Discoweey makes its vinyl bow here, and in some style, too, as Hotmood brings the heat. He is no stranger to doing that - the Mexican Guillermo Gonzalez Santana broke out more than a decade ago and has been leading his local, and the global, disco scene from the front ever since. Side A kicks off with the global hit 'Ya Te Olvide' extended and guaranteed to ignite. Following that is 'DDD,' a high-energy banger, then 'Funk Party' is a crowd favourite that held the top chart spot for weeks and smooth and soulful closer 'D.R.E.A.M.I.N.G.' leaves a lasting impression.
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After years of exploration and experimentation, a new wave of artists from the Andes is now gaining some deserved global recognition. One such artist is Guillermo aka Existencia Pasajera, whose work has been shaped in southern Chile and so smartly reflects the region's newly emerging creative depth. This new release captures his fluid, expressive keyboard style and opens with the trippy and psychedelic loops of 'Haunted House' before 'The Brujo' gets more dark and menacing. The EP also features a remix by Minus legend Magda. Her label debut blends acid, stripped back rhythm and heady grooves, while closing the release is Map.ache of the Giegling collective, whose minimalist approach offers a meditative counterpoint.
Blue House Rockin’ is the result of a unique collaboration between Soul Sugar and Dub Shepherds — two projects united by a shared love for roots reggae, vintage studio gear, and warm analog sound.
The album was recorded live over two intense days at Blue House Studio by Christophe “French kiss” Adam, using ribbon and tube microphones from the ’50s and ’60s from the ’50s and ’60s, a Hammond organ, upright piano, Fender bass and Gibson guitars, classic amps and preamps, along with drums, syndrums and percussion. The sessions were transferred to a 24-track tape machine, and final mixes were crafted the old-school way by the Dub Shepherds at their own Bat Records Studio, using analog consoles and hardware vintage effects.
The tracklist brings together deep cuts, timeless classics, and original compositions. Curtis Mayfield’s Give Me Your Love and Aaron Frazer’s My God Has a Telephone (Colemine Records) — two soul gems, one vintage, one modern — are reimagined in reggae style, both featuring the great Jolly Joseph on lead vocals, working wonders with his falsetto. He also shines on Hold My Hand, a sweet and mellow original composition with lovers rock flair, written on the spot during the session.
Other standout moments include the soulful fire of UK singer Shniece McMenamin, who lights up Family Affair (Mary J. Blige / Dr. Dre) — flipped into a fiery hip-hop-meets-reggae version packed with energy and attitude.
Instrumentals like Disco Jack, Choice of Music, and Drum Song — all originally composed by Jamaican organ legend Jackie Mittoo — bring Guillaume “Booker G” Metenier’s Hammond work to the front. The playful exchange between organ, guitar, and a rock-solid rhythm section is elevated by swirling spring reverb, dub echoes, and filter sweeps.
The album’s explosive title track — Blue House Rock — was composed and recorded on the spot at the end of the session. A raw, greasy groove that sounds like The Meters jamming at Studio One or a lost instrumental from a Beastie Boys B-side.
Blue House Rockin’ is a vibrant blend of soulful roots reggae and funk, wrapped in the deep, dusty tones of analog tape. A joyful and authentic studio experience, captured live — and played loud.
