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Gatefold with session photos. Hype sticker = The Classic 1959 Jazz Album. Also featuring John Coltrane, Bill Evans Cannonball Adderly

The instrumentals to the acclaimed 2019 collaborative album from Freddie Gibbs & Madlib, now available on vinyl. Limited pressing of an instrumental/remix/beats version of the critically acclaimed (lots of AOTY polls) 15 track album that was released in 2019.

Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can. Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate’s razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as “one of the illest MCs,” the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu’s joint project FlySiifu’s, followed by their $mokebreak EP in 2021. A student of the East Coast’s golden age, Anakin transmutes its spirit into music that’s both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap’s underground Renaissance.(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. “The album is me and Quelle kicking it, smoking, learning each other, and playing video games,” he says of the project’s inspiration and recording process. “It was time to make some mindless music, to tackle production I would’ve otherwise picked up.” The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. “Quelle is one of the best collaborators ever—he’s not biased but he knows what he likes, open minded but stubborn at the right times,” Anakin says of his collaborative relationship with the Grammy nominated producer. “On the low we just alike but polar opposites, we can do no wrong together.”

The jazz saxophonist Wayne Shorter, released this "Wayning Moments” LP in 1962. It was recorded earlier, in 1961 during Shorter's early years as a
bandleader before his tenure with Art Blakey's Jazz Messengers and later Miles Davis' Second Great Quintet. This album showcases Shorter's early
compositional voice, blending intricate harmonies with expressive improvisation. His playing is energetic, and the interplay with Freddie Hubbard
creates a rich and engaging dialogue.

Magnolia Park doesn't do subtle Since 2018, the Orlando quintet has fused punk, rock, pop, hip-hop, and metalcore into a genre- smashing whirlwind that's as thrilling live as it is on record. With viral Halloween Mixtape, their breakout debut Baku's Revenge, and tours alongside Simple Plan and Sum 41, they've cemented their spot as a must- see act at festivals like Welcome To Rockville, When We Were Young , Reading and Leeds.

Magnolia Park, featuring vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and bassist Vincent Ernst - are set to unleash their most ambitious effort yet: VAMP, a neo-gothic concept album diving deep into the dark, anime- inspired world of Nocturne Nexus. Think Star Wars meets Dracula, where rulers and rebels clash in a fght for the future.

Recorded with top-tier producers like Andrew Wade and Zakk Cervini, VAMP is a sonic juggernaut - industrial undertones, colossal breakdowns, and vocalist Joshua Roberts' electrifying delivery. Magnolia Park has gone bold, heavy, and unforgettable. This is the album that will leave fans craving more.

Neck-snapping soul masterpiece from Freddie Scott, famously sampled by Biz Markie for his melancholic pop-rap hit "Just A Friend" and a surefire piano-driven basement party anthem in its own right.

The work of the legendary producers Gamble & Huff, the track was also sampled by Ghostface Killah for the wonderful "Save Me Dear" with Jay Dilla also utilising the crunching drums to lace many memorable productions for A Tribe Called Quest and Slum Village.

A peerless piece of deep soul and hip-hop history, here's your chance to own the first ever officially licensed reissue on 45.

On the flip, "Powerful Love" is uptempo guitar-soul with finger-popping swing. Featuring delicate horns and gorgeous backing vocals, it's an unfairly slept-on gem but, given the weight of the A-Side, this is perfectly understandable.

This special 7" single comes housed in a heavy duty custom printed full-colour company sleeve and is limited to just 500 copies.

Laura Nyro's album “Walk the Dog & Light the Light” was released on August 17, 1993, marking her return to studio recordings after a nine-year hiatus since “Mother’s Spiritual” in 1984. This album is notable as it was the last collection of original material she released during her lifetime. The album features a mix of original compositions and covers, showcasing Nyro's distinctive blend of pop, soul, and jazz influences. Notably, the track "Broken Rainbow" was previously featured in the Academy Award-winning documentary of the same name, which addressed the relocation of the Navajo people. Musicians contributing to the album include Bernard Purdie on drums, Freddie Washington on bass guitar, and guitarists Elliott Randall, Michael Landau, and Ira Siegel. The album was co-produced by Nyro and Gary Katz, known for his work with Steely Dan. The sound is smooth and soulful, with Nyro's rich and smokier vocals singing her lyrics concerning topics such as feminism, animal rights and Native American rights.

