Transluzentes algengrünes Color-Vinyl (140g) inklusive doppelseitigen 12"-Kunstdruck und Download-Code.
Forest Swords (alias der elektronische Produzent/ Komponist Matthew Barnes) kündigt sein neues Album, „Bolted“, an. Nachdem er in den letzten Jahren als gefragter Komponist und Sounddesigner gearbeitet und Musik für Ballett, Film und Videospiele geschrieben hat, wurde „Bolted“ im letzten Jahr in einer Lagerhalle in Barnes' Heimatstadt Liverpool aufgenommen. Auf den elf Tracks taucht er tiefer in sein einzigartiges Klangvokabular ein, um eine Reihe von Tracks zu weben, die gleichermaßen kraftstrotzend und düster, eindringlich und euphorisch klingen.
Wie immer in seiner Musik, fühlen sich Melancholie und Euphorie, Monochrom und Farbe, Vergangenheit und Zukunft mehrdeutig an. Die Emotionen verschieben sich von Moment zu Moment, die Unterschiede zwischen digitalen und akustischen Instrumenten sind verwischter denn je: eine Verquickung von Zeit, Raum und Klang, die sich gleichermaßen spielerisch und absolut vital anfühlt.
Zusammen mit der Ankündigung über das neue Album kommt „The Low“, eine stimmungsvolle, metallische Triphop-Single aus „Bolted“. Barnes kommentiert den Track wie folgt: „‚The Low‘ basiert auf einem Beat, den ich ursprünglich für Yoko Ono vorgesehen hatte, und enthält Elemente, die ich sowohl am Anfang als auch am Ende des Albums gemacht habe, und verbindet so viele der Sounds und Emotionen, die ich während des Schreibprozesses erforscht habe. Das begleitende Video, das ich zusammen mit Sam Wiehl gedreht habe, vertieft einige meiner Artworks und die visuelle Welt, die das Album begleitet.“.
Cerca:gon
"Folk Songs of the American Longhair" (2010) ist das inzwischen von der Kritik gefeierte Debütalbum von Brother Dege - eine Platte, die Quentin Tarantino später als "wie ein Greatest-Hits-Album" des neuen Delta-Blues bezeichnete. "American Longhair" liefert postmoderne Geschichten über verzweifelte Südstaatler, apokalyptische Prophezeiungen, Mitternachtsengel, Hippie-Herumtreiber, brennende Scheunen und die endlosen Geister, die die Geschichte des tiefen Südens heimsuchen. Das Album wurde in aller Stille selbst veröffentlicht, ohne Vertrieb, ohne Repräsentation und absolut ohne Hype. Es erhielt schnell Vier- und Fünf-Sterne-Rezensionen und erregte die Aufmerksamkeit zahlreicher Geschmacksmacher in Film und Fernsehen, was zu Sync-Platzierungen auf Discovery Channels "After the Catch (Deadliest Catch)", "Hard Riders" von National Geographic, der Frauen-Radsportdokumentation "Half the Road" sowie "The Afflicted" von Netflix führte und vor allem von Quentin Tarantino persönlich für den Film "Django Unchained" und dazugehörigen Soundtrack ausgesucht wurde, wo Deges Lied "Too Old to Die Young" in der entscheidenden Höhepunktszene des Films spielt.
"Folk Songs of the American Longhair" (2010) ist das inzwischen von der Kritik gefeierte Debütalbum von Brother Dege - eine Platte, die Quentin Tarantino später als "wie ein Greatest-Hits-Album" des neuen Delta-Blues bezeichnete. "American Longhair" liefert postmoderne Geschichten über verzweifelte Südstaatler, apokalyptische Prophezeiungen, Mitternachtsengel, Hippie-Herumtreiber, brennende Scheunen und die endlosen Geister, die die Geschichte des tiefen Südens heimsuchen. Das Album wurde in aller Stille selbst veröffentlicht, ohne Vertrieb, ohne Repräsentation und absolut ohne Hype. Es erhielt schnell Vier- und Fünf-Sterne-Rezensionen und erregte die Aufmerksamkeit zahlreicher Geschmacksmacher in Film und Fernsehen, was zu Sync-Platzierungen auf Discovery Channels "After the Catch (Deadliest Catch)", "Hard Riders" von National Geographic, der Frauen-Radsportdokumentation "Half the Road" sowie "The Afflicted" von Netflix führte und vor allem von Quentin Tarantino persönlich für den Film "Django Unchained" und dazugehörigen Soundtrack ausgesucht wurde, wo Deges Lied "Too Old to Die Young" in der entscheidenden Höhepunktszene des Films spielt.
