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Art Bound launches its label with Ghost Signal Theory, a split EP by Brazilian producer Artürst and Georgian producer Toke, exploring a dark, progressive and electro-oriented sound where each track develops its own atmosphere while contributing to the overall flow and cohesion of the project.

Side A features Artürst with two tracks blending progressive grooves with layered textures and subtle acid-infused elements, delivering a hypnotic drive built for peak-time sets.

Side B is a three-tracker exploring Toke’s take on the Tbilisi underground, moving through high-energy electro and trance-infused passages, before closing with a deeper broken rhythm that shifts the pace and brings the journey into a more contemplative space, offering a final moment of suspension.

Something of a lost album, 'Letter To The Last Generation' has floated around the internet for some years. Lost in the twilight period of those first few weeks of the pandemic as the world readjusted to a new era, the album received an extremely limited vinyl release, before disappearing into the ether. With the majority of its tracks written and recorded in the weeks before White made a major move from LA to NYC, 'Letter to the Last Generation' feels like a collage from an artist in a restless, transitory state. With all of its tracks remastered, rearranged with a new order, with two additional bonus tracks (originally released on the limited vinyl release), plus two acoustic track replacements; 'Letter To The Last Generation' will receive an official release on CD and digital on 1st May 2026. Reconfigured and realised in the way the artist had always intended, the 2026 release of 'Letter To The Last Generation' creates a journey that spans from the simple to the sublime to the simple again. A worthy reply, to a letter that almost got lost in the mail.

Ed Solo & Deekline par up gain for the next installment of the always awesome Jungle Cakes label. Some feel good sticky Sensi reggae DNB bass goodness, paired with some Special Ghost Town action on the flip. This for now is a vinyl only release.

The rap duo By Storm, made up of Injury Reserve emcee RiTchie and producer Parker Corey debut their first album “My Ghosts Go Ghost”.

Glispy Records follows up its first vinyl with a second release, bringing together Rydeen, Yamoc, Gauvain, and Roman Khropko. Four artists, four different approaches, connected by a shared focus on club-ready, forward-leaning electronic music. This release continues the label’s vinyl series with the same hands-on, DIY spirit and attention to detail that shaped its debut.

“It’s hard to find your way, following the ghost,” sings Noah Alves on the title track from Middleman’s debut album, as the band explores ideas of how being chained to the past can hinder your forward momentum into the future. This creates a thrilling duality to the debut LP from the London DIY four-piece made up of Alves, Harper Maury, Rory White and Ted Foster. They are all young, in their early-to-mid-twenties, and very much focused in the now, harnessing an energy, urgency and rawness that feels fresh, alive and viscerally present. However, it’s also clear there’s a deep love of music that was made before they were born: the taut, wiry assault of Mission of Burma; the raspy yet melodic charge of The Replacements; the pioneering punk of Wipers, fleshed out via the more restrained and tender moments of Big Star or Neil Young. The result is a beautiful dichotomy of a record that both pays tribute to a rich musical lineage that the band are a part of, while also resisting the urge to get sucked into a dead end of nostalgia, mythology and recycling past glories.

Don’t believe your ears - Pepper’s Ghost is the latest offering from NYC project Nuke Watch.

Whatever you think it is - it is not. By the same token it really can be whatever you want - electronica, jazz, improv, noise, new age, ambient - it’s none and all of these. Like the primitive visual illusion it’s named for - Pepper’s Ghost is a projection of a thing, it’s not the thing.

The Nuke Watch method - like that of Aaron Anderson and Chris Hontos’ other primary project Beat Detectives - leans almost entirely on live improvisation, with some advanced studio alchemy in post. Where the Beat Detectives palette draws from club music tropes, Nuke Watch blends recognizable tones (hand drums, woodwinds, keys, fretless bass) with sounds of providence unknown, the line between organic and synthesized instrumentation unintelligibly smudged. What is real and what is projection? It’s hard to say. What do our ears tell us? This is where we arrive at Pepper’s Ghost.

Warped as the sounds may be, the playing belies a crew of deeply expressive, learned improvisers who have their craft honed. Their friendship and psychic connection enhances the ritualistic rhythms, mutant modular synthesis, nimble keyboard runs, absurdist sampling and unidentified skronk. They’re wonderfully complemented across several tracks on this set by Cole Pulice’s levitational, sublime saxophone.

As unhinged as this might all appear, once the mind and music meet on the same wavelength this is profoundly moving, energizing and uplifting Alive Music that recalibrates the sense of what music can be.

Nuke Watch is Aaron Anderson and Chris Hontos, with an array of friendly guests. They’ve released records as Nuke Watch on The Trilogy Tapes, Commend and Moon Glyph. As Beat Detectives they’ve released records on Not Not Fun, 100% Silk and their own studio imprint NYPD Records.

Pepper's Ghost was written and produced by Aaron Anderson and Chris Hontos. Additional instrumentation on these recordings by Cole Police, Leonard King, Eric Timothy Carlson, Chris Farstad and William Statler. It was mixed by Chris Hontos and mastered by Jack Callahan. Painting on the cover is “The Unity Of Being” (2020), by Ry Fyan. Design and layout by Aaron Anderson.

RIYL - Musical illusions, puzzles and magic tricks, downtempo, music of the spheres, good journey, Eddie Harris, Ketron, "world building", orange sunshine, suspension of disbelief.

