Man With A Gun is the debut long player from Singaporean prog and funk group Funkgus. It has a famously enigmatic toxic blue jacket that lurks you in and musically it is no less intriguing. As well as a passionate cover of King Curtis's 'Memphis Soul Stew' there are plenty of supremely psychedelic sounds. The opener is steeped in funky bass riffs with rock-tinged drum breaks and plenty of raw vocals and from there the grooves come thick and fast, often with plenty of texture and charismatic vocals such as on 'Spill The Wine' and the leggy, expressive sounds of 'Everyday People' with its twisted wah wah guitars.
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Auf „Blame It All On Love“, Poolsides viertem Studioalbum, verlässt Jeffrey Paradise (aka Poolside) seine eigene Komfortzone und taucht in die Tiefen seiner eigenen kreativen Stimme ein. Die elf Tracks sind funky, gefühlvoll, entspannt und voller Hooks, die Poolsides Sound zu ergreifenden Pop-Höhen erheben. Anstatt erneut seine elektronischen Fähigkeiten zu demonstrieren, markiert die aalglatte Produktion eine Rückkehr zu seinen Live-Musik-Wurzeln und findet Leichtigkeit in einfachen und strahlenden Klangschichten. Es ist ein wahres Produkt all der Orte, an denen er war, und der langen und abenteuerlichen Reise, die er unternommen hat, um zu diesem Moment zu gelangen, an dem es nichts mehr zu kämpfen oder zu beweisen, sondern es nur noch perfekte Grooves gibt.
- A1: The Sugarhill Gang - Rapper's Delight
- A2: Joe Bataan - Rap-O Clap-O
- A3: Funky 4 + 1 - That's The Joint (Remix)
- A4: Afrika Bambaataa X Zulu Nation & Cosmic Force - Zulu Na
- B1: Grandmaster Flash & The Furious Five - The Message
- B2: Super-Wolf - Super-Wolf Can Do It
- B3: Spoonie Gee - Spoonin' Rap
- B4: Cold Crush Brothers - Basketball Throwdown
- B5: Fab 5 Freddy - Down By Law
- C1: Boogie Down Productions - 9Mm Goes Bang
- C2: Jungle Brothers - Straight Out The Jungle
- C3: Digital Underground Feat 2Pac - Same Song
- C4: Monie Love Feat True Image - It's A Shame (My Sister)
- C5: Grand Puba - I Like It (I Wanna Be Where You Are)
- D1: The Pharcyde - Runnin
- D2: Capone-N-Noreaga - Invincible
- D3: D I.t.c. Feat. Ag., Big L & O.c. - Thick
- D4: Dj Honda Feat Mos Def - Travellin' Man
- D5: Rza - Grits
- E1: Percee P - Raw Heat (45 Version)
- E2: Guilty Simpson Feat Spacek - Smoking
- E3: Brooklyn Academy - Black Out
- E4: Dizzee Rascal - Fix Up, Look Sharp
- E5: Chinese Man Feat Kendra Morris & Dillon Cooper - Liar
- F3: Brand Nubian - Slow Down
- F4: Bozoo Bajou Feat Oh No - Back Up
- F5: Greyboy Feat Main Flow & Elgin Park - Uknowmylife
- F1: Beat Assailant - Hard Twelve (The Ante)
- F2: Lanu Feat Kero One - It's Time
Reissue of the only self-produced solo album by Barney "Blair" Perry, historic guitarist of the Blackbyrds, is a great production directed by Donald Byrd, "Nightlife" is a cult album, fusion sounds and midtempo funk disco, recorded in 1978, it is simply stunning, a powerful bass and wonderfully soulful sounds thanks to the superb guitar work of the masterful Mr Perry.
