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Remedy, a dynamic and cutting-edge melodic rock metal band originating from the heart of Stockholm, Sweden, burst onto the music scene in 2022 with an unmistakable presence. Their debut album ‘Something That Your Eyes Won't See' charted in Sweden and had a massive impact, including truly incredible positive feedback from the Rock and Metal World. Now it's the time for the second album ‘Pleasure Beats the Pain', co- produced with the Swedish S-Rock Music Production, a huge sound journey between catchy melodies, powerful riffs, huge sound and mesmerising guitar solos. With these new songs, the band presents a sound even more personal, pushing boundaries even further. Drawing from the lively sounds of the 80s, but adding a modern twist, Remedy captivates listeners with their contagious energy.

Their magic is driven by energetic guitars, powerful vocals, and catchy hooks across Rock, Pop, and Metal genres, blending retro vibes with fresh innovation seamlessly. In line with the production of Remedy's debut album, ‘Pleasure Beats the Pain' is mixed and mastered by Erik Martensson (Eclipse) at Mass Destruction Production. “Fuelled by the success of our debut album, stepping back into the studio felt like the most natural progression for us. With 'Pleasure Beats the Pain,' we reached a defining moment in Remedy's journey, solidifying our sound. With a balance of light and dark, day and night, pleasure and pain, love and hate, our music mirrors life's complexities, melding melodic rock & metal into a harmonious blend. Through this, combined with a distinctive approach to instrumentality and songwriting, Remedy emerges”, Rolli concludes.

Die besten Songs aus den kultigsten Woddy Allen Filmen.

With the brand new single 'Solid Air' (featuring Rosie Frater-Taylor), we announce the eponymous album from 'The Modern Jazz & Folk Ensemble', out on 24 May on Acid Jazz. It follows the release of two singles ‘I’ve Got a Feeling’ (with Jacqui McShee) and the spellbinding version of Nick Drake’s ‘Parasite’ (featuring Kindelan),

Led by the trail blazing London based saxophonist Sean Khan, the album pays tribute to the sounds of the late ‘60s and early ‘70s folk revival, recast and reimagined in a jazz setting, with featured guest vocalists, including compositions by Pentangle, Sandy Denny, John Martyn and Nick Drake.

Featured singers include the legendary Pentangle lead singer Jacqui McShee, acclaimed singer-guitarist Rosie Frater-Taylor on the back of her recently released and critically acclaimed ‘Featherweight’ album on Cooking Vinyl, plus emerging artist Kindelan from vibrant Leeds folk and jazz scene.

Sean Khan is known as one of the UK’s premier saxophonists, driven by a serious work ethic and urge to create new sounds. The Modern Jazz and Folk Ensemble is his follow up to Supreme Love: A Journey Through John Coltrane released on BBE Records. His distinctive playing can be heard throughout, as he successfully connects the dots between Coltrane and Nick Drake

Yip/Jump Music is the fifth self-released album by singer-songwriter Daniel Johnston, recorded over the summer 1983. From the original 1983 cassette tape made in his brother's garage. The most popular Daniel Johnston album of them all! (Kurt Cobain listed it as #35 is his top 50 favorite albums.)

After her success with The Mamas & The Papas and two albums under the Mama Cass alias, the 1972 album Cass Elliot was her first record under her real name. After her success with The Mamas & The Papas and two albums under the Mama Cass alias, the 1972 album Cass Elliot was her first record under her real name. The album created the atmosphere of 1930’s Hollywood with a beautiful cover shot by George Hurrell. The music consisted of great songs written by Judee Sill, Bobby Darin, and Bruce Johnston of the Beach Boys. These perfectly showcase the amazing vocalist that Cass was.
Cass Elliot is available as a limited edition of 1000 individually numbered copies on silver coloured vinyl, housed in a gatefold sleeve.

Proper reissue of Ikebe Shakedown’s 2nd 45 Colemine is finally here! Newly remastered and now being pressed at Gotta Groove, the mid-tempo funky burner “No Answer” was an absolute standout track from their debut EP, Hard Steppin’. The flip features the same song, “No Answer”, done by labelmates The Jive Turkeys for a BATTLE RECORD SPECIAL!

