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DLMZ is HMS’s third full-length album, and is written from the perspective of a gang of wholesome country boys and girls who suddenly find themselves having to navigate a world of Dollar Lizards (obscene cult-leadery economic monsters) and Money Zombies (grey- skinned brain-dead consumers).

Dollar Lizard Money Zombie was recorded at Sail Loft studios, St Peter’s and The Unit, all in Cardiff, with the final track recorded live at Cadeirlan Llanelwy. It was engineered by Gareth Bodman, produced by Llion Robertson, and mastered by Charlie Francis.

Perry Blakes von der Kritik hochgelobtes, selbstbetiteltes Debütalbum wird zum ersten Mal auf Vinyl veröffentlicht, inklusive dreier Bonustracks: Killing Time, Ulysses und The Sorrow of Spring.

Perry Blake ist ein tiefgründiges und komplexes Album voller düsterer, melancholischer Meisterwerke, ein Wirbel aus tiefem, emotionalem und eindringlichem Gesang, der ihm eine Fülle von 5-Sterne-Rezensionen in Großbritannien und Europa einbrachte.

Diese limitierte Sonderausgabe erscheint auf 2 x rotem und goldenem Vinyl, mit bisher noch nicht gesehenen Fotos und aktualisierten Sleeve Notes von Perry.

Perry Blake, der in Sligo geborene Sänger und Songwriter, ist eine der großen unerschlossenen musikalischen Quellen. Nachdem seine ersten 3 Singles aus seinem Debütalbum bei Jo Wiley BBC Radio 1 als Singles der Woche ausgezeichnet wurden, zog Blake nach Frankreich, wo er mit seinen nächsten 4 Alben von der Kritik gefeiert wurde. Er tourte mit Carla Bruni durch Europa und schrieb 2 Songs für Francoise Hardys Platin-Album "Tant de belles choses", mit dem er in verschiedenen TV-Shows in Frankreich als ihr Special Guest auftrat...

Mango Vinyl. Leon Russell war einer der angesehensten Studiomusiker der Rockgeschichte. Er wirkte an einer überwältigenden Anzahl von Platten von Legenden wie Jerry Lee Lewis, Bobby Darin, Phil Spector, Frank Sinatra, den Byrds und den Beach Boys mit. Russells Solowerke profitierten von seinen erstaunlichen Seilschaften, Koryphäen wie George Harrison, Eric Clapton, Willie Nelson, verschiedene Rolling Stones und andere, verhalfen Russell im Laufe der Jahre seinen Alben den letzten Schliff zu geben. Als "Meister von Raum und Zeit" mischte Russell Südstaaten-Soul, Gospel, Country, Rock und den Piano Singer/Songwriter-Stil. "A Song For Leon" zelebriert Leons Leben und seine Karriere, ikonische Acts wie die Pixies, Orville Peck, Nathaniel Rateliff & the Night Sweats, U.S. Girls featuring Bootsy Collins, Durand Jones & The Indications und andere unglaubliche Künstler sind hier versammelt. "A Song For Leon" zeigt die Wirkung von Leon Russells Liedern in anderen, neuen Versionen seiner Musik.

Preceded by his reputation as a rap experimentalist, Bladee is a prolific and highly inventive entity with work spanning and intersecting the worlds of music, art and fashion.

He began his career as a teenager, trading art and lyrics with close friends. After releasing his first projects, international recognition came quickly and his network of Stockholm innovators soon arrived at the vanguard of a new era in music culture.

333 is Bladee's fourth solo album. Produced by Whitearmor, Gud, Mechatok, Lusi of Ripsquad and Joakim Benon of JJ, the album has no guest appearances.

