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Here we go with another exclusive release of Passionate Music Label
Part 15 in the Hardcore Classics series

Here we go with another exclusive release of Passionate Music Label

Part 14 in the Hardcore Classics series

White Marbled Vinyl

Here we go with another exclusive release of Passionate Music Label

Part 11 in the Hardcore Classics series

Here we go with another exclusive release of Passionate Music Label

Part 12 in the Hardcore Classics series

The best oldschool Hardcore classics from the 90s on this cool red vinyl compilation album. With classics by DJ Isaac, DJ Rob & MC Joe, BodyLotion, Forze DJ Team, Neophyte vs Stunned Guys en The Dark Raver & DJ Vince, ………….. and others.

Here we go with another exclusive release of Passionate Music Label

Part 8 in the Hardcore Classics series

Pink Vinyl

White Marbled Vinyl

Yellow Marbled Vinyl

Green Marbled Vinyl

Blue Marbled Vinyl

Four Hardcore rave classics remastered and pressed at ISL-egendary label :

A1 comes from ISR27 (1994), AKA Sal Mineo.
A2 was unreleased on vinyl so far.
B1 used to be a Bastard Loud 06 (1995) killer !
B2 comes from Industrial Strength 11... in 1993.

Enjoy Lenny Dee's selecta for this third Hardcore Rave Classics Volume 3 !

Best Of CDs & Digitals from No New Style msuic !

"Simply Hardcore" !

“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.”

‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire.

“I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.”

Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.”

‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

‘Digeridoo’ (Expanded Edition) by Aphex Twin is available on R&S Records from 31st May 2024.

The final volume of this mammoth collection of music from Bristolian electronic music pioneer Krust is finally upon us, and like the previous parts of this collection it boasts an assemblage of music of different energies, vibes and feelings. The music contained within spans decades yet somehow refuses to be locked to one 'era' or 'style'. This is what makes this release unmissable for the hardcore fan, newcomer or completist.

'Irrational Numbers' is a meticulously curated collection of five parts, available on both vinyl and digital formats. The compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

Featured on part 5 are some groundbreaking entries into Krust's massive back catalogue. The live bass driven jazz inflected 'Second Movement' from his acclaimed 'Coded Language' LP jostles alongside the speaker smashing machine funk of 'Break Ya Neck' as well as a couple of more recent productions including the sleek and sinister 'The Portal', which is undeniably the man at his best, in full electronic stealth mode.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

Legendary California Gore Metal Freaks Exhumed team up against Richmond, Virginia's Crossover Hardcore Punks Iron Reagan (members of Municipal Waste) on this stellar edition of the Tankcrimes Split 12" Series. Exhumed bring 2 hook-laden, high speed death grinding originals plus Gore soaked covers of Hardcore classics from Minor Threat and Negative Approach. Iron Reagan come in with 4 original tracks of manic punk-metal thrash fury. All tracks exclusive to this vinyl only release. Digital download card included.

Kicking off the collection, we have POISON IDEA performing their first ever gig as a high-velocity punk band on New Years Eve 1980 – truly an incredible find. “We put our gear in shopping carts and pushed it to the venue” Jerry recalls as well as the reaction from Portland’s first wave of hardcore kids, “They only had 30 seconds in a song to throw each other around and pogo, so they’d go for it. It came naturally, like the music possessed them”. The embryonic versions presented here of future POISON IDEA classics like “Give It Up” and “Castration” are played in a more quirky and herky-jerky manner than how they would appear three years later on their debut seven-inch EP, Pick Your King. This recording also holds the most unfiltered display of Germs vocalist Darby Crash’s influence on Jerry. “His voice gave me the license to go” states Jerry. “You didn’t have to be a trained singer. Just open up your soul and scream”.

The remainder of this release is culled from a recording done in June of 1981 at a birthday party for Kim Kincaid, vocalist for local punk group, Neo Boys. The event was held at the short-lived but groundbreaking punk venue for Portland, Clockwork Joe’s. “Clockwork Joe’s was like Peter Pan’s island of lost boys” Lang recollects, “There was a lot of booze, a lot of drugs and a lot of young kids”. Hearing this ferocious, tightly-wound set, one can only imagine the sweaty debauchery that occurred that night, especially during the pounding rendition of “Underage” presented here, yet another future Pick Your King track.

Is this Psycvhedelic Speedcore ? Is this Double kick 130 BPM Techno ? Is This Funky Flashcore ? Is This Cavage Party Time ? Is This the Return of The Revenge ? Is This Hardcore Music ? Is This avaible as Wave or Mp3 as well ? Is This a way to say I love Samba ?

Tribute album to a lost brillant artist, gone too soon...
This double LP delivers his timeless classics, all remastered, eight stunning remixes by six artists, and a exclusive unreleased track.
A must-have for collectors and Hardcore fans.

Tribute album to a lost brillant artist, gone too soon...
This double LP delivers his timeless classics, all remastered, eight stunning remixes by six artists, and a exclusive unreleased track.
A must-have for collectors and Hardcore fans.

After roughly 15 years out of the game, Marc Kushin makes a highly anticipated return with his Ely Muff project - a label favourite since its inception - debuting proper on Love Love with 4 tracker 'Human Nature'. Kushin's proto-tekno take on the early breakcore sound was a stand-out of a particularly noisy strain of hardcore which emerged in the UK in the late 90s and early 00s, releasing on the likes of Headfuk, One Inch Punch, Deathchant, as well as Kushin's own labels Kinky Stump and Dead Pig, run alongside longtime collaborator Tantrum.