180GM BLACK VINYL : 500 PRESSED WORLDWIDE.

Furthermore, Billy Mahonie now have their own label, Whistling Sam Projects, an almost sold-out London launch show at The Lexington on May 4th, and they are confirmed to play Portals Festival Saturday May 25th in East London. After nearly quarter of a century, Billy Mahonie are very much back.
Formed in the first wave of British post-rock alongside the likes of Mogwai in the late 90s, John Peel favourites Billy Mahonie are set to return with the first new music from their original line-up in some twenty-four years. Whilst their debut album ‘The Big Dig’, released in 1999 on Too Pure Records, is considered a classic of the post rock genre, Billy Mahonie always crafted their intricate music with memorable hooks and melodies and performed it with energy and gusto. Theirs was not an aimless, meandering sound, instead the songs and attitude were rooted in punk rock, and still are. Billy Mahonie put the rock into post-rock.
Set for release this coming May 24th via Whistling Sam Projects, ‘Field Of Heads’ sees the band returning with their classic original line-up of Gavin Baker (guitar), Howard Monk (drums), Hywell Dinsdale (bass and guitar) and Kevin Penney (bass and guitar). Whilst this line-up has been semi active for a few years, no new material came to fruition. After their last gig in 2017, however, the band decided it was time to get back into the studio, but with two members living abroad new challenges were faced, but ideas were shared, old ones were resurrected and finally in October of 2019, Billy Mahonie were back in the studio.
Recorded over two long weekends on either side of the Covid 19 lockdowns, the band tracked at The Church studios, owned by their former collaborator and front of house engineer Paul Epworth, with senior engineer Luke Pickering at the controls, allowing ‘Field Of Heads’ to quickly take shape.
New single ‘Kaiju’ gives the music world the first taste of ‘Field Of Heads’ and right from the off, it’s classic Billy Mahonie. Immediately bursting into life with the energy and melody that is so unique to their sound, Howard’s driving drums thrust the music ahead as the guitars and synths weave their way around them. Intricate and shifting, but never at the expense of a tune that sticks in your head.
“This one came from a chord progression myself and Gav first tried out jamming in 2010,” explains drummer Howard. “Needless to say, when Hywell and Kev got their hands on it, it became something no-one ever envisaged. Kev's great title is, of course, the Japanese name for the subgenre of monster-based science fiction. A frenetic riff opens the song and for a counter guitar part only two options remain, play in the minimal gaps or find an overarching theme. We chose both. Kaiju films influence the additional Synths, echoes of those early Japanese movie themes. Some people we have played this to in advance have suggested this track is one we should lead with, as it is kind of where we left off. We agree. It rocks pretty hard. And is a bit funky too. What’s not to like?!”
 
Furthermore, Billy Mahonie now have their own label, Whistling Sam Projects, set up for global distribution through SRD, an almost sold-out London launch show at The Lexington on May 4th, and they are confirmed to play Portals Festival Saturday May 25th in East London. After nearly quarter of a century, Billy Mahonie are very much back.

Want an instant dancefloor reaction? Homehitters have got you once again, with 2 of the rowdiest floor fillers known to humankind!

Adrian Younge Presents: Souls Of Mischief - There Is Only Now b/w All You Got Is Your Word. Adrian Younge Presents: There Is Only Now is the sixth album from legendary hip-hop group Souls of Mischief produced in its entirety by Adrian Younge. Inspired by a near fatal incident involving group members A-Plus, Opio, Tajai, and Phesto, the album is a cinematic 90s crime tale of love, loss, and revenge. Set in 1994, the album serves as a bookend to two decades of music since the release of SOM's seminal debut album, `93 Til Infinity. Recorded and mixed by Adrian Younge at Linear Labs, the preeminent analog studio of Los Angeles, CA.