After a health-induced hiatus, Popa Chubby, the legendary blues-rock guitarist, roars back with "I Love Freddie King," a heartfelt tribute album to the late great Texas Cannonball himself. Produced by Popa Chubby and Gulf Coast Records' executive producer Mike Zito, this 11-track masterpiece was recorded at G.B.'s Juke Joint and features contributions from an all-star roster of modern guitar heroes: Joe Bonamassa, Mike Zito, Christone "Kingfish" Ingram, Eric Gales, Albert Castiglia, Arthur Neilson, and V.D. King. Reflecting on the album, Popa Chubby calls Freddie King his lifelong muse, whose music "changed my soul forever." The album brings King's legacy roaring back to life, spanning his early instrumental hits, Shelter Records era, and more. With a core band of Mike Merritt (bass), Andrei Koribanics III (drums), and Mike DiMeo (keyboards), this record captures the sweat, soul, and unrelenting energy of Freddie King. Tracks like "I'm Going Down" (ft. Joe Bonamassa) and "Big Legged Woman" (ft. Christone 'Kingfish' Ingram) explode with fiery guitar work and passionate vocals. Other standouts include "She's A Burglar" (ft. Mike Zito) and "Hideaway" (ft. Arthur Neilson). Each collaboration brings something special to the table, making this album a must-listen for blues fans and guitar lovers alike. Despite battling a rare spinal disorder during production, Popa Chubby pressed on to create what he calls "a journey of love and homage." His raw determination, combined with the extraordinary talent of his guest musicians, resulted in a fitting tribute to Freddie King--the bridge between blues and rock, who forever altered the genre's course. The Texas Cannonball's legacy brought to life, grab your copy of "I Love Freddie King" today and let the blues thunder on!

Im Lateinischen bedeutet das Wort Gemini "zwei zusammen" oder "Zwillinge". Astrologisch gesehen sind Zwillinge unter anderem dafür bekannt, dass sie neugierig und vielseitig sind. Für die 9-köpfige (meist) instrumentale Combo The Sure Fire Soul Ensemble aus San Diego waren Jazz und Funk schon immer die beiden Genres, die sie konsequent und effektiv miteinander verschmolzen haben und die das Fundament ihres Sounds bilden. Mit ihrer stilistischen Neugier und Vielseitigkeit haben sie dieses Fundament auf ihrem neuen 11-Song-Longplayer für Colemine Records weiter ausgebaut. Aufgenommen zwischen Ende 2021 und Anfang 2024 im The Kitchen II in ihrer Heimat Lemon Grove, Kalifornien, lenken SFSE ihre ,introspektive Partymusik" in neue klangliche Gefilde. Während ihr Breakbeat-lastiger Funk-Soul-Jazz immer noch der Eckpfeiler ihres Sounds ist, wie er in Stücken wie ,Makin' Moves", ,TheGrifter" und ,Don't Trip" zum Ausdruck kommt, haben sie begonnen, mehr und mehr Einflüsse von Library-Musik-Labels wie KPM Music, spirituell orientierten Jazz-Labels wie Tribe & Black Jazz Records und exotisch angehauchten Jazz-Künstlern wie Cal Tjader und Dorothy Ashby aufzunehmen. Jetzt lehnen sie sich mehr an den ,introspektiven" Teil ihres Sounds an, insbesondere bei ,Mother Earth", ,Freddie" und dem Titeltrack, und beschwören die Geister von Freddie Hubbard, Phil Ranelin, Wendell Harrison, Bubbha Thomas, Chester Thompson und sogar Cannonball Adderley in seiner kopflastigsten und kosmischsten Zeit herauf (hören Sie sich Adderleys Alben ,Soul Zodiac" und ,Soul of The Bible" als Referenz an). ,Corporatocracy" geht noch einen Schritt weiter mit einem ausgedehnten Tabla-Solo, das auf der perkussiven Welle reitet, bevor es in seinen funkgetriebenen, modalen Vibe übergeht. In der aktuellen Besetzung mit Tim Felten an den Tasten, Jake Najor am Schlagzeug, Omar Lopez am Bass, Kiko Cornejo Jr. an Conga/Percussion, Aquiles ,Lito" Magana an der Gitarre, Wili Fleming an der Posaune, Sheryll Felten an der Percussion, und Jesse Audelo und Travis Klein am Saxophon und an der Flöte. SFSE bleibt dem Funk treu, traut sich aber auch, neue Wege zu gehen, die sie bisher noch nicht beschritten haben, und betritt damit faszinierendes Neuland in ihrem Gesamtsound.

