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Mighty Boosh - The Complete Radio Series 3x12"

Demon Records goes on a journey through time and space to the world of the Mighty Boosh. This is the classic BBC Radio 4 comedy that launched the careers of writers and leads Noel Fielding and Julian Barratt. The series made it’s vinyl debut as a strictly
limited coloured edition for Record Store Day 2019 and is now reissued on three black 180g heavy-weight vinyl. Housed in a gatefold sleeve with original artwork by Noel Fielding and sleeve notes by Julian Barrett, Noel Fielding, Rich Fulcher & producer, Danny Wallace. Written by: Julian Barratt and Noel Fielding First Broadcast: BBC Radio 4, 16th October 2001

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33,15

Last In: 6 years ago
2XM - Dulcet EP

2Xm

Dulcet EP

12inchSBJAMZ004
SlothBoogie Jamz
29.08.2019

2XM are back on our shores with another sun kissed and emotive EP.

Four new tracks covering 2-step garage, deep percussive house and synth laden electronic grooves with a powerful vocal performance from rising star Neil Macleod.

These two are really developing their own signature sound and we’re all in.

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11,72

Last In: 8 months ago
Sj Tequilla - Deaik

Sj Tequilla

Deaik

12inchSOT03
shot of t
29.08.2019

DEAIK is SJ Tequlla’s third record on his own imprint Shot Of T. A solo affair, where the Berlin based Japanese artist keeps on exploring a variation of different sounds on his new 12″. Thumping Acid, moody ambient, Acid house for a club night, and some more familiar mellow drum machine and melodic pieces. SJ Tequilla’s most varied record to date. Also with an interesting approach to tempo, where each side shifts between 33-45 by preference of the listener. Essential Shot Of T! Artwork by: Fett Burger

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9,20

Last In: 6 years ago
Charles Trees - 2019

Charles Trees. Myth, tall tale, legend of a human being, one of those people who one minute you'll be scouring reddit for obscure content and the next, stepping on stage to casually DJ to thousands of people like “no big whoop” at a French music festival. Charles is unassuming, the kind of person who effortlessly mixes ghettotech into soul for lulz, who samples a speech (/rant) by Funkmaster Flex in an acid track, or rides BMG & Derek Plaslaiko’s “True Story of a Detroit Groove” with Velvet Underground’s “Sister Ray” for 8 minutes straight.

Charles' relationship with electronic music started early. In high school, Dave Shayman (Disco D) introduced Charles to DJing and he was a regular at Dubplate Pressure*– Todd Osborn's now-legendary record store in Ann Arbor. By 1998, he was already playing on raves in Detroit. A year later, he was the first person to show Zach Saginaw (Shigeto) to Ghostly International, arguably altering the course of our lives forever. In the late 2000s, they became label mates on Moodgadget, the record label of Jakub Alexander (Heathered Pearls).

Through out the years, Charles has been a musical mentor (whether DJing, producing or throwing shows) to many, danced at every weekly at every venue in Ann Arbor & Detroit, produced Hip Hop, and fronted a psych rock band. He has released music on Moodgadget (US), Musique Large (FR), Lovemonk (ES), Vanity Press (US) and JFX Lab (FR). Today, between DJing, hosting radio shows and producing new music, Charles regularly throws shows/parties/raves, and hosts a monthly at Deluxx Fluxx.

We love Charles Trees and we're proud to present "2019," the eighth record on Portage Garage Sounds.

*Additional reading: Dubplate Pressure: was the precursor to Technical Equipment Supply; how Todd Osborn was discovered by Richard D. James and signed to Rephlex Records; where Sam Valenti IV, the founder of Ghostly International, met Tadd Mullinix (Dabrye, JTC, Charles Manier, X-Altera); one of the reasons why we're all here

"Got No"
Hit the ground running.
Chopped up vocal stabs and a playful syncopated melody accompany this percussion heavy two-step shuffle as it speeds down the Lodge on a Friday night in Detroit.

"Think First"
Undeniable rhythm section pocket.
Acoustic bass and dirty ride symbols swing alongside lush keyboards and sprinkles of light melodicism in this psych house banger.
Think St. Germain with CAN playing a warped version of "Rose Rouge."

"In Arms"
Crave the rave. Whips crack and sizzle in this dubbed out techno slapper. A modern take on a classic sound. Trees conjures an era close to his heart: when the warehouse was church and service didn't stop until the sun came up.


"Acja feat. Marcus Elliot ("12 club mix)
Beautifully understated and triumphant.
This closer marks the return of Detroit Saxophonist Marcus Elliot (Detroit pt II - PGS 001). His notes dance and soar over a creeping acid line, while driving drums and warm pads effortlessly take you home in this powerful house anthem.

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11,72

Last In: 6 years ago
AOD - The Introduction

Aod

The Introduction

12inchBH02
Body Hammer
27.08.2019

Two weapons grade Chi Town house jackers from Body Hammer resident Scott Fraser under his AOD guise. 100% dancefloor certified!

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8,70

Last In: 6 years ago
DJ DOG & Double Dancer - Rebound Lounge 3

The label and production project from DJ DOG (aka DJ Fett Burger) & Double Dancer is back! Uplifting house, emotional Ibiza and free flowing grooves in the best possible way! Basketball house once again, stronger than ever! Rejuvenating the basketball house scene since 2016.

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10,71

Last In: 6 years ago
DIFUSION - Playin' With Fire

Difusion's Jamie McShane & Daniel Maunick hook up with the extremely talentented vocalist Ant Thomaz on two original killa tracks that brings their love of Jazz/Funk,Soul & House music all together.Includes a heavy remix from Daniel Maunick, producer of Azymuth, Marcos Valle, Incognito and many others! This is the first release of the newly relaunched Straight Talk Records, back after a 20 year hiatus, with 3 tracks full of soul & fire!

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9,03

Last In: 6 years ago
Lerosa - Bucket Of Eggs 2x12"

Lerosa

Bucket Of Eggs 2x12"

2x12inchATLP10
Acid Test
26.08.2019

“ To know Lerosa is to have a huge amount of respect for him. The Dublin-based, Italian producer isn't concerned with the limelight. Rather, his studio philosophy resembles the Japanese concept of “kaizen” a workmanlike, incremental improvement.



Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.



He applies all these patient lessons on “Bucket Of Eggs”, the ten masterful tracks fit perfectly within the label's concept. Yet Rosa, like the label's stable of 303 auteurs (Tin Man, Recondite, John Frusciante, Pepe Bradock) opens up bold new vistas for the subgenre. On "Conjurors," he spends half the track building up atmosphere so thick and dubby you could cut it with a knife, before introducing an acid line and jack track heralding back to the acid's maddening, revolutionary roots.



About halfway through the set, Lerosa is done setting the stage, and thusluy delivers a string of freakishly good late night tracks. For Lerosa, the hips and the head work in concert—"One Is Too Short"'s no-nonsense rhythm section perfectly balanced by the track's dreamy synth and zero-grav piano breaks. On "Self Inflicted," he joins a rarified class, synthesizing electro funkiness, widescreen ambience and acid counterpoint.



On initial contact, Lerosa's “Bucket Of Eggs” feels astonishing, an expertly-paced, near-perfect LP. But for those who have been following the low-key producer, it feels like a natural culmination. “

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20,97

Last In: 6 years ago
4AM - 4AM

4Am

4AM

12inchMI-013
Mutual Intentions
26.08.2019

In 1989, Steve Kirby and Kevin Finch recorded the 4AM project which they pressed privately on vinyl, limited to 300 copies which sold out quickly to friends and family in the UK upon the albums release. The balearic master piece is a wild and funky 40 minute travel through home made, british synth-pop, electro-jazz, spacey computer funk and proto house cuts with AOR-y vocals put together in the Susurreal studio by Steve Kirby and Kevin Finch in 1989.

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25,67

Last In: 6 years ago
Ali Berger - Sump Pump

Ali Berger

Sump Pump

12inchSPC-146
SPECTRAL SOUND
23.08.2019

Since completing his two-decade-long hip-hop trilogy as Dabrye in 2018, Ann Arbor-based artist and Bopside label head Tadd Mullinix has engaged his arsenal of aliases with renewed heat. First came the debut of X-Altera, a new project flexing a wildstyle hybrid of drum & bass and deep techno. Now, he returns to James T. Cotton, a moniker which dates back as far as Dabrye and helped define Spectral Sound, the dance imprint of Ghostly International. While historically tagged as Mullinix’s acid house alias, JTC has always expressed with a more pliable sense of genre, freely fusing an eclectic blend of classic electronic sounds; helpings of Chicago acid, Belgian New Beat, and the leftfield techno stylings popularized both in Berlin and Detroit. With Indigo, Flesh and Fire, Mullinix moves closer to the latter city, adopting a bright, optimistic tone informed by minimalism and futurism.

"I have been more withdrawn and introspective on a personal level, in a positive sense, and I think that fact has made my creativity reach toward feelings about peace, positivity, fantasy, wonder, and openness,” says Mullinix.

The EP is packed, but still playfully ambiguous; a club-ready set built to max out mixing boards with spacious and nuanced melodies and motorized percussion. Five tracks, each with roughly five-minute run-times, offering all but a few breaths in a quest for highly operative dancefloor hypnosis. The record wastes little time locking in; on the first track, “Innerloire Rendezvous,” a dense square kick plows through a brisk four-on-the-floor routine phasing over harmonious synth stacks of rubbery fifths and sevenths. The title track splatters a lenticular static spray between thumping kick, billowy melodic swells, and staticky clicks, snaps, and claps.

Mullinix’s distilled musical vocabulary, developed by his many years in the game, gives the set a misty-eyed quality without compromising its contemporary merit. This is music, inspired by history but fiercely forward-thinking, that feels both subterranean and airborne; in the grind on the ground and soaring above in an iridescent super-charged fog.

key selling points: - Debut release on Spectral Sound - Past releases on Firm Tracks, Nite Owl Diner, Sweat Equity, FCR, Clave - Limited to 300 copies worldwide.

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9,03

Last In: 6 years ago
Terry Hunter - JILL SCOTT REMIXES

2023 Repress

Chicago's TERRY HUNTER & MIKE DUNN reinterpret JILL SCOTT compositions on this special T'S BOX edition. "CANT WAIT", "LIGHTHOUSE" & "PREPARED" get the remix treatment from TERRY. MIKE DUNN then joins TERRY on "COMING TO YOU" for a tribal beatdown. Seriously deep house for the "chosen few".