Pablo Bozzi returns to Jennifer Cardini's Dischi Autunno with a follow up record to the 'Last Moscow Mule' EP from 2020. The six track EP 'Ghost Of Chance' marks a deepening from the previous forays into the Italo Disco & Synthwave influenced sound Bozzi has previously explored. With a heavy hand in the realm of nostalgia Bozzi expertly weaves melody through drum machine loops, the track comes to a climax with longing vocals reminiscent of 80s new wave and goth dance clubs. Although steeped in the nostalgia of time gone he manages to lend a modern production, a cleanness of sound that never stays too long in the past.

Rough Trade Records freut sich, die Veröffentlichung einer neuen Single von Lankum anzukündigen. Ursprünglich für die Tanzshow "Specky Clark" von Oona Doherty im Sadler"s Wells Anfang des Jahres komponiert, ist die Single eine eindringliche, fast übernatürliche Interpretation des Nummer-eins-Hits "Ghost Town" von The Specials aus dem Jahr 1981. "Ghost Town" erscheint als 12"-Vinyl mit einer kunstvollen Gravur auf der B-Seite. Zur Entstehung des Stücks erklärt die Band: "Ghost Town kam unter ungewöhnlichen Umständen zu uns. Oona Doherty, deren Arbeit wir bereits aus dem Video zu Gilla Bands 'Shoulderblades" kannten, erzählte uns von einem neuen Stück über ihren Ururgroßvater, der als Kind nach Belfast geschickt wurde, um bei seinen Tanten in einem Schlachthof zu arbeiten. Sie wollte für eine Halloween-Party-Szene ein Musikstück, das zunächst verschwommen und unkenntlich beginnt und sich dann in den bekannten Song von The Specials verwandelt. Anfangs waren wir zögerlich - ein Ska-Cover war nicht unbedingt unser Stil -, doch schließlich entschieden wir uns, es zu versuchen. Dabei entstand eine spannende Studioerfahrung, in der wir begeistert mit Synthesizern und Drum-Machines experimentierten, um einen rauen 90er-Techno-Sound für das Outro zu schaffen. Wir sind sehr zufrieden mit dem Ergebnis und dankbar, dass Oona uns ermutigt hat, neue Wege zu gehen. Es ist uns eine Ehre, diese ikonische Nummer neu zu interpretieren, deren Themen - städtischer Verfall, wirtschaftliche Not und Frustration der Arbeiterklasse - heute so aktuell sind wie damals."

From the visionary minds of Snarky Puppy’s Robert “Sput” Searight and Nate Werth, Ghost-Note’s explosive debut "Fortified" finally arrives on vinyl. This percussive tour de force seamlessly fuses funk, hip-hop, jazz and world rhythms into a captivating journey of rhythm and groove.
Featuring an all-star lineup of iconic players—including Shaun Martin, Mark Lettieri, and the legendary MonoNeon—this album is packed with tight grooves, deep tribal pulses, searing horn lines, and fearless synth wizardry.
More than just an album, Ghost-Note’s debut "Fortified" bridges classic funk traditions with cutting-edge jazz innovation. It’s a celebration of rhythm, culture, and community. Whether you drop the needle to ignite the dance floor or to get lost in its rich, layered textures, this LP is destined to become a crate-digger’s gem and a cornerstone for fans of modern funk-jazz.

'Triple Pocket Napkin Fold' brings together the work of 12 artists, poets, musicians and theatre makers, facilitated by GHOST, a DIY nomadic platform working between Rotterdam, NL, and Marseille, FR.

Sydney punks Party Dozen (Kirsty Tickle and Jonathan Boulet) return with new single "Mad Rooter', taken from their upcoming AA-single 7" 'Mad Rooter / Ghost Rider' out Dec 5th via City Slang. The duo will be touring throughout the UK this November with shows in London, Brighton, Leeds, Bristol, Manchester and Glasgow.



On the new track, the band said, "It doesn’t always happen, but sometimes it’s your night. You feel like the maddest rooter. Every step you take is a step closer to glory. No f*cks left to give, the charisma of Jon Hamm. 'Mad Rooter' is 10 feet tall and can walk through a wall. Stuck here with all you rookies eating fortune cookies."



They added, "We didn’t record it with a click, so it has this sort of off-grid pull and push that gives it swagger. There’s a sax solo that’s giving David Letterman opening sequence. We recorded the sample with Jon’s guitar, which is old and barely hanging on. The electronics are shot, it’s missing strings, and it’s been sort of half-modified then given up on."

Limited black vinyl. One pressing only. 700 copies worldwide. NON-RETURNABLE.

Full colour sleeve with unseen pics of Ron Geesin in his studio with Marianne Faithful, who was
supposed to provide the spooky voices but was so (allegedly) smashed out on various drugs she had no voice.

Wow! So you’re telling me Ron Geesin made this kooky electro jazzy score to a really unusual
British folk horror weirdy film that is also sometimes called Madhouse Mansion or Asylum of
Blood?

So what we have here is a unique and unreleased British horror score like no other - because
Ron Geesin made it and also because he used trad ideas and modern sonic developments at the
same time. So it’s bonkers. Half the pressing will go immediately to the Trunk mailing list, the
last 300 for the rest of the world. Be quick…