Östro 430 waren schon immer eine sehr besondere Band. Eine kurze Zeitreise: Es sind die späten 70er- und frühen 80er-Jahre, und in Düsseldorf proben Dutzende junger Gruppen die Revolution: Male, Mittagspause (später Fehlfarben), ZK (später Tote Hosen), S.Y.P.H., Der Plan, DAF. Ihre Barrikade, Bühne und Biertresen ist der Ratinger Hof, der schnell zum deutschen "Mekka des Punk" wird. Doch selbst hier verstoßen Östro 430 gegen jedes Gesetz. Ihre Musik ist aufgedreht, melodiös, brachial und Do-it-Yourself. Die Krönung sind die Songtexte: Lieder wie "Sexueller Notstand", "S-Bahn" und "Zu cool" werden zu Klassikern. Sie schaffen es ins Fernsehen, den britischen NME und sogar in die BRAVO. Die Welt braucht die Östros, aber sie verpasst ihre Chance: 1984 lösen sich Östro 430. 39 Jahre später bekommt die Welt eine zweite Chance. Östro 430 können nicht anders, als anders zu sein als alle anderen. Punkrock, aber nach Hausfrauenart: keine Gitarren - und trotzdem straight. Dazu Texte, die das Reimlexikon neu erfinden: Sie dichten "Diktator" auf "Vibrator" und "Hintern" auf "Pimpern". Sie teilen aus gegen jede Art von Spießertum: machtgeile Populisten, konservative Alt-Punks, ignorante Umweltschweine und politisch Überkorrekte, die Shitstorms diktieren. Und die Östros können sogar anders als anders, nämlich verletzlich sein. In "Bleib hier" heißt es: "Du sagst, ich lieb aus Angst vor dem Alleinesein und jedes Wort tritt meine Zukunft ein". Östro 430, die ungewollten Role-Models der Ü50-PunkerInnen, teilen wieder aus & prangern an - schmackhaft, nachhaltig & wohl bekömmlich. Auf "Punkrock nach Hausfrauenart" sagen nun auch Bela B. von den Ärzten, Bärchen & die Milchbubis und Stefan Stoppok mit ihren musikalischen Gastbeiträgen als Kronzeugen für die Gruppe aus. Einst waren Östro 430 Vorbilder, als es Bezeichnungen wie Rrriot Girls und Role Models noch nicht gab. Und auch heute sind sie wieder Wegbereiter. Wegbereiter wofür? Bis die Welt das passende Wort gefunden hat, nennen wir"s einfach "Punkrock nach Hausfrauenart".

Östro 430 waren schon immer eine sehr besondere Band. Eine kurze Zeitreise: Es sind die späten 70er- und frühen 80er-Jahre, und in Düsseldorf proben Dutzende junger Gruppen die Revolution: Male, Mittagspause (später Fehlfarben), ZK (später Tote Hosen), S.Y.P.H., Der Plan, DAF. Ihre Barrikade, Bühne und Biertresen ist der Ratinger Hof, der schnell zum deutschen "Mekka des Punk" wird. Doch selbst hier verstoßen Östro 430 gegen jedes Gesetz. Ihre Musik ist aufgedreht, melodiös, brachial und Do-it-Yourself. Die Krönung sind die Songtexte: Lieder wie "Sexueller Notstand", "S-Bahn" und "Zu cool" werden zu Klassikern. Sie schaffen es ins Fernsehen, den britischen NME und sogar in die BRAVO. Die Welt braucht die Östros, aber sie verpasst ihre Chance: 1984 lösen sich Östro 430. 39 Jahre später bekommt die Welt eine zweite Chance. Östro 430 können nicht anders, als anders zu sein als alle anderen. Punkrock, aber nach Hausfrauenart: keine Gitarren - und trotzdem straight. Dazu Texte, die das Reimlexikon neu erfinden: Sie dichten "Diktator" auf "Vibrator" und "Hintern" auf "Pimpern". Sie teilen aus gegen jede Art von Spießertum: machtgeile Populisten, konservative Alt-Punks, ignorante Umweltschweine und politisch Überkorrekte, die Shitstorms diktieren. Und die Östros können sogar anders als anders, nämlich verletzlich sein. In "Bleib hier" heißt es: "Du sagst, ich lieb aus Angst vor dem Alleinesein und jedes Wort tritt meine Zukunft ein". Östro 430, die ungewollten Role-Models der Ü50-PunkerInnen, teilen wieder aus & prangern an - schmackhaft, nachhaltig & wohl bekömmlich. Auf "Punkrock nach Hausfrauenart" sagen nun auch Bela B. von den Ärzten, Bärchen & die Milchbubis und Stefan Stoppok mit ihren musikalischen Gastbeiträgen als Kronzeugen für die Gruppe aus. Einst waren Östro 430 Vorbilder, als es Bezeichnungen wie Rrriot Girls und Role Models noch nicht gab. Und auch heute sind sie wieder Wegbereiter. Wegbereiter wofür? Bis die Welt das passende Wort gefunden hat, nennen wir"s einfach "Punkrock nach Hausfrauenart".