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13,07

Last In: 14 months ago
P.P. Arnold - The New Adventures Of...P.P. Arnold

The Artist
When P.P. Arnold arrived in London on September 23, 1966 to support The Rolling Stones as one of Ike & Tina Turner's backing singers,
The Ikettes, little did she know that her world was about to be turned upside down. The shy but vivacious 19-year-old caught the eye
of Mick Jagger, who would persuade her to stay in London and record as a solo artist – ultimately leading to a five-decade career
working with everyone from Jagger, the Small Faces, Rod Stewart, Barry Gibb and Eric Clapton, to Nick Drake, Peter Gabriel, Roger
Waters, the KLF, Paul Weller, Ocean Colour Scene and Primal Scream, to name a few.
Five decades after she became a '60s icon with the timeless pop hits 'The First Cut Is The Deepest' and 'Angel Of The Morning' on
Rolling Stones manager Andrew Oldham's ultra-hip Immediate label, soul singer P.P. Arnold is set to release a double-album of stunning
new material featuring contributions from, among others, Paul Weller, Ocean Colour Scene's Steve Cradock, The Specials and P.P's
songwriter son, Kodzo.
“I've been a fan of P.P. ever since hearing 'The First Cut', and then 'Tin Soldier'. Her voice is still as great as it was when she was 18/19
years old! Steve Cradock has tried to keep something of the early Immediate Records sound on this new record, whilst still sounding
fresh, and it is for me one of the finest in her collection” – Paul Weller
The Product
“It's great that I'm coming back with this record,” says P.P. “Even now, I'm still finding my way, because the industry changes every
decade, and you're sometimes out of the loop. For me it's all about faith, meditating, love, praying… try to be ready and don't give up
the fight. That's the message.”
'The New Adventures Of P.P. Arnold' was recorded and produced by life-long P.P. enthusiast, Ocean Colour Scene star and Paul Weller
band guitarist Steve Cradock at his Kundalini Studio in Devon – after a 51-year gap in P.P. Arnold's recording career.
The beginnings of the album - spanning classic orchestral soul ('Baby Blue', 'Finally Found My Way Back Home'), sunshine pop ('The
Magic Hour'), house music ('Hold On To Your Dreams'), a spinechilling gospel elegy inspired by her daughter's death ('I'll Always
Remember You'), two Paul Weller originals ('When I Was Part Of Your Picture', 'Shoot The Dove') and an epic, edgy 10-minute reading
of Bob Dylan's poem 'The Last Thoughts On Woody Guthrie' – can be traced back 25 years to 1994. Worldwide tours with Roger Waters
put the project on the backburner, but when Cradock rediscovered the tapes during a house move four years ago, both parties were
excited about the prospect of finally completing an album. And so they did.

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27,69

Last In: 6 years ago
Jadell - All Over Me

Jadell

All Over Me

12inchFABYL003
Fabyl
20.08.2019

A welcome return from former 'Gentleman Of Leisure' Jadell who delivers a sublime slice of French house-inspired disco cut 'n' paste guaranteed to ignite dance floors. B Side "Your Love Is What I Need" is a mid tempo, deep disco monster set to get those hands in the air.

"A floor-filling disco mutant" - DJ Magazine
"This sounds FUNKY" - DJ Snuff

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13,40

Last In: 5 years ago
Big Yawn - Skin Rat / Thomas

After just 6 months since first seeing Big Yawn perform, we are thrilled to welcome them to the Research family. A compelling prelude to their debut album "No!" due out in late 2019.

Over six years the Melbourne-based group has evolved, with members of the band running various releases through label and collective Fallopian Tunes. As of 2019, Big Yawn had become a four-member music group, motivated by a history of studio production, prolific collaboration and quality hangout time.

The groups freshest effort 'Skin Rat/Thomas' captures the band performing live in the studio, and it's typical Big Yawn: fat and punchy low-end bass; drums and live drum processing; delay fx samples; thick syrupy synths. 'Skin Rat' is a hyperbolically dubbed out, tongue in cheek, magnetic blend of UK garage, footwork and breaks. And 'Thomas' takes cues from a slightly damaged post-punk sound, amplifying a brittle and sinister type of atomic porn-funk.

Limited to 200 copies. Hand numbered and housed in a screen-printed sleeve, artwork by Julian Hocking.

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10,38

Last In: 5 years ago
Juan Power - Crescendo EP

Juan MacLean and Man Power debut as Juan Power for Life and Death

Life and Death continue to serve up brilliantly unpredictable releases with a new one that brings together American DFA stalwart Juan MacLean with the UK’s Me Me Me label head Man Power, plus an edit from the boss, DJ Tennis.

Juan MacLean is a multi-faceted artist who has a history of everything from playing in post hardcore bands to producing some of DFA’s most celebrated releases. He does classy house bangers with synth pop and disco layers like no one else. Man Power, meanwhile, is someone who is fantastically eclectic in what he does on all fronts as a DJ, label boss and producer. He’s made corrugated acid, hands in the air house and machine disco and plenty in between on his own label, but also cult outlets like Correspondent and ESP Institute. The coming together of these two undoubted studio wizards, then, is a fascinating prospect.

And so it proves right from the off: opener ‘Crescendo’ is a nine minute masterpiece with rickety house drums making you move while the shuffling percussion builds the pressure. Gorgeously warm chords eventually join the fray and have a blissful effect that sets you off dreaming and keeps you in a trance until the end.

DJ Tennis himself then steps up with an edit of ‘Excuse Me Daddy’ that is deep and cavernous. Next to the suspensory pads is an intricate synth line that takes you in on yourself in perfectly melancholic ways.

Closer ‘Praise The Toad’ then picks up the pace with more live sounding drums and a sparkling lead synth that rises and falls to cosmic effect. Drawn out over the full length of the track, and in amongst some chattery claps and smart effects, it makes for a journey to the stars that will cast a real spell on all who hear it.

This is an innovative collaboration between two masters of their craft.

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9,20

Last In: 6 years ago
Freaks - Let's Do It Again Part 3

2025 Repress

2019 marks the year that Music for Freaks has officially been running for over 20 whole years. Two decades of topsy turvy, downright Freakish behaviour. How the hell did that happen?

So, what better time to delve deep into the labels vaults again and uncover more of its hidden treasures. Back in 2015, we approached some of today's most discerning producers, those who truly "get" the label's ethos from old, to let them loose on tracks old and new. It brought to the fore the "Freaks - Let's Do It Again" series of releases and we're super chuffed to bring you the 3rd in the series to kick off the label's 20th anniversary celebrations; a new collaboration with likeminded artists and we think you'll agree it's another testament to the divergent & insouciant house music that has always been the beating heart of this label.

First up, we welcome back the Chilean anti-hero Ricardo Villalobos.

When we sent Ricardo the parts to the Freaks album, "The Man Who Lived Underground" a few years ago, he sent back 5 interpretations which blew our collective minds. This is the 3rd of his journeys. Edited by head Freak, Justin Harris, it delivers a tripped out, discordant tech mix of the Freaks track, 'He's Angry' and is a wonderfully warped and highly hypnotic jam, that drives deep down into the subconscious.

The 20th anniversary wouldn't feel right without some brand spanking new music from Freaks themselves.
This track was properly hidden in the Freaks DAT vaults from the 1990's and Justin & Luke have dusted it off, mixed it down and "Unbeknown To Us" will finally see the light of day. It's safe to say Freaks have always had a timeless feel to their music and this track, despite being 20 years old as an original production, is no exception.

Next up, The Martinez Brothers make their MFF debut and to say we're chuffed to be releasing this one after 3 years of it being in the vault, is a huge understatement. There's nothing but good vibes, cranked to eleven, on this cut and the brothers have cooked up a true rip snorting tech house remix of "Time", that will charm the roof off any self-respecting club or festival tent.

And last but by no means least, fellow previous collaborators on Let's Do It Again, Part 1, Gerd Jansen and Phillip Lauer, aka Tuff City Kids, have graced us with another superb remix of a firm Freaks favourite from back in the day, "Turning Orange". The duo have whipped up an excellent stripped 808, electro-hop mix with low slung electro beats, minor key atmospherics and nostalgic 80s vocal pitch-shifts. Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree!

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14,71

Last In: 22 months ago
Turquoise Colored French Tourists - Pöseldorf Poolparty

Label Quote "Turquoise Colored French Tourists are back with six pool-party essentials for your next lousy bathing event in your parents' backyard. Early support by everyone you know and your mama"

Short Info:
Turquoise Colored French Tourists release their Pöseldorf Poolparty EP, a 6 track extravaganza of high end production, House music know how mixed with Funk and a flair for live drum sounds which elevate this EP.

The artists behind this - Scharbatke and Bias joined forces having met years ago in their favourite bar Goldengrün and agreed after a few gin's to establish the live performing House music super group Turquoise Colored French Tourists. With their differing backgrounds both coming to play in this EP, adding a depth to the groove.

This record is essential for the most in the know Poolpartys, for the most exclusive parts of town - we begin the EP with the title track, motes of DamFunk and a truly groovy opener that should loosen things up nicely as the still hyper funky but more straight up and dance-able Altona im Sonnenschein carry's us onwards.

Crepes takes us deeper, Housier but still with a tweaked aesthetic that marks this out from others. A true adventure in jacked rhythm. The EP continues to turn gently into the more filtered House vibe with Spätfolgen, whilst not forgetting its funky roots with Jameson. The latter bringing a slight 80's touch to the vibe - if there is one thing this EP does well its keeping it fresh at each and every turn.

Closing the EP "Feels so good" lets the melody flow a little, warm and inviting with a little bit of everything that has come before it.

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7,52

Last In: 6 years ago
MICHAL ZIETARA - OLYMPIA EUROPA EP

Renate Schallplatten's eighth release comes from Michal Zietara with Olympia Europa. The four-track EP, the Polish-born, Bavaria-raised, Berlin-based Renate resident's solo debut features three originals plus a remix from Ian Pooley.

Opener "Mr. Joy" is a late-night uptempo jam with a punchy bassline and warm pads. Chopped vocal samples come to the fore around the breakdown, raising the tension for maximum euphoria upon the beats' return. Ian Pooley's flowing remix on the A2 is in the signature '90s filter house style. The vocals lead the way, adding some warmth to a rather stripped-back affair. It's another peak-time cut that makes you want to close your eyes and move to the music. The punchy beats and upbeat melodies return on "Euro Robot," this time paired with intricate drums, fluttering vocals, and high-pitched keys. Closer "Pink Seal" is more downtempo and pensive, centered around coherent vocals and smooth pads. The beats feature less prominently, even fading away after a brief midsection. It's a cerebral track; a moment of self-reflection in an otherwise upbeat, high-energy EP.