Eli Paperboy Reed's Hits And Misses ist eine remasterte Sammlung von Raritäten, Originalen und Coverversionen, darunter Eli's Interpretation von Motörhead's "The Ace of Spades". Eli verwandelt den Hard-Rock-Klassiker von Motörhead in eine Soul-Revival-Version mit Hammond-Orgel, Blechbläsern, E-Gitarre, Eli's charakteristischem Gesang und einem Backbeat, der dem Song einen neuen Touch
verleiht, der nicht weniger kraftvoll ist als das Original. Hits And Misses enthält auch Eli's noirartige R&B-Version von Steely Dan's Hit von 1972, "Do It Again", die das Original 30 Jahre zurückversetzt, sowie eine Coverversion von Latimore's Hit von 1974, "Let's
Straighten It Out", die eine vokale Intensität zeigt, die im fast gesprochenen Original nicht so präsent ist. Neben den overversionen enthält das Album auch Eli Paperboy Reed's eigenes "IDKWYCTD (I Came to Play)", ein hymnenhafter Party-Starter. Dieser ergiegeladene Track ist in der Disney-Marvel-Comicserie "Moon Girl and Devil
Dinosaur" zu hören. Das Album enthält außerdem Coverversionen von Bob Dylan's "To Be Alone With You", Merle Haggard's "I'm Gonna Break Every Heart I Can" und mehr.
- A1: All Fired Up, No Place To Go 3:18
- A2: Wild And Wicked 3:30
- A3: The Heart Is Blind 3:32
- A4: For The Love Of Him 2:49
- A5: Bite My Lip 2:46
- B1: Two Hearts, One Love 3:38
- B2: Luv Eyes 3:33
- B3: Send It With Love 3:57
- B4: It's Alright 3:52
- B5: Hate To Love 3:58
- C1: Lost My Heart 4:21
- C2: Don't Gimme That (Once Over) 3:45
- C3: Rhythm Made Me Do It 3:57
- C4: Half Breed 3:25
- C5: Love 2:40
- D1: I Ain't Gonna Eat Out My Heart Anymore 3:20
- D2: It's Alright (Club Mix) 3:40
- D3: For The Love Of Him (Dance Mix) 4:35
- D4: Hate To Love (Marcus Kane Club Mix)
- Remix – Marcus Kane
- 5:
- D5: Hate To Love (Nick Fiorucci Mix)
Red Marbled[45,34 €]
- A1: All Fired Up, No Place To Go 3:18
- A2: Wild And Wicked 3:30
- A3: The Heart Is Blind 3:32
- A4: For The Love Of Him 2:49
- A5: Bite My Lip 2:46
- B1: Two Hearts, One Love 3:38
- B2: Luv Eyes 3:33
- B3: Send It With Love 3:57
- B4: It's Alright 3:52
- B5: Hate To Love 3:58
- C1: Lost My Heart 4:21
- C2: Don't Gimme That (Once Over) 3:45
- C3: Rhythm Made Me Do It 3:57
- C4: Half Breed 3:25
- C5: Love 2:40
- D1: I Ain't Gonna Eat Out My Heart Anymore 3:20
- D2: It's Alright (Club Mix) 3:40
- D3: For The Love Of Him (Dance Mix) 4:35
- D4: Hate To Love (Marcus Kane Club Mix)
- Remix – Marcus Kane
- 5:
- D5: Hate To Love (Nick Fiorucci Mix)
Red Vinyl[40,29 €]
12 track Studio from Peter Kernel released by On The Camper Records
- A1: Too Much Yayo
- A2: Money Isn’t Everything
- A3: Walk Of Shame
- A4: Something To Hide
- A5: Shake Hands With Shadows
- A6: Not A Good Idea
- A7: Bright Sunny Day
- B1: The Darker The Shadow The Brighter The Light
- B2: Funny Dream
- B3: Gonna Hurt When This Is Over
- B4: Kick The Can
- B5: Each Day Gives
- B6: Someone Else’s Tune
- B7: Troubled Waters
- B8: Good Old Daze
Green Vinyl[32,73 €]
Channeling the speed of youth and the heaviness of a fleshy, lived life in equal proportion, Upchuck’s second LP, Bite the Hand That Feeds, is a Trojan Horse par excellence, craftily smuggling in waves of sentimental emotion and clever pop songwriting under a veil of pulsing rhythms and scorching riffs. What binds Upchuck together is a purity of intention, an organic loyalty to a thick knot of uncalculated friendships, struggles, and desires. These are songs about the joy of continuing to live, songs that find each other in the rush of a crushing