December 2012 I showed up totally exhausted in Vancouver BC after touring stupidly and relentlessly for however many straight months and got a job at a call centre raising money for the Red Cross. It was a scent free office but one time this woman cooked a piece of fish in the microwave for 10 minutes on low and hot boxed the whole office - we got sent home early no pay. There was the other woman I named the Call Centre Coltrane because her pitch and routine usually involved improvised flights of fancy that went off in both directions at once somehow landing back down with a credit card number and a donation. I used to sleep under the desk. I was there a few months and at the time I reconnected with John Brennan who I had played with briefly in Montreal at the Mutek Festival. In Montreal John was running an experimental music night at a burrito shop downtown called Garbage Night. While in Vancouver I began connecting with the music scene there and would go hang out with the Shearing Pinx lads who I think lived with Sydney the bass player at the time. I knew Nic and Jer from an AIDS Wolf Tour and was so stoked to get to know them both better. I really fell in love with that era of Vancouver's music scene.
Fast Forward to today. 2024
Actually it was the dying days of 2023 but you get it and John asks if I'll sit in with Earth Ball and I keep thinking about Earth Balance, the vegan butter everyone eats here. I brought my aching bones and my ipads on the beautiful ferry named the Queen of Oak Bay and out to Nanaimo BC, home of the nanaimo bar (a dessert treat - special to this region - that seems to be more popularly found under the weird glass sneeze guards in office building deli's out east in Ontario.... anyhoops ). No one in Nanaimo wants to talk to me about the famous treat. I asked a couple of people. Silence. Nanaimo is like London, Ontario but more fried and by the sea. The town is filled with blown out old sea dawgs with tin coffee pots and loose leaf tobacco, then there's the usual streetfolk you find in this part of the Canadian Pacific Northwest and a bunch of bohemians who I guess have left Vancouver behind - that fine city having become uninhabitable for those not making over 100k a year. And then up the way are all the retirees.
Yup Nanaimo is a strange one. They mined the shit out of this region and Nanaimo is surely haunted by those buried in mining shafts or maimed by the heavy machinery or blown up by accident in the explosives store house. And when Earth Ball fire up the amps in Izzy and Jer's basement you can hear the voices of the ghosts hum through electrical lines and out the speakers, Kellen's hued feedback, Izy's sturdy basslines, Jer's paperbag guitar tone and rumble pack zaps, Liam's (aka the Kid) sheets of sound and Brennen's multidirectional drums.
You wouldn't guess Earth Ball was auto-composing and from what my rat brain can tell - the lyrics are improvised too...Improvising lyrics and singing them is the hardest thing to do in all of music.. Izzy and Jer are pros. And their attitudes are pro too.
The live show is scorched and without naming names they've been known to make headliners nervous. Lucky ones will get to see them live as they tour this beast of a record entitled ‘It’s Yours’ (out May 17th on Upset The Rhythm) and I hope I'm one of them.
But now you, fan of fun but totally fucked up music, have the opportunity to Ball with them thanks to Upset The Rhythm. Enjoy
-Alex Moskos, Montreal QC, Feb 2024

Inspired by the Buddhist sutras, Blitzen Trapper’s radiant new album, 100's of 1000's, Millions of Billions, offers a captivating take on rebirth and transcendence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death. The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and the production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and you’ve got a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once. This LP is pressed on clear blue vinyl and limited to 1,000 copies worldwide. Launched roughly two decades ago in Portland, OR, Blitzen Trapper broke out internationally with 2008’s Furr, which cemented their status at the forefront of the modern indie folk revival. Rolling Stone hailed the band’s “hazy, psychedelic Americana,” while NPR praised their “explosive live performances and infectious roots-rock swagger.” Dates with Fleet Foxes, Wilco, and Dawes followed, as did festival appearances at Bonnaroo, Lollapalooza, Newport Folk, and Coachella, among others. The band would go on to release six more similarly lauded studio albums, culminating with 2020’s Holy Smokes Future Jokes, which Mojo proclaimed “sounds like the Beatles at Big Pink.”

100's of 1000's, Millions of Billions by Blitzen Trapper, released 17 May 2024, includes the following tracks: "Cosmic Backseat Education", "Cheap Fantastical Takedown", "Planetarium", "Long Game" and more.