The EP is Renate Schallplatten's second of 2019, following Longhair's label debut. Earlier EPs have landed from Moscoman, Sebastian Voigt, Wareika, and more.

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7,86

Last In: 5 years ago
Various - You'll Never Find Another Love Like Mine  / Loving You

Good For You present a special Paradise Garage inspired 12 Inch sampler from the upcoming ‘Paradise Garage : Inspirations’ compilation, featuring two of Kenny Summit's collaborations with the Director's Cut duo, and Godfathers of House, Frankie Knuckles and Eric Kupper. Neither of these tracks have ever been pressed to vinyl, so this is your chance to own these masterful tracks cut loud and proud on either side of a 12 inch.

The A side houses the last ever Frankie Knuckles production, a project Frankie and Summit worked on with Eric Kupper - remixing 'You'll Never Find Another Love Like Mine' by the legendary Lou Rawls – pure soulful house brilliance from the very first second. On the flip you’ll find a further Kenny collaboration with the dynamic duo entitled ‘Loving You’ – the trio teaming up to deliver a stunning Motown inspired dance floor stomper with an uplifting vocal by the one and only Yasmeen. Two certified anthems that have had heavy rotation with DJs like Cajmere, Grant Nelson, Sonny Fodera, Quentin Harris, Robert Owens, Tony Humphries, Danny Rampling, John Morales, Graeme Park, Pete Tong and still continue to get played the world over.

These tracks form part of a wider compilation, ‘Paradise Garage : Inspirations’ that contains unreleased remixes of iconic club tracks like Loves Last Episode‘s remix of Deee-Lite‘s ‘Power Of Love’, and seminal club classics like the Masters-At-Work remix of Todd Terry‘s anthem ‘Sume Sigh Say’ and Francois K’s “Time & Space.”

Both this sampler and the full compilation feature a masterpiece of cover art designed by Alexander Juhasz, the artist behind the award winning films The Little Prince and The Babadook.

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13,40

Last In: 18 months ago
TENDERLONIOUS - HARD RAIN

Tenderlonious

HARD RAIN

12inch22A028LP
22a
14.08.2019

Prolific multi-instrumentalist, producer, DJ, band leader, and 22a label founder and boss, Tenderlonious returns with a batch of new and old studio productions.

'Hard Rain' follows hot-on-the-heels from the acclaimed Ruby Rushton album 'Ironside', but whereas contemporary urban jazz was the focus there, Tender's solo record marks a return to another of the multifaceted artist's skills: dope house and beat music that oozes futuristic funk.

This sparse but perfectly-populated masterpiece takes inspiration from J Dilla and echoes elements of vintage Blaze, Larry Heard and Carl Craig. Warm and soulful, but also spacious and clean, Tender extracts maximum flavour out of just a few ingredients.

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19,29

Last In: 6 years ago
Georgia - About Work The Dancefloor

LTD Edition!

Während die Festivalsaison in vollem Gange ist, hat Georgia einen ganz besonderen Remix ihrer aktuellen Single "About Work The Dancefloor" von einer der gefragtesten und inspirierendsten Aushängeschilder der Tanzmusik, The Black Madonna, veröffentlicht.

The Black Madonna aka Marea Stamper ist durch ihre Residency in der Chicagoer Smart Bar bekannt geworden und wurde 2016 vom Mixmag als DJ of The Year gefeiert. Sie verknüpft Georgia's ansteckenden Pop mit einer unverkennbaren souligen Disco- und House-Produktion und treibt das Original damit sogar noch mehr in die Höhe.

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10,80

Last In: 5 years ago
Various - Keep It Deep Vol 2

Various

Keep It Deep Vol 2

12inch1LIFE2
1 Life
13.08.2019

All producers on this timeless EP known for their contribution to NuDisco/Deep House Music. 1 Life records has enlisted the services of top talents. U.S deep house veteran Vincent Floyd wrap drifting deep spheres, lilting electronics & warm synth rhodes chords around a chunky groove on his fine beat interpretation for a brighter & breezier deep house vibe on a remix that benefits greatly from a squeezable synth bassline & some undulating TB-303 style acid motifs, while Rico De Almenda deliver a driving chunk of dub-disco/deep house fusion rich in sparkling synthesizer lines, sun-kissed chords & his own rubbery post-punk bass. Studio don Vincent Inc always bring unforgettable impressions & inspiration for mind, body & soul. 4 tracks came together to tell music stories about hypnotic deepest stuff, depression, happiness, loneliness, love, miracles & magical experiences. And now we're asking other's to join the sound conversation

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9,20

Last In: 6 years ago
JUNIOR LOVES - ‘Banner / Nore’

Intrepid, hard-hitting steppers from London producer Junior Loves. Self-released 4-track 10" with hand-drawn artwork, cut by Leon at Music House, Very limited press.



Sinewy, hard-hitting steppers from London way. Junior Loves has a bit of form, last seen on Tabernacle in 2018, but this new, self-released, hand-scribed 10", with two tracks served up discomix style, is very much its own thing: a timeless, unpretentious cry-tuff encounter that combines deeply rooted, meticulous production with a rawness and vulnerability in a manner that is properly compelling. 'Banner' and its more stripped, spatial version set the tone - propelled by Shaka-ish 4/4 drum-murderation and bolshy, corkscrewing, blue-going-on-purple synth lines that shrink the distance between early Ruff Sqwad/Rapid instrumentals and melancholic ambient techno. The grimy forward-lean is there also in both excursions of 'The Nore', but this one drifts further into ethereal cold-space, recalling John T. Gast's druidic soundboy cuts, dizzyingly psychedelic but precise and uncluttered, mashing up brain/dance/everything with perfectly judged patterns of attack and decay. Very limited press, cut by Leon at Music House. Massive tip on this one!

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11,56

Last In: 6 years ago
Jimi Tenor & Freestyle Man - Are We It?

Jimi Tenor & Freestyle Man, Finnish legends and everything-but-grey eminences of electronic
music, return to Studio Barnhus for another four-tracker full of the good stuff. Deep house as
done by professionals! The world keeps changing, people and sounds come and go, but when Jimi
croons away over Freestyle Man's finn-tastic funk foundations, it all just about makes sense to us.
Plenty of flute solo on this thing as well!

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8,19

Last In: 4 years ago
Various - Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986

Pacific Breeze is a collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between.

Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early '70s, as heard on Light In The Attic's acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, 'Deconstructing the line between imitation and authenticity.' Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.

2xLP housed in a deluxe wide spine jacket with over sized fold-out booklet, full color printed inner sleeves, and custom die-cut obi card

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55,46

Last In: 3 years ago
Horace Tapscott With The Pan-Afrikan People's Arkestra - Flight 17

Available on vinyl for the first time in 40 years, Outernational Sounds proudly presents a cornerstone document from the Los Angeles jazz underground, Flight 17 – the first appearance on record of the legendary Pan-Afrikan Peoples Arkestra, led by their founder and mastermind, Horace Tapscott.

"The Arkestra would allow the creativity in the community to come together, would allow people to recognize each other as one people and ask, “Now what can we do to make this community better? What can we do for this community together?”...That’s how the Pan-Afrikan Peoples Arkestra – the Ark – began, with the knowledge that we wanted to preserve the black arts in the community."
Horace Tapscott

Horace Tapscott’s Pan-Afrikan Peoples Arkestra (P.A.P.A.) was one of the most transformative, forward-thinking and straight-up heavy big bands to have played jazz in the 1960s and 1970s. Countless musicians passed through its ranks, and in Tapscott it was led by a musical visionary who should be ranked with the very greatest names in the music. If P.A.P.A. doesn’t have the interstellar rep of that other famous Arkestra, and if the name Tapscott doesn’t ring bells like Monk or Tyner, there’s a reason why: in an industry dominated by record labels, a band that doesn’t record doesn’t count. And the Pan-Afrikan Peoples Arkestra didn’t record for nearly twenty years. But recording success was never their concern – they weren’t about that.

First formed as the Underground Musicians Association in the early 1960s, Tapscott always wanted his group to be a community project. From their base in Watts, UGMA got down at the grassroots. They played for the people, organising fundraisers in parks and coffee houses, hosting teach-ins and workshops for young and old, and mixing it with radical theatre groups, firebrand poets, political radicals, Black separatists, community groups and churches. They lived communally, supporting each other and their people, and built an ark for the Black arts in the heart of the city. The group was renamed the Pan-Afrikan Peoples Arkestra in 1971, and soon after they established a monthly residency at the Immanuel United Church of Christ which ran for over a decade, while still playing all over LA and beyond. But through all this, they never released a note of music.

It was the intervention of Tom Albach, a fan of Tapscott and the group, that finally got them on wax. Determined that their work should be documented, Albach founded Nimbus Records specifically to release the music of Tapscott, the Arkestra, and the individuals that comprised it. The first recording sessions in early 1978 yielded enough material for two albums, and the first release was Flight 17. From the surging avant-gardism of Herbie Baker’s title track to the laid- back summertime groove of Kamonta Lawrence Polk’s ‘Maui’, or Roberto Miranda’s uptempo Latin jam ‘Horacio’, Flight 17 showcased the radical voices of the Arkestra’s members. Led out by Tapscott’s hard-swinging piano, this is the first flight on wax of the West Coasts’ foundational community big band – energised, hip and together. Open up the gates and prepare for departure!

This edition of Flight 17 contains two tracks previously only available on the 1997 CD edition: ‘Coltrane Medley’ and ‘Village Dance’, recorded live at the Immanuel United Church of Christ. It is released as a limited vinyl-only edition on a 180g pressing by Pallas. Fully licensed from Nimbus West founder Tom Albach.

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29,03

Last In: 6 years ago
Catching Flies - Silver Linings

‘One of our favourites’ iD Magazine

‘Mesmerizing’ The Guardian

‘Keep an eye on this guy!’ - Gilles Peterson


Catching Flies’ music draws from a wide-ranging palette of influences including jazz, soul, hip-hop, house and electronica and has previously seen him handpicked by Bonobo to provide support on his World Tour. Over the past few years, his music has gathered the support of Gilles Peterson, Annie Mac, Lauren Laverne, Julie Adenuga & Huw Stephens, critical acclaim from the likes of iD Magazine, The Guardian, Dazed & Confused, and Nowness, and a growing fanbase which has seen him perform both Live and DJ sets across the UK, Europe, the USA and Asia. This has culminated in over 60,000,000 streams to date.