- A1: Daze (David Harrow Remix) (Blm Remix23)
- A2: Queen Of Hearts (Moody Boyz Remix) (Duck Or Drown)
- A3: Ital Orb (Gaudi Remix ) (Iron Chair)
- B1: Narcotics (David Harrow Remix 2) (Head Crusher)
- B2: Slave Til U Die (Andy Falconer Remix) (Water Boarding)
- B3: Hawk Kings (Lost Stoned Pandas Remix) (Pear Of Anguish)
- C1: Honey Moonies (Paul Metamono Remix) (Burnt At The Stake)
- C2: Weekend (Dom Beken & Kris Needs Remix) (The Judas Triangle)
- C3: Pervitin (Violeta Vicci Remix) (The Saw Torture)
- D1: Aaa (Violeta Vicci Remix) (Hung, Drawn & Quartered)
- D2: Shape Shifting Pt. 1 (Youth Bring In The Clown Remix)
Black Vinyl[22,90 €]
CLEAR YELLOW W/ B'N'W SPLATTER Vinyl[22,27 €]
SMOKEY BLOODRED COL. VINYL[23,11 €]
Wegen der großen Nachfrage: die DAG-Tradition der Picture Discs wird auch mit dem neuen Album fortgeführt! 39 Jahre nach ihrem Debutalbum und 13 Jahre nach "Welcome Back To Insanity Hall" veröffentlicht eine der legendärsten original Psychobilly-Acts um den charismatischen, außergewöhnlichen (manche würden sagen "frenzy") Bandleader Mark "Sparky" Philips ein Dutzend neue Songs, oder sind's nicht doch 13? PSYCHOTIC MUTILATION! Schon von jeher scheren sich DAG einen Dreck um den klassischen Psychobilly-Purismus: Ihr Sound ist immer noch eine einzigartige Mischung (Hellbilly) und kombiniert Elemente von Rockabilly, Punk, höllischem Rock'n'Roll mit mal Country-esken Einflüssen oder dunkelsten Blues, alles immer geprägt von Sparkys rauem, giftigem Gesang. Und als ganz besonderer Gast tritt Emanuela Hutter von The Hillbilly Moon Explosion wieder im Duett mit Sparky bei ,Cast A Lonesome Shadow" an. Eine wilde und schräge musikalische Reise durch menschliche Abgründe, Wahnsinn und dunkle Sehnsüchte. "Psychotic Mutilation" mit genau den Songs, die diese kranke Welt verdient. Simply a masterpiece!! Die Pressung der LP-Erstauflage dürfte ein jedes Sammlerherz höherschlagen lassen, denn neben 180g Vinyl, klassisch schwarz oder Multicolour, gibt es noch ein Plakat und am Ende der endlos B-Seiten-Rille ein verstecktes Special zu finden, oder genauer gesagt: ganz in der Mitte der B-Seite....lasst euch überraschen. Hellbilly ist zurück! Dies hier ist die limitierte Picture Disc-Vinylversion, in ausgestanztem Sleeve und ohne Poster.
Far Out Recordings continues its reissue campaign of the late Argentinian guitarist Agustin Pereyra Lucena's work with the first-ever vinyl reissue of his singular 1988 private press album, Puertos De Alternativa, now his most sought-after LP. The album features some of Agustin’s most uniquely beautiful compositions, including “Luces de Valeria” and “Preparativos Maritimos,” alongside Baden Powell's “Pequeño Vals” and “O Cego Aderaldo (Nordeste...),” and “Tema Barroco” by his longtime collaborator, Guilhermo Reuter.
By 1988, Agustín had established himself as one of Argentina’s foremost interpreters of Brazilian music. The seventies saw success with his group Candeias, and he gained recognition in Brazil, forming friendships and collaborations with luminaries such as Vinicius de Moraes, Baden Powell, Dorival Caymmi, Toquinho, and Maria Bethania. Following the era of dictatorship in South America, Agustín spent the late seventies and early eighties, living and touring in Norway as part of his European travels with his group Agustín Pereyra Lucena quartet.
Recorded after returning to his native Buenos Aires, Agustin Peyera Lucena’s Puertos de Alternativa emerged from this confluence of diverse experiences and influences, revealing an artist deeply connected to his environment. The album's title, meaning "Alternative Harbours," reflects Agustín's particular affinity for water. He observed that much of his favourite music originated from places with rivers and seas nearby, noting, "There is a flow near water that influences guitar playing for sure."
With a profound connection to both instrument and environment, Agustín’s music is often difficult to place. The album begins rooted deeply in South American soil, drawing clear inspiration from Brazilian guitar masters like Heitor Villa Lobos, Garoto and Baden Powell. But, as it progresses, a sense of journey unfolds, evoking new landscapes and horizons – from the crystalline beauty of glacial Norway to the gentle currents of the Rio de la Plata.
The ensemble on Puertos de Alternativa features notable Argentinian musicians, including drummer Osvaldo Avena, flautist Rubén Izarrualde, and saxophonist Bernardo Baraj.