Funk The System! The recipe is simple: Dig deep, listen to your heart, record everything you got on a dusty old desktop computer, leave it to simmer for the time of a pandemic, and if it's still fresh, serve it up on the finest plate of black wax! This collaboration started in Dusseldorf in the year 2018. Locked up for a week in the Flanger Studios, Wolf Muller and Credit 00 recorded everything: from the jaw harp to smartphone apps, chopping up GDR Jazz breaks and squeezing the Funk out of every synthesizer and drum machine at hand. You will hear the open mindedness towards all sorts of musical influences from the first note. Each of the five tracks showcases a wild mix of flavours: Disco Reggae, B-Girl Breakbeats, Protest Folk, Subway Funk, Tabla Rhythms, you name it... they'll take it and shake it! It is obvious these two got sonically socialized and educated by the multiculturalism of Hip-Hop in their early days. After the first Recording Session, the tracks fermented for some time until they were cracked open again. This time in Leipzig at Credit 00's Westend Workshop. That's also where Rizmi from Birmingham joined the team and lent her voice to the title track. She reinterpreted the lyrics of the obscure German 1980s Workers' Rock Song, that Wolf digged out for the Intro Skit of ,,Funk The System". A long time in the making, Rat Life is very happy to finally publish this EP!
Regardless of where you’re from, it’s where you at. These wise words are some that the Watch Patrol wants you to remember as we all trying to find and stay on our path..
These wise words start off the A side and prepare us for a funky and synth fueled, cow bell-ing journey.
Next we head into Trial & Error, a bouncing tech which has already been proven to bring some big energy on the dance floor.
The B side contains the breaks you’ve been waiting for. Two big tunes that have been deliciously dialed in to spread groove and funk on the dancefloors. Trance, breaks, arpeggios, chopped up vocals, and special effects that will get you to keep this one in the bag at all times.
Limited copies as always, be quick!
The Bug ist das Hauptprojekt des umtriebigen Londoner Produzenten Kevin Martin. Martin, der bereits für Thom Yorke, Grace Jones, Einstürzende Neubauten und Primal Scream arbeitete, verbindet auf "London Zoo" eindrucksvoll Dubstep mit Dancehall, Grime und HipHop-Elementen. Eine Platte, direkt aus dem Herzen der britischen Hauptstadt, die aller Orten funktioniert und mitreißt. 12 mal Londoner Soundkultur mit Gastauftritten von Ricky Ranking, Flowdan, Warrior Queen, Spaceape und vielen weiteren.
Quantize Recordings proudly present a special 12-inch release from the master John Morales, as he remakes two of Curtis Hairston’s biggest tracks ‘I Want Your Lovin’ and ‘I Want You All Tonight’, to bring that mid ‘80s brilliance to the modern dancefloor.
Master of the boogie sound, Hairston had many a hit both as a solo artist and as part of the legendary BB&Q Band. Mid-tempo groovers, laced with funk-fuelled basslines, cosmic synths and strutting guitars, tied together with Hairston’s luscious vocals, ‘I Want Your Lovin’ and ‘I Want You All Tonight’ are shining examples of boogie at it’s best.
Fast forward to 2023 and the masterful John Morales, who originally mixed ‘I Want You (All Tonight)’ alongside Sergio Munzibai, unlocks the vaults to the multitracks, creating four brand new mixes. Teaming up with one of the original writers and producer of both tracks Greg Radford to replay and reconstruct elements that have been lost over time. The result, a wondrously weighty vocal and dub mix of each of these certified classics that retain all that disco-channelling greatness whilst adding an extra punch and brightness that will rock any modern dance floor they’re put before.
These two tracks from Mike Bandoni and Chip Wickham have been a long time coming. These two stable mates from the 'Craig Charles Fantasy Funk Band' have been discussing a collaboration for years and now; it's finally in the bag! Mike brings his trademark killer funky Drums (Recorded by the legendary Malcolm Catto), Percussion, Rhodes, Bass and vintage Guitar vibes to the party whilst Chip delivers some sublime and highly complimentary work on sax and flute. Infinity Pool sounds like a long lost Bobbi Humphrey meets Bob James composition with the flute taking centre stage underpinned by what can only be described as mammoth funk grooves on every other instrument. A true modern Jazz Funk classic with just a fraction more Funk than Jazz! Get It! is a cool number with a phenomenally infectious groove and a hook that stays in the brain for days! Think early Kool & The Gang. You'll be humming these hooks day and night! Chip again raises the bar further with some sublime flute and ...
