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Unreleased studio track, remix and live versions plus unreleased live songs attached to our South Africa 30th anniversary project.

"Love and the Russian Winter was released in 1999, the band’s 7th studio album, and included a hit cover of ‘Ain’t That a Lot of Love’. All other tracks were Hucknall originals. The new release includes remastered audio for vinyl.
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Peter Brötzmann: tarogato, contra-alto clarinet, bass saxophone Paal Nilssen-Love: drums, gongs, percussion 2nd Volume of the perfect pairing Brötzmann & Nilssen-Love, recorded at Zuiderpershuis in Antwerp, August 2015. The music is less frenzied and aggressive than we're used to, as the musicians shared their exploration of new tools with a more contemplative approach. To be sure, both Brötzmann and Nilssen-Love summon the usual energy here and there, but it's a genuine revelation to hear them feel out new sounds in real-time, whether it's the former caressing the rheumy nasality of the contra-alto clarinet, or the latter reveling in the sustained resonance of his new gongs. Still, even if they were trying out new tools, their rapport and level of engagement was just as strong and deep as ever. Colliding schedules prevented them from ever wrapping up the production on the album, but they began planningfor it during the pandemic. Sadly, it fell to Nilssen-Love to shepherd the project at home, but it was worth the wait. This duo album represents a major statement from both musicians. Artwork by Brötzmann, design by Lasse Marhaug. Liner notes-transcription of an interview with Peter Brötzmann.

Six Nine Records Ltd. UK proudly presents a fantastic release from UK’s queen of soul and disco – Ania Garvey! Hailing from Bahamas and now residing in London, Ania is giving us two sublime tracks on one beautiful and shiny 7”, the brand-new tune “Good Love” on top and the exquisite John Morales mix of “Let’s Feel Good on the flip. Certified dancefloor destroyers and a must have for all discerning music lovers, record collectors and DJs. Definitely not to be missed as it is a limited UK press with full colour printed picture cover!

On FORGIVENESS, SLIM0 sets the scene with a scream tearing apart the silence. “Stars! I’m Coming!” introduces the Danish/Montegrinian/Iranian trio's debut album in mere 1:11 mins; it’s disruptive, energetic, almost scornful. The stage is filled with a multitude of characters at high pace, but are we witnessing a comedy or a tragedy? The opening soon gives way to a much gloomier mood throughout, revealing a full body of work conveyed through personal takes on classic rock tropes with SLIM0 as the omniscient narrator.

FORGIVENESS came to life through long live session jams and recordings melted into their rawest essence by the enigmatic artist and producer Aase Nielsen, who has closely collaborated with the group in forming their first full length release. Urgency, noise and desire characterise the musical and artistic expression on the record, where hardcore rock lives side by side with pop cultural references. On previous releases, SLIM0 have drawn upon choir, alternative indie, prog rock and grunge (EPs ‘sol i øjet’ and ‘lifespan’ as well as multiple singles). FORGIVENESS sees them cultivating all of these elements while stepping into an even meaner space, and which better place to go to for this than the world of punk, rock, doom.

Nachdem Schiller mit den Releases von Sonne und Sonne (Chillout Edition) bereits sämtliche Fans begeistern konnte, machte Christopher von Deylen mit seinem im August 2013 erschienenen achten Studioalbum
Opus es sich zur Aufgabe, auf kunstvolle Weise klassische Melodien mit elektronischen Klängen zu verweben. So interpretiert er beispielsweise gemeinsam mit der renommierten Pianistin Hélène Grimaud, deren
Erfolgsweg von internationalen Triumphen gesäumt ist, Erik Saties „Gymnopädie No.1“, während die legendäre Sopranistin Anna Netrebko zum ersten Mal auf elektronische Musik trifft und meisterhaft Edvard
Griegs „Solveig‘s Song“ in die einladende, akustische Landschaft von Schiller hineinlegt.
Hinzu kommen altbekannte Melodien wie etwa die von Rachmaninoffs „Rhapsody On A Theme Of Paganini
op. 43“ oder Debussys „Reverie“.