Inspired by the Buddhist sutras, Blitzen Trapper’s radiant new album, 100's of 1000's, Millions of Billions, offers a captivating take on rebirth and transcendence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death. The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and the production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and you’ve got a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once. This LP is pressed on clear blue vinyl and limited to 1,000 copies worldwide. Launched roughly two decades ago in Portland, OR, Blitzen Trapper broke out internationally with 2008’s Furr, which cemented their status at the forefront of the modern indie folk revival. Rolling Stone hailed the band’s “hazy, psychedelic Americana,” while NPR praised their “explosive live performances and infectious roots-rock swagger.” Dates with Fleet Foxes, Wilco, and Dawes followed, as did festival appearances at Bonnaroo, Lollapalooza, Newport Folk, and Coachella, among others. The band would go on to release six more similarly lauded studio albums, culminating with 2020’s Holy Smokes Future Jokes, which Mojo proclaimed “sounds like the Beatles at Big Pink.”

100's of 1000's, Millions of Billions by Blitzen Trapper, released 17 May 2024, includes the following tracks: "Cosmic Backseat Education", "Cheap Fantastical Takedown", "Planetarium", "Long Game" and more.

2024 Reissue

This is a very collectable EP within the breakbeat/hardcore scene with copies changing hands in excess of £350.00. Written by London born Mixmaster Max whose first step into public life was that of a breakdancer in the early 80’s when he was just a kid with a crew called The Back Street Warriors, showcasing his talents at the infamous Covent Garden jams of the same era. He then got into DJing and scratching and entered the DMC Championships and is credited as the inventor of the Topsy Turvey – stacking turntables on top of each other for a DJ routine!

As like many DJ’s around the late 80’s in London he gravitated out of hip hop and into the rave culture and from here he started to perform at many events such as Fantazia, The Pirate Club, Turnmills and the Hacienda in Manchester as well as a residency on a Friday night alongside John Saunderson - the General Manager of DMC - at Camden Palace. From his club work he started to play on the London pirates Kool FM and Centreforce and on legal stations Peoples Choice and Avenues FM.

These tracks are precursors to the soon to blossom jungle scene and highlight Max’s musical history with his creative sample play. You won’t find much more authentic hardcore than this EP, which really highlights the sound of London back in 1993.

Several Years Ago, the Disco Records Dj Crew Members Got Their Hands on a Couple of Original 70s Obscurities, While These Standout Records Shone Brightly in Their Own Right, the Team Finally Decided to Put Them Out as Those Obscure Old Records Fetch Eye-Wateringly High Prices on the Second-Hand Market. Due to Popular Request & Lovingly Mastered to the Highest Possible Standards, They Are Now Available to Play and Share in Very Special Moments at Parties Around the World. This Will Surely Be One of the Most Keenly Anticipated Disco Release of the Year. for Our First Release, We Are Extremely Proud to Bring You at Last, Three Very Hard to Find Disco Anthems on Sides a & B in Their Glorious Full Extended Versions...

New Don McLean album! With a hommage to George Floyd.

Mit ihrem ersten Album "Tlazcaltiliztli" haben Tzompantli einen durchdringenden Death- und Doom-Metal wie einen vergifteten Pfeil durchs Herz geschossen. Das Fundament der Band in indigenen Ritualen, Geschichte und Überlieferungen und die Einbindung traditioneller Instrumente in ihren Sound sorgten für eines der stimmigsten Metal-Alben des Jahres 2022.

Jetzt steigen Tzompantli wieder aus dem Rauch der alten Feuer auf und bringen eine neue Gabe auf dem Altar der Menschenopfer dar: 'Beating the Drums of Ancestral Force'. Furchterregend brutale Märsche aus kriegerischem, perkussivem Death Metal werden kontrastiert mit sehnsüchtigen, melancholischen Passagen und mitreißenden zeremoniellen Anrufungen der Ahnen. Der Stamm der Tzompantli hat sich auf diesem zweiten Album stark vergrößert und mehr als 10 Musiker für die Beschwörung zorniger Gottheiten und das Sammeln von Invasorenschädeln angeworben.

In den letzten Jahren gab es keinen Mangel an fantastischen Death/Doom-Platten, und Tzompantlis neuester Eintrag in den Pantheon des Genres demonstriert dessen kontinuierliche Expansion in weitere musikalische und thematische Bereiche. Das Herzstück von Beating The Drums of Ancestral Force" erhebt sich in Blut und Asche von Imperien und Möchtegern-Eroberern, eine feurige Klage über Jahrhunderte der Auslöschung.