Unpretentious, unserious and completely unapologetic, 'Human Nature' features four tracks of brutal hardcore spiral tekno, distorted and mangled but retaining groove and swagger. The EP features two re-released classics from Kushin's back catalogue: the pumped-up pirate radio pastiche of 'Hold Tite The P, No Need For London' and the feedback-laden blunt lobotomy of 'Automatic Predator', two decades on from their original releases in 2005 on Capsule Core and One Inch Punch. Complementing them are tracks 'Human Nature' and 'Cycle Dirty', previously unreleased spasmoid gems from the same era, unearthed and seeing the light of day for the first time.



All four tracks have been lovingly (re)mastered by Love Love's own Ben Pest for a maximal sonic experience, shining a light on this criminally overlooked corner of UK rave heritage.

(10x12" box set, limited to 1000 copies, with premium finishing, uniquely numbered, incl. 10 records in individually printed sleeves, a booklet detailing the club's history & exclusive stickers) Boccaccio has secured its place among legendary venueslike Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.



Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.

Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.

Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.

This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.

With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A Guy Called Gerald, the unmistakable influence of black American pioneers is clear-the originators of the firstanalog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.

Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.

While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection, offering a timeless snapshot of a unique era.

Do names such as EyeHateGod, Crowbar, Hellgasm, Hellkontroll, Goatwhore, Saint Vitus or Down sound familiar?

Then there's one more for you to remember - GASMIASMA - a band which consist of active or past members of all those legends mentioned. 783 label is proud to present a new release of GASMIASMA - NOLA based punk monolith. Get yourself ready for intense and filthy hardcore punk noise.

As all true classics, GASMIASMA recorded an EP that collected dust for ages before getting full-blown official release it deserves. "At War With Punk" and "Krvs Kadavers" (live recording from KRVS Radio in Louisiana), has been only released on limited cassette tape in USA.

Now, both materials are compiled into 28-minute-long blast-punk source of moshpit!

Still not convinced? Let's also add the fact, that Poffen of mighty Totalitar sharing his vocals one of the songs!

GASMIASMA is one of New Orleans best kept secret!

It doesn't matter, if you're into hardcore / punk, metal, crust or even grindcore - this release is not something you would like to miss!

Available as jewel case CD, MC tape with mini-poster and (black or limited, monochrome A-Side/B-Side) LP.

PEACE THROUGH SWIFT DEATH!

Hype sticker on the shrink-wrapping
Service to relevant key metal media
Stream features, interviews, and social media campaigns around the release date
Former and active members of EyeHateGod, Crowbar, Hellgasm, Hellkontroll, Goatwhore, Saint Vitus or Down playing raw and fast hardcore / punk.
Video for title track "At War With Punk" premiered via Decibel Magazine

Do names such as EyeHateGod, Crowbar, Hellgasm, Hellkontroll, Goatwhore, Saint Vitus or Down sound familiar?

Then there's one more for you to remember - GASMIASMA - a band which consist of active or past members of all those legends mentioned. 783 label is proud to present a new release of GASMIASMA - NOLA based punk monolith. Get yourself ready for intense and filthy hardcore punk noise.

As all true classics, GASMIASMA recorded an EP that collected dust for ages before getting full-blown official release it deserves. "At War With Punk" and "Krvs Kadavers" (live recording from KRVS Radio in Louisiana), has been only released on limited cassette tape in USA.

Now, both materials are compiled into 28-minute-long blast-punk source of moshpit!

Still not convinced? Let's also add the fact, that Poffen of mighty Totalitar sharing his vocals one of the songs!

GASMIASMA is one of New Orleans best kept secret!

It doesn't matter, if you're into hardcore / punk, metal, crust or even grindcore - this release is not something you would like to miss!

Available as jewel case CD, MC tape with mini-poster and (black or limited, monochrome A-Side/B-Side) LP.

PEACE THROUGH SWIFT DEATH!

Hype sticker on the shrink-wrapping
Service to relevant key metal media
Stream features, interviews, and social media campaigns around the release date
Former and active members of EyeHateGod, Crowbar, Hellgasm, Hellkontroll, Goatwhore, Saint Vitus or Down playing raw and fast hardcore / punk.
Video for title track "At War With Punk" premiered via Decibel Magazine

The original gangster of HipHop presents his 2023 album, now fresh with bonus tracks! Recording at Studio 4 where he created his original classics, Schoolly has returned to his sonic roots while simultaneously pushing forward. Featuring guest appearances by Ice T & Chuck D and cuts by Code Money, "'Cuz That NiXXer's Crazy That's Why" is another ill sonic adventure from a true pioneer.

Toronto’s long-running hardcore titans return with a new seven-track LP that fuses their many strengths
into the ultimate slab of S.H.I.T. While S.H.I.T.’s previous 12” leaned into the gnarlier, more chaotic
aspects of their sound, For a Better World returns to the infectious bouncy rhythms and earworm riffing
that made S.H.I.T.’s 7” EPs classics of modern punk. S.H.I.T. has always been a riff machine, and For a
Better World adds “Corporate Funded Killing Technology,” “Imminent Destruction,” and the climactic
closer, “Captive (… in the Mutilated Vista)” to their bulging canon of monster hooks.

DDS presents the debut EP from unknown entity NZO, whomever she may be, dancing in the gaps between amapiano, Afrobeats, broken beat and R&B with a rare guile and flavour.

