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Mutant, in partnership with WaterTower Music, are proud to present the premiere physical release of Hrishikesh Hirway's score to COMPANION. Hrishikesh Hirway's (creator of the award-winning podcast Song Exploder) score begins by earnestly paying tribute to the plucky romance at the center. It invites you, lovingly into its rose-colored world just long enough to lower your guard before deftly switching gears into the twisted genre score buried underneath. Chaotic as that may sound, the score is continually grounded with an incredible melodic hook incorporating lead actor Sophie Thatcher's voice ("Iris' Theme"), that pays homage to another fractured fairy tale, Rosemary's Baby. But don't read too much into that comparison. The twists and turns of COMPANION are uniquely their own, and best avoided for the optimal experience. Featuring artwork by Greg Ruth, and pressed on 140 gram pink marble vinyl.

Emerging from the house scene of the 2000s with his label Place Blanche, Greg Kozo has been a bartender in naughty bars, music director at Galeries Lafayette, bassist in funk bands, and legendary producer and DJ with his former band Make The Girl Dance. Far from settling down, he returns to the arena with a sharp sound. Several catchy tracks such as "Reviens" and "After" are sultry and subversive electro-pop songs, reminiscent of the sensuality of French Touch House or 80s Synth Pop. These tracks are performed by La Montespan, a mysterious creature and poetess of carnal desires, who gives them a gently erotic tone. In the dead of night, "Flamingos," "The Room," "Who Take Me Higher," and "Club Melancholia" take us to the depths of Paris' hottest clubs, where the beats pound like bodies on fire. "Magnolia" feat. Coeur (from the punk-rock band Schlasss) is a return to raw electro-rock, like a total experience of letting go. Finally, to climb the stairs out of the club, "Amour Fou" and "Turbulences" are hymns celebrating pure love in a couple who have weathered all the dangers of the nighttogether.

WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.

Originally released on fabled label VAP, Safari is a one-of-a-kind city pop-adjacent summer blend of AOR, smooth jazz, and sun-drenched boogie. The sole album from the all-star outfit was the brainchild of keyboardist Toshiyuki Daitoku and Japan-based Californian jazz-funk-latin-fusion bassist Gregg Lee. Together with a large team of experienced musicians, they created a lush, immaculately-arranged 8-track cruise filled with poolside grooves, breezy rhythms, and feel-good vocal harmonies.

Safari features the well-known title track which acted as the theme song for an 80s sports program on Fuji Television, the night-swim chill music tune "All Right in The Night", and the fan-favorite buoyant vacation hit "The Morning After".

The official reissue is fully licensed and sourced from the original masters, with an audiophile cut by Sidney Meyer at Emil Berliner Studios, ensuring the warm, pristine sound this lost treasure deserves.

Safari is the second release from WRWTFWW's City Pop Series, following Momoko Kikuchi's beach classic Ocean Side, also available on transparent vinyl LP. The series, complete with a visual identity designed by Lopetz/Büro Destruct, also comes with a limited merch capsule, and more sun-soaked gems lined up for the future.

Vierfaches Vinyl (Frosted White Vinyl Colour) - oder CD-Box-Set, kuratiert von David Gedge, um vier kompromisslose Jahrzehnte The Wedding Present zu feiern. Nachdem sich die Alternative-Rock-Band The Lost Pandas aus Leeds Anfang der 1980er Jahre aufgelöst hatte, beschlossen Sänger/Gitarrist David Gedge und Bassist Keith Gregory, eine neue Gruppe zu gründen. 1985, inspiriert von Pop-Radio, Punk-Frechheit, The Velvet Underground und Davids ehemaligen Schulkameraden The Chameleons, gründeten sie The Wedding Present. Diese Band war - und ist bis heute - in jeder Hinsicht kompromisslos und unerschütterlich authentisch, und so wurde Gedge, ohne es zu beabsichtigen, zu einer legendären Figur der alternativen Musik. Er ist einer der wichtigsten Architekten und Begründer des alternativen Gitarrenrocks und der Mastermind hinter einem der reichhaltigsten, eingängigsten und beständigsten Kataloge der Popgeschichte. Vier Jahrzehnte später, mit 13 Studioalben, 20 Compilation-Alben und einer ganzen Reihe von Singles, EPs, Live-Alben und Radio-Sessions - und weiteren in Aussicht - ist "The Wedding Presen 40" eine feiernde Reflexion dieser komplexen und faszinierenden Band. Erhältlich als vier Vinyl- oder vier CD-Box-Sets, handelt es sich hierbei nicht um eine gewöhnliche Sammlung der ,beliebtesten" Songs, sondern um eine chronologische, akustische Reise durch Albumtracks, Singles und B-Seiten. Das atemberaubende Artwork wurde von Jonathan Hitchen zusammengestellt, der viele der Original-Plattencover der Band entworfen hat, und es gibt ausführliche Begleittexte von David Gedge selbst sowie dem renommierten Musikjournalisten Mark Beaumont NME, Guardian, Independent. Gedge's Kommentare bieten einen einzigartigen Einblick in die Arbeitsweise der Band und einen spannenden Track-für-Track-Leitfaden zur Jubiläums-Compilation. Inklusive 32-seitigem Hardcover-Buch mit ausführlichen Begleittexten von Mark Beaumont sowie Kommentaren zu jedem einzelnen Titel von David Gedge.