reality, propelling the listener onward towards a collective release, however brief it may last. Themes of surviving through the night, youth-blinded love, cheap champagne soaked back-alley parties, and chaotic street protests are subsumed under a single unifying thread: the needs we have for one another, our shared hunger for connection. In a world saturated with arbitrary rules and paper-thin moralism, Upchuck offer free¬dom through sensation, a type of unserious transcendence found through the swirl of bodies melting into one another in the passion of dance. With Bite the Hand That Feeds, Upchuck isn’t trying to tell anyone how to live. Rather, they are simply trying to find a way to make life more worth living for both themselves and their friends—if the music compels you to move, you might as well consider yourself their friend too. Shortly after the release of their debut album Sense Yourself, Upchuck absconded to Southern California to record Bite the Hand That Feeds, enlisting the production talents of Ty Segall and the airy reprieve of his secluded Topanga Canyon home studio. Upchuck credits Segall, who recorded the entire record live to tape over the span of five days, with helping to elevate the arrangements of their second record to bold new heights—fans of Segall’s extensive catalog will undoubtedly recognize the shadow of his creative touch in Bite the Hand That Feeds’ commanding, layered drum polyrhythms, tasteful use of oddball effects, and fuzzed out, every-guitar-pushed-into-the-red ethos. All the same, final credit for Upchuck’s evolution from Sense Yourself to Bite the Hand That Feeds must be paid to the band itself. Following the release of their debut LP, Upchuck embarked upon a break-neck string of live shows, touring alongside the likes of Segall’s Fuzz, Amyl and the Sniffers, Negative Approach, OFF!, and Sub¬humans. The razor tight focus of Bite the Hand That Feeds was forged in the fire of these live shows, speaking directly to the power of their in-person presence—these are songs meant to be heard pressed up against a barricade, blasted through dimed guitar amps placed so close to your ears that you can practically reach out and touch them. In its totality, Bite the Hand That Feeds offers a sonic portrait of what it feels like to be young and caught up in the thrill of it all, coursing between ripping dance grooves and thundering dirges, anti-self-serious crowd anthems and charming pop hooks.
Always & Forever is the debut studio album by British girl group Eternal. The album achieved six top 20 singles, two of which reached top 5 - "Stay" and "Oh Baby I...". Always & Forever was a huge success, peaking at number 2 on the UK Albums Chart, and was later certified 4× Platinum by the BPI for sales of over 1.2 million copies. The album spent over 76 weeks in the charts.
Hole released their second album ‘Live Through This’ in 1994, with Courtney Love revamping the original group members from their debut album. The title is taken from ‘Gone With the Wind‘ and has been met with critical acclaim, featuring in Rolling Stone’s ‘500 Greatest Albums of All Time’. This release comes as a a limited edition 140-gram Light Rosé vinyl.
- A1: Bobby Helms - Jingle Bells Rock
- A2: Brenda Lee - Rockin' Around The Christmas Tree
- A3: Paul Anka - I Saw Mommy Kissing Santa Claus
- A4: Connie Francis - Winter Wonderland
- A5: Billy Fury - My Christmas Prayer
- A6: Bobby Vee - Blue Christmas
- B1: Dean Martin - Let It Snow! Let It Snow! Let It Snow!