Mastered by Stuart Hawkes at Metropolis Studios from the original master tapes which had been lovingly kept by Agustin’s nephew José Lucena Perreyra
Tracklist & Credits:
A1. Luces De Valeria (Agustin Pereyra Lucena)
Guitar, Vocals – Agustin Pereyra Lucena
Piano, Bass, Drums, Vocals – Guillermo Reuter
Tamboril – Julio Said
A2. Pequeña Valsa (Baden Powell)
Arranged By Flute – Lucho González
Drums – Osvaldo Avena
Flute – Alejandro Santos
Guitar – Agustin Pereyra Lucena
Tambora – Eduardo Avena
A3. Planicie (El Llano) (Agustin Pereyra Lucena)
Arranged By Flute – Lucho González
Flute – Rubén Izarrualde
Keyboards, Acoustic Bass, Percussion, Arranged By Keyboards – Guillermo Reuter
Guitar – Agustin Pereyra Lucena
A4. Tema Barroco (Guillermo Reuter)
Guitar – Agustin Pereyra Lucena
Percussion – Guillermo Reuter
A5. O Cego Aderaldo (Nordeste...) (Baden Powell)
Guitar – Agustin Pereyra Lucena
B1. Tres Que Quedaron (Agustin Pereyra Lucena, Andrés Laprida)
Drums – Osvaldo López
Flute – Rubén Izarrualde
Piano, Keyboards, Bass, Directed By – Guillermo Reuter
Soprano Saxophone – Bernardo Baraj
Electric Piano, Arranged By – Andrés Laprida
Guitar, Electric Guitar, Vocals – Agustin Pereyra Lucena
B2. Preparativos Maritimos (Andrés Laprida, Agustin Pereyra Lucena, Guillermo Reuter)
Guitar, Vocals – Agustin Pereyra Lucena
Keyboards, Acoustic Bass, Percussion, Arranged By – Guillermo Reuter
B3. Puertos De Alternativa (Agustin Pereyra Lucena)
Guitar, Effects – Agustin Pereyra Lucena
B4. Casi-Numbe (Luis González Cárpena, Agustin Pereyra Lucena)
Bass – Lucho González
Bass Flute – Rubén Izarrrualde
Berimbau – Horacio Veros
Keyboards, Piano, Vocals, Drums, Arranged By – Guillermo Reuter
Guitar, Vocals, Arranged By – Agustin Pereyra Lucena
- C5: Lock - Eli Filosov
- A1: What Once Was - Aimless
- A2: Pistonhead -Dryhope
- A3: Outer Wilds - Mell-Ø
- A4: Inthemiddle - Elijah Who
- A5: Mistakes - Kudasaibeats
- A6: Miles Away - Idealism
- B1: Sunroof - Hazy Year
- B2: Biscuits - Spencer Hunt X Takeo
- B3: Distant Memories - Nymano X J'san
- B4: Lakeside - Leavv X Mr. Käfer
- B5: Coral - Jhfly
- B6: Keep Falling - Psalm Trees X Guillaume Muschalle
- C1: Cozy In My Pjs - Eevee
- C2: Aperitif - Ambulo
- C3: Time - The Deli
- C4: Within - Kendall Miles
- C6: Our Day Off Together - Rook1E
- D1: Malbenita - Flughand X Steichi
- D2: Apommes - Wun Two
- D3: Stoned Apes - Bluntone X Dmtbeatz
- D4: When Sparks Fly - Lenny Loops X Swum
- D5: Get Some Rest - Hm Surf
- D6: Little Deers - Aso
- D7: Guess I Forgot - A L E X
While paying homage to the pioneers of the genre, this compilation pushes the boundaries of nostalgic soundscapes with fresh, original creations. Evoking a sense of familiarity and warmth, the release beautifully captures a feeling of wonder and introspection. Let these timeless rhythms set the mood for your most peaceful moments.