[b] 1.2YOU SHOULD ALWAYS KEEP IN TOUCH WITH YOUR FRIENDS [PEEL SESSION VERSION]


[e] 1.5MY FAVOURITE DRESS [LP VERSION]



[i] 1.9GIVE MY LOVE TO KEVIN [ACOUSTIC VERSION]




[n] 2.3BRASSNECK [SINGLE VERSION]





[t] 2.9CORDUROY [LP VERSION]





[z] 3.6SPANGLE [LP VERSION]



[xd] 3.10INTERSTATE 5 [LP VERSION]





[xj] 4.5TWO BRIDGES [LP VERSION]

[xl] 4.7I AM NOT GOING TO FALL IN LOVE WITH YOU [LP VERSION]
[xm] 4.8SCIENCE FICTION [LP VERSION]

Crystal Clear Vinyl, limited to 1000 copies. Who were the first punks? Do The Damned have more of a shout than The Sex Pistols? The Stooges or Ramones? Gregg Deal, the acclaimed visual and performance artist behind his new project Dead Pioneers, is making a claim that Indigenous Americans were the first real punks. Deal suggests that the overarching theme of the album is "an introduction to the band itself". Created with a DIY disposition and the "love of a scene that saves lives", they reel off a roll call of marginalised groups and protected characteristics: "Indigenous rights, Black rights, Brown rights, Asian rights, Gay rights, Trans rights, Workers rights and beyond_". This is central to their identity and focus, saying that "with a North American Indigenous person as the vocalist, being unapologetically upfront on the social, political and cultural side of things doesn't seem necessary, but paramount to the overall tone of the band." This self-titled debut, coming in at a lithe 22 minutes with only one of the twelve tracks exceeding three minutes, is almost over before it begins, but covers a huge amount of ground in that time. Blistering opener 'Tired' sets out their stall; as with the whole album, it is passionate, but never preaching. Capitalised 'Political Music' can be hard to land without coming across as hectoring or earnest, but Deal's literary, humorous lyrics effortlessly cut through complex issues of marginalisation and colonialism.

Includes insert with lyrics
Featuring the songs "Im Nin Alu-2000", "Show Me" and "Give Me a Sign" a.o.
Limited edition of 750 numbered copies on gold coloured vinyl

Ofra Haza is the eponymous 1997 album by Israeli singer Ofra Haza. It was produced by Frank Peterson (Enigma, Gregorian) and features

Pino Palladino on the bass guitar. The album was recorded in Hamburg and at Abbey Road Studios in London and contains an updated version of the

hit song "Im Nin' Alu". It also features the singles "Show Me" and "Give Me a Sign".

This was Ofra Haza's final full-length studio album before her passing in 2000.

