.10.2025

22,27
RAMSAY	MIDWOOD - SHOOT OUT AT THE OK CHINESE RESTAURANT
  • Chicago
  • Mohawk River
  • Monster Truck
  • Feed My Monkey
  • Esther
  • Waynesboro
  • Spinnin' On This Rock
  • Alligator's Lament
  • Heaven's Toll
  • Grass'll Grow
  • Fisherman's Friend
  • Dreary Life

Ramsay Midwoods Debütalbum "Shoot Out At The OK Chinese Restaurant" erscheint erstmals auf Vinyl - über 25 Jahre nach der ursprünglichen CD-Veröffentlichung bei Glitterhouse Records im Jahr 1999. Labelchef Reinhard Holstein beschreibt das Werk als seinen persönlichen Favoriten unter rund 800 Veröffentlichungen. Midwoods Musik verbindet traditionelle amerikanische Klänge mit einer eigenwilligen, lakonischen Erzählweise. Sein Gesang erinnert an Woody Guthrie und Levon Helm, seine Texte an die poetische Schrulligkeit eines Leon Redbone. Die Songs sind geprägt von Banjo, alten Klavieren und weiteren klanglichen Relikten, die eine Atmosphäre zwischen Folk, Blues und Americana schaffen. Inhaltlich bewegt sich das Album zwischen romantischen Rückblicken ("Feed My Monkey"), aphoristischen Lebensweisheiten ("Grass"ll Grow") und skurrilen Beobachtungen ("Alligator"s Lament"). Besonders hervorzuheben ist "Spinnin" on a Rock", ein Song über die Fantasie eines entlassenen Hafenarbeiters, erzählt in kindlich anmutenden Versen. Die limitierte Vinylauflage richtet sich an Fachhändler mit einem Faible für Außenseiterkunst und musikalische Unikate. Midwoods Werk ist kein Mainstreamprodukt, sondern ein eigenständiges, zeitloses Album mit Tiefgang und Charakter.

pre-order now03.10.2025

expected to be published on 03.10.2025

22,06
DEUX FILLES - DOUBLE HAPPINESS
  • 1: Our English Friends
  • 2: Piroette
  • 3: The Third Movement
  • 4: Play Room
  • 5: Starboard She Said
  • 6: Los Estrellas
  • 7: Albert The Mud Fish
  • 8: Who Art In Heaven
  • 9: Shackleford Breeze
  • 102: Blind 2 See
  • 11: Zazinthos
  • 12: Air Tube
  • 13: Little Brown Jig
  • 14: Tongues
  • 15: Shalama
  • 16: The Sun On The Sea
  • 17: Interlude
  • 18: The Snow Falls And The Village Is Overflowing With Children
  • 19: Double Happiness

Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and songwriter/technician Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue a different musical direction.

Turner claims that the idea of Deux Filles came to him in a dream, and the novel fiction/roleplay would be strictly maintained throughout the girls' short career. As well as posing in costume for the album covers, the duo even performed live without the audience realizing that the girls on-stage were actually a pair of blokes from south London having a giggle.

Deux Filles released two highly collectable albums: Silence & Wisdom (1982) and Double Happiness (1983)

pre-order now02.10.2025

expected to be published on 02.10.2025

11,13
Tokio Ono - Peel

Tokio Ono

Peel

12inchAM027
Accidental Meetings
01.10.2025

From Japan, Tokio Ono presents a stunning collection of fourth world & ambient dub explorations!

Yokohama multi-instrumentalist Tokio Ono eases into the Accidental Meetings' family with an array of Japanese folk tinged avant-dubs, drenched in beautiful texture.

The elusive artist has spent much of his life in his hometown with a view of the Yokohama waters, before settling into a new environment in Tokyo where Peel gradually took shape. The essence of a given situation emerges as you peel it away, these tracks were inspired by the accumulation of days and flashbacks of memories: layers to peel joyfully from our lives, while offering a slightly shifted and refreshing perspective on one’s surroundings. It's a dreamy journey from open to close, Ono's world engulfs you in a blissful dubbed out wormhole. Featuring a flip from the sound system royalty of Seekers International to top it off, Peel is a unique and exquisite piece of work.

Sleeve artwork created by artist Kana Ueda.

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13,66

Last In: 5 months ago
Datacide - Datacide Nineteen

Datacide

Datacide Nineteen

BooksDATACIDE19
Datacide
30.09.2025

Pandemic, war, inflation, apocalyptic scenarios about climate change and artificial intelligence, all connected with widespread bonkers conspiracy narratives and growing fascist sentiments – in this crisis environment we re-emerge with a new issue.

What may appear like a ‘normal’ datacide issue – which it is indeed – is however also a part of a broader strategy. We’ve been busy expanding activities into the field of videos, documentaries and interviews. The very first signs of this are visible on our Noise & Politics YouTube channel.

There will be much more.

Datacide nineteen is now at the printers and will be available for the first time at the Hekate event at Forte Prenestino in Rome on October 6/7.

Subscribers, depending where they are based, will receive their copies soon after.

General distribution will commence later in October, our aim is to have the issue available in all the most important radical bookstores around Europe by early November. If you are interested to resell datacide in your area, please get in touch!

We will also have a table at the Radical Bookfair in London on November 4th, presenting the new magazine along with older issues.

With this issue we pick up the story where we left it with the last one. We’re unfolding a countercultural panorama, this time beginning in the mid-20th century with Howard Slater exploring the beginnings of the Electronic Disturbance Zone, multiple reflections of 1948 via the 1990s, sonic adumbrations of new social relations.

Christoph Fringeli then introduces us to a document from 1967 where situationist ideas popped up in the Extra-Parliamentary Opposition in West Berlin, in a text called Vietnam, the Third World and the Self-Deception of the Left, which contains a détournement of the Address to Revolutionaries of Algeria and of all Countries published by the Situationist International the previous year.

From 1967 we move on to 1978 with Ian Trowell, in an excerpt from his forthcoming book ‘Throbbing Gristle – An Endless Discontent’, tracking the movements of Throbbing Gristle as they play their first gig up north at the aptly named Wakefield Industrial Training College. Uncanny overlaps of the timelines of TG’s operation and The Yorkshire Ripper’s killing spree reveal themselves.

The time window from the 90s to the present day is illuminated by Nihil Fist, as we’re printing the interview previously published in video form on our YouTube channel.

This issue then moves into ficticious territory with stories and poetry by Joke Lanz, Dan Hekate, Howard Slater and Riccardo Balli. Book and record reviews follow, as do the charts and a short report of our wider activities since the last issue.

Please pre-order your copy now (6 euro incl. Shipping in Europe, 8 euro elsewhere) or, even better, take out a subscription (standard subscription for only 23 euros for 4 issues (Europe) or 3 issues (rest of the world) – or our super-subscription which includes also records, t-shirts, books and digital items.

Or just make a donation if you can’t be bothered with print, but want to support our work.

pre-order now30.09.2025

expected to be published on 30.09.2025

10,88
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