Catching Flies is set to release debut album ‘Silver Linings’ on 5th July 2019. Containing shades of house and jazz, to hip-hop and electronica, ‘Silver Linings’ is a melodic mesh of bright electronics and intricate rhythms. It’s a beautiful, moving record, with sounds that unmistakably come straight from the heart.

Producer, multi-instrumentalist and DJ George King began Catching Flies in late 2012, when he recorded and self released his first two EPs. With huge radio and press support around the world - including multiple #1’s on Hype Machine, BBC Radio support from Gilles Peterson, Mary Anne Hobbs, Lauren Laverne, Tom Ravenscroft, Nemone, Annie Mac, Huw Stephens; praise from i-D, Dazed, The Guardian, Complex, Notion, The Line Of Best Fit, Clash, Dummy and more - he’s since attracted millions of listeners.

Against his instincts he signed with a big management agency and got talking to a label: it almost derailed his career. He explains “What I'd found so inspiring originally was the total freedom to make a tune on my own terms and just decide to put it out the next week. There was a hunger that came with that, and a sense of achievement from being the driving force, but as soon as I tampered with that ecosystem, it wasn't as exciting anymore”.

Touring with electronic music giant Bonobo - who also included him on his BBC Radio 1 Essential Mix - allowed him to watch up close someone who had taken a slow and steady path from tiny clubs in Brighton to arenas worldwide, and see it was possible to do without any compromise. After being teased through a succession of warmly received singles this past year, and seven years on from that first EP recorded and released from his bedroom, his debut album ‘Silver Linings’ is now ready to be revealed.

“It's taken me a while because I didn't want to speak until I had something to say. I wanted to make something positive, hopeful and colourful...The world isn't in the best place at the moment, and the last thing it needs is another dark and moody electronic record. I wanted ‘Silver Linings’ to be a scrapbook of the last three years. It’s definitely eclectic, and it’s supposed to be. Over three years a lot changes, your perspectives change, your tastes change; and I wanted to celebrate that by picking tracks that meant the most to me. One of my favourite things about making music is that it takes me right back to where I made it - the keyboard I used, the chair I was sitting on, the room I was in. It kind of teleports you back to a certain point in your life. A bit like a diary entry.”

Recalling those moments brings back a range of memories: ‘Satisfied’ began by being tapped out on a £15 keyboard bought from Kentish Town Cash Converters, ‘Yǔ’ was made in the mountains of China during a few days off from touring, while an evening on Hampstead Heath inspired ‘Kite Hill Theme’. Also featuring on the album is ‘New Gods,’ a collaboration with London’s bright stars Jay Prince and Oscar Jerome and the beautiful and meditative ‘Opals,’ inspired by the likes of Ryuichi Sakamoto and Alva Noto.

Catching Flies is already looking to the future, closing the first chapter in an exciting and inspiring story, ‘Silver Linings’ is only the beginning.

“A few weeks after I finished the album, I moved out of my house I made all the music in, so it feels like the closing of one chapter and the beginning of another. I can’t wait to make the next one now.”

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15,92

Last In: 6 years ago
Body Of Light - Time To Kill

Body Of Light

Time To Kill

12inchDAIS137LP
Dais Records
06.08.2019

Birthed from Arizona’s regaled Ascetic House collective, Body of Light is a dark synth-pop outfit comprised of young brothers Andrew and Alexander Jarson. What began as a vehicle for their exploration of noise and sound during their early teens has evolved into an established production over the last decade, as Body of Light continues to carve out their own style of complex, structured, and moving dancefloor electronics.

Their music is not only individually personal, but drawn from experiences shared between the two brothers – and calls on elements of new wave, freestyle, goth, and techno to create timeless and singular tracks without fear of trend or passing fashion.

On their third album Time to Kill, Body of Light refines their brand of cold and driving synth pop with a bold pallet of sounds and a focus on uncharted technique and purpose. Like the pale digital stare of the modern devices surrounding our daily lives, the album weaves stories of love and obsession in an era of technical bondage and fleeting exhilaration. Written over a period of intense and profound change, Time to Kill stands as a startling reminder of how important our existence truly is. Haunting keys, swelling pads, and punching rhythms score their work as Alex Jarson presents an alluring and romantic dialogue with confident projection. The title single “Time to Kill” kicks off the album with a merciless signature beat, complimented by distorted sample patterns against an infectious, moving bass groove

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22,31

Last In: 6 years ago
Alessandro Alessandroni - Spontaneous

Maybe the best Alessandroni's album ever. A true holy-grail for any collector and worldwide music lover, which we can consider nowadays as the most sought-after record of the whole legendary RCA SP 10000 series, and as the rarest album from the king of Italian libraries.

Jazz, mellow-funk, downtempo breaks, and incredible rock blends, make this record a refined portrait of the 70's American way of life, viewed through the fully Italian lens of Alessandroni's sensitivity.

The magic around Spontaneous is that this album is not only beautiful and astonishing, but is certainly on of those amazing records to which time gives new life and freshness, making it sounds unbelievably contemporary.

After five years of exhausting research, finally Four Flies can give a light to this obscure and fascinating mystery, rescuing it from the darkness. It's not just another piece of Alessandroni's legacy that is finally put back in the right place. This should be considered as the definitive act to re-estabilsh Alessandroni's leadership into the library music scene, and beyond.

Available again from July 19, coming in 180gr black vinyl, housed in a hard tip-on sleeve cover.

Limited Edition 500 copies, don't sleep!

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28,87

Last In: 6 years ago
Soela - Lily EP

Soela

Lily EP

12inchKOM406
Kompakt
02.08.2019

Elina Shorokhova aka SOELA is a multi-talented artist hailing from southern Russia who now calls Berlin her home. It is there where she continues to build her presence in the community through her live and DJ sets alongside documenting the local scene and artists through her lens as a photographer.

LILY EP may be 4 tracks but as a collected whole, sounds and feels like an album when heard from beginning to end. The title track emits her talent as a pianist by setting a tone of gracefulness that is carried throughout the EP – broken beats float in and out of dub drenched ambience that flows with cascading vocals. CLOSE YOUR EYES echos a spirit of Detroit House with refreshing new intensities. Again, her vocals caress the track but as an incredibly catchy hook. WHITE BECOMES BLACK shows her own interpretation of dub techno and combines that into a classic house beat. I HAVE A DREAM sounds like she bridges all of the previous track elements into a single whole which makes this tune the perfect closing track for any DJ set and of this release. A steady low-end groove keeps the ricocheting snares and somber synths cruising to an up-tempo rhythm.

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10,88

Last In: 8 months ago
Various - Cob#10 3x12"

Courtesy Of Balance Recordings presents their 10th Release to date. A compilation of 9 pieces of timeless house music that will rock the underground parties and twisted after hours alike. Showcasing the talent of artist hailing from Chicago, Montreal, London and Geneva and France, this triple pack is bound to become yet another classic on the Balance Catalogue. Dont Snooze Baby!!!

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25,17

Last In: 5 years ago
Gotshell - The Draft EP

Gotshell

The Draft EP

12inchSUARA362
SUARA
01.08.2019

Colombian Techno powerhouse Gotshell unleashes a barrage of his signature, twisted, bone-shaking, analogue techno bombs for 'The Draft EP' on Suara with remixes from label head Coyu and Argentinian producer Flug.

Firstly, the A side houses ‘Pears Cosmic’, a swell of glitches, thunderous kicks and rave stabs at a fever pitch pace and secondly '19 Caracteres’ a sci-fi blitz, comprised of killer drum programming, modular bleeps, zaps and urgent surges.

Flip it over to find Coyu’s reinterpretation of ‘The Draft’, reworking the drums, adding rapid-fire claps into the mix and leaving the trance stabs out for a more heads down approach. Finally, Flug takes on ’19 Caracteres’ focusing his remix around an atmospheric echoing synth line, punctuated and interspersed by the original’s glitchy sounds.

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10,04

Last In: 33 days ago
Helder Russo - Onirico

Helder Russo

Onirico

12inchPRCBS005
Percebes Música
31.07.2019

Hélder Russo returns after serious releases on Groovement and Tomorrow Is Now, Kid!. For his fourth 12” EP on Percebes, he’s crafted three solid, deep cuts. Clear homages to the more spiritual side of house and techno from Chicago and Detroit, complete with a killer techno remix by Leonidas (Hobbes Music) that is all about that UR vibe. Can’t be missed!!

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10,63

Last In: 6 years ago
G. Markus - G-Edits #7

G. Markus

G-Edits #7

12inchGEDITS007
G-EDITS
31.07.2019

Ben Gomori dons his G. Markus mask once again following a hotly repressed sixth volume. '4Play' cuts up anthemic '90s house, while 'Inta' goes deeper on a 4/4 garage flex.

DJs who like a bit o' G-Edits include Move D, Romare, Disclosure, Jeremy Underground, Detroit Swindle, Hercules & Love Affair, Auntie Flo...

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10,71

Last In: 3 years ago
AceMoMa - AceMoMa EP

Acemoma

AceMoMa EP

12inchJR-02
Jenkem
31.07.2019

Together as AceMoMa for the first time, AceMo (Adrian Mojica) and MoMa Ready (Wyatt Stevens) have crafted a sound that captures the contrasting grit and shimmering new energy that can currently be found in New York City's electronic music scene. Booming drum & bass and four on the floor house beats are paired with airy synth leads and watery vocal samples, giving the tracks a sense of strong forward momentum as well as a softer, more introspective side. Their new four track EP sounds like what a long night out in NYC feels like in 2019.

Jenkem Recordings is the music imprint of Jenkem Magazine , a skateboarding and culture media outlet, based in the same neighborhood Mojica and Stevens are creating and performing their music. Jenkem Recordings’ main goal is to continue to push the strong connections between music and skateboarding by finding new artists to support who have a strong connection to both communities. The AceMoMa EP marks Jenkem Recordings second release, with many more to come in the future.

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13,32

Last In: 6 years ago
Masks - EP2

Masks

EP2

12inchST013
Spring Theory
31.07.2019

Masks is New York duo comprised of Max Ravitz aka Patricia (L.I.E.S, Opal Tapes, Ghostly) and Alexis Georgopoulos aka Arp (RVNG Intl, Mexican Summer, DFA, Smalltown Supersound). The aptly titled EP2 is (yes, you guessed it!) their second release, preceded by their Opal Tapes debut Food Plus Drug (II) — which gained support from Legowelt, Mount Kimbie and Boomkat — and a compilation appearance on esteemed Beats In Space 15 year anniversary 3xLP.

On paper, it might strike one as a strange duo. Ravitz’s work leans heavily on house and techno, but his recent work has been focused towards emotive melodies of IDM. And Georgopoulos has been busy creating minimalistic classical music for RVNG and most recently made waves with his critically-acclaimed album Zebra, which combined elements of 4th World and cosmic jazz.