q C5. lock - eli filosov p h i l o
[q] C5. lock - eli filosov [ p h i l o ]
- A1: Minor Swing
- A2: Main Titles
- A3: The Story Of Grandmere
- A4: Vianne Sets Up Shop
- A5: Three Women
- A6: Vianne Confronts The Comte
- A7: Other Possibilities
- A8: Guillaume’s Confession
- A9: Passage Of Time
- B1: Boycott Immorality
- B2: Party Preparations
- B3: Chocolate Sauce
- B4: Fire
- B5: Vianne Gazes At The River
- B6: Mayan Bowl Breaks
- B7: Taste Of Chocolate
- B8: Ashes To The Wind/Roux Returns
- B9: Caravan
Chocolat is the 2000 British-American romantic comedy-drama film directed by Lasse Hallström (The Cider House Rules) starring Juliette Binoche, Judi Dench and Johnny Depp. The film’s enchanting atmosphere is brought to life by the original score from Academy Award-winning composer Rachel Portman. The soundtrack features “Minor Swing” by Django Reinhardt and Stéphane Grappelli, and “Caravan”, the 1936 jazz standard by Duke Ellington and Juan Tizol. The soundtrack was nominated for an Academy Award, next to the four other Oscar nominations.
Chocolat is available as a 25th anniversary edition of 750 numbered copies on mint chocolate marbled vinyl and includes an insert.
- 1: Exile On Wall Street
- 2: Exclusive Single
- 3: Pentagram Lamb
- 4: Cocaine Chow Mein
- 5: Power Corruption And Levis
- 6: Jfa Per Se
- 7: Banana Cheer
- 8: Bullet Fever
- 9: Minor Threat, Burgers & Fries
- 10: Monochrome Hookup
- 11: Typeface Arms Race
- 12: Ra Ra Ya Ya
- 13: Bubblegum Guillotine
- 14: Emotion Explosion
Mark Robinson and Trevor Kampmann are Uncomfortable Police. They have been collaborating for years. First as Fang Wizard (2011) and then Party Milk in 2023. While those LPs are primarily instrumental, this new 15-song Michelin Star Hardcore album sees them both getting in front of the microphone as lead and background singers. Mark started and starred in the bands Unrest (who just released the 30th Anniversary edition of their Perfect Teeth album with 4AD), Air Miami, Flin Flon, Grenadine and more. Trevor’s records his solo material until the moniker hollAnd for years and has produced and mastered albums by the likes of Cat Power and Explosions In The Sky. On Mark’s seminal Teenbeat label that he formed at Wakefield High School in Arlington, Virginia, just outside DC. This physical phonograph record contains one extra song that will not be available digitally.
- Black Valium
- Out Of Reach
- Spoonful
- Chasing Rainbows
- Mr Pharmacist
- Cast A Lonseome Shadow
- Guillotine
- Nasty Cindy
- Dont Take Me Back
- Strange Times
- Wandering Hobo Blues
- Dismembered Hand
- ? (Long Distance Transcontinental)
CLEAR YELLOW W/ B'N'W SPLATTER Vinyl[22,27 €]
SMOKEY BLOODRED COL. VINYL[23,11 €]
PICTURE DISC[23,49 €]
Macht euch bereit für das lang erwartete, brandneue Album "Psychotic Mutilation" von DEMENTED ARE GO! 39 Jahre nach ihrem Debutalbum und 13 Jahre nach "Welcome Back To Insanity Hall" veröffentlicht eine der legendärsten original Psychobilly-Acts um den charismatischen, außergewöhnlichen (manche würden sagen "frenzy") Bandleader Mark "Sparky" Philips ein Dutzend neue Songs, oder sind's nicht doch 13? Schon von jeher scheren sich DAG einen Dreck um den klassischen Psychobilly-Purismus: Ihr Sound ist immer noch eine einzigartige Mischung (Hellbilly) und kombiniert Elemente von Rockabilly, Punk, höllischem Rock'n'Roll mit mal Country-esken Einflüssen oder dunkelsten Blues, alles immer geprägt von Sparkys rauem, giftigem Gesang. Und als ganz besonderer Gast tritt Emanuela Hutter von The Hillbilly Moon Explosion wieder im Duett mit Sparky bei ,Cast A Lonesome Shadow" an. Eine wilde und schräge musikalische Reise durch menschliche Abgründe, Wahnsinn und dunkle Sehnsüchte. "Psychotic Mutilation" mit genau den Songs, die diese kranke Welt verdient. Simply a masterpiece!! Die Pressung der LP-Erstauflage dürfte ein jedes Sammlerherz höherschlagen lassen, denn neben 180g Vinyl, klassisch schwarz oder Multicolour, gibt es noch ein Plakat und am Ende der der endlos B-Seiten-Rille ein verstecktes Special zu finden, oder genauer gesagt: ganz in der Mitte der B-Seite....lasst euch überraschen. LP als 180g Vinyl, Glanz-Cover & A2 Poster, CD als Digipack. Diese Version hier ist klassisch schwarzes Vinyl!