The 4th in the DDS 12” series, NZO helps stake the label’s 15th year of operations with a typically Janus-faced approach to classic >< contemporary club ruffage. Tune to tune, she decimates and distills familiar tropes in singular, whirring syncopations designed to prompt bodies to move in fresh new ways. It’s all primed for proper animist magick, bound to snag rhythm fiends with its shape-cutting manoeuvres.

Working deep in the hardcore ’nuum’s 30 odd year tradition of concrète sampler chicanery, the four tracks find fractured vocals and echoes of club classics revitalised and reset with advanced drum ingenuity. 160BPM opener ‘Concentrate’ appears like Hessle Audio’s Joe stripped for parts, whilst ‘Mallet’ swivels like SND remodelling Afrobeats’ palette of tuned percussions, next to what could almost be a lost Various Production edit in the sublime tension of syrupy R&B and frothing drums on ‘Come Alive’.

The EP ends with its standout, ‘Body & Soul’, an undulating ama simmer punctuated by dub chords like some lost Basic Channel production re-cast for the lovers.

On Unknown Road, Pennywise steps up their songwriting, maintains all their fury and intensity, and
lays out their philosophy of independence and the importance of daring to live every moment to its
fullest. This album features a number of songs that played on tons of skate, surf and snowboarding
videos, making this, and other PW records to come, the soundtrack to the exploding extreme sports
board scene. Featuring such Pennywise classics as “Homesick,” “Unknown Road,” “It’s Up To Me,” and
“You Can Demand,” Unknown Road is arguably the quintessential So Cal hardcore record of the ‘90s.
Reissued on limited edition Sunset Boulevard vinyl to celebrate the album’s 30th anniversary!

Suburban Architecture are pleased to announce the third in their 'Architecture Dubs' series of limited edition 10" vinyl releases, which sees some of the most revered names active during the mid 90s golden era of Drum & Bass deliver remixes of Suburban Architecture material in homage to that most innovative of periods.

Following on from the now sold out release of Architecture Dub #001 (featuring remixes from Peshay and DJ Trax), and #002 (featuring Blame and DJ Trace), edition #003 features remixes from two further legends in the scene, Nookie and DJ Crystl.

Nookie needs little introduction. From early 90s Hardcore through to present day heavy hitters via a string of mid 90s classics, Nookie has had an enviable career in the genre. Having recorded for seminal labels that heavily influenced the Suburban Architecture sound: Reinforced, Moving Shadow and Good Looking, Nookie was an obvious choice for this remix package. On this release he takes 2021's 'Renegade Horns' to more dancefloor oriented territory with an energetic roller that marries classic drum breaks with a contemporary production feel.

DJ Crystl is also a name with a storied history in Drum & Bass. Also releasing music since the early 90s, Crystl has seen releases on influential labels, Lucky Spin, Dee Jay Recordings, Moving Shadow and iconic US Hip Hop imprint Payday. Crystl's remix of 2020 Suburban Architecture cut 'New Horizons' carries classic 1994 flavour, delivering an extended, Amen-laced rework of the original, full of classic Intelligent sonics.

Pressed on 10" vinyl and housed in brown Kraft paper sleeves, the series makes visual reference to the exclusive dubplate pressings which introduced so many classic cuts to the UK's dancefloors in the 90s.

More than 25 years already, DJ Paul Elstak is the myth, the man, the legend, in the Hardcore scene. This release is the special ‘Hardcore Edition’ version of the very successful ‘May The Forze Be With You’ album, originally released in 1995 and now again available as a limited edition LP on blue vinyl. Including the special ‘Forze hardcore versions’ of “Rainbow In The Sky”, “Luv U More”, “Life Is Like A Dance” and many more hardcore classics.

For the first time on vinyl since its release in 1997, a classic of the classics where the Supersuckers lead the way and go cowpunk releasing an Americana classic. Remastered in 2023. Featuring guest appearances from none other than Willie Nelson and Kelley Deal.

Bouncing back from the setback of Sacrilecious, the Supersuckers recorded their most ambitious album with Must've Been High. Using their garagey, post-hardcore punk as a launching pad, they delve deeply into country, even recording with Willie Nelson on one cut.

No Future, No Past – Svart Records set to release a compilation of the lost treasures of Finnish speed and thrash metal in October The roots of speeding thrash metal stretch out to the early and mid 80’s. It did not take long for the waves arising from the shores of California, central Europe and the United Kingdom hit Finland hard as well. The guiding light of Finnish thrash metal from that era was Stone from Kerava, but the entire scene that was bubbling beneath the surface was surprisingly vivid for such a small country. As the old saying goes, in the late 80’s there was not a single town in Finland without a speed metal band. These dozens – or hundreds, to be more precise – of vivacious bands formed by the long-haired youth didn’t just stay in the basements of their parents’ houses. Soon the youth centres of every county and open-minded venues such as the legendary Lepakko in Helsinki would arrange wild speed and thrash metal gigs. Studios run by more experienced musicians such as Timo Tolkki from Stratovarius were fully booked by hungry young bands eager to record their future metal classics. Many bands released 7” singles and demo tapes by themselves or with support from a record company, yet most of them permanently stayed at the demo stage through the golden era of the eighties. Svart Records is set to release a compilation of the absolute top tunes culled from these sought-after, long-lost demo tapes and singles on vinyl and CD in October. No Future, No Past – Finnish Speed & Thrash Metal Explosion combines the strongest, rarest, and most obscure Finnish metal tracks from the years 1986-1992. Backgrounds of the bands presented on the compilation differ a lot from one another. Vendetta and Damage were born from the ashes of the members’ previous hardcore and punk bands. A.R.G. and Catalepsy got their feet in the door fast of record companies such as Poko Records and Megamania, while other metal acts from that time simply faded away. After a few decades passed, some bands saw it fit to restart their careers, Sacred Crucifix and The Hirvi being examples of such comeback artists. No Future, No Past – Finnish Speed & Thrash Metal Explosion 1986–1992 will be released on October 13th on a limited 2LP vinyl edition and CD version. The compilation is packed with 18 remastered tracks of pure Finnish metal mayhem and accompanied by a booklet that contains band histories, photos, and song details. The compilation’s predecessor Real Delusions: Finnish Speed & Thrash Metal Explosion 1987-1991 was released in 2018 and its limited vinyl edition was sold out in a heartbeat, so get this rare gem now before it’s too late!

