Suche:house

THE FISRT AUDIOTRIX ALBUM !!!!

10 Tracks by Ixindamix in multiple styles featuring Sim Simmer on The ones that left, Scallywag on Boom Boom Boom and Wotcha Braincells and Roberta Carrieri on Yodelix.
2 X 180G Vinyl in a beautifully designed full-colour picture sleeve with free download code inside.

What Ixindamix says !

"I’m extremely proud to present my new album “The Underground Tree” the first for over 10 years is out on 23rd May !

The title comes from a line in “Reserve the Right” – “We are family, I’ve got my possee and me, we’re fruit from the underground tree” the last track on the album, a rambling rap covering many subjects from climate change to data collection all written under the influence of a heavy hangover, where I foolishly decided it would be a good idea to get back on the mic. You can read more about that here …..

Also featuring on the album are Sim Simmer, Scallywag and Roberta Carrieri on vocals. From Bass House to Drum & Bass with a twist of Acid, Breakbeat, Ghetto, Garage and Swing, these 10 tracks are to be released on a double vinyl album available at the end of May. You can hear the megamix below.

Family is one of the most important things to us, whether it be blood or our larger sound system families, tribes or crews. They are the people that mean the most to us and make our everyday lives the best they can be. This album is dedicated to them all friends and fans the world over xxxx.

Emerging from the epic Scottish house and techno scene of the 90s, George Thomson started his musical adventures as a promoter, bringing to Scotland DJs from Chicago, New York, Toronto, Paris and London to play at the legendary Tribal Funktion parties in Edinburgh.

Aside from co-founding Edinburgh's Underground Solushn record shop, he also started producing his own blend of techno and house in the mid-nineties. This led to a string of releases with seminal labels such as NRK, Stickman, 2020 vision, Crosstown Rebels, Tirk and more recently Greco-Roman and Output Recordings. His various monikers from then and now include Plastic Avengers, George Demure and more recently the George part of of Jeanga and George.

After a move to London in 2000 his George T moniker began a long hiatus. Nothing was heard until Joe Goddard released an EP of rediscovered hidden gems on Greco-Roman in 2017. This awoke the fire within and he’s back today with the first new George T material in 19 years.

The Midway EP was recorded in North London over a period of 2 years, using only analog gear and embracing memory, movement and the moment. These four tracks are a love letter to club life, both then and now. This love is best demonstrated with the four accompanying short films using either nightclub footage from 1996, slow motion lido footage or Bauhaus triadic ballet inspired time lapse choreography.

2x12" Transparent Red & Blue Coloured Vinyl in a double Gatefold.
Limited Pressing of 3000 Editions WORLDWIDE! Please ensure to reserve your requests in advance ... In order to secure stock as this
is ltd. pressing!

When people talk about Italian dance music, they tend to focus on Rome and Napoli rather than Bologna. Yet the city in Northern Italy not only played a key role in the development of “Italo-house” in the late 1980s and early ‘90s, but also boasts a vibrant contemporary scene. To prove the point, Boogie Café has put together “Bologna On The Move”, a four-track selection of sizzling hot cuts from some of the city’s latest wave of deep and soulful dance music talents.

Leading the charge is Sam Ruffillo, a producer who first appeared on Boogie Café last year following an impressive 2018 debut on Irma Dance floor. He kicks off proceedings with the infectious “U Make Me Sing”, a heavyweight slab of rolling breakbeat goodness rich in tight vocal samples, jazzy guitar licks and wonderfully warm and weighty bass.

Later in the EP Ruffilo returns to action alongside Brine, another rising star with links to legendary Italian label Irma. “Request Line” is a fine slab of chunky, U.S garage-influenced deep house that sees the duo pepper swinging drums and toasty bass with heady organ stabs, cut-up vocal samples and trippy electronics.

Fittingly, Brine gets a chance to showcase his skills as a solo producer via “Star Chaser”, a looser and jazzier house excursion that doffs a cap to the glory years of jazz-funk whilst championing rich deep house synth riffs, jaunty bass and more spaced-out vocal snippets.

You’ll hear a similar jazz-funk influence at the heart of the EP’s only contribution from Red Rooster founder and former House of Disco artist D’Arabia. The most experienced of the three artists on show, he offers up “Straight Outta Fire”, a bouncy, deep and percussive affair that wraps drowsy male vocals, sustained chords and harmonica samples around disco-influenced house beats and what may well be the squelchiest bassline ever to emerge from Bologna.


DJ Support:

Bedmo Disco, Lord leopard, Melon Bomb, Dave Harvey, Haze City, Aroop Roy, Lay Far , Danvers, Kassian, Dave Jarvis,
Jimmy The Twin & Cengiz.