Jorja Smith is officially back. Further to making a recent return to the musical sphere with her singles ‘Try Me’ and ‘Little Things’, today she has confirmed the details of her highly anticipated second album, ‘falling or flying’, set for release globally on September 29th 2023 via FAMM and available to pre-order now - here.
Alongside the announcement, Jorja has also unveiled the album's poignant artwork; a stunning portrait of her, shot on film by the prestigious British photographer, Liz Johnson Artur. In addition, Jorja has also announced a series of UK live shows in September, commemorating the release of the album. Further details below.
Through her new record, Jorja has delivered an undeniable modern classic, effortlessly condensing any number of disparate styles and genres into music which thrillingly broaches any gap between Jazz, Soul, R&B and Funky House. A bold, brave and courageous leap forward from her critically acclaimed debut album ‘Lost and Found’ - ‘falling or flying’ is an album that speaks to the musical and emotional era where Jorja is now, and how she got here. It isn’t so much an exploration of how she’s found herself but more a statement that she has arrived, and that her understanding of her life, her relationships, and her feelings, have deepened, matured and crystallised as she enters her twenty six year. ‘And despite it all,’ she says, ‘it's definitely a journey I've just started. That's what's crazy.
It's only just begun.’ Sonically, this album, a no-skips body of work, isn’t like anything you’ve heard before. It sits masterfully in this same space of excitement, self-exploration and self-assertion that Jorja does. Compromised of deep, thumping drums, racing basslines, irresistible hooks and distinctive beats, ‘falling or flying’ runs at the same pace that Jorja’s mind does. ‘I don't slow down enough’ she says. ‘This album is like my brain. There’s always so much going on but each song is definitely a standstill moment.’
Much of the creative energy that shaped the album emerged from studio sessions with the producer duo DAMEDAME* back in her hometown of Walsall, where, to Jorja, the heart is. The album is both a sonic and an emotional tour of where she’s been, and what she’s been about, in the two years since she dropped her latest offering, ‘Be Right Back’. ‘It touches on breakups, relationships with my friends, relationships with old friends, relationships with myself.’ She says. ‘It's definitely about a lot of relationships, but every song I write I can sing it to myself.’
Of the many British voices in music today, Jorja is among the most commanding, writing at a pitch of intensity and urgency that few can match. Over the past five and half years, since the release of her debut album ‘Lost & Found’, she has been celebrated unanimously across the world for her evocative song-writing, powerful delivery, pure emotion and unbridled talent as a young woman navigating her way through life and in 2021 was the year Jorja’s hiatus from music was broken. Enter ‘Be Right Back’, the holding space between the sensation that was ‘Lost & Found’, and ‘falling or flying’. ‘Be Right Back’ was born from playing, jamming, freestyling, and sounding out what Jorja had been on the edge of expressing all her life. It was a project entirely for her fans. “Be Right Back did exactly what I wanted it to do. It was a little waiting room so people knew I was coming back.”
And come back she has - entering a chapter of her return to music that’s certain to draw in and intoxicate Jorja’s fans and new listeners alike. And what has changed for her, in the five years since ‘Lost & Found’ dominated the charts and the soundscape? “I like this world that I've just come into. And I’m still figuring things out. Always figuring things out.” Jorja says. “This is the first time I’m putting stuff out there that I can connect with right now.” Over the last few years, it’s been a reflective and transformative step into her mid twenties for her.
She’s been able to step into herself and evolve as a songwriter and a woman despite an ever-changing musical landscape.
While she recognises that the global pandemic has been completely devastating, she acknowledges that it allowed her to stay still, to come more into herself, and to be more in control of the person she is, and of her musical output. Like some of the legendary musicians that came before her, Jorja is looking at the chaos and disorder in the world right now with resourceful, refined eyes, and she sees the glorious opportunity and enormous responsibility that affords. The net result is that while ‘falling or flying' sounds very much like Jorja Smith, it sounds like no Jorja Smith album you have ever heard before.
‘falling or flying’- released on September 29th
Mike Salta & Mortale release their debut album ‘Moloko Island’ on Music For Dreams label. Moloko Island is a getaway where good vibes can float freely. An island where only fantasy set the limits.