All the tracks making up EP2 were made as live performances. No overdubs. Nothing "in the box". Just classic hardware and a strong vibe.

Opener "In This Room" is the sound of a NY summer sunset, pivoting on a hypnotic rotation of orange-hued chords. "Emotional Response" displays a different side of the group. Combining a 909 with a piano tug, it could provide that perfect soundtrack to a cathartic cry on the dancefloor.

On the flip side, "In Another Room" is dreamy techno par excellence, before sliding into an acid chugg for the ages. Bookworms smears the sun of "In This Room" into a 4am whirl, all purple lights and mountains of fog.

The cover artwork features the artwork of Sanou Oumar, a recent emigrant from Burkina Faso, West Africa. He graduated from the University of Ouagadougou in 2007 and moved to the United States to seek asylum in 2015. He currently lives in the Bronx and works in Harlem, New York. In 2018, Oumar had his first two-person exhibition (with Matt Paweski) at Gordon Robichaux in New York, and in 2019 (with Elisabeth Kley) at South Willard in Los Angeles, curated by Matt Connors.

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10,38

Last In: 6 years ago
Tee Mango - 50 Songs - EP#2

To mark his second artist album on his own Millionhands label in July, Tee Mango teases with a fantastic second EP from it featuring remixes from Hidden Spheres (Lobster Theremin, NTS), Kiwi (Futureboogie, Optimo, Life & Death) and Hubie Davison (Regraded).

The fantastic full length finds the UK artist stretch himself and serve up a dazzling array of soul-drenched, vocal-laced songs featuring his own singing and influenced by the likes of Prince and Bon Iver, alongside awesome gyuest vox from Detroit funk legend and former Funkadelic member Amp Fiddler.

Opening up EP 2, Tee Mango serves up a fizzing and arpeggiated electronic disco track, ‘Woo Hoo’ which will undoubtedly be rocking festival tents this summer. Irishman and Leisure System man Hubie Davison then steps up to the plate with a heart-warming, tripped out and twinkling organic house mix of ‘Down Down Down’, featuring warm oaky melodies and Mango’s fragmented falsettos.

Then comes a dazzling techno-not-techno mix of ‘Woo Hoo’ from Londoner Kiwi, an associate for labels like Correspondent and Optimo Music. This superb version keeps the galloping arpeggiated feel of the original but swaps the broken beat for a straight four to dizzying effect. Following that is acclaimed Lobster Theremin, Rhythm Section and NTS regular Hidden Spheres with a hip house basement re-rub of ‘Down Down Down’ with more of Tee Mango’s fragmented falsetto over a beat Prince would be proud of.

Finally, Tee Mango himself then steps out with the excellent balearic skit ‘Don’t Worry About the Rain’ with deliciously soothing Rhodes and synth whines topped with Mango’s vocals imploring us to ignore the weather.

This is a top package that bristles with brilliant club sounds for a range of different settings and more than whets the whistle for the forthcoming album.

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12,06

Last In: 6 years ago
Julius Steinhoff - Forgotten Garden

Julius Steinhoff

Forgotten Garden

12inchCHURCHW017
Church
30.07.2019

Next up on Church, the London label turn to Germanys Julius Steinhoff. As a label head himself, Julius has crafted an undeniable sound that resonates deep within the underground scene, and one that fits well within the Church ethos.


The Forgotten Garden EP kicks off with the title track , a deep and moving house cut with a driving bass line taking centre stage alongside reverb drenched vocals. 'To Your Care' welcomes a sunrise triggering piano part, deep with orange is floats elegantly around an irresistible drum groove and rising bass line.
'So Very Close' again features the punchy bass line, trippy vocal snippets but with more of a rolling groove for the B side. 'Gonne Be With You Forever' takes its all a little punchier and minimalistic, carried by deep and emotive synth lines it closes the show in fine form.

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10,29

Last In: 3 years ago
Dark Circles - DC Trax 005

Dark Circles

DC Trax 005

12inchDCTRAX005
DC TRAX
30.07.2019

This is latest release by London Duo Dark Circles forthcoming on their own vinyl imprint DC Trax. Undoubtedly their biggest release to date, harnessing the full force of their influences of acid, techno, house and rave directly for the dancefloor.

Lariat is a acidic psychedelic spoken word odyssey with an incredible breakdown. this is acompanied by a remix from man of the moment NYC Bunker dj Justin Cudmore. Mandy on the B side takes us back to 1993 the height of rave and includes life changing question for a certain young lady!

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9,20

Last In: 6 years ago
Haruka - Senko (feat. Izpon, Shigekazu Otake & Naoyuki Uchida)

The past few years, we've watched from afar as Tokyo based DJ Haruka has established himself as one of Japan's top DJs and a crucial figure in the dance music scene. Since inviting him to play a Butter Sessions party in Melbourne and catching him multiple times in Japan, our online curiosities were met in real life with his impeccable taste and personalised style of house and techno. Needless to say, when Haruka sent us his debut EP "Senko", we instantly heard something special in his approach to music creation.

The three original tracks, entitled by their respective BPMs, encapsulate everything we loved about his DJ sets - bold, acidic and relentless synth sequences that are as intense as the Shibuya crossing, paired with masterful live percussion and drumming from Izpon (of Japanese salsa band Banderas) and Shigekazu Otake (of cult group Cro-Magnon) to create a unique sonic space. The recordings snarling nature reflects the pure force of DJ Nobu's Future Terror crew, of which Haruka is a key member. Additional live dubbing and mixing work from Naoyuki Uchida of Dry & Heavy - "Flying Rhythms" glues this raging bull together while purveying it's raw energy.

On the flip side, label heads Sleep D offer an unflinching club-ready version of "120", while French royalty Zadig contributes a mesmerising 14+ minute dubbed out, psychedelic burner that brings a new focus to the soundscapes of the original.







d 4. 120 (Sleep D Remix) feat. Izpon, Shigekazu Otake & Naoyuki Uchida
[e] 5. 106 (Zadig Remix) [feat. Izpon, Shigekazu Otake & Naoyuki Uchida]




[d] b1 | 120 (Sleep D Remix) [feat. Izpon, Shigekazu Otake & Naoyuki Uchida]
[feat. Izpon, Shigekazu Otake & Naoyuki Uchida]




[d] b1 | 120 (Sleep D Remix) [feat. Izpon, Shigekazu Otake & Naoyuki Uchida]
[feat. Izpon, Shigekazu Otake & Naoyuki Uchida]




[d] b1 | 120 (Sleep D Remix) [feat. Izpon, Shigekazu Otake & Naoyuki Uchida]
[feat. Izpon, Shigekazu Otake & Naoyuki Uchida]




[d] b1 | 120 (Sleep D Remix) [feat. Izpon, Shigekazu Otake & Naoyuki Uchida]
[feat. Izpon, Shigekazu Otake & Naoyuki Uchida]

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10,38

Last In: 5 years ago
Eddie C - Green Space

canadian beatdown master “eddie c” is back with fourth full length on endless flight!

this new album is his unique mixture of laid back hip hop and lo-fi house sound which is inspired from late 80’s to early 90’s and much more darker than usual.

the album kick off by old school hip hop tracks of “carbondate”,in the park” then new wave disco sound of “way uptown” it reminds us nyc post punk/new wave artist “konk”,dubby brazilian percus-sive disco track “batucada”,”berlina” is early 90’s nyc house like pal joy, probably most club friendly track “bad words” is wired new wavy vocal house madness and the album close with dreamy down tempo track “an der wedding” heavy kraut rock influenced stuff.

hope you enjoy.

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21,22

Last In: 5 years ago
DJ Lag & Okzharp - Steam Rooms EP

Dj Lag&Okzharp

Steam Rooms EP

12inchHDB123
Hyperdub
26.07.2019

Durban gqom ambassador DJ Lag and London-based Okzharp combine over four club heavy tracks rooted in their long-term long-distance connection, the EP’s title originating from the Durban nickname for the local clubs where much early gqom-style music was played. Opener ‘Now What’ layers a wooden percussion scraper with a ticking cow bell and chants. Set at a slightly faster pace than most gqom, the track harbours a dark energy at its core generated by a low rumbling background synth and pitch shifting claps.

‘Steam One’ - inspired by DJ Lag’s set at Hyperdub’s club night Ø after he brought the heavy steam room vibe - has a slow and entrancing build up with a subtle melody layering on stabbing syncopated kicks, leading up to awoozy synth breakdown. “We were inspired by that moment in the club when things get hazy and bendy and glowy. It has South Durban via South London DNA, so inevitably there's a heavy kwai-gqom vibe with a grimey funky London twist running through it”. ‘Nyusa’ opens with a grinding acidicbass line overlaid with a metallic and gravelly melody with suppressed chants.

Sharp kicks drive the track leading up to a wobbly synth breakdown and back up synth stabs raising the energy. Finally, ‘Sambe’ pairs menacingstrings with a steel drum melody, displaying characteristics of both funky house and gqom in a subtle meeting of the two styles. ‘Steam Rooms’ is a collection of dancefloor heaters set to make the club sweat, the amalgamation of a London / Durban link up reflecting both producers environments and sound palettes for icey cold gqom tracks with funky house shadings.

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9,96

Last In: 6 years ago
Omar S presents Simon Black - Ill Do It Again

Omar SpresentsSimon Black

Ill Do It Again

12inchFXHE-S&O
FXHE
26.07.2019

Omar-s Introduces Detroit's Newest Diva On The Scene, Simon Black With An X-rated 12" For The Real Freaky Types. In Line With Some Of The Definitive Vogue House Tracks Of The Past, "i'll Do It Again" Will Become Future Ballroom Staple. On The Flipside, "freaky Type" Black Slows It Down And Steams It Up With Some Nasty Vox Over A Beat Produced By Fit Siegel. High Kicks And Hand Snaps All Around!

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13,40

Last In: 6 years ago
Oden & Fatzo, Kizoku - From Da Split #1

From da Split # 1, 1st split EP of a big series on Increase the Groove Records. With ODEN & Fatzo and Kizoku and Luks on the B1. Mixing the worlds of Breakbeat, House, Minimal & Hip-Hop while being groovy and lively, this split EP will delight the curious!