Macht euch bereit für das lang erwartete, brandneue Album "Psychotic Mutilation" von DEMENTED ARE GO! 39 Jahre nach ihrem Debutalbum und 13 Jahre nach "Welcome Back To Insanity Hall" veröffentlicht eine der legendärsten original Psychobilly-Acts um den charismatischen, außergewöhnlichen (manche würden sagen "frenzy") Bandleader Mark "Sparky" Philips ein Dutzend neue Songs, oder sind's nicht doch 13? Schon von jeher scheren sich DAG einen Dreck um den klassischen Psychobilly-Purismus: Ihr Sound ist immer noch eine einzigartige Mischung (Hellbilly) und kombiniert Elemente von Rockabilly, Punk, höllischem Rock'n'Roll mit mal Country-esken Einflüssen oder dunkelsten Blues, alles immer geprägt von Sparkys rauem, giftigem Gesang. Und als ganz besonderer Gast tritt Emanuela Hutter von The Hillbilly Moon Explosion wieder im Duett mit Sparky bei ,Cast A Lonesome Shadow" an. Eine wilde und schräge musikalische Reise durch menschliche Abgründe, Wahnsinn und dunkle Sehnsüchte. "Psychotic Mutilation" mit genau den Songs, die diese kranke Welt verdient. Simply a masterpiece!! Die Pressung der LP-Erstauflage dürfte ein jedes Sammlerherz höherschlagen lassen, denn neben 180g Vinyl, klassisch schwarz oder Multicolour, gibt es noch ein Plakat und am Ende der der endlos B-Seiten-Rille ein verstecktes Special zu finden, oder genauer gesagt: ganz in der Mitte der B-Seite....lasst euch überraschen. LP als 180g Vinyl, Glanz-Cover & A2 Poster, CD als Digipack. Diese Version hier ist klassisch schwarzes Vinyl!
Black Vinyl[22,90 €]
CLEAR YELLOW W/ B'N'W SPLATTER Vinyl[22,27 €]
PICTURE DISC[23,49 €]
Macht euch bereit für das lang erwartete, brandneue Album "Psychotic Mutilation" von DEMENTED ARE GO! 39 Jahre nach ihrem Debutalbum und 13 Jahre nach "Welcome Back To Insanity Hall" veröffentlicht eine der legendärsten original Psychobilly-Acts um den charismatischen, außergewöhnlichen (manche würden sagen "frenzy") Bandleader Mark "Sparky" Philips ein Dutzend neue Songs, oder sind's nicht doch 13? Schon von jeher scheren sich DAG einen Dreck um den klassischen Psychobilly-Purismus: Ihr Sound ist immer noch eine einzigartige Mischung (Hellbilly) und kombiniert Elemente von Rockabilly, Punk, höllischem Rock'n'Roll mit mal Country-esken Einflüssen oder dunkelsten Blues, alles immer geprägt von Sparkys rauem, giftigem Gesang. Und als ganz besonderer Gast tritt Emanuela Hutter von The Hillbilly Moon Explosion wieder im Duett mit Sparky bei ,Cast A Lonesome Shadow" an. Eine wilde und schräge musikalische Reise durch menschliche Abgründe, Wahnsinn und dunkle Sehnsüchte. "Psychotic Mutilation" mit genau den Songs, die diese kranke Welt verdient. Simply a masterpiece!! Die Pressung der LP-Erstauflage dürfte ein jedes Sammlerherz höherschlagen lassen, denn neben 180g Vinyl, klassisch schwarz oder Multicolour, gibt es noch ein Plakat und am Ende der der endlos B-Seiten-Rille ein verstecktes Special zu finden, oder genauer gesagt: ganz in der Mitte der B-Seite....lasst euch überraschen. LP als 180g Vinyl, Glanz-Cover & A2 Poster, CD als Digipack. Diese Version hier ist klassisch schwarzes Vinyl!