Svitlana Okhrimenko (artist name: Svitlana Nianio) is a Ukrainian artist, musician, and signer. She is one of the most prominent representatives of the independent music scene of Kyiv in the late 1980s — early 90s. She has repeatedly recorded and performed in collaboration with other musicians and bands, such as Oleksandr Yurchenko, Sugar White Death (Cukor Bila Smert’), Ivanov Down, GeeNerve & Taran, and Blemish. Svitlana still performs and publishes new recordings today.

“Transilvania Smile” is one of the first solo works recorded in 1994. During this time, Svitlana repeatedly visited Germany, where she had the experience of playing in parks and on the streets, gathering contacts of the local art scene. Her cooperation with the international choreographic group Pentamonia, based in Cologne and consisting of several girls who performed in theaters, took part in various performances, and were engaged in music. They met in the 1990s during joint performances with "Sugar-White Death." After that, they corresponded, and the idea of doing something together arose. Svitlana attended several of their performances, which inspired her to write music for a new project, and the band members helped to realize their creative ideas. Later, they started rehearsing together.

The name “Transilvania Smile” was invented by the project participants, and it symbolized the mold on the mirror and the reflection of a smiling vampire. However, shortly before the premiere, they changed it to “Firefox”, as the participants actively used flashlights and the play of light and shadows in the scenography.

The premiere occurred in the local Urania theater, previously a gallery. Isabel Bartensein directed the choreography, and Svitlana played, sang, and improvised. She said it was an excellent experience for her and the band. Besides Cologne, they also performed in Aachen.

Later, Michael Springer offered Svitlana to record this material in his "Phantom" studio. They had already worked together and recorded music for their project (Svitlana Okhrimenko / Phanton). Michael was also interested in the Ukrainian independent scene and participated in the creation of several compilations that featured bands from Kyiv and Kharkiv. Svetlana played the piano and harmonium in the studio and also sang. After the recording, the material was never released in its entirety. Two compositions appeared on the cassette compilation “Shovaisia” (Hide) in 1995, some episodes were re-recorded for the “Kytytsi” album in 1999, but for a long time, the full version of this recording remained practically unknown to listeners and was kept in Svitlana's and Michael’s archives.

This album is one of the most personal and insightful works of Svitlana Nianio from the 90s, which you can now get to know in its original form and sound.

The first encounters of Chassol with Indian music date from his teenage years where, thanks to John Mc Laughlin and his band Shakti, he could hear ragas, rhythm structures and Indian instruments mixed with jazz.

Then came Ravi Shankar, Hariprasad Chaurasia and the devotional songs.
More recently, the documentaries by Louis Malle (Phantom India) and by Johan van der Keuken (The Eye Above The Well) left their marks on him and after having harmonized New-Orleans in "Nola Cherie", the choice to attempt at an harmonization of life, sounds, motifs, noises and traffic from Northern India quite naturally grew on him.

In Calcutta and Varanasi, India's most ancient city, he went to shoot sitarists, percussionists, singers, dancers, the kids, the Ganga, the city and the apparent chaos of the traffic.

Indiamore spreads over four movements, one same tonal harmonic suite of warm and real pop chords that marries the modal Indian music usually resting on a sole continuous bass line played by the tampura.

In repeating these images, in treating their sound as a music material and in harmonizing the actors' speech with his own harmonic obsessions, he achieves to blend a documentary approach into a

Since 2003, Cleveland, OH's Midnight have been peddling their classic homage of self styled Black Rock N' Roll, building up sizable catalog for their ever growing fanbase. "Shox Of Violence." corrals all of Midnight's early EPs and splits into one savory collection of heavy metal madness. "Shox Of Violence" features four (at the time of original release) new songs plus a covers of Venom's "Too Loud For The Crowd" that was available exclusively to subscribers of Decibel magazine, some super-rowdy live tracks and a handful of covers of Midnight favorites from The Spits, Quiet Riot, Girlschool, The Pagans, Australia's Taipan and NWOBHM cult Crucifixion among others.