- B2: Frank Sinatra - Christmas Waltz
- B3: Ella Fitzgerald - Baby It's Cold Outside
- B4: Pat Boone - Santa Claus Is Comin' To Town
- B5: Nat 'King' Cole Trio - The Christmas Song (Merry Christmas To You)
- B6: Judy Garland - Have Yourself A Merry Little Christmas
- B7: Bing Crosby - White Christmas
- C1: Bobby Day - Rockin' Robin
- C2: Chuck Berry - Run Rudolph Run
- C3: Connie Francis - I'm Gonna Be Warm This Winter
- C4: Brenda Lee - I'm Gonna Lasso Santa Claus
- C5: Pat Bonne - Here Comes Santa Claus
- C6: Bobbe Vee - I'll Be Home For Christmas
- D1: Ella Fitzgerald - Sleigh Ride
- D2: Nat 'King' Cole - Deck The Hall
- D3: Louis Amstrong - Zat You Santa Claus
- D4: Dean Martin - Rudolph The Red Nosed Reindeer
- D5: Frank Sinatra - Jingle Bells
- D6: Bing Crosby & The Andrews Sisters - Mele Kalikimaka
- D7: Jimmy Durante - Frosty The Snowman
❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅
❅ Winter Wonderland 26 Classic Christmas Songs across 4 Sides of Vinyl.
❅ Festive Favourites including: White Christmas (Bing Crosby) Winter Wonderland (Connie Francis) Rockin'
Around The Christmas Tree (Brenda Lee) Jingle Bell Rock (Bobby Helms) Jingle Bells (Frank Sinatra)
❅ Winter Wonderland is available Exclusively On Vinyl.
❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅❅
- A1: Andraé Crouch & The Disciples - Satisfied
- A2: Shirley Caesar - Jesus Children Of America
- A3: The Meditation Singers - Trouble's Brewin
- B1: The Clark Sisters - You Brought The Sunshine
- B2: Dorothy Norwood - Let Your Feet Down Easy
- B3: Shirley Caesar - Jesus Is Coming
- B4: Swan Silvertones - If You Believe Your God Is Dead
- C1: The Alvin Darling Ensemble - Is There Anybody Here?
- C2: Roscoe Robinson - There's A Creator
- C3: Destiny - Nothing Can Stop Me Now
- C4: The Meditation Singers - Good Old Gospel Music
- C5: Keith Barrow - Everything Is Gonna Be Alright
- D1: Roscoe Robinson - Elijah
- D2: Dyson's Faces - Till I've Got This Feelin' Of Love
- D3: The Violinaires - The Upper Way
- D4: Leomia Boyd And The Gospel Music Makers - Higher In Jesus' Love
- D6: Keith Barrow - The Right Road Now
red vinyl[31,89 €]
Soul Jazz Records’ Holy Church of the Ecstatic Soul: Gospel, Funk and Soul at the Crossroads 1971-83 draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caeser, Dorothy Norwood, Andrae Crouch and others crossed over into secular soul music during this period.
The album was first available as a (sold out) ltd.edn. coloured vinyl for RSD23 and is now available as a black double vinyl + download edition and also for the first time on CD.
Many of the most successful soul artists - from Aretha Franklin to Al Green, The Staple Singers to Sam Cooke - all drew upon their upbringing in the church for their musical inspiration. This album discusses how important the links between the black church and soul music were in creating soul music and spotlights some of the many important (and also little-known) gospel artists who walked this line between sacred music and soul, funk and disco in the 1970s and early 1980s.
Holy Church of the Ecstatic Soul shows how sacred gospel music was at home with Stevie Wonder, Blaxploitation-style funk and produced music celebrated both in New York’s underground discos (The Paradise Garage, Studio 54, etc) and later sampled by the likes of Jay-Z, Snoop Dogg and Mary J Bilge.