- A1: Start The Day Right
- A2: It’s Okay To Change
- A3: Sorry Again, Mate
- A4: A New Town
- A5: Choosing Sides
- A6: A Prelude To Pilgrim Street
- A7: Guillotine
- B1: Who’ll Pay The Bills?
- B2: So Long Then
- B3: Is This The Picture?
- B4: From Hide And Seek To Heartache
- B5: How Many More Times?
- B6: Ce Soir
- B7: Just Like Everyone Else
- B8: (I Keep Thinking About) A New Thing
- A1: The Ballad Of The Lives We Led
- A2: If They Can't Find The Way Then There's No Way Out
- A3: Beat Of The Veins
- A4: We Were Paintermen
- A5: Threads!
- A6: Yeah, I Know It's A Wonderful Life, But There's Always
- B1: Do You Remember 'The Lites On The Water
- B2: Danbury Road
- B3: Buildings
- B4: Hearts Of Scars
- B5: Ashtray Cult
- B6: Maybe One Day It'll Really Happen
Black VInyl[23,49 €]
Die 1992 in London von Sänger und Songschreiber David Christian gegründete Band Comet Gain war ursprünglich inspiriert von den frühen Creation Records, Television Personalities und der Mod-Kultur. Comet Gain schöpften aus denselben Idealen wie Dexys, The Style Council oder Vic Godard und aus Traditionen wie der von The Velvet Underground, The Byrds und den 13th Floor Elevators. In den darauffolgenden Jahren veröffentlichte die Gruppe acht Alben auf so angesehenen Labels wie Wiiija, Kill Rock Stars, What"s Your Rupture und Fortuna POP!. In diesen Veröffentlichungen vermischten sich französischer New Wave mit englischem Arbeiterherz, Riot Grrrl mit Acid Punk und Twee Pop mit Post-Punk und Northern Soul. Comet Gain überdauerten ihre Zeitgenossen und inspirierten eine neue Generation von DIY-Bands. Auf dieser Platte, Comet Gains zweitem regulären Album bei Tapete Records, hören wir David Christian (Stimme, Gitarre), Ben Philipson (Gitarre), Rachel Evans (Gesang), Robin Christian (Schlagzeug), Anne Laure Guillain (Keyboards) und Clientele-Bassist James Hornsey, mit zusätzlichen Gesangs-, Bläser- und Keyboard-Beiträgen von Produzent Sean Read (Dexys, Edwyn Collins, Rockingbirds).
ALDORANDE is a band of five groove adventurers, led by their founder and captain Virgile Raffaëlli, who are pushing the boundaries of music with boundless passion and unparalleled instrumental mastery. After two critically acclaimed albums, the group returns with Trois, the final chapter of their cosmic trilogy, recorded on tape at a prestigious Parisian studio.
Trois is an epic album, driven by bold instrumental explorations and waves of celestial choirs. Drawing inspiration from the 70s fusion movement, it honors the genre’s masters while adding a unique, contemporary twist. The galactic textures and sophisticated arrangements transport the listener on an unforgettable astral journey.
Once again, Favorite Recordings has poured its heart and soul into this album. Every note, every arrangement has been meticulously crafted to capture the essence of that era, with a relentless drive to ensure that every step of production and recording stays as true as possible to the genre’s iconic references.
On drums, Mathieu Edouard lays down a killer groove that leaves no one indifferent. Florian Pellissier, on keyboards, unfolds an interstellar sound palette with a spectacular collection of instruments: Fender Rhodes, Yamaha CP-70B, Moog Minimoog Model D, Sequential Prophet 5, ARP Solina String Ensemble, Roland Juno 106, Roland Jupiter 8, and Oberheim OB-8. On percussion, Erwan Loeffel scatters a jungle of intoxicating rhythms. Laurent Guillet, on guitar, fires off hypnotic, irresistible riffs, while Virgile Raffaëlli, on bass, anchors the entire experience with deep, melodic bass lines that give the band a captivating and unique dimension.
Get ready to take off with ALDORANDE and their album Trois, which promises to take you beyond the stars.