As Wreckless Eric he needs little introduction - he wrote and recorded the classic Whole Wide World and had a hit with it back in 1977. Since then it"s been a hit for countless other artists including The Monkees, Cage The Elephant and Billie Joe Armstrong of Green Day. Eric"s version featured in the 2022 Expedia / Superbowl / Ewan MacGregor travel ad, and the Cage The Elephant version is the new theme tune for the podcast Smartless. This new album, Leisureland, marks a return to his more ramshackle world of recording - guitars and temperamentally unpredictable analogue keyboards, beat-boxes and loops in conjunction with a real drummer, Sam Shepherd, who he met in a local coffee shop in Catskill, New York. He was delighted to find that Sam lived around the corner and could easily drop by to put drums on newly recorded tracks. The recording methodology may have been Contemporary American but the subject matter is almost entirely British. It also contains more instrumentals than any of his previous albums.

As Wreckless Eric he needs little introduction - he wrote and recorded the classic Whole Wide World and had a hit with it back in 1977. Since then it"s been a hit for countless other artists including The Monkees, Cage The Elephant and Billie Joe Armstrong of Green Day. Eric"s version featured in the 2022 Expedia / Superbowl / Ewan MacGregor travel ad, and the Cage The Elephant version is the new theme tune for the podcast Smartless. This new album, Leisureland, marks a return to his more ramshackle world of recording - guitars and temperamentally unpredictable analogue keyboards, beat-boxes and loops in conjunction with a real drummer, Sam Shepherd, who he met in a local coffee shop in Catskill, New York. He was delighted to find that Sam lived around the corner and could easily drop by to put drums on newly recorded tracks. The recording methodology may have been Contemporary American but the subject matter is almost entirely British. It also contains more instrumentals than any of his previous albums.

Tripped's second full length album has arrived, roughly one year after Unboxed (PRSPCT273) and is once again ready to take you on another journey through hard techno, industrial, acid, breaks & hardcore techno.

Tripped digs deeper into raw & analog techniques that will teleport you back to the wastelands of 90's warehouse raves.
While slowly building in Bpm and intensity, It features both emotional and kickheavy tracks ready to take on any dancefloor.
It also includes a Slave To Society remix of 'Tank', earlier released on MADINCH003.

While we once again recognise the artwork style from past releases (painted by himself) we notice another personal concept linked to the album . 'A Thing About Something' addresses mental health issues, anxieties & depression and aspires to keep fighting the daily struggles.

With a hit-making, chart-topping, 25 year career already behind her as a member of STEPS, following on from the 2019 Top
10 album, ‘My Wildest Dreams’, CLAIRE RICHARDS releases her second solo album, ‘EUPHORIA’.
• Produced by Steve Anderson (Kylie/Britney/Girls Aloud/Take That/Westlife), the album features classics by legendary
female singers, of which Claire writes that “This album is a thank you to all the incredible women that inspired me to sing!”
• Two special guests join Claire on ‘EUPHORIA’, with Andy Bell featured on ‘Summer Night City’ and Delta Goodrem on ‘No
More Tears (Enough Is Enough)’ .
• The album’s lead single ‘I Surrender’, originally recorded by Celine Dion, showcases Claire’s incredible vocal range by
turning the song from a power-ballad into an absolute banging floorfiller, also demonstrating why Claire is one of the best
British vocalists.
• Produced as a multiple format release, this 11 track album comes as a Marble Colour Vinyl LP.
• Ever popular with TV presenters, Claire has an incredible PR plot lined-up, as everyone wants her on their show!

With a hit-making, chart-topping, 25 year career already behind her as a member of STEPS, following on from the 2019 Top
10 album, ‘My Wildest Dreams’, CLAIRE RICHARDS releases her second solo album, ‘EUPHORIA’.
• Produced by Steve Anderson (Kylie/Britney/Girls Aloud/Take That/Westlife), the album features classics by legendary
female singers, of which Claire writes that “This album is a thank you to all the incredible women that inspired me to sing!”
• Two special guests join Claire on ‘EUPHORIA’, with Andy Bell featured on ‘Summer Night City’ and Delta Goodrem on ‘No
More Tears (Enough Is Enough)’ .
• The album’s lead single ‘I Surrender’, originally recorded by Celine Dion, showcases Claire’s incredible vocal range by
turning the song from a power-ballad into an absolute banging floorfiller, also demonstrating why Claire is one of the best
British vocalists.
• Produced as a multiple format release, this 11 track album comes as a Marble Colour Vinyl LP.
• Ever popular with TV presenters, Claire has an incredible PR plot lined-up, as everyone wants her on their show!