Im Lateinischen bedeutet das Wort Gemini "zwei zusammen" oder "Zwillinge". Astrologisch gesehen sind Zwillinge unter anderem dafür bekannt, dass sie neugierig und vielseitig sind. Für die 9-köpfige (meist) instrumentale Combo The Sure Fire Soul Ensemble aus San Diego waren Jazz und Funk schon immer die beiden Genres, die sie konsequent und effektiv miteinander verschmolzen haben und die das Fundament ihres Sounds bilden. Mit ihrer stilistischen Neugier und Vielseitigkeit haben sie dieses Fundament auf ihrem neuen 11-Song-Longplayer für Colemine Records weiter ausgebaut. Aufgenommen zwischen Ende 2021 und Anfang 2024 im The Kitchen II in ihrer Heimat Lemon Grove, Kalifornien, lenken SFSE ihre ,introspektive Partymusik" in neue klangliche Gefilde. Während ihr Breakbeat-lastiger Funk-Soul-Jazz immer noch der Eckpfeiler ihres Sounds ist, wie er in Stücken wie ,Makin' Moves", ,TheGrifter" und ,Don't Trip" zum Ausdruck kommt, haben sie begonnen, mehr und mehr Einflüsse von Library-Musik-Labels wie KPM Music, spirituell orientierten Jazz-Labels wie Tribe & Black Jazz Records und exotisch angehauchten Jazz-Künstlern wie Cal Tjader und Dorothy Ashby aufzunehmen. Jetzt lehnen sie sich mehr an den ,introspektiven" Teil ihres Sounds an, insbesondere bei ,Mother Earth", ,Freddie" und dem Titeltrack, und beschwören die Geister von Freddie Hubbard, Phil Ranelin, Wendell Harrison, Bubbha Thomas, Chester Thompson und sogar Cannonball Adderley in seiner kopflastigsten und kosmischsten Zeit herauf (hören Sie sich Adderleys Alben ,Soul Zodiac" und ,Soul of The Bible" als Referenz an). ,Corporatocracy" geht noch einen Schritt weiter mit einem ausgedehnten Tabla-Solo, das auf der perkussiven Welle reitet, bevor es in seinen funkgetriebenen, modalen Vibe übergeht. In der aktuellen Besetzung mit Tim Felten an den Tasten, Jake Najor am Schlagzeug, Omar Lopez am Bass, Kiko Cornejo Jr. an Conga/Percussion, Aquiles ,Lito" Magana an der Gitarre, Wili Fleming an der Posaune, Sheryll Felten an der Percussion, und Jesse Audelo und Travis Klein am Saxophon und an der Flöte. SFSE bleibt dem Funk treu, traut sich aber auch, neue Wege zu gehen, die sie bisher noch nicht beschritten haben, und betritt damit faszinierendes Neuland in ihrem Gesamtsound.

The great Freddy King (aka Freddie King) was a forceful presence and formidable figure in two of the most prominent blues scenes: Texas and Chicago. Revered by his fans and respected by his peers, King was an innovative instrumentalist and an underrated singer. He would move beyond blues, R&B and soul to make commercial inroads into funk. Rolling Stone magazine ranked him the 15th greatest guitarist of all time. Presented here is his magnificent debut album, Freddy King Sings, originally released by the King label in 1961. THE COMPLETE ALBUM + 4 BONUS TRACKS - 180- GRAM VINYL - LIMITED EDITION

2-LP GATEFOLD SPECIAL EDITION - 180-GRAM VIRGIN VINYL - “KIND OF BLUE - THE MONO & STEREO VERSIONS” - LIMITED EDITION

The complete iconic 1959 Miles Davis album Kind of Blue, one of the most influential LPs in modern jazz, featuring Miles Davis on trumpet, John Coltrane on tenor sax, Cannonball Adderley on alto sax, Bill Evans and Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. It is presented here both in its original Stereo and Mono versions