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9,87

Last In: 2 years ago
Tamu Massif - Little Death Summer

Tamu Massif

Little Death Summer

12inchTAMU001LP
Chiverin
24.07.2019

Debütalbum des Bristoler Electro-Singer/Songwriters Tamu Massif alias Dave Dixon, der als Meister der Samples diese mit intelligenten Lyrics und wundervoll-harmonischen Vocals kombiniert und so an seelenverwandte Künstler wie z.B. James Blake erinnert. Tamu Massif veröffentlichte bislang zwei EPs, tourte mit Japanese House, C Duncan und Shakey Graves, und co-produzierte das Debütalbum von Fenne Lily. Bei der Abmischung von "Little Death Summer" stand ihm sein Langzeitkollege Ali Chant (Youth Lagoon, Perfume Genius, Aldous Harding) zur Seite.

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25,59

Last In: 6 years ago
Various - Tropical Disco Records, Vol. 11
 
4
disponibile anche

Vol. 1[14,24 €]

Vol. 2[14,50 €]

Vol. 4[13,66 €]

Vol. 5[14,24 €]

Vol. 7[14,50 €]

Vol. 19[14,50 €]

Vol. 20[14,08 €]

Vol. 22[14,24 €]

Vol. 24[14,50 €]

Vol. 25[13,87 €]

Vol. 27[13,87 €]

028[14,24 €]


Tropical Disco Records return with another sizzling four-tracker, tackling deeper, more soulfully sustained tracks which still cipher the same party-centric impact consistent across every release.

Moodeena’s ‘The Chase’ is a fireball of an opener, showcasing a tantalizing flurry of teasing brass and uninhibited guitar strokes, cooly climaxing, sending shocks of piloerections to every corner of your body.

Next up label co-founder Sartorial on a slightly slowed, yet typical love flex with ‘Addicted To You’. It oozes high romantic interfusings of heady beats and a fantastically reinvented vocal. It’s an ode to that golden moment in mood music paired with midsummer sun, certainly one of his best works to date.

Tropical Disco debutant Chevals offers up a delectable deep house symphony with ‘Saturn’, a lush suite of hazy chords, boogie vamps and shuffling percussion.

Gledd & The Funk District’s ‘Late At Midnight’ closes of the record in fine style, looped swells and vintage stabs, laying a dexterous foundation for the full-frontal, fanatical vocal to follow. It appears the label are showing off using this tyrannic tool as the EPs send off, making you nostalgic about a night never experienced and stomping another firm footprint in contemporary disco’s orbit.

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13,87

Last In: 4 months ago
Konx-om-Pax - Ways Of Seeing

On ‘Ways Of Seeing’ Konx-om-Pax has switched up the mood and hit gold. He has made an album that is filled with joy and sunshine, saturated with the classic feel of Berlin Techno.

Tom Scholefield has moved on from the dark ambient and brittle rave of the first two Konx-om-Pax albums, which were a reflection of his hometown Glasgow's electronic music scenes. After a recent move to Berlin, the textures of Glasgow's musical strains have fused into an accessible and friendly mix of poppy melodic electronica built from a stricter 'less is more' sound pallete, closer in spirit to the music of his adopted city. It is also a record which was made in opposition to recent music he has been hearing, in particular the troubled, dark and noisy experimental music coming out of Berlin. Tom wanted to focus on more joyful qualities, making this a record imbued with warmth and happiness, a panacea to the darkness and disorientation all around in 2019.

Having a social scene full of producers has also influenced the album. The opening track 'LA Melody' came from staying with Ross Birchard (Hudson Mohawke) at his house in LA, hanging out in the glorious sunshine with him and Lunice working on tracks.
"Initially Ross asked me to write some melodies to use in a project he was producing, but I ended up liking it so much I decided to keep the riff. I generally write music alone, but being around other producers gave me a certain excited energy that reminded me of after-parties back in Glasgow where Ross and myself spent our youth together. Spending time in Clark's studio also helped me improve my workflow and sequencing the album by seeing the way he does things". On 'Säule Acid' he collaborates with Silvia Kastel and in 'I’m For Real' the vocals of Glaswegian DJ/producer Nightwave filter around the track.

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22,56

Last In: 6 years ago
Christian S - Tannin

Christian S

Tannin

12inchPERMVAC188-1
Permanent Vacation
22.07.2019

Direct and simple: Christian S embarks to Permanent Vacation and brings five house-not-house tunes.
The bitter gloomy title track “Tannin” vibrates with a dry bassline over which an acid-flavored synth-line
arguments with higher hi-hat spirits. Matias Aguayo added his very special ability for creating haunting
chords and drums to the tune “Dancer” and transformed it together with Christian S into a nervous
house sensation. In contrast, Cologne DJ and producer Korkut Elbay also did some twists on
“Dancer”. His edit concentrates more detailed on the witchy chord construction. With Columbian
producer Sano Christian S puts his love for percussive spheres on the table and created a tune that is
made for magic floor moments, when all dancers melt into to one entity. Finally, the enchanted solo
track “Passant” wafts gently while a nervous melody haunts the listener. It rounds up a free spirited,
percussive, edgy yet catchy EP that is made for all circumstances of the night.

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8,03

Last In: 3 months ago
Luke VIBERT / ROBIN BALL - X To C

Robin Ball's Memory Box builds on the success of early releases with a big new outing that features two of his own tracks and one from the legendary Luke Vibert. Memory Box is a party that has hosted Derrick Carer, Trevino and A Guy Called Gerald among others, and is a place to hear proper acid house. Ball himself is a master of the genre and most often released on his own Groovepressure label, having been making music since his teens. Now his latest labour of love is once again reaffirming his status as a vital voice in the UK scene. Luke Vibert has a rich history that makes him a key part of the UK's dance counterculture over the last 30 years. His always animated music is wild and inventive and comes on greats like Mo Wax, Warp and Planet Mu. Here he offers 'X to C', a wild melange of warped synth tones, grizzled basslines & acid flashes. It will twist and turn the dance floor inside out. Robin Ball's excellent 'Gripper' is a corrugated bit of electric house music that never sits still. Pensive pads in the background are offset by a busy lead synth line and old school stabs that make it a perfectly timeless, energetic fusion of moods and grooves. Lastly, Ball serves up 'The Edge,' a brilliantly brash cut with stepping acid sequences, raw drum work and warped bass that distills decades of UK music into one essential track. These are three devastating club cuts that expertly draw on the past, present and future of acid.

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8,95

Last In: 5 years ago
Piero Milesi - The Nuclear Observatory Of Mr. Nanof

Archival reissue of the ethereal wonder from Italian architect / music installation & soundtrack master Piero Milesi. This lush adventure of mediative synth and melodic scores for lyricon and small chamber ensemble contains tracks from films "The Nuclear Observatory Of Mr. Nanof" (L'Osservatorio Nucleare Del Sig. Nanof, 1985), "The Oversize House" (La Casa Fuori Misura, 1985), theatre play "King's Night" (La Notte Dei Re, 1986), and video "The Presence Of The City" (La Presenza Della Citta, 1984) produced by The University For Architecture of Milan.

- For fans of library music, soundtracks, leftfield, synth, WRWTFWW Records, Vladimir Cosma, Piero Umiliani, sci-fi, experimental movies, and astronautic mineral engineers of the mental system.

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19,87

Last In: 6 years ago
Various - Sunny Side UP 3x12"

A heavy new compilation from Brownswood shines a light on the independent underground in Melbourne, where a close-knit collection of artists have taken cues from soul, jazz and club culture to carve out a fresh Melbournian sound. Featuring nine different groups, many of them sharing members and studios, the record surveys the musical contours of this bubbling scene, nodding to house, broken beat, samba, p-funk and soul.



Recorded over a week at The Grove, a fabled house-cum-studio in the North Melbourne suburb of Coburg, it’s home to the record’s engineer, Nick Herrera, and two members of Hiatus Kaiyote, the city’s breakout gangster-soul dons with whom many of the record’s personnel have collaborated. Silentjay was musical director, the Rhythm Section-affiliated multi-instrumentalist and producer (who’s played with Joey Bada$$ and Flying Lotus) marshalling together the album’s different players, many of them part of influential collectives 30/70 and Mandarin Dreams.



Nurtured in the city’s collaborative, close-knit confines, the scene has been bubbling up under the radar of Australian music institutions, in the garages and makeshift studios of Melbourne’s suburban sprawl. Sunny Side Up is a colourful portrait of the scene’s potential, exploring the story behind this flourishing period and shining light on some of its most compelling figures.

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23,99

Last In: 6 years ago
Santiago Salazar - The Night Owl

Jimpster: 4/5 - “So much to love on here! Loca is a mind-bending workout for dark sweaty basements. Hey Life is hypnotic, life-affirming warmth to make the soul soar. Proper job Santiago!”

Gerd: 4/5 - “dope collection of trax by santiago salazar. well executed as always. amazing.”
Dom (Sub Club): 5/5 - “love Santiago .top stuff as always”
Cosmin TRG: 5/5 - “Excellent material Santiago! Congratulations”
Photonz: 5/5 - “Loads of killer tracks in here!”
Deetron: 5/5 - “Love this LP!”
Norman Nodge: 4/5 - “Yes, right up my alley! This has soul and a strong drive!”

Following Santiago's debut album Chicanismo released on Love What You Feel in 2015, The Night Owl doubles down on the artist's balancing act between techno and house. The blend of LA roots, Chicano heritage, Underground Resistance training, and love of house music is represented as an eight track album worthy of any music fan's collection or DJ's set. Released on May 17th, 2019 as an eight track digital album accompanied by a four track 12" vinyl EP.

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6,68

Last In: 16 months ago
Komey / Wyro - Space EP

Komey/Wyro

Space EP

12inchTE001
Tea Room Records
19.07.2019

Tea Room is a new vinyl-only record label from Moscow, Russia. It's mostly house and tech-house. First and last tracks of TE001 are done by Komey, transmitting sounds, lots of percussion and short, interesting sounds. Second one is a remix by Kresy, with beautiful chords and harmonic pads. Third track by Wyro was made in his original minimal style.

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9,03

Last In: 5 years ago
Superpitcher - Sketch Of Japan

2023 Repress

2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork.

10th release is our long time friend hippie dance’s superpitcher aka pachanga boys. “maki” on a side is a tribute song for legendary japanese folk singer maki asakawa, superpitcher wrote the lyrics and dip in the pool’s miyako koda translated in japanese and did the reading. “mishima” on b side is a trademark of superpitcher’s melancholic house tune. it sounds like updated percussive nyc house in early 90’s.