Life On Mars is the 1976 debut album by the American R&B/jazz fusion singer, arranger, musician, composer and conductor Dexter Wansel. The album is considered to be a "space-funk" classic, inspired by David Bowie's "Life On Mars?". Wansel composed his own sci-fi sounds with swirling, ring-like oscillators, cosmic sub tones, and metallic, otherworldly leads using his signature ARP 2600 synthesizer. Wansel's pioneering synth sound was shared on numerous records with artists like MFSB, Billy Paul, Evelyn "Champagne" King, Teddy Pendergrass, and The Jones Girls. The album inspired other artists and Wansel's "Theme From The Planets" drum beat intro is hailed as being one of the first foundation beats of hip-hop. His sampled music has been used by Kanye West, Lil Wayne, Drake, Rick Ross, J. Cole, Wiz Khalifa, and Ice Cube amongst others.

Life On Mars is available as a limited edition of 1500 individually numbered copies on translucent blue coloured vinyl.

"To kick off the yearlong celebration and provide the perfect summer soundtrack, Capitol Records and UMe will release a newly remastered and expanded edition of The Beach Boys career-spanning greatest hits collection, Sounds Of Summer: The Very Best Of The Beach Boys, on June 17. Originally released in 2003, the album soared to no. 16 in the US and stayed on the chart for 104 weeks. Now certified 4x platinum for sales of nearly four and a half million albums, the collection has been updated in both number of songs and audio quality, expanding the original 30-track best of with 50 more of the band’s most beloved songs for a total of 80 tracks that span their earliest hits to deeper fan-favorite cuts and from their 1962 debut album, Surfin’ Safari through to 1989’s Still Cruisin’.
Assembled by Mark Linett and Alan Boyd, the team behind 2013's GRAMMY® Award-winning SMiLE Sessions and last year’s acclaimed boxed set, Feel Flows – The Sunflower and Surf's Up Sessions 1969-1971, Sounds Of Summer features nearly every US Top 40 hit of The Beach Boys’ incredible career, including “California Girls,” “I Get Around,” “Surfer Girl,” “Surfin’ U.S.A.,” “Fun, Fun, Fun,” “God Only Knows,” “Good Vibrations,” “Be True To Your School,” “Wouldn’t It Be Nice,” “Kokomo,” “Barbara Ann,” “Help Me, Rhonda,” “In My Room,” and many others. Fifty additional tracks showcase a broad mix of songs from across their wide-ranging catalog with some of the many highlights including “All Summer Long,” “Disney Girls,” “Forever,” “Feel Flows,” “Friends,” “Roll Plymouth Rock,” “Sail on Sailor,” “Surf’s Up,” and “Wind Chimes.”
The collection boasts 24 new mixes including two first-time stereo mixes, plus 22 new-and-improved stereo mixes, which in some cases feature the latest in digital stereo extraction technology, allowing for the team to separate the original mono backing tracks for the first time.
The expanded edition of Sounds Of Summer will be available in a variety of formats, including a 3CD softpack, and as a Super Deluxe Edition 6LP vinyl boxed set on 180-gram black vinyl in two options – a standard set or a numbered, limited edition version featuring a rainbow foil slipcase and four collectible lithographs. Both versions will feature color printed sleeves that replicate the original “Capitol Catalog” sleeves that highlight the entire Beach Boys discography, and all formats will include a booklet with new liner notes and updated photos. The original 30-track version will also be available in its newly remastered and upgraded form on single CD or double gatefold LP on standard weight vinyl or as a higher-end limited edition numbered version pressed on 180-gram vinyl with a tip-on jacket and a lithograph. "

Factory Benelux presents a limited (500 copies only) orange vinyl edition of Retrofit, the seventh studio album from post-punk trailblazers Section 25, originally released in 2010. First time on vinyl.

Recorded before the untimely death of founder member Lawrence Cassidy in February 2010, Retrofit saw cult Factory Records group Section 25 revisit key tracks from their 1980s back catalogue, remade and remodelled for the 21 st century using an appropriate mix of new and old technology.