Als er 2011 von Scion angesprochen wurde, um ein Album für die Musik-Promotion-Abteilung der Automarke aufzunehmen, konnte sich Reigning Sound Frontmann Greg Cartwright nicht weigern - trotz oder geraden wegen der prekären Existenz seiner Band zu dieser Zeit. "Mehrere Besetzungswechsel hatten sich ergeben. Die Ursprungsbesetzung, das "Memphis-Quartett", war längst aufgelöst, und ich dachte über die Möglichkeit nach den Namen Reigning Sound zurückzulassen", so Cartwright. "Ich hatte beschlossen eine Pause einzulegen, um an Produktionen für andere Leute zu arbeiten und Songs zu schreiben für The Parting Gifts, meine Zusammenarbeit mit Coco Hames." Aber plötzlich hatte Reigning Sound dieses Toyota Angebot auf dem Tisch, und es gab keine Band. Neben Cartwright war die eine Konstante der letzten drei Reigning Sound Jahre Keyboarder Dave Amels, der ansonsten in der Brooklyn-Soul-Combo The Jay Vons Schwarzarbeit machte. Etwa zur gleichen Zeit war Dan Auerbach von den Black Keys nach Nashville gezogen und kümmerte sich dort in seinem Privatstudio darum, dem Gitarrensound der Parting Gifts Platte den letzten Schliff zu verpassen. "Dan war begierig darauf, etwas im neuen Studio zur Vorbereitung auf eine bevorstehende Sitzung mit Dr. John zu tun, und bot er mir etwas Studiozeit sowie seine Produktionsunterstützung an. Da saß ich nun ohne Band in einem Nashville-Studio, die Uhr tickte. Ich rief in Brooklyn an und The Jay Vons sagten ja. Ich rief Scion an und bat um drei Flugtickets und Hotelzimmer. In wenigen Stunden war die Band auf dem Weg nach Nashville. In zwei Tagen nahmen wir fünf Songs auf. Ich habe diese fünf mit drei Outtakes der vorherigen Reigning Sound LP "Love and Curses" mit Lance Wille am Schlagzeug und Dave Gay am Bass kombiniert.", erzählt Cartwright und fügt hinzu: "Greg + The Jay Vons ist die bis heute gültige Reigning Sound Besetzung." Nach der Veröffentlichung von "Abdication...." brachten Reigning Sound 2014 die beliebte "Shattered" LP raus. Cartwright war zudem seitdem ausgiebig mit den reformierten Oblivians auf Tour.

Vom Beginn des Album-Openers „Obsidian Mirror“ an ist die Atmosphäre beklemmend, dicht mit einem erstickenden Unbehagen. Man hat das Gefühl, dass etwas Zeremonielles am Werk ist, aber nicht in einer Weise, die nach Gemeinschaft strebt. Vielmehr ist es eine Tortur als Sakrament. Riffs würgen und wälzen sich in krampfhafter Unterwerfung, oszillieren zwischen langsamer Agonie und psychotischem Ausbruch, über dem ein gutturales Lamento, das so brutal ist, dass es das Blut gefrieren lässt, durch Kerkerstein gerissen wird. Jeder Track entfaltet sich wie eine Zeit, die man in der Isolation verbracht hat, gefesselt durch Ketten, den Geist langsam enträtselnd und umgeben von Erinnerungen an reale und imaginäre Qualen.

Wenn sich das epische, 14-minütige Schlussstück „Disquiet“ in einer Masse formlosen Rauschens auflöst, haben Ritual Mass den Hörer in eine Welt gezogen, in der das Leiden kein Ende, sondern eine Bedingung der Existenz ist. Cascading Misery" ist Musik für die Auflösung der Hoffnung, den Schrecken des Seins und den langen Marsch auf den Tod.

- Debüt-Album nach mehreren EP-Veröffentlichungen
- Aufgenommen, gemischt und gemastert von Greg Wilkinson / Earhammer Studios (Ulthar, Autopsy, Undergoing)
- Erste 20BS-Band aus Pittsburgh (Labelsitz)
- FFO: Vastum, Krypts, Phrenelith, Master, Incantation, Abhorrence, Funebrarum, Disembowelment

Rivet’s new album for Editions Mego is an uplifting and joyous affair coming in the wake of tragedy and disenchantment. It is yet another rebirth from an artist willing to take a step back and reprise the current situation he is in. Mika Hallbäck has a long credible history in the Swedish underground. First recognised for his industrial techno works under the Grovskopa moniker he worked privately on more experimental works that eventually came out as On Feather and Wire, an album released on Editions Mego in 2020. After much acclaim for this bold new direction that blended electronic abstraction, pop and industrial forms into a heavy synthetic trip two tragedies struck. One was the passing of label boss Peter Rehberg and then the passing of his dog Lilo, who was as close as a companion one could have. These events led to the release of the more unsettling follow up L+P-2 (Lilo and Pita minus two) on Midnight Shift Records in 2023. Peck Glamour sees Rivet return to the reawakened Editions Mego with an album of optimism inspired by reconciliation with loss and further explorations of new mental/sonic realms.

