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- A1: What's Going On
- A2: What's Happening Brother
- A3: (Womb)
- A4: To Be Human (Jazz Skit #1)
- A5: Save The Children
- A6: Somebody (Jazz Skit #2)
- A7: Grow Up (Jazz Skit #3)
- A8: God Is Love
- B1: Mercy Mercy Me (The Ecology)
- B2: It's What I Could See (Jazz Skit #4)
- B3: Pray For Peace (Fail Better)
- B4: On The 21St Of May
- B5: Dad's Records (Jazz Skit #5)
- B6: Shot Down (Jazz Skit #6)
- B7: Inner City Blues
Das zweite Album von Sam Beste aka The Vernon Spring ist eine kathartische, kraftvolle und zeitgemässe Neoklassik-Interpretation des bahnbrechenden Marvin Gaye-Meilensteins 'What's Going On' (1971). Eine Melange aus Field Recordings, Samples und Sprachausschnitten umwebt die zentrale und sehr intime Piano-Performance von The Vernon Spring.
- A1: What's Going On
- A2: What's Happening Brother
- A3: Flyin' High (In The Friendly Sky)
- A4: Save The Children
- A5: God Is Love
- A6: Mercy Mercy (The Ecology)
- B1: Right On
- B2: Wholy Holy
- B3: Inner City Blues (Make Me Wanna Holler)
- C1: What’s Going On Stripped Version (Previously Unreleased)
- C2: What’s Going On Mix 1/No Strings Or Horns
- C3: What’s Going On Rhythm & Strings Instrumental Mix
- C4: Symphony Demo Version
- C6: What’s Going On (Original Mono Single Mix)
- D1: God Is Love (Original Mono Single Mix)
- D2: Mercy Mercy Me (The Ecology) (Original Mono Single Mix)
- D3: Sad Tomorrows (Original Mono Single Mix)
- D4: Inner City Blues (Make Me Wanna Holler) (Original Mono Single Mix)
- D5: Wholy Holy (Original Mono Single Mix)
UMC are proud to present the release of What’s Going On: 50th Anniversary 2LP Edition on January 28th, 2022. This premium vinyl release features direct-to-analog mastering from the original primary album tape reels by acclaimed engineer Kevin Gray, one of the first times this has been done since 1971, offering an undeniably authentic listening experience. What’s Going On: 50th Anniversary 2LP Edition bonus LP opens up the album’s writing and production palette. Featured are four rare cuts making their vinyl debut, highlighted by a previously unreleased “stripped” version of the title song, plus all six original mono single mixes and their B-sides, with all of those 7” versions on vinyl for the first time since their original releases. Among them are alternate versions of “God Is Love” and “Flying High (In The Friendly Sky),” the latter issued on 45 as “Sad Tomorrows.” Full track listing below. With two 180gm records, a tip-on heavy stock jacket, original gatefold with complete lyrics, this formidable release also includes printed sleeves with track details, a rare image from the cover sessions, and a brief essay honoring arranger David Van De Pitte. Highlighted is a main essay by acclaimed author and poet Hanif Abdurraqib who was just named one of the 25 recipients of the 2021 MacArthur “genius” grant.
- A1: What's Going On
- A2: What's Happening Brother
- A3: Flyin' High (The Friendly Sky) (The Friendly Sky)
- A4: Save The Children
- A5: God Is Love
- A6: Mercy Mercy Me (The Ecology) (The Ecology)
- A7: Sad Tomorrows
- B1: Right On
- B2: Wholy Holy
- B3: Inner City Blues (Make Me Wanna Holler) (Make Me Wanna Holler)
- B4: Head Title
Originally released in 1971. "What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, 'What's Going On.' When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time." John Bush, AllMusic
· First release of the Jagjaguwar 25th anniversary celebration happening in 2021. · Features production and composition accompaniment from Bon Iver, Mary Lattimore, Angel Bat Dawid, Gia Margaret, and Sam Gendel. · Limited edition Opaque Green vinyl. Over the last 12 years, Ross Gay's poems have given us indelible images and phrases of radical empathy and unabated gratitude; about community, collaboration, connectedness and hard work. They have crept into our hearts and made a home of all of us. And so we are launching our 25th Anniversary celebration with `Dilate Your Heart', our first spoken word album since titan Robert Creeley's self-titled release twenty years ago. "Catalog of Unabashed Gratitude" is given a gorgeous, slowly creeping bed of vines by Bon Iver, as Gay's unadorned voices speaks a lifetimes of Thank You's. On "Burial," harpist and composer Mary Lattimore's lunar landscape follows Gay's voice into space, telling of our endless energy exchange with nature. Chicago's Angel Bat Dawid dances with the frenetic, joyous scene Gay leads us through on "To the Fig Tree on 9th and Christian," in which a group of Philadelphia strangers scramble together to harvest the fruit of the titular urban fig tree. Songwriter Gia Margaret provides a mystical, amniotic environment for Gay's "Poem To My Child If Ever You Shall Be," a love letter to an imagined future child, treating Gay's voice like a message in a bottle to a far off idea made only of love and potential. Sam Gendel, a secret weapon collaborator, affects Gay's voice on "Sorrow Is Not My Name" to something glassy and almost singsongy. Throughout, Gay recites his poems with bright aliveness, his voice as warm and easy when he speaks about death as when he speaks about mercy, or love.
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