This anthology follows Now-Again's Loving On The Flipside, issued more than a decade ago. And that anthology itself got its start in a different time, a decade even earlier - the era in which Now-Again's Egon and his friends chased down funk 45s and the odd LP for their testosterone riddled, aggressive sound. Often times the funk song on one of their chosen is would be the throw-away b-side, the hasty afterthought the band cobbled together the night before hitting - or while in - the studio because they'd put all of their energies into writing the amazing ballad that would ensure their entry in soul's history books. Every once in a while, that funk song they coveted could have been - in an alternate universe - a ballad. The Third Guitar's "Baby Don't Cry," El Pooks* "I Could Do The Impossible" and Spider Harrison's "Beautiful Day" all fit into this category. That realization notwithstanding, more often than not they shined over the ballads to get to the tough stuff. Then they started flipping those funk records over to find some loving on the flip side. Some marvellous tunes were there to be found. This is the long awaited follow up. Contained within this anthology are some of the greatest soul ballads that go sweet with a beat - or, to follow our tagline, epitomize "sweet funk." Most of these songs have never been compiled. Some have never been issued in any form. Some, like the Ledgends entry here, were sampled to great success (in that case for Freddie Gibbs and Madlib's "Deeper"). Some haven't been sampled, but, like Herb Johnson's entry, are patiently awaiting their day. It should go without saying that we're proud to present this music in good conscience; with the full participation of everyone but the most obscure names contained within. And, for those who we've not yet been able to contact, this is our message: We've found your brethren, we've placed them beside you on an album that we hope you feel is befitting of your collective contributions to soul music and now we're just waiting for you. Though the music you recorded is from the years past, vour time is now.

Der Sänger Freddie Love stammte aus Baton Rouge und machte zwei fantastische 45er für Eddie Shulers Label ANLA. Sein Debüt ist der floorfiller 'Crazy Girl', stark von James Brown beeinflusst, und eine weitere Platte ist, die zum ersten Mal auf Vinyl neu aufgelegt wird.

Soul Jazz Records' Studio One Showcase 45 features a roll call of classic Studio One
reggae legends including Horace Andy, Cornell Campbell, Bob Marley and The
Wailers, Jackie Mittoo, The Heptones, The Skatalites and more – seminal reggae
artists who all launched their careers at the legendary Studio One label.
The album was previously only ever released as a long-deleted limited-edition
seven-inch box set for Record Store Day. This album has now been expanded into a
super double-vinyl album edition as well as first time on CD, with both featuring a
massive eight bonus tracks of wicked Studio One classics and rarities. The album
also comes with newly commissioned sleeve and track notes by Noel Hawks.
Featuring seminal cuts like Bob Marley and The Wailer's original version of 'One
Love', Freddie McGregor's take on the classic 'Beat Down Babylon', Judah Eskender
Tafari's re-version of 'Danger In Your Eyes' plus more from The Skatalites, Lone
Ranger, Johnny Osbourne and more!

2LP - 180 Gram Vinyl Jazz Standards Live is a remarkable collaboration between two iconic jazz musicians: Kenny Wheeler, a legendary trumpeter and composer known for his versatility, and Rain Sultanov, a saxophonist celebrated for his rich tone and innovative style. This album captures an unforgettable performance that has never before been released physically. Blending the expressive power of Wheeler's trumpet and Sultanov's saxophone, the quintet delivers a warm and resonant sound that harks back to the golden era of jazz in the late 1970s and early 1980s. Fans of Herbie Hancock's V.S.O.P. quintet will recognize the vibrant interplay reminiscent of Freddie Hubbard and Wayne Shorter. This double vinyl LP is a treasure trove for jazz enthusiasts, featuring a mix of beloved standards and original compositions by Wheeler. Adding depth and character to the performance is Shahin Novrasli's masterful piano work, which infuses the album with a distinctive mood. Meanwhile, Paul Clarvis on drums and Ruslan Guseynov on bass provide a dynamic and cohesive rhythm section that elevates each track. Jazz Standards Live is not just an album; it is a testament to the boundless creativity and artistry of two jazz maestros, uniting their talents to create an experience that is both timeless and fresh. Whether you're a longtime jazz aficionado or a newcomer to the genre, this album promises to captivate and inspire.