This legendary compilation album from 1993 with the hardcore classics from ‘day one’ of #1 oldschool hardcore label, ‘Rotterdam Records’, now for the first time available on longplay vinyl. Limited edition on crystal clear vinyl.

Classic madness and violence! Death Metal history, the ultimate edition! Death Strike need little introduction to anyone who would consider themselves seasoned in the realm of Death Metal, the legendary Paul Speckmann’s debut foray into the genre has garnered pretty much cult status now as a genre classic and not without good reason. This reissue of 1991 album compiles the debut demo from ‘85 together with four other tracks for the rather aptly titled “Fuckin’ Death”, and being brutally honest, could you possibly have a more suitable description for the sensory annihilation present on these recordings? It’s that fact that half this material was recorded back in the mid-eighties that really makes it stand out, Death Metal was still in its infantile stages back then with extreme metal making a transition between the Crust influenced filth of Hellhammer and the ilk to a more brutal strain with bands like Possessed and Slaughter emerging out of the underground with a significantly more potent and brutal form of metal unlike anything heard before, and when you realize it came out at the same time as two monumental releases by the aforementioned bands you wonder why the fuck it never got quite as much attention as it was just as influential if not more so than those classics. If you’re one of the unenlightened still wondering who the fuck Death Strike are, “Fuckin’ Death” was essentially just the first Master album under a different moniker, and along with Master’s debut and “On the Seventh Day...” are Death Metal classics. The first four tracks as previously mentioned are from 1985 and astonishingly ahead of their time. It’s basically ‘Hellhammer on crack’, fast brutal and utterly primal Death Metal with that huge hardcore influence shining through. Paul’s vocals are a maniacal and wretched reverbed howl that just add to the chaos conjured with Kirk’s unbridled leads, the d-beat styled drumming and thundering, bowel shaking bass. Songs like “Pay to Die” and “Re-Entry and Destruction” are impossible not to like, it’s extreme metal heaven (or hell, whichever you prefer), straight-forward, catchy and downright punishing.

On Unknown Road, Pennywise steps up their songwriting, maintains all their fury and intensity, and
lays out their philosophy of independence and the importance of daring to live every moment to its
fullest. This album features a number of songs that played on tons of skate, surf and snowboarding
videos, making this, and other PW records to come, the soundtrack to the exploding extreme sports
board scene. Featuring such Pennywise classics as “Homesick,” “Unknown Road,” “It’s Up To Me,” and
“You Can Demand,” Unknown Road is arguably the quintessential So Cal hardcore record of the ‘90s.
Reissued on limited edition Sunset Boulevard vinyl to celebrate the album’s 30th anniversary!

On Unknown Road, Pennywise steps up their songwriting, maintains all their fury and intensity, and
lays out their philosophy of independence and the importance of daring to live every moment to its
fullest. This album features a number of songs that played on tons of skate, surf and snowboarding
videos, making this, and other PW records to come, the soundtrack to the exploding extreme sports
board scene. Featuring such Pennywise classics as “Homesick,” “Unknown Road,” “It’s Up To Me,” and
“You Can Demand,” Unknown Road is arguably the quintessential So Cal hardcore record of the ‘90s.
Reissued on limited edition Sunset Boulevard vinyl to celebrate the album’s 30th anniversary!

A tribute to the late Kenny Hawkes, London's dark lord of house music. Lovingly selected and curated by Luke Solomon, Jonny Rock and Leon Oakey.

Running from 1995 to 2002, 'Space' was a Wednesday night founded by Kenny Hawkes and Luke Solomon. It inhabited the underground world of Bar Rumba right in the heart of London's West End and took place each and every week. Kenny and Luke had both been regular fixtures on infamous London Pirate Radio station 'Girls FM', and were seeking a suitable place to play the kind of music they supported on their respective radio shows. They were presented with a weekly opportunity at Bar Rumba and snapped it up.

'Space' was THE place for 7 solid years, hosting local and international guests from the house music community week in week out, to 200+ hardcore and dedicated followers. Regular guest bookings read like a 'who's who' of the music scene with sets from Derrick Carter, Andrew Weatherall, DJ Harvey, Tom Middleton, A Man Called Adam, Ralph Lawson and Huggy, Harri and Domenic, Francois Kevorkian, Salt City Orchestra, Carl Cox, Chez Damier and Ron Trent.... the list goes on and on and on! Music from seminal record labels such as Classic, Prescription, Cajual, Paper, Relief was played on rotation amongst a killer mix of Disco classics, alternative 80s music, left-field B-sides and techno. The night undeniably became a cauldron of amazing music and midweek hedonistic chaos.

As Soho changed beyond recognition and clubbing moved Eastwards, Kenny and Luke decided to call it a day. Sadly, Kenny Hawkes died in 2011, leaving a huge hole in the dance music community. Kenny was a legendary figure with an unmistakable sound and DJ style, he had a warped sense of humour and a huge personality and he continues to be dearly missed by all to this day.