It is a collection of tracks, some of which have already been buzzing around the balearic / downtempo scene for a while now. The Album includes the infectious ‘Hey Moloko’ which was picked up by Hot Chip for their splendid Late Night Tales compilation, and the gamers amongst you may have noticed it in the most recent Playstation – Gran Turismo 7 soundtrack. Outro track ‘Bye Moloko’ is a brand new Re-edit of this classic.
The music of Mike Salta aka Gert Nygaard flaunts an eclectic palette, collecting strands from New Orleans funk, 80’s italo disco or Brazilian tropicalia and transforming them into rich and sun-drenched dance music.
The album is produced in collaboration with long-time studio partner Mortale, and is a sumptuous piece of chillout to call on the summer. A full-bodied groove of an album to transport you and soundtrack those sunny days & balmy evenings. Moloko Island concludes a voyage and reconcile an era where electronics and acoustics have been explored and united in the unique sound and vibe Mike Salta and Mortale has strived to unfold
Liquid Love is taken from the 2015 BBE released album of Roy’s unreleased material, Virgin Ubiquity II, and is a wicked mid-tempo track where Roy’s vibraphone complements an amazing female vocal arrangement to create harmonies and melody over a tough as you like breakbeat, bass line and keyboard riff. Coming from the 2004 initial release in the Virgin Ubiquity series of unreleased Roy Ayer’s tracks, What’s The T? is a more uptempo, bassline driven slab of dance floor funk. Augmented by a horn section and a huge female vocal from Merry Clayton over a hi-hat drumbeat, What’s The T? is Roy Ayers and his musicians playing Roy’s arrangements to perfection.
Releasing on BBE Music’s ALIM imprint, Liquid Love/What’s The T? 7″ vinyl single issue is two musical moments in time now presented as a moment in history in the year we celebrate the excellent career and legacy of Roy Ayers as a touring musician. This is Roy at his best as musician, arranger and artist, grab this now.
Always & Forever is the debut studio album by British girl group Eternal. The album achieved six top 20 singles, two of which reached top 5 - "Stay" and "Oh Baby I...". Always & Forever was a huge success, peaking at number 2 on the UK Albums Chart, and was later certified 4× Platinum by the BPI for sales of over 1.2 million copies. The album spent over 76 weeks in the charts.
- A1: Alien Starr - Music-A-Lizer
- A2: Chance - Master Groove (Instrumental)
- A3: The Bobby Deemo Band - More Ounce Rap
- A4: Mack Simmons - Skin Tight
- B1: Maggotron - Computer Pop
- B2: Tribe - Vulcan Voyage
- B3: Command Performance - Breakdance
- B4: Junei - Let's Ride
- C1: The Graingers - Shine Your Light
- C2: Mid City Crew - Get Right
- C3: Chapter Three - Smurf Trek
- D1: X-Ray Vision - Video Control
- D2: Rich Cason And The Galactic Orchestra - Year 2001 Boogi
- D3: Frank James And Shadow - Summer Time
You are about to embark on a new intergalactic journey into black space, fuelled by funk, powered by computers. Soul Jazz Records" new second collection of twisted hyperspace electro/funk "Space Funk 2: Afro Futurist Electro Funk in Space 1976-84", continues its intergalactic journey.
Featuring rare and off-the-wall space funk and electro rarities and obscurities, all released on small independent USA record labels in the late 1970s and 1980s. Artists on this release include Alien Starr, Bobby Demo, Maggatron, Mid-City Crew, Tribe, Junie, Rich Cason and the Galactic Orchestra and many more intergalactic space warriors! This is space age bionic funk, programmed to make you dance!!!
- A1: Andraé Crouch & The Disciples - Satisfied
- A2: Shirley Caesar - Jesus Children Of America
- A3: The Meditation Singers - Trouble's Brewin
- B1: The Clark Sisters - You Brought The Sunshine
- B2: Dorothy Norwood - Let Your Feet Down Easy
- B3: Shirley Caesar - Jesus Is Coming
- B4: Swan Silvertones - If You Believe Your God Is Dead
- C1: The Alvin Darling Ensemble - Is There Anybody Here?