2LP - 180 Gram Vinyl Jazz Standards Live is a remarkable collaboration between two iconic jazz musicians: Kenny Wheeler, a legendary trumpeter and composer known for his versatility, and Rain Sultanov, a saxophonist celebrated for his rich tone and innovative style. This album captures an unforgettable performance that has never before been released physically. Blending the expressive power of Wheeler's trumpet and Sultanov's saxophone, the quintet delivers a warm and resonant sound that harks back to the golden era of jazz in the late 1970s and early 1980s. Fans of Herbie Hancock's V.S.O.P. quintet will recognize the vibrant interplay reminiscent of Freddie Hubbard and Wayne Shorter. This double vinyl LP is a treasure trove for jazz enthusiasts, featuring a mix of beloved standards and original compositions by Wheeler. Adding depth and character to the performance is Shahin Novrasli's masterful piano work, which infuses the album with a distinctive mood. Meanwhile, Paul Clarvis on drums and Ruslan Guseynov on bass provide a dynamic and cohesive rhythm section that elevates each track. Jazz Standards Live is not just an album; it is a testament to the boundless creativity and artistry of two jazz maestros, uniting their talents to create an experience that is both timeless and fresh. Whether you're a longtime jazz aficionado or a newcomer to the genre, this album promises to captivate and inspire.

As the first decade of the 21st century came to a close, a new generation of hip-hop artists began to emerge, leveraging the power of digital mixtapes to capture the attention of listeners around the globe. With deceptively intricate flows bringing smoke-filled visions to life, two of the leading lights in this rap renaissance were Smoke DZA and Curren$y. These talented artists both released breakthrough projects in 2009 before ascending to even greater heights, including Billboard-charting albums, high-profile collaborations, extensive touring, and joint projects alongside Wiz Khalifa, The Alchemist, Pete Rock, Big K.R.I.T., Freddie Gibbs, Benny The Butcher, Styles P, Harry Fraud, and more. In 2019, Smoke DZA and Curren$y finally linked for a full-length release, entitled Prestige Worldwide. The two longtime collaborators bring out the best in each other on the acclaimed collection, with inspired rhymes and trunk-ratting beats reverberating from Harlem to New Orleans. Featuring appearances by Styles P and Dave East, Prestige Worldwide is now receiving a new vinyl release via GoodTalk and Nature Sounds after years out of print.

To celebrate its 20th anniversary, Freedom Cry Sound presents its first realease with Freddie McGregor. The legendary artist sings “Behind the Wall”, a song produced by Genius T and Freedom Cry that is now available as an exclusive 7” vinyl limited edition, published and distributed by Rebelmadiaq Records. “Behind The Wall” is a projectile of roots reggae, a dazzling song where the roots are very much alive, living in harmony with the spirit of modernity.” David Vilches, musical chronicler.

The Catalan musician and producer Genís Trani is responsible for the musical production as well as the mixing of the riddim. The musicians who have participated are: David Goldfine on bass, Pau Dangla on keys, Lamont ‘Monty’ Savory on guitar, Josep Blanes on trombone, Oriol Escolano on trumpet, Pol Prats on sax, Roberto Sánchez on backing vocals and the same Genís Trani programming the drums. The Jamaican singer, songwriter and producer Freddie McGregor is a legend and a great reference in the genre, with a professional career full of musical successes that have become immortal treasures.

The long-awaited new album by the Belmondo
Brothers, their first in a decade.
Renowned internationally for their collaborations
with such luminaries as Milton Nascimento and
Yusef Lateef, trumpeter Stéphane Belmondo and
his brother saxophonist Lionel - the most famous
jazz siblings in France - celebrate their artistic
reunion.
The brothers salute their masters and synthesize a
quarter of century of musical adventures via a
series of new original compositions.
Featuring songs inspired and dedicated to Wayne
Shorter, Bill Evans, Yusef Lateef, Woody Shaw
and their late father Yvan.
Featuring the great Belgian Eric Legnini on piano
and a tight and full-bodied jazz quintet.
An original mix of modal and spiritual jazz with
hints of classical liturgical influences and ethnic
vibes.
For fans of John Coltrane, the Blue Note albums of
Wayne Shorter, Bill Evans, Freddie Hubbard,
Yusef Lateef, Herbie Hancock, Jacky Terrasson,
Lili Boulanger.

The Sound System has become part of today’s musical/cultural heritage, playing the people’s favourite hits or just as important, breaking some new tunes.
But perhaps less known are the roots of the Sound System, which began way back when…in Kingston….

Around the late 1940’s the Sound System began to overtake the big bands that usually played at the dances in Kingston.

The American Rhythm and Blues records that were so popular at the time would find their way to Jamaica via the merchant sailors and migrant workers returning from their stints in America. For economical reasons alone it would pay to have a DJ on hand to play these hits rather than a 10 piece band that could eat and drink the promotor out of the house and on curried goat!!

The early Sound Systems were basic affairs built around a single record deck, a valve amp and a speaker.