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10,88

Last In: 9 months ago
Various - Family Matters Vol.2

The second chapter in the Family Matters serie marks the 10th release on the Belgian record label 9300 Records. Via electro, through house and breakbeat, all the way to New Beat, established members offer you their view on the different aspects in the spectrum of electronical music. It's a nostalgic reference to the past, through the eyes of the present. Alessandro Parisi makes his first contribution to the label with an ominous New Beat influenced track, while Betonkust joins him on the dark B-side with his well known non compromising electro. A-side consists of dance-floor approved electro/house tracks of both Intimacy & Innershades and a sober, yet sophisticated anthem by the hand of Robert D.

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10,29

Last In: 3 years ago
Factice Factory - Wie Raben

Factice Factory

Wie Raben

2x12inchMINIMOOD019
Minimood
19.07.2019

Vinyl Only 2x12"

Minimood introduces a series of fusion releases between cold-wave, gothic, post-punk on the one hand and ambient, techno, house, electro on the other hand. We hope that the ensuing synthesis between categories disseminates novel as well as sustained types of inspiration. The first project in this series presents the song Wie Raben by the post-punk band Factice Factory with electronic interpretations by André Galluzzi, Christian Burkhardt, Iori, Reinhard Voigt, as well as ROD.

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19,79

Last In: 3 years ago
Suzanne Doucet & William Wichmann - Brilliance
  • A1: Rose Skies
  • A2: Brilliance
  • A3: Eternal Dreams
  • A4: Blue Wind
  • B1: Crystal Flight
  • B2: Starglider

Suzanne Doucet was born in Tuebingen, Germany where as a three year old, Doucet discovered her innate artistic gifts. Instinctively, she was always drawing, playing music, singing, and writing. By the age of 18, Suzanne was an established pop star in Germany with several #1 hits. She also made her mark as a composer, actress, TV moderator, director, engineer, and producer. At age 25. she took a sabbatical from the music business to go on a spiritual odyssey. In 1970 she released a triple album of field recordings and mind-expanding psychedelia under the name Zweistein. For the next ten years, she developed her own style of New Age music while exploring many areas of metaphysics and spiritual practices, including astrology, music therapy, tarot, yoga and the Kabbalah.

In 1979, Doucet launched a record label in West Germany named Isis, after the Egyptian goddess of feminine divinity. She formed the duo New Age with her musical partner Christian Bühner, and released the 1982 cassette album ‘Transformation’ and the follow-up ‘Transmission’, released on cassette in 1983. After this release, Bühner and Doucet moved to Los Angeles, hoping to find more kindred spirits in the burgeoning New Age scene there. Doucet met Tajalli (William Wichman). William had a small home studio and they played music together almost every day. William had a Juno 60 and Suzanne had her SD-1 keyboard. Their album ‘Brilliance’ was released in 1984 on cassette with the critically acclaimed track "Crystal Flight," which was featured in several Visionary Videos. All songs have been remastered by George Horn at Fantasy Studios and each album is housed in jackets using the original cassette artwork.

pre-ordina ora19.07.2019

dovrebbe essere pubblicato su 19.07.2019

15,08
Ellis Dee Project - Do You Want Me / Rock To The Max
 
2
disponibile anche

Yellow Vinyl[16,18 €]


This record contains two stone cold classics from the rave era. If you bought any tape packs or went to any raves in 1992, these are the two staple tracks most DJs would draw upon to keep the energy levels high.


On top of that, they are written by the rave overlord – Ellis Dee. Basically, the go to guy for any promoter that wanted their rave to be up there in the top tier.
These tracks sound as fresh and as the day they were released. And that is why we have decided it needed to have another short run repress as its been 4 years since we first pressed this record. But to make them even more special we have pressed 120 units on heavyweight 180g marbled grey vinyl. And as with every Vinyl Fanatiks release it comes presented in a black paper inner sleeve within a heavyboard Vinyl Fanatiks housebag.


This is a short run so get your orders in whilst they are in stock.


Fantazia… are you ready???

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15,76

Last In: 6 years ago
Marius & Cesar - B.R.O.T.H.E.R.S.

Marius&Cesar

B.R.O.T.H.E.R.S.

12inchSODA016
Soda Sound
18.07.2019

Marius & Cesar are brothers. The 1st has been Disc-Jockey and Art Director for a while, the 2nd, a producer and co-founder of the music studio SODASOUND for almost a decade. They grew up in a family of musicians and started learning and playing music very early.

Fatal weapon of Sodasound’s label, they’ve been DJing for years in Parisian clubs, and launched their own party called AFTERBEAT, where they perform all night long on turntables plus a few analog toys for marathon DJ sets. They are now resident DJs at RINSE and AFTERBEAT FM is their monthly radio show since 2015.

Their debut EP “B.R.O.T.H.E.R.S.” is a blend of their eclectic influences, from 80's synthetic disco to balearic techno through impressionist music, ambient or acid house. It will be out on June 21st, 2019 (digital and vinyl).

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9,96

Last In: 4 years ago
Ashley Beedle, Art of Tones, Jeff The Fish, Raph Dumas, Antoine Tato Garcia - La rumba me va - remix

Catalan Gypsy singer from Perpignan France has been making waves in the Gypsy Rumba scene with his new album "El Mundo".. prompting the release of this 12" Vinyl EP of his tune "La Rumba Me Va" with Remixes from Ashley Beedle, Art of Tones, Raph Dumas and Jeff The Fish covering several different styles from classic House, New Disco, Soul and Latin Jazz. There's something a little different here for the DJs... Gypsy goes global!

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13,82

Last In: 4 years ago
Longlost - Take 8

Longlost

Take 8

12inchHNY021
HONEY SOUNDSYSTEM
16.07.2019

San Francisco’s Honey Soundsystem Records returns with a new single this July, inaugurating a new collaborative guise from Juan Maclean and Kevin McHugh (aka La-4a / Ambivalent) entitled Longlost.

It is rare the combination of simple and catchy happen in dance music, but ‘Take 8’ is just that. A song so heartfelt and recognizable it demanded its own slab of wax, a true single! This expertly mixed and crafted house cut romances listeners into a catchy live piano ditty that seemingly could pleasurably repeat for days.

Inspired by the tracks lead melody, the label set up NYC classical Pianist and friend of Honey Soundsystem crew Kevin Devine on a blind date with the producers a new version. Kevin whipped up a compositional response to the original and he was recorded live on a Grand in La-4a’s studio. Finally, to make it a family affair, Taraval, known for his work of Four Tet’s TEXT, teams up with label co-founder Jackie House for a kraut-no take on the original, fusing vacillating resonant bleeps and robust drums with glimpses of the original’s ethereal sounds.

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10,38

Last In: 6 years ago
Louie Vega, Patrick Adams feat. Anané - Rebel Nation (Remixes)

One of the musical highlights from Louie Vega’s NYC Disco album, “Rebel Nation” is a collaboration between grammy award winner Louie Vega, legendary multi-platinum producer Patrick Adams, and Nulu Records president, international DJ and artist Anané. Patrick initially had the idea for the song after seeing a recent Star Wars movie. Louie saw the vision of what it could ultimately be with live music additions, and Anané added the inspired lyrical content and vocal performance. In Louie’s own words, “I call Anané a chameleon, because she transcends so many different sounds with her voice. She gave the track just the right feeling vocally. It’s a very punk-rock approach; the kids speaking out, all kinds of people making the statement, Get Up! Stand Up! Let’s Rise! Rebel Nation.”

Lauded critically and on dancefloors worldwide in its original album version, the track has now been given the all-star remix package treatment with contributions from Danny Krivit, Carl Craig, Soul Clap and Felix Da Housecat X Chris Trucher.

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19,12

Last In: 4 years ago
Rydm Sectors - Keep Your Mind Alive

Keep Your Mind Alive is the LPH debut for Rydm Sectors, an Italian duo that bridges classic New York house and UK garage and lightens the resultant hybrid with well-placed sparkly synth work, jazzy drum fills, swanky piano licks. Nightclub music that’s been genetically modified to be just as functional and fun there as it is laying on a breezy beach, soft white sand your pillow, crashing high-tide waves reminder of the nature around you.

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8,87

Last In: 6 years ago
Godtet - II

Godtet

II

12inchSAPE005
La Sape
16.07.2019

Godtet is the brainchild of Australian Instrumentalist and producer Godriguez. Praised for his production on 'The Great Mixtape' for Sampa the Great. Godtet see's Godriguez stepping back into the live format of production with his band plus Simon Mavin (Hiatus Kaiyote) & Zeke Ruckman (30/70).

After releasing the self-titled debut in late 2017 Godtet have quickly become a staple within the emerging Australian Jazz & Instrumental scene with adulation streaming in from all parts of the globe. House Shoes called it his" album of the year" whilst Gilles Peterson made an exception in his Melbourne focused WorldWide FM show playing the Sydney outfits music. Whilst in Melbourne playing shows launching the first album, Godtet decided to record the next album "II", the bulk of which was laid down over one day and was rooted deeply in improvisation, just like the first record.

"It's a masterful piece of production" - Supreme Standards

"They are crazy, insane musicianship" - Jordan Rakei

Airplay on BBC6 and World Wide FM.

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19,03

Last In: 5 years ago
Crump - Charcoal

Crump

Charcoal

12inchIDLE058
Idle Hands
16.07.2019

Crump returns to Chris Farrell's label with two deep, dubby and swung minimal house tracks

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8,70

Last In: 6 years ago
Ilija Rudman - Sagittarii

Long time underground innovator Illja Rudman returns with "Sagittarii", a fourth fantastic studio album and his second on Bearfunk.

As boss of both Red Music and Imogen Recordings, as well as being a skilled DJ and diverse producer, Rudman has been an integral part of dance music for years. The Croatian effortlessly veers from electro to disco to house with his own colourful sense of melody and club-ready grooves and has done so on more than 70 releases on labels like Classic, Rong, Electric Minds and Is It Balearic Recordings. This superb new album lands just a year after

his last, "Paradigma", and is another subtle evolution in his style but one that continues to deal in authentic analogue textures with flashes of throwback funk and disco gold and a slick sense of boogie.

Things open up with the glistening future-retro chords of "Dreamscape Planet" a quick,upbeat cut that is ready made for dancing in the sun with its majestic strings and nimble basslines. "Cosmia (Regal Mix)" is another bit of engagingly urgent disco funk with clipped drums racing along beneath heart melting chords. The stylish "If I Keep My Eyes Closed (Mezzanine Mix)" slows things down, with a snaking bassline and wallowing chords making for more cosy and intimate listening while "Synthia 2000" is a more playful cut with wiggling bass and withering chords that bend space and time as you get down and boogie.