- C2: Roscoe Robinson - There's A Creator
- C3: Destiny - Nothing Can Stop Me Now
- C4: The Meditation Singers - Good Old Gospel Music
- C5: Keith Barrow - Everything Is Gonna Be Alright
- D1: Roscoe Robinson - Elijah
- D2: Dyson's Faces - Till I've Got This Feelin' Of Love
- D3: The Violinaires - The Upper Way
- D4: Leomia Boyd And The Gospel Music Makers - Higher In Jesus' Love
- D6: Keith Barrow - The Right Road Now
red vinyl[31,89 €]
Soul Jazz Records’ Holy Church of the Ecstatic Soul: Gospel, Funk and Soul at the Crossroads 1971-83 draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caeser, Dorothy Norwood, Andrae Crouch and others crossed over into secular soul music during this period.
The album was first available as a (sold out) ltd.edn. coloured vinyl for RSD23 and is now available as a black double vinyl + download edition and also for the first time on CD.
Many of the most successful soul artists - from Aretha Franklin to Al Green, The Staple Singers to Sam Cooke - all drew upon their upbringing in the church for their musical inspiration. This album discusses how important the links between the black church and soul music were in creating soul music and spotlights some of the many important (and also little-known) gospel artists who walked this line between sacred music and soul, funk and disco in the 1970s and early 1980s.
Holy Church of the Ecstatic Soul shows how sacred gospel music was at home with Stevie Wonder, Blaxploitation-style funk and produced music celebrated both in New York’s underground discos (The Paradise Garage, Studio 54, etc) and later sampled by the likes of Jay-Z, Snoop Dogg and Mary J Bilge.
- Listen Up
- See What You Mean
- Don’t Let Me Be Misunderstood
- I Can’t Help It
- Balancing Scales
- I’m Hearing You
- Move On
Nicky Prince has never been bound by musical genre. The Milton Keyes born and raised. Vocalist has the versatility to fit any vibe while not compromising her signature sound. Although best known for her Garage hits with Zed Bias in the early 2000s, Nicky was performing and recording with various acts well before the height of Garage’s popularity. She started her career singing in Soul and Funk bands, and over the last two decades has lent her voice to Electro, Hip-Hop, Drum & Bass, House, and Ska tracks.
In 2009 Nicky graced listeners with her debut solo EP “See What You Mean.” Within only five tracks the singer-songwriter displays impressive range, from the up-tempo, energetic funk of “I’m Hearing You” to a bluesy rendition of Nina Simone’s “Don’t Let Me Be Misunderstood,” to the hushed tones of the EP’s sole acoustic number, “Balancing Scales.” She is backed on this effort by her band Soul Selecta, which includes renowned UK session players Dave Baldwin on Hammond organ and Robert ‘Skins’ Anderson on drums/percussion. Sadly, the release was criminally slept-on.
While “See What You Mean” was available on streaming services and CD, the EP
never received the vinyl treatment. So, rather than simply reissuing the project, Nicky has teamed with KU to offer what she calls a “reincarnation” of her debut on wax.
Now retitled “Listen Up,” this underrated affair has had new life breathed into it. To bring out the best in the original recordings, each song has been meticulously remastered by Christian Obermayer at Strype Audio. Then to fill out the 12”, Nicky has added a handful of unreleased songs, including a heavy groove cover of Michael Jackson’s “I Can’t Help It,” which sees her reconnect with Zed Bias; a punchy, funked up tune titled “Listen Up;” and the original version of “Balancing Scales” that reveals what the track sounded like before it was stripped down to just guitar and vocals. This offering perfectly captures Nicky’s distinct tastes and inspirations. Further, it fills a hole in your record collection that you didn’t know was there until now.
If you were to ask for a defining Habibi Funk track, there are a few that come to mind: from Fadoul’s “Sid Redad,” Dalton’s “Soul Brother” to Ahmed Malek’s “Omar Gatlato.” However, none are as widely connected with us at this point as Hamid Al Shaeri’s “Ayonha.” We heard the track for the first time when we were working on selecting tracks for your first compilation and we instantly loved it. We obviously had heard of Hamid El Shaeri’s music before, but only material from his Al Jeel phase when he was already the full-blown
superstar he is now.