Hallbäck defines his approach as not being married to any particular machine, instrument, process or genre. However he holds a particular affinity to sampling, of which, he says, provides the dirt and grit amongst what would otherwise be pristine, generic machine music. The contemporary crate digging method of scouring obscure download music bogs for unique sounds was his preferred research practice.

Peck Glamour is an album full of tracks brimming with the excitement of exploration. It's the results of a mind informed by punk, industrial, techno, dancefloor, disappointment, trauma and rebirth. Here the synthetic and authentic is viewed simply as the same means of human rationale and expression.

The opening, ‘Catch Up to Light’, sets the scene with ecstatic and odd fluorescent vocals sliding amongst crystalline likembe whilst synths swirl amongst the external festivities. ‘Orbiting Empty Cocoon’ is somewhat a homage to the alien sound worlds of The Orb, one which takes the listener deeper into a mind melting array of teased potential as visual elements are executed in a mask of audio wizardry and euphoric staccato rhythms, the later being a nod to Singeli music. ‘Patitur Butcher’ is more dance frontal utilising the Ghatam drum and a YouTube rip of a Chinese language lesson. ‘Plastic Bag Putain’ was made during the beginning of Russia's invasion of Ukraine and should be clear of its intent. ‘All that Heaven Allows’ is a marimba cover of an imaginary Love Parade anthem. 'Kyrie Geire’ potentially briefly fills the void left by the demise of Coil. The entire trip of Peck Glamour is sewn up with ‘We left before we came’ whereby extraneous recordings of double bass player Gregory Vartian-Foss (tuning/strumming/moving the bass) are superimposed with local field recordings to create a gorgeous bed of sounds acting as an exciting exit music to this sharp collection of cinematic ear excursions.

"This digitally re-mastered version of ""Generator"" contains two bonus tracks for ""Heaven Is Falling"" and ""Fertile Crescent"" that originally appeared on the split 7"" with Noam Chomsky put out by Maximum Rock"N Roll in "91. ""Generator"" knocks about stirringly with a steadfast, mid-tempo punk roar, keeping the songs simple but continually on the upsurge. Brett and Greg Hetson"s guitars piggyback to ever-rousing heights, utilizing the essential chords and keeping limits on flashy things like solos or effects, never letting the enthusiasm or sentiment wane. With all players striving to turn each listening experience into a placard-waving melee, Bad Religion emblazons honest, dissatisfied-with-the-status-quo lyrics with an Uberpunk spirit, Greg Graffin"s vocals growing more gravelly and endearing with each record. With the implicit understanding that strength lies in brevity, Bad Religion hew mighty exhortations to action out of a well-trampled happy-punk base, and the sheer motivational impact of ""Generator,"" ""Only Entertainment,"" ""Atomic Garden"" and ""No Direction"" sweeps clear any charges of oversimplification or sameness. Generator is a brutal noise that is louder, faster & angrier than ever! A plethora of power punching punk pedagogy."

Die wegweisenden Alternative-Rocker von Wolf Alice melden sich mit ihrer brandneuen Single „Bloom Baby Bloom” zurück. Gleichzeitig verkündet die britische Formation Einzelheiten ihres ungeduldig erwarteten, vierten Studioalbums „The Clearing”, dessen Release für den 29. August 2025 angekündigt wurde und das weltweit auf ihrem neuen Label Sony Music erscheint.

Alle Songs wurden im Nord-Londoner Stadtteil Seven Sisters geschrieben und im vergangenen Jahr mit Grammy-Gewinner und Hauptproducer Greg Kurstin (Adele, Miley Cyrus, Beyoncé) in Los Angeles aufgenommen.
Mit „The Clearing“ legen Wolf Alice eine maximal selbstbewusste Songsammlung vor, die vor Ehrgeiz, ungewöhnlichen Ideen und Emotion nur so zu strotzen scheint und die eindrucksvoll veranschaulicht, wo sich das UK-Quartett im Jahr 2025 soundtechnisch verortet.

Mit anderen Worten: Ein wirklich zeitloses Album.