- Hero
- Ugly
- Pieces
- Silence
- This Life
- Failure
- See And Believe
- The Last Song
- Desertion
- Never
- Shadows In Red
- Deathstar
- Clueless
- Driven
- Feed
- Suffer
- Beg To Differ
- Under
- Story Of Your Life
- Confessions Of Hatred
- Aggression
- Burn
- Alpha
- Inside
- Fear The Past – Feat. Chris Daughtry
- Prodigal Son
- Lifeless Sorrow – Feat. Myles Kennedy
- Contradiction
- Walk Away
- Splinter
- Forever
- Unraveling
- Last Breath
- Karma
- Ride Insane
- Confessions (Without Faith)
- Nowhere
- Here And Now
- The End Is Coming
- Better Place
- Strong Arm Broken
- Memory
- Faithless
- Till Death
- Mountain
- Cold As War
- Black Out The Sun
- Nobody Wants It
- Dead Roses
- Decay
- Enough Hope – Feat. Mark Tremonti
- Dark Am
- Picture Perfect
- Got A Feeling
- Murder Bar
- Come Down
- Under It All
- The Wait
- Upbeat Sugar
- One Life
- Bonfire Gone
- Denial
- Trust
- Crucified
- Karma
- Black
- Thank You
- Death Dance
- Forget
- Letters
- Cease And Desist
- Not Today
- Chop
- Kill The Flaw
- Silly Beast
- Peace And Destruction
- Torched
- Scapegoat
SEVENDUST is an American rock band from Atlanta, Georgia, formed in 1994 consisting of members Lajon Witherspoon (lead vocals), Clint Lowrey (lead guitarist), Vince Hornsby (bassist), Morgan Rose (drummer), and John Connolly (rhythm guitar). Since formation, SEVENDUST have attained success with three consecutive RIAA gold-certified albums, a Grammy nomination, and have sold millions of records worldwide. The group has released a total of thirteen studio albums, and this compilation features 7 incredible records from their catalog
- A1: Sunday Morning
- A2: Who Loves The Sun
- A3: There She Goes Again
- A4: What Goes On
- A5: Sweet Jane
- A6: Head Held High
- A7: I'm Waiting For The Man
- A8: White Light/White Heat
- A9: I Heard Her Call My Name
- B1: New Age
- B2: That's The Story Of My Life
- B3: All Tomorrow's Parties
- B4: Rock And Roll
- B5: We're Gonna Have A Real Good Time Together
- B6: Run Run Run
- B7: I Can't Stand It
- B8: After Hours
- B9: Oh! Sweet Nuthin
Limited Grey Vinyl 2xLP. 18 klassische Songs aus dem Katalog von Velvet Underground, gespielt von The Feelies in der White Eagle Hall/ Jersey City, NJ - 13. Oktober 2018. Enthalten sind die VU-Standards "Sweet Jane", "Rock & Roll" und "I'm Waiting for the Man" sowie selten gecovertes Material wie "I Heard Her Call My Name" und "That's the Story of My Life".
- A1: Main Titles
- A2: According To Plan
- A3: Victor's Piano Solo
- A4: Into The Forest
- A5: Remains Of The Day
- B1: Casting A Spell
- B2: Moon Dance
- B3: Victor's Deception
- B4: Tears To Shed
- B5: Victoria's Escape
- B6: The Piano Duet
- B7: New Arrival
- C1: Victoria's Wedding
- C2: The Wedding Song
- C3: The Party Arrives
- C4: Victor's Wedding
- C5: Barkis's Bummer
- C6: The Finale
- D1: End Credits
- D2: End Credits (Bonus Tracks From Bonejangles & His Bone Boys)
- D3: Ball & Socket Lounge Music # 1 (Band Version)
- D4: Remains Of The Day (Combo Lounge Version)
- D5: Ball & Socket Lounge Music # 2
- D6: Ball & Socket Lounge Music # 1 (Combo Version)
- A1: Who’s Afraid Of Weerdo Wolf (Watusi)
- A2: Bodies Under The Bridge (Swim, Twist)
- A3: Slay Boy (Fox Trot, Hully Gully)
- A4: Horror Staccato (Monkey, Lindy)
- A5: Ankle Twist (Twist)
- B1: Doom At Midnight (Frug)
- B2: Stoned (Monkey, Watusi)
- B3: Stoned Again (Monkey, Watusi, Lindy, Twist)
- B4: The Ghostman Rings Twice (Mashed Potato)
- B5: Doomsday (Fox Trot)




