But by the 1950’s they had grown to purpose built speakers the size of wardrobes that could be heard blocks away.

Record producer Bunny ‘Striker’ Lee would remember the time ‘Sound Systems was like our radio station…not many people on the island would own a wireless, so it was the way for the people to hear their music.

So this selection of Lovers, Ballads, Root’s classic’s made the Sound Sytems of Jamaica the place to be.

So sit back and enjoy the ride….SOUND SYSTEM ROCKERS …one and all

"Keep Your Soul Together"" (1973) is Freddie Hubbard’s fifth studio album released on Creed Taylor's CTI label. The album features Hubbard alongside an ensemble that includes Junior Cook on tenor sax, George Cables on keyboards, Aurell Ray on guitar, Kent Brinkley or Ron Carter on bass, Ralph Penland on drums, and Juno Lewis on percussion. The album’s sound, though occasionally funky, is rooted in creative jazz, showcasing Hubbard in peak form across four of his original compositions.

Though some writers have often underrated Hubbard’s CTI recordings, mistaking them for his later, more commercial output on Columbia, this particular album stands out as a testament to his ingenuity. Hubbard’s blend of bravado and subtlety shines through, as does his ability to fuse technical mastery with emotional depth. His ability to maintain a consistent, rich tone across both slow and fast passages placed him among the greatest trumpeters in jazz history.

Influenced by legends such as Miles Davis and Clifford Brown, Hubbard nonetheless crafted a sound entirely his own, becoming one of the boldest and most inventive trumpeters of the bop, hard-bop, and post-bop eras. His impact on jazz extended far beyond his solo recordings, as he collaborated with many of the genre's greats, leaving behind a powerful legacy. Down Beat magazine described Hubbard as “the most powerful and prolific trumpeter in jazz” shortly after his passing in 2008. His influence continues to shape the world of jazz, inspiring generations of trumpeters and musicians alike. "

Andrew Hill’s 1968 album Grass Roots stands as one of the most immediately accessible albums in the pianist’s beguiling Blue Note discography. Featuring Lee Morgan, Booker Ervin, Ron Carter, and Freddie Waits, this set of five Hill originals is imbued with a deep sense of feeling, groove, and lyricism. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Texas born Freddie King was one of the all time great Blues guitarists. He is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and B. B. King, none of whom are related). Mostly known for his soulful and powerful voice and distinctive guitar playing, King had a major influence on electric blues music and on many later blues guitarists including the likes of Eric Clapton, Jeff Beck, Peter Green, and Mick Taylor.

This selection showcases live recordings from his classic repertoire over a period from 1969 to 1975. His signature tune “Hideaway” was named after a nightclub on Chicago’s Westside; “Mel’s Hideaway lounge”.

Influential DJ, producer, radio-presentator and founder of the Acid Jazz and Talkin’ Loud labels Gilles Peterson has handpicked his jazz favourites from the immense catalog of the Dutch jazz Timeless label. Included are Pharaoh Sanders’ cosmic jazz “Moonchild”, vocal-jazz from Carter Jefferson’s “Why”, danceable-jazz from Tom Grant “No Me Esqueca”, Art Blakey & The Jazz Messengers’ “In Case You Missed It”, making a total of 11 tracks.

In 2015, Peterson put together a Japan-only CD compilation of 10 of his favourite tracks, but for the vinyl version, the track list has been augmentend with the previously unreleased version of “Gibraltar (Alternate Take)” by Kirk Lightsey Trio feat. Freddie Hubbard, and “World Peace” by Timeless All Stars.

Timeless Jazz Classics Volume 1 is available on black vinyl and includes an insert with liner notes and track-by-track information by Gilles Peterson.

Hubbard was only 22 years old when he recorded the album, yet it showcases his prodigious talent and hints at the remarkable career he would go on to have