Lathe of Heaven kehren mit ihrem zweiten Album Aurora zurück, einer kühnen Erweiterung ihrer klanglichen und thematischen Palette, die sich wie eine Reihe lebendiger, emotionaler Vignetten entfaltet. "Aurora" ist eine bisher unerforschte Variante des Lathe of Heaven-Sounds, die eine delikate Balance zwischen ihren Punk-Wurzeln und einer fesselnden New-Wave- und 80er-Jahre-Post-Punk-Ästhetik bietet, die Einflüsse aus dem britischen und finnischen Post-Punk der mittleren 80er-Jahre mit subtilen Nuancen aus dem Underground-Pop der 90er-Jahre und der Gegenwart kombiniert. Aufgenommen mit Ben Greenberg bei Circular Ruin und gemastert von Brad Boatright, ist das Album klanglich beeinflusst vom melodischen Rock von The Cure, Musta Paraatis Gothic-Post-Punk-Synthie und intensivem Schlagzeugspiel und A Flock of Seagulls' Art-Pop-Gesang und Gitarrenriffs. Textlich schreckt Aurora nicht vor schweren Themen zurück. Aurora ist als eine Sammlung von Science-Fiction-Kurzgeschichten gedacht, die von Themen wie Antikolonialismus, Vielfalt und Gleichberechtigung beeinflusst sind und sich in den Texten niederschlagen. Diese Geschichten sind von den Romanen von Ursula K. le Guin, Octavia Butler, Greg Egan und Peter Watts inspiriert und führen den Hörer in mythische, kühne und etwas beunruhigende Realitäten. Der Titeltrack "Aurora" spielt in einer dystopischen Zukunft, in der die Erde aufgrund von nuklearem Fallout längst verlassen ist - er erforscht Themen wie Verlust, Liebe und Hingabe. "Oblivion" befasst sich mit dem Phänomen der semantischen Sättigung - wenn man ein Wort oft genug sagt, verliert es seine Bedeutung. "Exodus" ist eine Neuinterpretation des Schiffsparadoxons von Theseus und erzählt von der Erfahrung, das Bewusstsein in einen neuen, perfekten Körper zu übertragen. An anderer Stelle steht "Portrait of a Scorched-Earth" für einen direkten Akt des Widerstands. Als einer der emotionalsten Songs des Albums bricht er mit der üblichen lyrischen Abstraktion der Band und ist eine schonungslose Abrechnung mit den Schrecken der modernen Kriegsführung und der Vertreibung, die in der gelebten Tragödie von Gaza wurzelt. Lathe of Heaven hoffen, dass "Aurora" ein breites Spektrum an Emotionen hervor ruft und zum Nachdenken über den Zustand unserer Realität und der Menschheit anregt. Es ist literarisch, ohne prätentiös zu sein, politisch, ohne zu predigen, und emotional, ohne mit der Wimper zu zucken. Jeder Song hält ein Stück eines zerbrochenen Spiegels, und was zum Vorschein kommt, ist eine prismatische, verwundete Schönheit, die mit tausend Gesichtern zurückstarrt. "Aurora" erhebt den Anspruch, "ohne Angst in das traumlose Vergessen zu zittern". Sie sind herzlich eingeladen.

Produced by Joe Barresi (Queens of the Stone Age, Tool), The Dissent of Man finds Bad Religion pushing the boundaries of their music as much today as they did in their formative years as a genre defining punk band. Over the course of making the album, primary songwriters Greg Graffin and Brett Gurewitz"s songwriting was informed by life changing events, with Graffin writing his forthcoming book "Anarchy Evolution" and Gurewitz embarking on parenthood again. The result is one of the band"s most forward thinking and musically varied albums ever. The Dissent of Man is not only a snapshot of the band"s personal experiences of the past years but also of their continued maturity in songwriting, capturing an array of styles ranging from blazing punk rock songs like the opener "The Day That the Earth Stalled" and "Meeting of the Minds" and classic rock-tinged cuts like "Cyanide" and "Turn Your Back on Me" to radio rock ready hits like the first single "The Devil in Stitches." The Dissent of Man is a testament to why Bad Religion has remained relevant for the better part of three decades. Already having cemented their place in history as a groundbreaking band who helped create a movement in Los Angeles with classic releases like How Could Hell Be Any Worse?, Suffer, Recipe for Hate, Stranger Than Fiction and Process of Belief, Bad Religion continue to inspire and create with a unique style that continues to cross boundaries and transcends genres."