Rising Manchester star FINN takes the helm for the next release on Ruf Kutz with two hyper-real contemporary raw bangers crafted for maximum emotional impact backed with remixes from RK big guns RUF DUG & GLOWING PALMS.

Even though he's a comparative youngun, this is by no means Finn's first time at the rodeo - he's a label boss, an NTS pioneer, a Boiler Room veteran, a Defected Records Old Boy and also holds down the coldest twitter account on the information superhighway. It's a big deal to us that we managed to snare him for a release on his ascent to whatever accelerated dimension he is headed for.

Purposely conceived as raw club tracks after a heavy Paul Johnson listening session, TRICK TRICK and BELLE THEME contain many of his beloved hallmarks while also showcasing new creative pathways - the title of the EP surely alluding to what Finn is about to pull from up his sleeve...

Opener TRICK TRICK is many things all at once - a raw turbo-jacker, a hugely emotive bassline roller, a super-fresh club banger that has few elements, yet uses them with such efficiency it's impossible not to be drawn up into its vapour trail.

BELLE THEME winds the pace & harmonic tension up with manic abandon as we find ourselves in Finn's familiar 130-plus territory but while the tempo is slamming he somehow manages to drape everything in a lacy coating, as if we were playing a bonus level from a lost Studio Ghibli PS1 beat-em-up.
Back in the real world we flip the record for 2 textbook Ruf Kutz remixes. First up label boss RUF DUG guts Trick Trick and serves up the fillet on an unashamedly tech-house bed, purpose-built for DC10 circa 2009 - meanwhile Ruffy's partner in crime GLOWING PALMS dips into his secret stash of double doves and takes Belle Theme for an unforgettable night out in a Burnley warehouse.

Of the release Ruf Dug says "It's been a big thrill to follow Finn"s development over the years since we first met. I've been hoping to collaborate with him for quite a while so for it to be finally happening especially at this stage in his career is a genuine mega buzz!"
Finn says: "Been a keen Ruf Kutz fan since Rachel's Team in 2016! So happy to contribute to the label with two rough (ruf) and ready club tracks - late night/early morning hymns"

If you want a snapshot of where techno stands in any given year, and a preview of where it’s headed, look no further than Drumcode’s A-Sides compilation. Since 2012 it has marked the label debuts of countless vital Drumcode artists and affiliates, from Layton Giordani, Wehbba and Boxia, to Amelie Lens and ANNA, no less.

Every year, new names are unearthed, tried and true techno contributors serve up their best, and icons of the industry land their debut on Adam Beyer’s storied label. The 2020 edition hits with 13 tracks, eight coming from label debutants.

Part three houses Eats Everything’s searing rave bomb ‘Organico’ and Dubfire’s ice-cool electro offering ‘Deadbug’, both artists landing their maiden contributions to DC after long affiliations with Beyer.

Harvey McKay, also steps up to close out the EP with a heavyweight, head spinner in the form of ‘Find Yourself’.

Four peak time, dancefloor remixes of tracks housed on SIRS outstanding debut LP ‘Banana Hard & Disco Kisses’ from the likes of Austin Ato, Yam Who?, Danilo Braca and SIRS himself.

First up on remix duties, Scottish goldenboy Austin Ato takes the sunset funk stylings of ‘Nightwind’ and flips it into a club ready house bumper, fitting perfectly with Hava Izmailova’s dreamy vocals. Rework don and Midnight Riot head honcho Yam Who?, then gives the Stee Downes vocal number ‘Forever’ a first pumping disco makeover that’s got future anthem written all over it.

On the flip side SIRS offers up a new tribal interpretation of ‘Turkish Disco Folk’, doubling down on the Middle Eastern influences yet with a tougher rhythmic side that will spice up any set its slipped into. Finally, NYC-based Danilo Braca inserts an acid injection into ‘If I Can´t Have You’ alongside a dose of sultry strings, ready made to warp any dancefloors out there.

After nine years of quality assured house music, FINA Records hits release number 30 with another of its forward looking offerings, this time from red hot young Frenchman Armless Kid.

Well known on his native Paris circuit, Armless Kid is now breaking out on the wider international scene. He's released his bustling, heart felt house grooves on Rekids and the legendary Classic Music Company, is a Rinse FM regular and has an anything goes approach that has won him high profile fans like DJ Harvey and The Black Madonna.