The album has become a classic in the hard bop genre, combining elements of bebop and blues with advanced harmonies and improvisational flair and features a stellar lineup of musicians, many of whom were already influential figures in the jazz world or would go on to become so Freddie Hubbard, Tina Brooks, McCoy Tyner, Sam Jones, Clifford Jarvis. "Open Sesame" is rooted in hard bop, a jazz style characterized by a mix of bebop's fast tempo and complex improvisations with blues, gospel, and R&B influences. Hubbard's trumpet playing is both aggressive and lyrical, marked by his technical precision and emotive phrasing. His performance is complemented by Tina Brooks' soulful tenor saxophone and McCoy Tyner's distinctive piano comping, which adds a rich harmonic layer. The album's compositions range from the upbeat and fiery title track "Open Sesame", to the lush ballad "But Beautiful", and the bluesy groove of "One Mint Julep". The track "Gypsy Blue", written by Tina Brooks, is a highlight with its sophisticated chord changes and melodic inventiveness. Open Sesame received critical acclaim upon release and established Hubbard as one of the premier trumpet players of his generation. It's considered a cornerstone of Hubbard's career and a significant recording helped launch Hubbard into a long and successful career where he would collaborate with some of the biggest names in jazz, including Art Blakey, Herbie Hancock, and Wayne Shorter and remains an essential listen for anyone exploring Freddie Hubbard's discography.

The Blues and the Abstract Truth is not just a landmark album in Oliver Nelson's career but in the history of jazz itself

The album features an incredible ensemble of top-tier jazz musicians, often referred to as a "supergroup": Oliver Nelson (alto saxophone, tenor saxophone), Freddie Hubbard (trumpet), Eric Dolphy (alto saxophone, flute), George Barrow (baritone saxophone), Bill Evans (piano), Paul Chambers (bass), Roy Haynes (drums). The early 1960s were marked by a shift from the hard bop of the 1950s to more experimental forms, including modal jazz, free jazz, and the incorporation of avant-garde elements. Musicians like John Coltrane, Ornette Coleman, and Charles Mingus were all pushing the boundaries of jazz, and Oliver Nelson's work fits within this broader movement: in this album there's a perfect combination of modern compositional techniques, virtuosic performances, and emotional depth make it an essential listening experience for any jazz fan. It captures the moment when jazz was evolving into new, exciting directions while staying connected to its roots in the blues. The Blues and the Abstract Truth is considered one of the essential albums in modern jazz where Oliver Nelson's compositional style blends hard bop, modal jazz, and blues influences with sophisticated harmonic structures and striking arrangements. The album is noted for ts rich orchestration despite having a relatively small ensemble with use of textures and colours, particularly in tracks like "Stolen Moments," created a new standard in azz arranging.

Re-mastered from the original Mono Master Tapes. Limited repress 1000 copies.

180 gr vinyl pressed by Pallas in Germany.

Deluxe high-gloss flipback album jacket.

Essay written by Brian Priestley.

Double insert using an original photo by JP Leloir from the concert.

Artwork by Jean-Louis Duralek.

Each record has been visually checked to prevent defects.

A never-before released Art Blakey 1965 live recordings.

First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de l’Audiovisuel).

Art Blakey, Live in ’65 boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.
Freddie Hubbard’s incendiary playing on “Blue Moon” and the blistering 24-minute version of his own “Crisis” shows that he was one of the most innovative trumpeters in jazz history.

On this live session, the audiences seem to have been enthusiastic and appreciative. “Everywhere we’d go people would say, This is the best Jazz Messengers we’ve heard!”, according to Davis. “And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing – with Messengers heads, you know, but when we got to soloing…! And Blakey was ridin’ and floatin’ the time…but he would always be loose enough to follow, to keep it going. He’s one helluva musician.”

Recorded at Palais de la Mutualité, Paris, France, November 3, 1965.

Freddie Hubbard (Trumpet)
Nathan Davis (Tenor saxophone)
Jacki Byard (Piano)
Reggie Workman (Bass)
Art Blakey (Drums)

Treat Her Right is the first ever vinyl compilation of the best tracks Roy Head released on the Backbeat label in the 1960s. They are his finest recordings, including the hit that launched his career, Treat Her Right. With most tracks produced by The Crazy Cajun himself, Huey Meaux (who also scored hits with Doug Sahm, Freddie Fender and so many others), they are the best examples of early southern swampy pop. Come do The Bug with Roy Head. With liner notes by Bill Bently and cover by Jad Fair (of Half Japanese).

2024 Repress

Re-mastered from the original Mono Master Tapes. Limited repress 1000 copies.

180 gr vinyl pressed by Pallas in Germany.

Deluxe high-gloss flipback album jacket.

Essay written by Brian Priestley.

Double insert using an original photo by JP Leloir from the concert.

Artwork by Jean-Louis Duralek.

Each record has been visually checked to prevent defects.

A never-before released Art Blakey 1965 live recordings.

First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de l’Audiovisuel).