Mit ihrem ersten Album "Tlazcaltiliztli" haben Tzompantli einen durchdringenden Death- und Doom-Metal wie einen vergifteten Pfeil durchs Herz geschossen. Das Fundament der Band in indigenen Ritualen, Geschichte und Überlieferungen und die Einbindung traditioneller Instrumente in ihren Sound sorgten für eines der stimmigsten Metal-Alben des Jahres 2022.

Jetzt steigen Tzompantli wieder aus dem Rauch der alten Feuer auf und bringen eine neue Gabe auf dem Altar der Menschenopfer dar: 'Beating the Drums of Ancestral Force'. Furchterregend brutale Märsche aus kriegerischem, perkussivem Death Metal werden kontrastiert mit sehnsüchtigen, melancholischen Passagen und mitreißenden zeremoniellen Anrufungen der Ahnen. Der Stamm der Tzompantli hat sich auf diesem zweiten Album stark vergrößert und mehr als 10 Musiker für die Beschwörung zorniger Gottheiten und das Sammeln von Invasorenschädeln angeworben.

In den letzten Jahren gab es keinen Mangel an fantastischen Death/Doom-Platten, und Tzompantlis neuester Eintrag in den Pantheon des Genres demonstriert dessen kontinuierliche Expansion in weitere musikalische und thematische Bereiche. Das Herzstück von Beating The Drums of Ancestral Force" erhebt sich in Blut und Asche von Imperien und Möchtegern-Eroberern, eine feurige Klage über Jahrhunderte der Auslöschung.

This deluxe edition has two colored discs. The bonus disc includeds the original album demos. Remastered for this 10th anniversary edition. The Growlers are back with a new album of sunburned, psychedelic beach goth! Since 2010 s Hot Tropics, the band has toured relentlessly, including Coachella, Lollapalooza, and even Rock In Rio but they continue to stay true to their roots with a distinctly DIY approach. Their songwriting is in top form, and this lo-fi garage band delivers some seriously catchy tunes. Review A spazzed-out, hopped-up, sweaty set of pure fun. --L.A. Weekly Their retro vibe isn t fetishized nostalgia it s dumpster-diving freegan collage: pitchy organ and plunky, country-western bass are punctuated by faux-dub echoes that hang like tapestries in a chill-bro den. --Spin This brilliant work showcases The Growlers in their fullest stride, like fancy new boots that make you feel mature and confident. --LA Record

Hung At Heart by Growlers, released 17 May 2024, includes the following tracks: "Salt On A Slug", "No Need For Eyes", "Pet Shop Eyes", "Burden Of The Captain" and more.

This version of Hung At Heart comes as a 2xLP.

This deluxe edition has two colored discs. The bonus disc includeds the original album demos. Remastered for this 10th anniversary edition. The Growlers are back with a new album of sunburned, psychedelic beach goth! Since 2010 s Hot Tropics, the band has toured relentlessly, including Coachella, Lollapalooza, and even Rock In Rio but they continue to stay true to their roots with a distinctly DIY approach. Their songwriting is in top form, and this lo-fi garage band delivers some seriously catchy tunes. Review A spazzed-out, hopped-up, sweaty set of pure fun. --L.A. Weekly Their retro vibe isn t fetishized nostalgia it s dumpster-diving freegan collage: pitchy organ and plunky, country-western bass are punctuated by faux-dub echoes that hang like tapestries in a chill-bro den. --Spin This brilliant work showcases The Growlers in their fullest stride, like fancy new boots that make you feel mature and confident. --LA Record

Hung At Heart by Growlers, released 17 May 2024, includes the following tracks: "Salt On A Slug", "No Need For Eyes", "Pet Shop Eyes", "Burden Of The Captain" and more.

This version of Hung At Heart comes as a 2xLP.

As the "Interstellar Cosmic Blues" half of this EP, we consider these songs to be some of the best that we've produced. Songs that could all be "singles" all on their own. And they better be because "The Riffalicious Stoner Dudes" brought some savage riffage of their own! Put it all together with amazing artwork by Mirkow Gastow and release it on Heavy Psych Sounds, the BEST record label on the planet... and you've got all the makings of a great record! A modern classic right out of the box. Dig it!