As a tribute to Kenny, his musical partner in crime Luke Solomon alongside 'Space' regular and DJ / Editor supreme Jonny Rock, and former Classic Records label boss Leon Oakey have joined forces to celebrate his life through music. 3 years of tweaking, pooling music and clearing tracks have culminated in 2 very special double albums and a digital compilation. A collection of 'Space' classics, underground jams and the tracks that shook the Shaftesbury Avenue dance floor, shaping one of London's most revered midweek sessions.

All profits from the compilation will be donated to the British Liver Trust.

A tribute to the late Kenny Hawkes, London's dark lord of house music. Lovingly selected and curated by Luke Solomon, Jonny Rock and Leon Oakey.

Running from 1995 to 2002, 'Space' was a Wednesday night founded by Kenny Hawkes and Luke Solomon. It inhabited the underground world of Bar Rumba right in the heart of London's West End and took place each and every week. Kenny and Luke had both been regular fixtures on infamous London Pirate Radio station 'Girls FM', and were seeking a suitable place to play the kind of music they supported on their respective radio shows. They were presented with a weekly opportunity at Bar Rumba and snapped it up.

'Space' was THE place for 7 solid years, hosting local and international guests from the house music community week in week out, to 200+ hardcore and dedicated followers. Regular guest bookings read like a 'who's who' of the music scene with sets from Derrick Carter, Andrew Weatherall, DJ Harvey, Tom Middleton, A Man Called Adam, Ralph Lawson and Huggy, Harri and Domenic, Francois Kevorkian, Salt City Orchestra, Carl Cox, Chez Damier and Ron Trent.... the list goes on and on and on! Music from seminal record labels such as Classic, Prescription, Cajual, Paper, Relief was played on rotation amongst a killer mix of Disco classics, alternative 80s music, left-field B-sides and techno. The night undeniably became a cauldron of amazing music and midweek hedonistic chaos.

As Soho changed beyond recognition and clubbing moved Eastwards, Kenny and Luke decided to call it a day. Sadly, Kenny Hawkes died in 2011, leaving a huge hole in the dance music community. Kenny was a legendary figure with an unmistakable sound and DJ style, he had a warped sense of humour and a huge personality and he continues to be dearly missed by all to this day.

As a tribute to Kenny, his musical partner in crime Luke Solomon alongside 'Space' regular and DJ / Editor supreme Jonny Rock, and former Classic Records label boss Leon Oakey have joined forces to celebrate his life through music. 3 years of tweaking, pooling music and clearing tracks have culminated in 2 very special double albums and a digital compilation. A collection of 'Space' classics, underground jams and the tracks that shook the Shaftesbury Avenue dance floor, shaping one of London's most revered midweek sessions.

All profits from the compilation will be donated to the British Liver Trust.

Part 2 of the Settle Down debut on E-Beamz with 2 tracks connecting the dots beween the eras of UK club music history.

The clattering drums & undulating bassline of 'Sniper' give way to warping mentasms that evoke memories of some of the earliest strains of dance music from acid house to jungle tekno and hardcore.

'No Shoes on The Carpet' speeds things up and doffs it's cap to the ragga jungle of the mid 90's as well as the first strain of what would become drum & bass with the deep, diving bassline recalling classics from the Philly Blunt & V Recs back catalogues.

This is no holds barred dancefloor weaponry of the highest calibre.

Speedcore / hardcore, classics and eye blinks.
Progressive linear banger with a bloody good kick !

transparent vinyl / Numbered edition (we have 70 to 100)

**Hardcore, FWD dance music from two leading sound artists. Edition of 500, Mastered and cut by Matt Colton** Mark Fell and Gábor Lázár ratchet the game with their razor-sharp debut collaboration, 'The Neurobiology of Moral Decision Making'. As promised in the wake of Gábor's acclaimed vinyl debut, 'EP16', the duo have colluded on a full set of ten tracks, ranging from short synapse bursts thru to an uncannily emotive 12 minute masterpiece on the closing side. As the 10th release on The Death of Rave, it demonstrates the distance travelled since the early '90s paradigm shift of original rave culture, effecting a radical recalibration of meter and tone conventions in electronic/dance music, and by turns, acutely probing our perception of time and space. Essentially it's incredibly "funky", if "funk" is taken to mean syncopation or a play on tension-and-resolution. By utilising the grid-morphing potential of Max/MSP software, they unlock mutant ballistic patterns cleanly weaving between and recoding the tendons and ligament of techno, garage, footwork and hardcore with muscle memory-reprogramming impact. Kicks, claps and visceral chromatic stabs land at irregular, blind-spot junctures, acutely rewiring our sense of rhythmic anticipation and offering a thrilling new freedom of expression and dancefloor discipline in the process. It's a masterful step forward from Yorkshireman, Mark Fell's Sensate Focus output and SND classics, and, likewise, a logical leap from Budapest-based Max whizz, Gábor Lázár. If you're into Mumdance, Errorsmith, Lorenzo Senni, Autechre, Actress or SND; we'd say it's as essential as they come.