Opener Shadows is a superbly warm deep house cut with real drive in the silky smooth drums. It's perfect for cosy dance floors, while Lost Days picks up the pace with raw and hurried kick drums and dusty piano keys bringing real beauty to the groove. Brute Factor Disco pumps any party with its urgent drum programming, explosive sense of energy and dazzling disco chords and last of all, NaturaL FL Groove slips into a funky bass riff, with organic licks and authentic old school production values that make it a timeless classic in the making.

WRWTFWW Records is very happy to announce the official reissue of Motohiko Hamase’s astounding ambient house album Technodrome (1993). The album is sourced from original masters and available on vinyl for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the fourth release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. Inspired by John Cage, Jon Hassel, Brian Eno, and the emergence of house and techno music, Technodrome is jazz bassist turned electronic experimentalist Motohiko Hamase’s foray into what he calls ambient house or, as he explains, “using the gritty sensation inherent to the core of house music” to create an ambient record “aiming to express inverted images, optical illusions, and the sense of déjà vu that modern people can get in the city". Technodrome is constructed around innovative minimalism, a robotic funk orchestrated by bass lines and percussions, and monochrome moods. It’s the most intriguing project in Hamase’s discography, a ghostly ride set in 90s urban landscape, where repetition sets the groove and brings things to life, echoing Hamase’s deeper subtext for his compositions: “and attempt to recreate (as metaphor) the time in our mother’s womb". The album was initially released in 1993 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. It is now reissued in conjunction with Motohiko Hamase’s #Notes of Forestry and Anecdote albums.

Legendary Detroit Techno collective, Scan 7's 'Burdens Down' release from 2017 was a true testament to their brilliant ability to merge the soulful house textures with the analogue mechanics. The addition of Maurice Jackson's outstanding vocal stylings topped off the original with a perfect human element. Following the global success of the original version, Elypsia Records has enlisted some of the scene's top tastemakers to deliver a remix package worthy of the original, featuring that same calculated combination of soul and steel.

Leaders of the Parisian underground, DJ Deep & Roman Poncet, provide the first remix which is all about building incredible tension. A tightly squeezed kick drum, short synth chops and cleverly placed vocal samples drive the groove. As the track grows, additional hats and synths arrive, leading up to a quick break before all the floor-rocking energy bursts free. Big!

Dutch Techno legend Orlando Voorn steps up next for his first of two remixes, this one leaning towards a very House-centric shuffle with warm, friendly key stabs and the full use of Maurice's vocals. A truly joyful work of dance music magic here, with a relentless rhythmic drive keeping the party happening at full force.

Underground Resistance's very own Mark Flash takes the remix responsibilities for the B1 with his gorgeous synth-saturated rework of the original. An energetic and stomping kick drum powers perfectly alongside future-facing melodies which shine brightly on top of the tune. This one is guaranteed to serve as an earworm for days after the party has ended.

Rounding out the EP is the 2nd remix from Orlando Voorn, this time peering into the underground with a stripped back jackin' track utilizing a looped key melody on top of carefully placed vocal samples and claps. Some unexpected synths appear at the second half of the tune, putting a bit of new-age funk into the party stomper.

"I think most of it takes place in dreams," Caleb Landry Jones says of his debut solo album, The Mother Stone. "I'm talking more about dreams than I am about what's happened in the physical realm. Or I'm talking about both, and you're not sure what's what." Caleb Landry Jones was born in Garland, Texas in 1989 and comes from a long line of fiddle players. Three, maybe four generations back, on his mother's side. His grandfather wrote jingles for commercials, his mother was a singer-songwriter who taught piano lessons in the house, and his father was a contractor who did a lot of work for the Dallas music-equipment retailer Brook Mays and knew a guy if you needed a bass or a banjo. But Jones is not sure if you can hear any of this in his music and he does not play the fiddle. Jones has been writing and recording music since age 16, around the same time he started acting professionally. Played in a band called Robert Jones for a minute, lost his guitar player to higher education, moved into his own place, and broke up with somebody, at which point the songs really started coming hard and fast. "I started playing guitar and playing more keys," he says, "and then started writing record after record after record after record, because I didn't know what to do with myself. It was a good way of healing. And it felt like as soon as I started doing it, it felt like it needed to happen all the time." In the ensuing years he'd spend a lot of time carrying unrecorded songs around in his head like goldfish in a bag, waiting for a chance to record them in marathon sessions in his parents' barn. "You gotta play the songs every day, or every two or three days, to keep `em," he says. "Otherwise I forget them." Sometimes the ideas fuse together, one chapter to the next; this is how songs grow into seven-plus-minute epics like the ones on The Mother Stone. His back catalog is around seven hundred songs deep_ a whole discography of full albums, most of them unheard outside the barn, at least for now.