Art Blakey, Live in ’65 boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.
Freddie Hubbard’s incendiary playing on “Blue Moon” and the blistering 24-minute version of his own “Crisis” shows that he was one of the most innovative trumpeters in jazz history.

On this live session, the audiences seem to have been enthusiastic and appreciative. “Everywhere we’d go people would say, This is the best Jazz Messengers we’ve heard!”, according to Davis. “And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing – with Messengers heads, you know, but when we got to soloing…! And Blakey was ridin’ and floatin’ the time…but he would always be loose enough to follow, to keep it going. He’s one helluva musician.”

Recorded at Palais de la Mutualité, Paris, France, November 3, 1965.

Freddie Hubbard (Trumpet)
Nathan Davis (Tenor saxophone)
Jacki Byard (Piano)
Reggie Workman (Bass)
Art Blakey (Drums)

"Even by the high-water marks set by Herbie Hancock’s tremendous 1960s Blue Note output, 1965’s Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist’s career. Hancock is joined here by his Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums, along with Freddie Hubbard on trumpet and George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, “Eye of the Hurricane,” and “Dolphin Dance.”
"

Tribe 2000 by Phil Ranelin & Wendell Harrison, released 8 November 2024.

1965’s Dialogue was the debut by vibraphonist Bobby Hutcherson who had already proven himself a versatile sideman on albums from Idle Moments to Out To Lunch. Dialogue showcased his more adventurous leanings with a sextet featuring Freddie Hubbard, Sam Rivers, Andrew Hill, Richard Davis & Joe Chambers. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Queen’s self-titled debut album will be remixed and released this October. This is the first time that a Queen album has been remixed. Retitled Queen I for this release, the front cover’s Queen logo, originally designed by Freddie Mercury, will be updated with the addition of the Roman numeral “I”. The original album was recorded in 1972 and was released in July 1973 on EMI Records in the UK and Elektra in the USA.

Featuring the singles “Keep Yourself Alive” and “Liar”, the album achieved Gold sales in the UK and USA, and has been a fan favourite ever since.

This Collector’s Edition sees the album presented in a whole new light, having been newly mixed from the original multi-track masters, and with the song “Mad The Swine” now reinstated into the album running order in its originally intended place.

The bonus discs that complete the 6CD+1LP set include: De Lane Lea Demos (also newly mixed from the original multi-track masters for the very first time); a CD comprised entirely of previously unreleased Queen I session out-take music and dialogue; a CD of instrumental and backing track versions of the album; a live CD featuring some of the best and most interesting live performances of songs from this album (some of which are previously unreleased); and finally, a disc comprised of Queen I tracks that were recorded for BBC Radio One (including DJ announcements).

Queen I – including “Mad The Swine” – is also presented on 180g black vinyl.

The Collector’s Edition is complemented by the addition of a 108-page 12” hardback book, which features a treasure trove of rare and previously unseen photography, hand-written lyrics, Freddie Mercury’s sketches, and more.

Presented in a rigid two-piece box with fold-out poster and four photo prints

Queen’s self-titled debut album will be remixed and released this October. This is the first time that a Queen album has been remixed. Retitled Queen I for this release, the front cover’s Queen logo, originally designed by Freddie Mercury, will be updated with the addition of the Roman numeral “I”. The original album was recorded in 1972 and was released in July 1973 on EMI Records in the UK and Elektra in the USA.

Featuring the singles “Keep Yourself Alive” and “Liar”, the album achieved Gold sales in the UK and USA, and has been a fan favourite ever since.

This Collector’s Edition sees the album presented in a whole new light, having been newly mixed from the original multi-track masters, and with the song “Mad The Swine” now reinstated into the album running order in its originally intended place.

The bonus discs that complete the 6CD+1LP set include: De Lane Lea Demos (also newly mixed from the original multi-track masters for the very first time); a CD comprised entirely of previously unreleased Queen I session out-take music and dialogue; a CD of instrumental and backing track versions of the album; a live CD featuring some of the best and most interesting live performances of songs from this album (some of which are previously unreleased); and finally, a disc comprised of Queen I tracks that were recorded for BBC Radio One (including DJ announcements).

Queen I – including “Mad The Swine” – is also presented on 180g black vinyl.

The Collector’s Edition is complemented by the addition of a 108-page 12” hardback book, which features a treasure trove of rare and previously unseen photography, hand-written lyrics, Freddie Mercury’s sketches, and more.

Presented in a rigid two-piece box with fold-out poster and four photo prints