‘Gathered here is a selection of Section 25 faves, re-recorded and re-thought. The idea is born from their invigorating live set – compelling use of technology to lift them (almost) free from the familiar shards of 80s underground. Shockingly, this newattack works. All this tightening appears to have tugged the band into a sense of Now, gloriously at odds with the contemporary norm’ (The Quietus)

‘Audacious and innovative’ (Record Collector)

‘Section 25 might just be the best band in the world. Since 1980 they’ve been forging music that is as beautiful as it is challenging, from the monochrome psychedelia of their first album through Zen guitarscapes, electronic epiphanies, the arguable invention of Acid House, and on to an unexpected rebirth in 2006. Even within the narrative of such an unusual band, Retrofit is an odd confection: not a best-of or remix album, but a retrospective in which tracks are remodelled as gleaming technosculptures with the most human of hearts.’ (Glasgow Herald)

Now released on vinyl for the very first time, FBN 140 is limited to just 500 copies pressed on orange vinyl. The digital copy contains 5 bonus tracks, including a blistering re-boot of Looking From A Hilltop by Stephen Morris of Joy Division/New Order.

The Arockalypse is the third studio album by Finnish rock band Lordi. It includes the hit single “Hard Rock Hallelujah”, which won the Eurovision Song Contest 2006 for Finland. The album was certified with a triple Platinum status in Finland, Gold in Germany, and Sweden. It reached the number one chart position in Finland, Sweden, and Greece.

The Arockalypse has several guest appearances: Dee Snider and Jay Jay French from Twisted Sister, Udo Dirkschneider from Accept/U.D.O. and Bruce Kulick from Kiss.

The Arockalypse is available as a limited edition of 1000 individually numbered copies on flaming coloured vinyl and includes an insert.

Throw on your platform boots and stomp along to the latest 7' double Aside vinyl single and digital release of "Rock N Roller" and "Rock N Roll
Angel" out on Curation Records in May 2023! It's pure bubble glam crunch
rock madness!
Hammered Satin is a glam rock band from Los Angeles California
established in late 2010
Stylistically pulling from what is now known as unkshop Glam from the 1970's. In
other words, they aspire to sound not like David Bowie himself but more like the
hitless wonder wanna- be Bowie's, Bolans, Quatro's, Sweets, Muds ect ad
nauseam. There are also punk or 'Proto Punk" and Bubblegum elements to
Hammered Satin's music that seemingly goes under the radar. The current 2023
lineup includes the three founding members. Noah Wallace lead vocals (formerly
of Teachers's Pet, S'cool Girls), Dan Sandvick Bass, Conor Berhle guitar, and
glampa Don Bolles drums, vocals (formerly of The Germs, Celebrity Skin, 45
Grave among many others). To date Hammered Satin have released two albums,
four two song 7" singles, and four digital-only singles. Their music has made it
onto a few TV shows such as Showtimes 'Dice", and Netflix's cartoon Mr.
Peabody and Sherman. The band has even managed to garner press in Rolling
Stone magazine more than once which is unheard of for an underground band.
Other noteworthy moments were direct support slots for The Ark in Sweden and
The Black Crowes in Las Vegas.

The master sleuths at Dark Entries bring us Forbidden Overture, another tantalizing mystery from the hidden depths of sleaze. It all began years ago when Bijou Video’s Jules Zinn introduced the label to the soundtracks of the pornographic films of legendary filmmaker Steve Scott and gay superstar Al Parker. It wasn’t until The Magazine’s Bob Mainardi gifted a cassette copy of the soundtrack to the film TURNED ON—a bathhouse fantasy from 1982—that the wheels started turning. The steamy, hypnotic sounds were credited only to “Forbidden Overture…” but who was that? This question remained unanswered for some time, and countless hours of research, Venn diagramming, and elaborate flow charts all proved fruitless.
It wasn’t until a chance screening of BAD GIRLS DORMITORY, a 1986 women-in-prison movie from gay porn director Joe Gage that happened to reuse some of the same music did the answer become clear: Forbidden Overture was none other than the mighty Man Parrish!​

The soundtrack to TURNED ON consists of two epic side-long pieces, both of which employ classic Man Parrish production techniques. “Primal Overture” slinks along with brooding pads and ominous chords, building and oozing throughout its 27 minute runtime like a sultrier Goblin soundtrack. “Strictly Forbidden” takes a similar groove to a major key, but it’s optimistic chirp conceals a wry, mysterious wink. Says director Steve Scott: “It took us about two weeks to find the right piece for the jockstrap scene. But it's like anything else—you know when it’s right.”

​Also included is a 20 page booklet featuring photos, archival material, a pull-out poster, and interviews with Steve Scott and stars Al Parker and Scott Taylor. TURNED ON is an exciting musical rediscovery as well as a vital document of queer history.