Following up their 2020 EP Barcelona IRREAL delivers eight troglodyte anthems of radikal hardcore punk. Borrowing heavily from the Hear Nothing era DISCHARGE and echoing equally Suomi classics DESTRUKTIONS/ MELLAKKA and AOQ demo era CRO-MAGS, IRREAL creates a maelstrom of hypnotic feedback. Era Electrónica Catalan and Spanish anarchist lyrics bind the bands primitive sonic assault, delivering a modern hardcore punk record without an ounce of modern attitude. Punk as it is meant to be; nasty, aggressive, political and uncompromising. Recorded, mixed and mastered by Markus at No Master's Voice in Copenhagen. Cover art by Arturo PS. IRREAL will be touring the Iberian Peninsula early June with TENSÖ.

Justin Time is a name behind so many old skool anthems, both as a solo artist, and as part of Triple J, but that also means that he has a selection of unreleased tracks! Thankfully he still had some of them saved on some old DAT tapes. A selection of original breakbeat hardcore that for one reason or another never got a full release. These tracks are breakbeat hardcore that featured on dubplates, and on mix tapes, but never got the full vinyl release back in the day! All 4 tracks are very Justin Time in style but the track JT Goes North has been on so many peoples wish lists for about 25 years now as it was featured on a compilation CD and nowhere else!

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

Our next mixtape features a superb, tight blend of some of the very best tracks to fly out of the speakers at the Cherry Moon Club. At the helm we have DJ Ghost, spinning the grooves to take us on a journey through the ages, through the genres, from twisted acid concepts to hypnotic trance and gut busting hardcore. Ghost aka Bjorn Wendelen has been a stalwart for us at Bonzai since the very early days. He’s delivered several cuts for us over the years and has branched out with his own Ghoststyle brand with great success. The famous Cherry Moon was and remains one of the biggest names in Belgian club-life, with 30 years of embracing club culture. Since the start in 1991, they have brought the best techno, hard-trance and house to the scene. During the 90's and early 00's, Cherry Moon was the place to be for clubbers from all over Belgium, France, the Netherlands and even other European countries. Housed on classic K7 tape, this comp features a host of tracks from the likes of DJ Ghost, Insider, Body-Shock, DJ Looney Tune, Jones & Stephenson, Push, Blue Alphabet, Final Analysis, Joyrider, Dreamland and more. So, dust off your vintage cassette machine and prepare to be blown away by the sound of Cherry Moon.

Jesse B Weaver, since christened Schoolly D, is one of the most iconic
figures in rap music.
Within the hip-hop industry, Schoolly is considered to be the creator of
gangster rap via his globally acclaimed singles 'P.S.K.' and 'Gucci Time'
Schoolly D has transcended the boundaries of genre and created "rap" music that
has been integrated in films, animated series and sampled by some of the most
prolific acts in music including Beastie Boys, Siouxsie & The Banshees, Lil Wayne
and The Chemical Brothers.
Deemed a "pioneer" by Jay-Z (Decoded, 09) and credited by Ice-T as releasing the
first gangsta rap record (Props Magazine), Schoolly D's career has given
inspiration to countless musicians and fans alike. Songs like 'Gucci Time',
'Saturday Night' and 'P.S.K. What Does It Mean?' have become classics and
illustrate the uncompromising narrative that has become synonymous with the
hardcore gangsta rap of the eighties. His true-to-life lyrics give a snapshot of the
streets of his hometown, Philadelphia, and the influences that drugs and gang life
had on him as a young man. Today, Schoolly D has an almost cult-like following,
as his music continues to be referential. Even younger generations have been
turned onto him thanks to his work with Aqua Teen Hunger Force.
This release is Schoolly's 2021 album 'Cuz Schoolly D Is Crazy' and features a
remake of his classic 'P.S.K.' with appearances by B-Real from Cypress Hill and
Too Short. The album also features appearances by Chuck D and Ice- T. The
album was recorded using the same studio and production of his legendary first
three albums. It's reminiscent of his early work and showcases his rhythmic raps,
mastery of beats and sometimes-explicit lyrics, proving the lasting power of one
of rap's legendary b-boys.

French producer and remixer Nicolas Laugier aka The Reflex is a name synonymous with supreme remixes and reimaginings of disco, soul, funk and dance classics. This brand new and essential double-pack sees Laugier take on some of the immense Salsoul catalogue, lovingly reworking classics alongside deep digs from the seminal NYC disco labels vaults. There's something for every dancefloor occasion here with Inner Life, Metropolis, Leroy Burgess and Aurra all getting The Reflex touch. These new versions are more than just re-edits, these are proper remixes utilising master stems, session tapes and the original spirit of these incredible recordings. It's no wonder The Reflex's 'revisions' have found themselves in the hands of tastemakers, DJs and hardcore record fiends alike! You need these....

These brand new mixes have been mastered with love, care and respect for Salsoul / BMG. Artwork and design courtesy of Al Kent / Million Dollar Disco. Worldwide manufacture and distribution courtesy of Above Board distribution, 2021.

RIYL MELVINS/GOATSNAKE/NEUROSIS/ASCEND

Asclepius comprises two long-form tracks, “Healing The Ouroboros” and ‘Dahlia Rides the Firebird’, the latter is based on an old traditional Greek tune. With some members majoring in classics/philosophy, music/composition and studying ethnomusicology - classic mythology has always been a key reference point for the themes of their music. That the new record is named after the god of healing and medicine and arriving at this moment in time is coincidence, as the band comments, “It felt like we needed healing even before this pandemic hit.”