- The Ballad Of The Lives We Led
- If They Can't Find The Way Then There's No Way Out
- Beat Of The Veins
- We Were Paintermen
- Threads!
- Yeah, I Know It's A Wonderful Life, But There's Always
- Do You Remember 'The Lites On The Water
- Danbury Road
- Buildings
- Hearts Of Scars
- Ashtray Cult
- Maybe One Day It'll Really Happen
LTD. PINK VINYL[24,79 €]
Die 1992 in London von Sänger und Songschreiber David Christian gegründete Band Comet Gain war ursprünglich inspiriert von den frühen Creation Records, Television Personalities und der Mod-Kultur. Comet Gain schöpften aus denselben Idealen wie Dexys, The Style Council oder Vic Godard und aus Traditionen wie der von The Velvet Underground, The Byrds und den 13th Floor Elevators. In den darauffolgenden Jahren veröffentlichte die Gruppe acht Alben auf so angesehenen Labels wie Wiiija, Kill Rock Stars, What"s Your Rupture und Fortuna POP!. In diesen Veröffentlichungen vermischten sich französischer New Wave mit englischem Arbeiterherz, Riot Grrrl mit Acid Punk und Twee Pop mit Post-Punk und Northern Soul. Comet Gain überdauerten ihre Zeitgenossen und inspirierten eine neue Generation von DIY-Bands. Auf dieser Platte, Comet Gains zweitem regulären Album bei Tapete Records, hören wir David Christian (Stimme, Gitarre), Ben Philipson (Gitarre), Rachel Evans (Gesang), Robin Christian (Schlagzeug), Anne Laure Guillain (Keyboards) und Clientele-Bassist James Hornsey, mit zusätzlichen Gesangs-, Bläser- und Keyboard-Beiträgen von Produzent Sean Read (Dexys, Edwyn Collins, Rockingbirds).
Germany's iconic deep funk collective digs into a new soundscape: "A Higher Frequency" was recorded with a nine-piece live to tape at legendary MPS studio in the Black Forest, adding an airy, jazzy flavour to their trademark raw and breaks-heavy funk. Ten tracks full of spiritual grooves, soulful themes, loose funkiness and organic interplay, captured with state-of-the-art 1960s gear in a super-vibey room - but the title A Higher Frequency is not just about the pristine analogue sound quality of the recording, it is also a reference to a trancendant wavelength where minds meet and music connects.
Together with long-time friends and collaborators Daniel Kimaz on flute and Guillame Métenier, who worked his magic on the studio's historic Bösendörfer grand piano and Hammond organ, the group spent a week in the Black Forest, with full focus on the mission to capture the live energy and togetherness of the ensemble.
The result is an album bursting with positive energy and power, rooted in a universal funk groove with excursions into many colourful branches like outernational, cinematic, soulful jazz, psychedelic & disco.
The common thread is a propulsive, driving-forward feel: "Open The Gate" welcomes us with hard-hitting breakbeats and dramatic crime brass, followed by the cool groovin' piano-led soul jazz of "Get Loose", while "Spinning" takes us on a ride through cinematic horn choruses and folky-psych flute and guitars. "Back And Better" is Nichola Richards' time to shine, laying her sweet vocals over the sparse hiphop-infused soul beat to tell a comeback story. "Sweet Company" is a lighthearted uptempo tune inspired by TV and library themes of the 1960s. The swampy groove of "Sparks Of Joy" best reflects the fun of the band playing together and "Phantom Power" combines a trademark Mocambo breakin' theme with an unusual instrument, an electric phin from Thailand – a nod to the many so-called "world music jazz" recordings that the MPS studio gave birth to. On "Can't Stop This Fire", soul singer Carlton Jumel Smith from New York City takes over the mic as a special guest and brings the house down with a heavy funk delivery. "When We Roll" builds another highlight where bouncy drums play off disco-jazz horn themes and finally, the gospel-flavoured cine-soul epic "Homebound" drives it all home.
The vinyl record comes in a limited first edition in hand-made tip-on sleeve.
12" EP. Azmari is thrilled to announce the release of their fourth opus, 5-track EP 'In Oculis'. The EP is a reflection of the band's collective desire to reinvent themselves. With a more minimalistic approach, the four musicians have created an eclectic, intense, and vibrant body of work, recorded during various residencies in Belgium and abroad. The result is a fusion of genres that range from powerful grooves to cinematic jazz, from floating melodies to entrancing soundscapes.