Chickasha, Oklahoma is not a place known for producing a lot of original proto-punk bands. In fact, there is, to our knowledge, only one: Debris'. Formed in 1975 by bassist Chuck Ivey, guitarist Oliver "Rectomo" Powers and drummer Johnny Gregg, the trio created some of the most art-damaged outsider rock 'n' roll this side of MX-80 Sound.

When a local studio offered the package deal of ten hours for recording and mixing as well as pressing 1,000 LPs and two-color jackets, Debris' came in well-rehearsed – nailing all eleven of their songs in just one take. In April 1976, the same month as Ramones' debut album, Debris' would release their lone record onto the world.

Opener "One Way Spit" could easily be mistaken for a lost KBD single – from Chuck's bizarre count-in to the band's trashy start-stop rhythms, unfurling a Dadaist flag around Johnny's visceral vocals. On "Tricia," a reference to the then-current Patty Hearst trial, Oliver's gruesome groans are sardonically juxtaposed with an electric saw. These LSD-tinged tunes are a potent mix of Beefheart-ian controlled chaos and the genuinely weird avant-rock associated with the mid-'70s Cleveland scene.

Enhanced by analog synthesizers and electronic effects, the album sounds like Eno-era Roxy Music or Stooges' Fun House buried deep in the red Oklahoma dirt. While punk would spark a handful of bands who boldly straddled the line between the primal and the experimental, the relatively unsung Debris' were one of the first to do so.

Debris' had a standing invitation to play New York at Max's Kansas City and CBGB in 1976, although they never made it out of Oklahoma. The private-press edition of their self-titled album (also known as Static Disposal, which was actually the label name printed on the original front cover) has since become a collector's item and is even namechecked on the infamous NWW list.

Die wegweisenden Alternative-Rocker von Wolf Alice melden sich mit ihrer brandneuen Single „Bloom Baby Bloom” zurück. Gleichzeitig verkündet die britische Formation Einzelheiten ihres ungeduldig erwarteten, vierten Studioalbums „The Clearing”, dessen Release für den 29. August 2025 angekündigt wurde und das weltweit auf ihrem neuen Label Sony Music erscheint.

Alle Songs wurden im Nord-Londoner Stadtteil Seven Sisters geschrieben und im vergangenen Jahr mit Grammy-Gewinner und Hauptproducer Greg Kurstin (Adele, Miley Cyrus, Beyoncé) in Los Angeles aufgenommen.
Mit „The Clearing“ legen Wolf Alice eine maximal selbstbewusste Songsammlung vor, die vor Ehrgeiz, ungewöhnlichen Ideen und Emotion nur so zu strotzen scheint und die eindrucksvoll veranschaulicht, wo sich das UK-Quartett im Jahr 2025 soundtechnisch verortet.

Mit anderen Worten: Ein wirklich zeitloses Album.

Formerly managed by DJ Ghost — a key figure of the hard trance scene and one half of the legendary Cherry Moon Traxx duo alongside Youri Parker — Ghoststyle has now joined the Diki Records family. The label remains a true reflection of the raw energy and hard-hitting sounds that define Ghost’s dynamic DJ sets.

With Traky 2025 Remixes, Ghoststyle brings new life to a cult classic: Traky, originally produced by the group People of Cactus, reimagined here in a series of explosive remixes made for the most demanding dancefloors. This release gathers a powerhouse lineup of Belgian artists: DJ Ghost & Danny Corten, DJ Furax & Sandy Warez, Lethal MG, Binum, Greg S, and the timeless 1998 version by DJ HS.

Each remix breathes fresh energy into this iconic track, blending rave power, acid lines, and intense build-ups. A selection that perfectly fuses raw drive, retro vibes, and modern edge — a must-have to ignite any set.

Français

Anciennement géré par DJ Ghost — figure emblématique de la scène hard trance et moitié du duo légendaire Cherry Moon Traxx avec Youri Parker — Ghoststyle rejoint désormais l'équipe de Diki Records, fidèle reflet de l'énergie brute et des sonorités percutantes qui résonnent dans les sets de son fondateur.