The line-up on Asclepius represents the core of Iceburn through the early formative years. Iceburn, later the Iceburn Collective, initially existed from 1990 to 2001. Later reuniting in 2007 with this current lineup again at the core. The band's initial output slowly evolved from hardcore and metal to free improvisation and noise, The 10 year arc saw the band following their own path and becoming more and more obscure as they got deeper into unknown musical worlds. By 2000 the cycle seemed complete and Iceburn did their final tour in Europe 2001. In 2007 this early core crew reunited to play a local anniversary show focused on the earliest material. Every few years since they would get together for another 'reunion' until that word became more of a joke, it was clear the band was back, getting together every week, and working on new material.

ICEBURN LINE UP:

Joseph 'Chubba' Smith - drums, founding member of Iceburn from 1990-'93 then 2007-present
James Holder - guitar, was also a founding member from '90-'95 and '07 to present
Cache Tolman - bass, '91-97 off and on, and '07 to present
Gentry Densley - guitar and vocals, 1990 to present

Asclepius was recorded and engineered by Andy Patterson (SubRosa, INVDRS, Insect Ark, and The Otolith) a collaborator also for Gentry's other band's Eagle Twin and Ascend.

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* Deep Seven No.10, the infamous final 12” from Deep Seven that never reached a full release. Only a short promo run hit the shops in 1993 before the label closed for good. ‘Release’ brought to the series a continuation of the huge tracks that graced local label ‘Contagious’ in the early 90’s. As time passed, ‘The Jungle’ / ‘Musical Movements’ reached cult status, exchanging hands for hundreds of pounds when a copy surfaced on the market. The rarest of all the Deep Seven releases, with an additional version of ‘The Jungle’ that was not included on the original press. Remastered from the original DAT and presented on our 180g vinyl, this final 12” completes the entire Deep Seven back catalogue.

Promotion across chosen internet websites and Hardcore 12” vinyl communities.

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.
* We reach the penultimate Deep Seven No.9 that never made it to vinyl back in 1993. This is now available to own and settles the speculation over the missing 9th release that has accumulated for over 25 years. Ant Miles's last Hardcore production under the guise ‘Ironik’ comes in the form of ‘Feel the Feeling’. Uplifting original vocals feature over pumping basses and funk breaks capturing that ‘93 Hardcore vibe. The flip ‘Inspiration Station’ again features original vocals encompassing the Junglistic Hardcore flavours emerging from that era.

Legendary Turkish psych innovators Moğollar grace the Artone Studios in Haarlem for a masterclass in the original Anadolu psych roots, cutting a compendium of their rawest hits and most-wanted psychedelic rock classics – including the J.Dilla-sampled ‘Haliç’te Güneşin Batışı’ – for the latest edition of Night Dreamer’s essential Direct-to-Disc series.

In the beginning, there was Moğollar.

Formed at the end of 1967 with five young musicians, Moğollar were the original Anadolu psych originators. They were the first Turkish pop band who tried to blend the microtonal folklore and traditional instruments of rural Anatolia with Western pop and rock; they were the first Turkish psychedelic band to achieve overseas recognition, winning the prestigious French Grand Prix Du Disque in 1971 after a period in Paris; and they coined the very phrase ‘Anadolu Pop’ with their first album release. They were radical, innovative, and hugely popular, and when the great artists of the Turkish rock revolution appeared on the scene, Moğollar were already there – stars including Barış Manço, Selda, Cem Karaca and Ersen all recorded with them or briefly joined the line-up. Moğollar were and are the undisputed pioneers of the style.

More than fifty years after first forming, Moğollar materialised in the Artone Studios to give a masterclass in fuzzed-out folklore and Turkish psychedelic roots for Night Dreamer’s Direct-to-Disc series – a fitting follow-up to Night Dreamer’s BaBa ZuLa set, coming straight from the group who laid the foundations of the genre.

In 1971, having already released numerous singles, they secured an album deal with French label Guild International du Disques. Travelling to Paris that year, they recorded their first major statement, Danses Et Rythmes de la Turquie d’Hier à Aujourd’hui, a set later released in Turkey as Anadolu Pop. The album won a prestigious French award – the Grand Prix du Disque from the L’Académie Charles Cros, an honour that had been won in the past by Jimi Hendrix, Pink Floyd and Soft Machine. Moğollar, and Anadolu psychedelic pop, had arrived on the international scene.

In 1976, after many more releases and line-up changes, and pressured by an increasingly difficult political situation in Turkey, the group dissolved for seventeen years, and various members dispersing to exile in Paris and Berlin. However, after a petition from their fanbase asked them to reform, they agreed to play a comeback concert in 1993. It was a huge success, and reunited, they went on to record some of their greatest work. Led today by original member Cahit Berkay alongside original bass player Taner Öngür, and joined by Cem Karaca’s son Emrah, Moğollar continue to push their uniquely original brand of fuzz-scorched folk-rock and crackling Anadolu psychedelia forward into a new millennium.

For this Night Dreamer session, Moğollar spent two days in the Artone studios, recording sides A and B on the first day, and C and D on day two. With BaBa ZuLa’s Murat Ertel adding contemporary sonic punch behind the boards, the band revisited their most renowned hits to lay down energised new versions, and dusted off some of the most sought-after cuts from their enormous catalogue. The result is a showcase set by a band that are one of true pioneers in global psychedelic rock, and a masterclass in the true roots of the Anadolu psych sound: fuzzed-out, committed, and straight from the source.