Listening to his releases from the early 1980’s opened a whole new door for us. At the time, Hamid had just left Libya to pursue his career in Egypt via a detour in London, where he recorded his first album. Hamid’s distinct sound of the sound is quintessentially reliant on heavy synths and so it was particularly important to purchase these synths in a timely manner. “Whenever a new one synthesizer would come out, we would have to buy it immediately, otherwise someone else would get their hands on that sound.” London also played an important role for Hamid as a musical epicenter.
He fondly reminisces about the many live shows he attended there, including some of the biggest international musicians like Freddie Mercury and Michael Jackson. After returning to Cairo where he also recorded his following albums, he connected with SLAM! for the
release of his debut, laying the foundation of a collaboration that lasted for 5 albums. Luckily, we were able to connect with Hamid through our friend Youssra El Hawary, whose extensive network has opened many doors for us within the Egyptian music scene. We met Hamid for the first time probably in 2016 at his office / rehearsal studio in the outskirts Cairo. We were expecting a larger-than-life
character in-line with his status as a certified superstar, yet the actual person turned out to be very approachable and super easy to connect with. He liked the idea of an effort to amplify his early works again,
which, when originally released, were far from an economic success.
While he was down to assist with an interview and his blessing for the project he also told us that for any license we needed to speak with the original label SLAM! who released these songs, still held the rights and also remained in business over the decades though they didn’t actively release any new music. Hany Sabet had started SLAM! records in the early 1980s and focused on cassette tape releases, the
format that expedited the success of a new generation of record labels in Egypt. By the mid 1980’s, SLAM! had become one of the most successful and economically dominant record labels in Egypt, with Hamid El Shaeri being just one of their key artists, alongside Mohamed Mounir, Hanan, Hakim, Mustafa Amar and many more. Luckily, Hany Sabet turned out to be a friend of our colleague Malak Makar’s father, which probably helped to warm him to the idea of licen- sing “Ayonha” to this - in the scale of his world - tiny label
from Germany. Eventually “Ayonha” ended up becoming a widely successful release and either Hany or we brought up the idea of a full album dedicated to Hamid El Shaeri’s work on SLAM!.
"Maktoub Aleina” is the first single and will be released January 14th. Following the massive success of "Ayonha,” “Maktoub Aleina” is another mid-tempo groover with a beautiful, synth-forward melody, that brings together a lovely combination of soul, disco and Arabic pop music of the highest order, giving a taste of full album. The second single, “Yekfini Nesma Sotak” will be released January 28th and combines Hamid’s unique formula of soul and pop, held together by a catchy synth melody. “Yekfini Nesma Sotak” picks up the
pace a bit, making the uplifting mood of the track even more powerful. Third single, arriving February 11th, is “Dari Demou’ek,” one of the stand out tracks of Hamid’s early recordings done for SLAM! in the early 1980s. Dominated by a disco infused bassline, the track offers a lot of space of the funky production to shine while Hamid inserts his vocals at all the right moments. A masterpiece of disco touched by Arabic pop music.
Full album arrives February 25th. This release is dedicated to Hany Sabet, the founder of SLAM! and his wife Rosemary Jane Sabet (who
took the photos we used for the cover and the booklet), who sadly passed away during the time it took us to prepare the release.