Melodize builds on a fine first release with a new one from Beartrax that comes with big remixes from Clarian and Lauer. Having worked with labels such as Lost Diaries and Motek and seeing numerous releases appear in the Beatport charts, American artist Beartrax is a man in form right now.

Ethereal is a slick melodic house cut with far sighted chords and rolling drums. It's about getting lost in the majesty of the musical colour and allowing the emotions to wash over you. Clarian then remixes after many years making a name for his synth heavy sounds thanks to releases on the likes of Kompakt and Anjunadeep and here comes correct once more. His offering is deep and melodic, with a slick cosmic lead over shuffling, icy beats taking you away.

Lauer then closes out with a more edgy remix that has big synth chords riding up and down the scale and plenty of retro feels to the beats.

Our next release on Visions Recordings, is a Swiss Duo of extremely talented musicians producing as KEYS of LYNX and we are happy to release their first ever record on Visions. These two future boogie jazz funk tracks were sent by KOL a few months back and straight away we fell in love with the freshness and the grooves. Influenced by jazz, funk, boogie and soul from the past and the broken beat sounds ok Kaidi Tatham and the likes, KEYS OF LYNX deliver here some well needed grooves for the Soulful music lovers. On the remix duties its an in-house version “Visions Remix” by label partners Alex & Stephane Attias, taking us on an 8 minutes dancefloor journey.

At Visions we like various styles of music’s, soulful and deep. Another great release for us in 2020.

New imprint Jason, Jared & Brians’ Records delivers it's first offering with a release from Jared Wilson.

This record is dedicated to and influenced by Roland, Dinsync, Social Entropy Engine, and the Pacific Northwest. The three-tracks found on this EP are some of the first to come out of Jared’s new studio in Seattle. Refining and recommitting to a sound that reaches into the past and future with hints of acid, house, and techno while at the same time not being confined by any theme or style.

Rare 1995- Limited Vinyl Release curated- and recorded for Paris Fashion Week! Originally- Only available as Cassette- and claims the Discogs-Record for the highest Price-paid for a Cassette!

Motomitsu is a Japanese producer, DJ, Children’s book author, Illustrator, Poet living in Paris. The tracks of this EP are inspired by the original Detroit House Music, however it’s not an imitation. The tracks are made with Japanese sensitivity and Parisian atmosphere.

In the late 90’s, east-side LA was in the throws of a post-indie explosion; a network of stoned bands ranging from neo-psychedelia to pseudo-country overran Spaceland (our generation’s Troubadour) and the local Silverlake Lounge. I was playing freakbeat records twice a week in dive bars, half of Spacemen 3 was crashing at my house (my drop-out roomate was Sonic Boom’s tour drummer) and it was during this blur that I met Raymond Richards, a clean-cut all-American pedal steel guitarist playing in Mojave 3 (the country-tinged side project of 4AD shoegaze royalty, Slowdive). I was instantly swept off my feet, head over heals in love with Raymond's weeping tone—the most chill-inducing, emotionally responsive dialog I’d had with music since discovering Satie as a child—it was then and it is now, truly haunting. After a year of personnel trials, my roomate and I stole Raymond for our own band, and not only did he smother our songs with his enchanting steel, he was virtuosic with a variety of atypical instruments such as baritone guitar and theremin, he utilized them all. The band was short-lived—I joined Ariel Pink, Raymond fled to Portland and me subsequently to New York City—but in founding the ESP Institute years later, there was always a recurring mental note; we must make Raymond’s pedal steel album. I had managed to wrangle his blessed performance on a remix for Project Club’s El Mar Y La Luna, but it took almost a decade until I once again wore the producer hat and we began working on The Lost Art Of Wandering, a title borrowed from Sam Shepard’s Stories. Spiritually candid, expansive yet enveloping, this is the strung-out, visceral country music that simply radiates from Raymond. Each song is his set of coordinates in a vast open terrain, holding a sentimental familiarity, a truthful longing for the simple comforts that diffuse life’s complications, a place to get lost. –Lovefingers

S&W and Gustaaf make up three fifths of Prongof108 which started out as a radio show on Berlin based Cashmere Radio in 2015 and turned into a record label a few years down the road. After some solo records and the release of a split EP on Turnland Records, they are now teaming up for their upcoming “It’s More Fun to Commute” EP on Prongof108. Combining the forces of three guys seems like a natural fit, or to put it differently: it just happened. They’ve been DJing together and sharing a mutual passion for UFOs and palm trees since quite a while. Expect a mix of 80s boogie and proto house vibes sending kisses to tropical and pacific sounds and taking you on a journey from proper house club crowd bouncing to teenage heartache downtempo electronica - always smart and with a smirk, definitely never too intelligent to dance to.