Highlights of the set include:
-‘Haliç’te Güneşin Batışı’, an Anadolu psych classic which was first issued as the b-side to the ‘Ternek’ single in 1970, before being recorded again for the Danses Et Rythmes de la Turquie d’Hier à Aujourd’hui LP in 1971. A tense slab of roughneck psychedelia, the final breakdown of the original recording was sampled by none other than J. Dilla for the ‘Intro’ cut on Welcome To Detroit.
-‘Gel Gel’, a 1974 song with head-nodding tempo change, originally featuring Cem Karaca. It is here voiced by his son Emrah Karaca, now a permanent member of Moğollar.
-‘Çığrık’, a 1972 cut which originally appeared on one of Moğollar’s most coveted singles, is a funky psych-rock workout with an unforgettably riff, a ringing guitar motif, and twist of Led Zeppelin.
-‘Düm Tek’, the title track of the bands second full LP (Düm Tek, 1975), a raw psych screamer, laced with hardcore davul drum patterns.
-‘Bi’Sey Yapmali’, first recorded for the 1996 Dört Renk album, became the anthem of huge street protests that took place in Turkey that year after an investigation uncovered a huge network of state, police and mafia corruption.
-‘Dinleyiverin Gari’, a hit from the 1994 come-back album Moğollar 94, addresses a notorious corruption scandal of the era.

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates its 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* The 8th release on Deep Seven brought with it a new artist to the label in the form of ‘Aeon Flux’. An alias of Nigel Broad who had previously produced tracks under the artist name ‘Release’ in 1992. His Hardcore cuts such as ‘The Spirit of Space’ EP and Dance in Eden/Passion are now seminal classics and this release is no different. Remastered from the original DAT and presented on 180g heavy weight vinyl with the extra and longer mix of Reality that was not previously included on the original 12”

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* The 6th release on the celebrated Deep Seven Records label was the last Desired State production to emerge out of the Ram/Liftin Spirit HQ. Under the alias ‘Faze Lock’, 2 more 1993 Hardcore rollers emerged in the form of 'Come Again' and 'Feel It'.

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates its 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* We continue our Deep Seven remasters with the 7th release in the series. 'Legal Offence' was yet another pseudonym from Ant Miles that brings us 2 thunderous mixes of the track 'Burnin'. Relentless beats and breaks make up this rare and sought after 12" from 1993 that provides that prevalent Hardcore vibe.

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin’ Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin’ HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin’ vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* Further out from the early 90’s these two 1998 tracks still exemplified the established D&B Junglist vibe that Ant Miles (Liftin’ Spirits) adored and honoured. Only recently located in the DAT tape archives, it’s focused production of twisted up organic bass lines has a foot in the present as well as the past.

Promotion across chosen internet websites and Hardcore/Jungle/Drum & Bass 12” vinyl communities.

The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

DAT's from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives.

Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’.
Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

Ironik is back for our 3rd Deep Seven Series re-issue (originally Deep 2R). Ant Miles's 1993 alias on Deep Seven brings you another 2 Hardcore destroyers. 'The Calling' & 'Believe In' Remix make up yet another sought after 12" that has been re-mastered from the original DAT and pressed onto our 180g heavyweight vinyl.

Promotion across chosen internet websites and Hardcore 12” vinyl communities.

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.

* Our second release in the Deep Seven series comes from ‘Ironik’. An alias from Ant Miles in 1993 that produced two Hardcore tracks in the form of Believe In & 4 AM. Re-mastered from the original DAT and pressed on 180g vinyl.

Promotion across chosen internet websites and Hardcore 12” vinyl communities.

* The original sister label to Ram Records from the old Ram HQ studio in Essex, Liftin Spirit Records now celebrates it’s 25th year with a special ‘RELOADED’ limited vinyl series of remastered classics, alongside rare and previously unreleased tracks since the beginning in1992.

* DATs from artists such as Andy C, Ant Miles, Shimon, Joint Venture, Interrogator and Red One have been located in the archives. Also from the Ram & Liftin HQ came tracks for the Deep Seven label in 1993 and all these rare DAT masters have been located and now re-cut by Simon, the original Ram & Liftin vinyl masterer at ‘The Exchange’. Initially, Deep Seven remasters will present on a printed white label and unreleased tracks will have a black label.


* What can we say about Desired State? Their alter ego to Origin Unknown and an absolute force in the 90’s. Andy C & Ant Miles’s Hardcore roots grew into the emerging Jungle/Drum & Bass scene with huge success. Deep in the original RAM HQ archives was a DAT tape containing two tracks from 1992. Never before heard, let alone released, these breakbeat gems were created in the golden era of Hardcore. 27 years later they get a full master and release on Liftin Spirit Records, that are sure to please collectors of Oldskool Hardcore and early Jungle alike.

Promotion across chosen internet websites and Hardcore 12” vinyl communities.

Digitally remastered tracks from 1993 by TCM. 'The Gospel According to a Soundbwoy' was only released on a Llabello record compilation. Proper 1993 hardcore breakbeat classics essential to your collection.

* Remix Records third new EP is an absolute banger. Alexander Norman faces off against rave legend Whizzkid and comes up with 4 stunningly beautiful, yet perfectly heavy hardcore classics. Leaning into the early years, 1991 and 1992, these full on anthems are guaranteed to do the deed. Not to be missed….

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

(Frequency / The Nighttripper) Vinyl part 2 / 4 of the Orlando Voorn COLLECTED double CD what we believe is the best from the Dutch producer in his early days. This EP focuses on the early '91 rave side of Orlando Voorn. Classics!
Second Ep (of four) announcing the forthcoming Orlando Voorn COLLECTED double CD that will showcase what we believe is the best from the Dutch producer in his early days. This EP focuses on the early '91 rave side of Orlando Voorn and gather on one slice of wax 4 sureshot thrilling techno classic and moving warehouse tracks for the most hardcore djs.