Avec Traky 2025 Remixes, Ghoststyle ressuscite un classique culte : Traky, signé par le groupe People of Cactus, dans une série de relectures explosives taillées pour les dancefloors les plus exigeants. Ce package réunit une sélection d’artistes phares de la scène belge : DJ Ghost en tandem avec Danny Corten, DJ Furax & Sandy Warez, Lethal MG, Binum, Greg S, et la version intemporelle de 1998 par DJ HS.

Chaque remix insuffle une nouvelle vie à ce titre mythique, oscillant entre puissance rave, lignes acid, et montées frénétiques. Une sélection qui mêle parfaitement énergie brute, ambiance rétro et modernité — un incontournable pour faire vibrer les platines.

Early support from Mark With A K, Anonymize, Manu Kenton, Franky Kloeck, Jan Vervloet, DJ Wout, Bestien, DJ Dinamyk, Don Diablo, Tom Leclercq, DJ Liberty, N.O.B.A, etc…

Things just get heavier and heavier in Scott ‘Wino’ Weinrich’s career and his short-lived classic band The Hidden Hand is no exception. Formed in 2002 and already disbanded in 2007 the trio featured Wino, Bruce Falkinburg on bass/songwriting/vocals and drummer Dave Hennessy.
If The Obsessed, St. Vitus, Shrinebuilder, Probot and Spirit Caravan aren’t enough to bring Wino's CV to legendary status, stop reading now.
LINER NOTES from WINO:

"When I returned from California after The Obsessed Columbia record deal fell apart, I didn't have any gear at all and after we put together (SHINE) which became Spirit Caravan, I was hustling to put a guitar rig together. I discovered ATOMIC MUSIC a super cool store in MARYLAND that encouraged trades, and had a lot of cool shit there,we had met another cat Sonny, who being the gregarious friendly cat he was befriended us (the band) and introduced me to his friend who's recording studio shared space with Atomic Music, Bruce Falkinburg and Phase recording studio. Bruce was a very interesting and hyper intelligent guy, bassist, knowledgeable in all things but specializing in recording rock music. We had decided to diversify our recording process and parted ways with one of my old friends Chris Kozlowski and PolarBearLair studios who had recorded everything Spirit Caravan had done so far.

I hired Bruce to record the version of Darkness and Longing that was our song on the Sixty Watt Shaman -Spirit Caravan split single. We liked what he did on that recording and decided to record more with Bruce at Phase and so we did ;the last SC single -" So Mortal Be/ Undone Mind" and recorded three tracks that were eventually released on "The Last Embrace." Bruce and I had firmly cemented our friendship and when shit fell apart with Spirit Caravan , we decided to form a band. Out of a very interesting list of possible band names Bruce's idea" The Hidden Hand " seemed to resonate the most and once Bruce had recruited Dave Hennessy (guitarist for OSTINATO) to play drums it was ON. Over the next couple years and a couple different drummers, The Hidden Hand would record one single, one split ep ,one compilation song and Three full length albums. Knowing Bruce, and working with everyone in The Hidden Hand realm enriched my life greatly . Bruces enthusiasm, knowledge, creativity, intellect and musical abilities remains an inspiration. Thanks Bruce, Sonny, Louis and Eric and all at ATOMIC MUSIC, Dave Hennessy,Matt and Jeremy Osinato ,Evan Tanner, J Robbins, Mcarthyism records, Andreas at Exile from Mainstream records, Greg Tubevision, 930 club ,Black Cat, Gussound, Diana W, Woody, Stinking Lizaveta, Jadd Schickler and Meteor City, Southern Lord records and extra special thanks to Gianluca and Improved Sequence for keeping this music alive!"
Wino - summer 2024

Things just get heavier and heavier in Scott ‘Wino’ Weinrich’s career and his short-lived classic band The Hidden Hand is no exception. Formed in 2002 and already disbanded in 2007 the trio featured Wino, Bruce Falkinburg on bass/songwriting/vocals and drummer Dave Hennessy.
If The Obsessed, St. Vitus, Shrinebuilder, Probot and Spirit Caravan aren’t enough to bring Wino's CV to legendary status, stop reading now.
LINER NOTES from WINO:

"When I returned from California after The Obsessed Columbia record deal fell apart, I didn't have any gear at all and after we put together (SHINE) which became Spirit Caravan, I was hustling to put a guitar rig together. I discovered ATOMIC MUSIC a super cool store in MARYLAND that encouraged trades, and had a lot of cool shit there,we had met another cat Sonny, who being the gregarious friendly cat he was befriended us (the band) and introduced me to his friend who's recording studio shared space with Atomic Music, Bruce Falkinburg and Phase recording studio. Bruce was a very interesting and hyper intelligent guy, bassist, knowledgeable in all things but specializing in recording rock music. We had decided to diversify our recording process and parted ways with one of my old friends Chris Kozlowski and PolarBearLair studios who had recorded everything Spirit Caravan had done so far.