Vinyl comes with an extensive booklet with an interview with Hamid as well as unseen photos
Ein Jahr nach Veröffentlichung des letzten GOAT-Albums "Oh Death" kündigen die maskierten Schwed*innen nun den Nachfolger "Medicine" an, der am 13. Oktober auf Rocket Recordings erscheint. In der ersten Single "Unemployment Office" ergänzen sie ihren Psych-Rock um Elemente aus dem 70s-Progressive. Nicht nur die neue Single, sondern auch das gesamte Album hat eine durchgängig zurückhaltendere, warme Ausstrahlung, und die Band deutet an, dass das übergreifende Thema des Albums die Vergänglichkeit im Leben ist - in all seinen verschiedenen Facetten: "It's about the impermanence of life in different ways: sickness, relationships,love, death and how our time is finite." Es ist schwer zu sagen, wie oft die Mythologie und das Geheimnis von GOATs Hintergrundgeschichte neugeschrieben werden kann, aber das neue Album macht Schluss, nur in der Vergangenheit zu schwelgen, und präsentiert einem etwas sanfteren Psych-Folk-Sound, der immer noch Goat ist. Die einzelnen Identitäten, die an den drei Alben der Band beteiligt sind, bleiben geheimnisumwittert: GOAT-Sprecher behaupten, dass die Gruppe lediglich ein fortlaufendes Mehrgenerationen-Kollektiv von Musiker*innen aus dem isolierten schwedischen Ort Korpilombolo ist. Nördlich des Polarkreises gelegen, ist die Stadt ein Knotenpunkt zwischen samischen Ureinwohnern, skandinavischen Siedlern und dem seltenen Eindringen von Wanderern von außerhalb. Darüber hinaus geben GOAT nur sehr wenig preis. Die Geheimhaltung der einzelnen Mitglieder und der Mangel an Informationen über Korpilombolo tragen wenig dazu bei, die Behauptungen von GOAT zu untermauern oder zu widerlegen. So "unnahbar" auch ihre Gerschichte klingt, so mysterös beschreib die Band auch ihre Musik: "We often talk about how all music is world music and all other genres are old fashioned. All you can hear is the universal similarity between all music. The music from some old cult in northern Sweden can be the same as the music from wherever." Der Sound des neuen Albums ist die klangliche Manifestation aus nigerianischen Afrobeat, deutschen Krautrocks, Funk und düsteren, halluzinatorischen Rock. Passend zum Titel "Medicine" muss dieses Medikament also sehr stark sein. Unabhängig von Dosierung und Art der "Medicine" - es ist Zeit sie jetzt einzunehmen. Limitiertes Wavy Cap Colour Vinyl-LP (Purple-Clear Colour-In-Colour)
- A1: Back On The Road
- A2: Beats On A String
- A3: Come Down
- A4: Down Right Funk
- A5: Funky Magic
- A6: Back To The Ol Skool
- B1: My Streets On Fire
- B2: Ital Stew (Skeewiff Mix)
- B3: I Got U
- B4: Sunshine
- B5: Take It Back
- B6: We Love You Jb's
- C1: Ital Stew
- C2: Ancestors
- C3: Call Me
- C4: I Got U
- D1: New Day Comin
- D2: Sunshine 2K4
- D3: The Brothers
Black Vinyl[39,87 €]
First time on vinyl, expanded version of Japan-only CD album from 2006! Now a double LP with unreleased tracks on audiophile grade colored vinyl (Disc 1: Opaque Baby Blue, Disc 2: Opaque Brown) The Jungle Bros embraced of a range of styles -- including house music, Afrocentric philosophy, a James Brown fixation, and of course, the use of jazz sample , on this reissue double LP Release on Colored Audiophile grade Vinyl , the I got U album is remastered and re-released with additional tracks .Michael Small (Mike Gee), Nathaniel Hall (Afrika Baby Bam), and Sammy Burwell (DJ Sammy B). Known as the pioneers of the fusion of jazz, hip-hop, and house music, they were the first hip-hop group to collaborate with a house-music producer. The trio released their debut album, Straight out the Jungle in July 1988. Their hip-house club hit single, "I'll House You" was added to the album in late-1988 reissues. Fostered by Kool DJ Red Alert, the Jungle Brothers success would pave the way for De La Soul, A Tribe Called Quest, and eventually the Native Tongues collective that they founded. Hip-Hop-House with a jazzy feel including "I Got U", a re-recorded "Sunshine" and four bonus tracks/versions. -- The Jungle Bros embrace of a range of styles -- including house music, Afrocentric philosophy, a James Brown fixation, and of course, the use of jazz samples -- _John Bush, All Music
The Silence of the Perfect Dark is the debut release by The Silence, a project formed by Ophidian and Eye-D as an outlet for all things dark, brooding, funky and dirty. This special vinyl edition features eight of the tracks from the album that outline some of the many musical directions you'll be hearing The Silence exploring in the near future. Highly recommended if you like music slightly unsettling.




