Zeitsprung 10 Jahre in die Vergangenheit: Schiller (Christopher von Deylen) gibt seine beliebtesten Hits
wie „Das Glockenspiel“ beim ffSchiller meets Classicff Open Air live auf dem Berliner Gendarmenmarkt zum
Besten und wird dabei von einem spektakulären Sinfonieorchester begleitet, sowie von weiteren Künstlern
wie Midge Ure, Eva Mali (Sopran) und Der Graf, Sänger von der preisgekrönten deutschen Band Unheilig.
Der außergewöhnliche Auftritt, der im Juli 2014 aufgezeichnet wurde, umfasste dabei Titel aus seinem
Gold-Album Opus sowie weitere Songperlen aus seinem bisherigen Katalog.

In the fall of 2022, celebrated UK chill-out institution Seahawks landed in Los Angeles for the first time in their 15-year history, with plans to record a sweeping new age downtempo "exploration of visionary California."

Instead, they immediately fell ill with flu (Fowler collapsed next to a taco truck; 911 was called), and were bedridden for the better part of a week. Upon recovering, they resituated at the synthesizer sanctuary of Brian Foote (Peak Oil, Kranky, Leech), channeling their post-sickness psychedelia into one of the band's lushest and most elevated creations to date: Time Enough For Love. Inspired by the "groove and mood" of Harry Nilsson demos, as well as its wider 70's wavelength - Rhodes, Wurlitzer, wood paneling - Seahawks transposed their classic post-rave ambient exotica onto a warm and woozy Golden State palette. Buoyed by the liquid touch of English maestro Kenny Dickenson on keys, the results rank high among the duo's smoothest and most multi-sensory voyages. "Sail Across The Moon" delivers on its title, a simmering, phaser-smeared cruise through the beauty of the night. "Messengers" echoes the cosmic lounge of Air's Moon Safari, shuffling, weightless, and ethereal, while "Falling Deep" reaches for the stars, pure cascading bliss, the ecstatic moment writ large.

The album skews steadily more astral as it progresses, drifting towards jazzy, galactic outer reaches. "Like A Grain Of Sand" opens with a spoken sample by the celebrated late American poet Rachel Sherwood ("The children watch, breathless / with the birds / They feel an emanation / from this shuddering place"), before taking flight on a Balearic trip through island house, PM Dawn gold dust, upright bass meditation, and kaleidoscopic light. A remix of the title track by Chicago trio Purelink closes the record in a suitably subdued and skittery state of mind. Time Enough For Love radiates color, complexity, and positivity, infused by the "life enhancing" nature of the band's time in Los Angeles - sunsets, sound systems, and sativa, framed by coastlines and cloudbanks, the city's mystic sprawl glittering beneath purple dusk.

A classic in the realm of Disco, ‘Spread Love’ by Al Hudson & The Soul Partners was a standout record from their album ‘Spreading Love’, originally released in 1978 on ABC Records. Having been covered and sampled various times over the years, this sought-after masterpiece has now been officially licensed for the first time in 46 years and remastered on 12 inch, thanks to the team at South Steet Disco. The A-side features the full extended intro version from the original album, whilst the B-side houses the 1978 12 inch single version, jumping straight into the action.

“Shadow of Love“ transports echoes of your favorite 80s New Wave anthem into the here and now and refines it with a strobe light makeover. The result is a synth-heavy, digitized banger reaching out for unified dancefloor euphoria while still managing to expand the sonic spectrum of everyone involved. It’s a surprisingly joyous, ecstatic, and breezy slice of, well, state-of-the art pop that probably offers the most radio-friendly piece of music both parties ever laid their hands on.

Indulge in 4 Extraordinary Edits and Remixes Crafted by Heavyweight Producers, Each Track Highly Sought-After and In-Demand. Essential Item Limited Edition No Re-Press...

Toyahs fünftes Studioalbum wurde von der Single "Rebel Run" angekündigt und schaffte es seinerzeit auf Platz 28 der UK-Charts. Während die neu gemasterte LP-Version die Original-Trackliste beibehält, enthält die Deluxe 2CD+DVD-Edition Unmengen an Bonusmaterial, darunter B-Seiten, alternative Aufnahmen und 20 bislang unveröffentlichte Tracks. Die DVD enthält neue Interviews mit Toyah sowie acht Livemitschnitte aus den BBC-Archiven.