For this new project, Azmari teamed up with a long-time collaborator, Guillaume Souffrice (alias Mosso Mosso), who had already been Azmari's guitarist in the band's early days. Souffrice's expertise as a music therapist and multi-instrumentalist, combined with his passion for cross-cultural rhythms and melodies, adds a new depth and dimension to the band's sound.
Souffrice's extensive travels have taken him from Iranian Kurdistan, where he studied the daf (a large frame drum used in Sufi ceremonies), to northern India, where he immersed himself in the modal subtleties of the shehnai (Indian oboe). His love for psychedelic guitar tones and the classic wha-wha pedal remains at the heart of his musical approach, creating a fusion of tradition and experimentation.
The EP opens with 'Night Plants Can Run,' a track that starts with a rhythmic loop on the Berimbau, a Brazilian percussion instrument traditionally used in Capoeira. The song offers a steady, groovy journey between Rio de Janeiro and Sarajevo, with a guitar theme doubled by the saxophone, all underpinned by a deep 4/4 groove. The middle part of the track introduces a lot of percussion (an Azmari signature move) that gives a sense of urgency and chase, inspired by the band's experience playing the track in the studio, imagining a pursuit through the depths of the Amazon.
Next, 'Disassembling the Matrix' takes listeners on a 9/4 march that feels both elusive and powerful. Born from a jam session where an arpeggiator loop wouldn't stop, the band decided to continue with it, highlighting the beauty of a spontaneous creation once again. 'Lizzard's Dream' is a guitar-driven trip that gradually intensifies in energy. The song surprises with a sudden groovy break - a moment that was initially the core of the track - before returning to its soft and introspective theme, closing out the A-side of the vinyl.
The fourth track, 'Eyelights,' was born from the shores of Vevey Lake in Switzerland. It reflects the result of a long period of mental observation and rhythmic exploration. Three different time signatures were used to create the song's intro, which comes together as they go along. The melody loops with a peaceful and nostalgic vibe, creating a dreamlike atmosphere. Under the direction of Frederik Segers, who produced the EP, 'Eyelights' takes on a cinematic feel, with classical upright piano sounds that are a first for Azmari.
The EP closes with "17th Tiger Print," which takes us to the banks of the Ganges. Souffrice's shehnai leads the track into a hypnotic, hallucinatory dimension, where the interplay between his instrument and the baritone saxophone creates a textured, mystical atmosphere. This track encapsulates the essence of Azmari, a sound that bridges cultures and emotions in a minimalist yet highly effective way.
'In Oculis' marks another milestone in Azmari's musical evolution, blending the band's signature style with new influences and experimentation. Whether you're a longtime fan or new to their sound, this EP promisesto take you on another ride around the world.
- Chemical Prisoner
- God, If You Are Above
- Sexy Drug
- Just Like You
- Guillotine Iv(The Final Chapter)
- Stay Awayside B
- Wait And See
- The Bitter End
- My Heart's To Blame
- Get Me Out
- Die For You
- Brother
Just Like You is the follow up to Falling In Reverse"s 2013 release Fashionably Late. The album debuted at #2 on the Billboard Top Hard Rock Albums chart, #4 on the Modern Rock Albums chart, and #3 on the Top Independent Albums chart. Falling In Reverse"s first album, The Drug in Me Is You debuted in the Billboard Top 20 in 2011. In 2012, Alternative Press gave Falling In Reverse the title of Artist of the Year while Revolver named Ronnie Radke one of the 100 Greatest Living Rockstars. Additionally, Falling In Reverse/frontman Radke have been on numerous magazine covers worldwide, including Alternative Press, Las Vegas Weekly, Rocksound, Hysteria, and Kerrang!. In 2014, Kerrang! named Ronnie one of the 50 Greatest Living Rockstars in the World, in the company of Lemmy, Slash, Steven Tyler, and Ozzy Osbourne. Reissued on Clear with Neon Pink Splatter vinyl to celebrate the 10th anniversary of it"s release.




