I hired Bruce to record the version of Darkness and Longing that was our song on the Sixty Watt Shaman -Spirit Caravan split single. We liked what he did on that recording and decided to record more with Bruce at Phase and so we did ;the last SC single -" So Mortal Be/ Undone Mind" and recorded three tracks that were eventually released on "The Last Embrace." Bruce and I had firmly cemented our friendship and when shit fell apart with Spirit Caravan , we decided to form a band. Out of a very interesting list of possible band names Bruce's idea" The Hidden Hand " seemed to resonate the most and once Bruce had recruited Dave Hennessy (guitarist for OSTINATO) to play drums it was ON. Over the next couple years and a couple different drummers, The Hidden Hand would record one single, one split ep ,one compilation song and Three full length albums. Knowing Bruce, and working with everyone in The Hidden Hand realm enriched my life greatly . Bruces enthusiasm, knowledge, creativity, intellect and musical abilities remains an inspiration. Thanks Bruce, Sonny, Louis and Eric and all at ATOMIC MUSIC, Dave Hennessy,Matt and Jeremy Osinato ,Evan Tanner, J Robbins, Mcarthyism records, Andreas at Exile from Mainstream records, Greg Tubevision, 930 club ,Black Cat, Gussound, Diana W, Woody, Stinking Lizaveta, Jadd Schickler and Meteor City, Southern Lord records and extra special thanks to Gianluca and Improved Sequence for keeping this music alive!"
Wino - summer 2024

With ,We Do It Out of Love," acclaimed harmonica player Alex Rossi delivers a heartfelt and masterfully crafted tribute to jazz legend Toots Thielemans - one of the most influential voices ever to grace the chromatic harmonica. This album features a carefully curated selection of pieces that reflect the full emotional and musical range of Thielemans' legacy - lyrical, virtuosic, and deeply moving. Highlights include the evocative ,Waltz for Sonny," the tender ,I Do It for Your Love," and Pat Metheny's rhythmically vibrant ,Better Days Ahead" - all reimagined with fresh arrangements that honor the original spirit. Alex Rossi captures the essence of Toots' sound while adding his own voice, bridging past and present with stylistic sensitivity and precision. He is joined by a stellar lineup of internationally acclaimed harmonica players: Antonio Serrano, Gabriel Grossi, Grégoire Maret, Franco Luciani and Olivier Ker Ourio - each bringing their unique sound and deep respect for Toots' musical heritage. ,We Do It Out of Love" is more than just a tribute - it's a global celebration of the instrument Toots Thielemans elevated to poetic heights. A soulful, resonant homage filled with admiration, artistry, and, above all, love.

Red/Black marbled vinyl. With ,We Do It Out of Love," acclaimed harmonica player Alex Rossi delivers a heartfelt and masterfully crafted tribute to jazz legend Toots Thielemans - one of the most influential voices ever to grace the chromatic harmonica. This album features a carefully curated selection of pieces that reflect the full emotional and musical range of Thielemans' legacy - lyrical, virtuosic, and deeply moving. Highlights include the evocative ,Waltz for Sonny," the tender ,I Do It for Your Love," and Pat Metheny's rhythmically vibrant ,Better Days Ahead" - all reimagined with fresh arrangements that honor the original spirit. Alex Rossi captures the essence of Toots' sound while adding his own voice, bridging past and present with stylistic sensitivity and precision. He is joined by a stellar lineup of internationally acclaimed harmonica players: Antonio Serrano, Gabriel Grossi, Grégoire Maret, Franco Luciani and Olivier Ker Ourio - each bringing their unique sound and deep respect for Toots' musical heritage. ,We Do It Out of Love" is more than just a tribute - it's a global celebration of the instrument Toots Thielemans elevated to poetic heights. A soulful, resonant homage filled with admiration, artistry, and, above all, love.