The gorgeous glossiness continues with another tight bit of disco-funk lushness on "6th Floor Entrance (Guardians Gate Mix)" and "S.O.S. Flight Theme" serves up some rugged bass lines and mad xylophone patterns on top of corrugated drums that will get any club in a spin this summer. Closing things down in the tropical tinged exotica of "Techniques & Tactics (Nocturnal Mix)" with its long legged drums, blissful Balearic vibes and superb sunset stylings.

This is an album that brims with cosmic disco energy, emotion and excellence from start to finish.

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17,19

Last In: 6 years ago
The Revenge - Roar Groove meets Dirt Crew Vol. 4

For our fourth installment of the “Roar Groove meets Dirt Crew” series we present you this new set of shimmering and dubbed out Revenge cuts. After the last episode Graeme has been very busy working his “live” studio setup to come up with a whole range of new jams of which we have selected the below four tracks. We think these best represent his unique style and once you hear these in a club you instantly know “That’s a Revenge Tune”, something we have always loved about his sound.

The opening “Like an Ending” is a trippy, melancholic-euphoric track driven by a Moog Voyager bass line and classic House keys and vibe. The original recording was an 11 minute live take that he has been able to capture the essence off and narrow it down to this thumping club jam.

The A2 is all about those good times and it reminds us a lot of early 90s “French Touch”, filtering House at it’s best, it keeps running around in your head and with it’s slower pace we are sure this one will do especially well on the early morning dance floors and high summer sun drenched beaches.

On the other side we enter darker and more dubbed out territories. Here is the first track in Graeme’s words “This one had been knocking around for a couple of years in various forms, but it wasn’t really until I stripped it all back and let the arpeggiated synth do it’s thing that it really seemed to gel. It’s really the rhythm of the whole thing, I ended up scrapping extra hi-hats and stuff that was just getting in the way.” And we have to mention that we personally love that marimba! This track is like a spaceship floating the skies and eventually touching down.

To close out this new work we have one of these typical stab-y Revenge chuggers, loose and floating, synth lines underlaid by a distinctive beat, it has kind of a breakbeat feel to it and with the improvising on those synths and melodies on top of it all it’s a true Dub House track.

Summer is here and this record sets the pace and tone! Enjoy!

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7,86

Last In: 18 months ago
DJ Guy - OWMU 001

Dj Guy

OWMU 001

12inchOWMU001
Other World Music
15.07.2019

Cardiff based DJ and producer Guy Evans has been producing music since 1992, although it was only in 2014 that he had his first vinyl release on the Glasgow based label ALL CAPS.
Since then, he has released both new and archived material on labels such as ORGANIC ANALOGUE, CEJERO, CRISIS URBANA, EXOTIC ROBOTICS and many others. This EP marks the first release on his own label 'OTHER WORLD MUSIC' and features 5 tracks created recently by the producer which cover a broad range of styles, from Detroit house, downtempo ambient to futuristic sci-fi breakbeats. Some of the tracks on the EP have already gained airplay on stations such as NTS Radio and we look forward to hearing more releases from the label in the future.

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9,20

Last In: 6 years ago
E&D - Not Enough/ Runaway

E&D

Not Enough/ Runaway

12inch12FCR-02
FCR
12.07.2019

Exciting new electronic project E&D burst onto the scene in stunning style with the exhilarating ‘Not Enough’ and ‘Runaway’, released on FCR on 14th June and backed by remixes from acclaimed electronic producers Mall Grab and Ali Berger.

London based E&D have unleashed two scintillating vocal cuts which have UK clubbing culture at their very core, featuring classic Garage influences. The theme of heartbreak runs throughout both ‘Not Enough’ and ‘Runaway’ with an emphasis on harmony and melody which will be integral to the identity of the E&D project.

The deep and atmospheric ‘Not Enough’ presents a beautiful yet powerful female vocal whose tone and expression perfectly emphasises the message of lost love. E&D perfect balance this with contrasting shimmering and stabbing beats to produce a track that already has the hallmarks of a classic.

‘Runaway’ is an up-tempo, vintage-sounding UK Garage themed cut with poignant undertones, as the gorgeous female vocal again mourns a relationship which has moved on.

For the remixes, E&D have called upon two of electronic music’s most respected producers – Mall Grab and Ali Berger. Both offer a completely fresh perspective to the originals. With his remix of ‘Not Enough’ celebrated Australian Producer Mall Grab takes the original into deeper, tougher territory, stripping back and lowering the vocal and adding intense, almost tribal, percussion alongside vintage acid house beats.

FCR favourite Ali Berger also takes his working of ‘Runaway’ deep into the underground, emphasising the bass, cleverly layering the vocal and building to a peak-time floor-filler.

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10,46

Last In: 5 years ago
Various - Reggae Style - Pop Songs Turned Into Jamaican Groove
 
24

Featuring Sly & Robbie, Alpha Blondy, Marcia Griffiths, Horace Andy, Morgan Heritage, Gregory Isaacs, Inna De Yard, Alton Ellis, Ken Boothe, Jimmy Riley, and many more.

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20,97

Last In: 6 years ago
Too Smooth Christ - Density Of Horizon

eudemonia presents a fresh EP by the always surprising Too Smooth Christ. Just in time for summer season the release showcases five playful and versatile tracks ranging from house and electro to ambient - each with their own distinctive character. Profits will be donated to Musicians Without Borders.

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9,20

Last In: 6 years ago
The Lewis Express - Clap Your Hands

Primarily based in Leeds, The Lewis Express is comprised of many of the musicians that have graced previous ATA releases: George Cooper, Piano (Abstract Orchestra) Neil Innes, Bass (The Sorcerers, The Magnificent Tape Band, Tony Burkill), Sam Hobbs, Drums (Dread Supreme, Tony Burkill, Matthew Bourne) and Pete Williams, Percussion (The Sorcerers, The Magnificent Tape Band, Tony Burkill).Recorded over an intense two-day session, 'Clap Your Hands' is heavily influenced by the classic soul jazz recordings of The Young Holt Trio / Young Holt Unlimited, and Ramsey Lewis, from who this group take their name. As with many of the classic Ramsey Lewis cuts this album was recorded live, capturing the rich inter-relationship between the players and leaving in some of that chunky room noise.

Claps your hands/Stomp Your feet was recorded during the sessions for the upcoming Album 'Clap Your Hands'. building on the template set by their eponymous debut album these tracks further explore the 60's soul-jazz of Ramsey lewis and Young-Holt and the latin boogaloo of Eddie Cano and Pete terrace. A-side 'Clap your Hands' opens with cowbell, handclaps and bass before drums and electric piano enter to carry the track onto the dancefloor. This is one for the Djs and it'll do the business in the clubs for sure, but, also perfect for a late night, sweaty house party - shoes off and beer in the sink. B-side 'Stomp Your Feet' is much more in the classic mod-jazz frame with a faster pace and funkier drums, but still with handclaps and electric piano to the foreground. Drummer Hobbs opens up 'Stomp Your Feet' in fine style, and The Lewis Express start to swing with a Ramsey-esque groover that's just made-to-measure for dancers. Everything comes together here, with a mid-60s Cadet record feel throughout. Both tracks were recorded live to tape and were recorded and mastered for a tougher sound perfectly suited for djs to fill a dancefloor.

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9,62

Last In: 6 years ago
King Tubby - Balmagie Jam Rock

Balmagie Jam Rock consists of 16 unreleased dub mixes from the dub master King Tubby. All the original songs were written and produced by Roy Cousins from the Royals. Featuring a virtual who's who of reggae from the classic era -- Sly & Robbie, Lloyd Parkes, Pablo Black, Lloyd Charmers, Ansel Collins, Earl Lindo, Tony Chin, Geoffery Chung, Ernest Rangin, Earl 'Chinna' Smith,Bobby Ellis, Tommy McCook and many more. With the voices of Prince Farl, I Roy, The Royals, and Baba Dread. Recorded between 1966 and 1979 at Dynamic, Channel One and Randy's studios, mixed and voiced at King Tubbv's.

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14,66

Last In: 6 years ago
PENNY PENNY - Shilungu

Penny Penny

Shilungu

12inchSNDW12035
SOUNDWAY RECORDS
11.07.2019

This summer, Soundway Records will release a double vinyl compilation
from South African-raised, UK-based DJ and producer, Esa
Williams.Titled Esa Presents Amandla: Music To The People, the
compilation spans electronic music from around the globe, which feature
heavily in Esa's DJ sets and hold a special place in his record bag -
including exclusive versions and hard-to-find tracks from the last two
decades.Esa Presents Amandla will be preceded by a promotional teaser
12" out 31 May, featuring Penny Penny's 2001 impossibly rare Kwaito
House monster "Shilungu".A hypnotic, percussive, groove-driven
anthem, it features chanting in Tsonga, celebrating South African icon
Penny Penny's Shangaani roots.
On the flip is the acid-soaked "Shilungu (Esa & Mervin Granger '99 Mix)",
re-interpreting the track with key elements from the original which are
extended into a late night, Chicago House influenced chugger.Esa
Williams is an ambassador for the South African music scene within the
crowded landscape of the European nightlife - balancing a hectic DJ
schedule, a monthly radio show on Worldwide FM and various live
projects. He is currently in the midst of a long-term DJ residency at
Phonox London, where he embarks on a weekly musical expedition.

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13,40

Last In: 6 years ago
Various - drums

Various

drums

12inchMDM02
Mmodemm
10.07.2019

Early June 2019 Frankfurt am Main based label MMODEMM unleashes DRUMS – the first of a series of vinyl compilations in the spirit of signature sounds, stating a tribute to sound-libraries – a deconstruction of your favorite preset sound-groups.
DRUMS will be followed by sound-themed releases FLUTES, VOICES and SLAPBASS within the next months.

DRUMS features a proggy composition by Eva Geist (Macadam Mambo), a raving clave inferno with odd, pitched chants by Cienfuegos (L.I.E.S.), a dance-floor drum-solo straight from Ireland by Lumigraph (Opal Tapes, Mr. Saturday Night) and last but not least – a drunk masterclass drum-lesson by Peder Mannerfelt (Avian, Berlin Atonal Rec), taking house apart with his “Dumb Drums“.

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10,71

Last In: 6 years ago
Various - Wiggle for 25 Years Sampler

Repress!

Wiggle celebrate 25 years and relaunch their iconic label with a releases including co-founders Terry Francis, Nathan Coles and Eddie Richards, as well as artists like D’julz, Silverlining, Mihai Popoviciu, and more.

Wiggle, the brand that gave birth to tech house a sound that would power London’s club music community for over two decades, step out into their 25th year. To mark reaching this remarkable milestone, they plan a special series of international shows and a relaunch of their influential and ground-breaking label.

Taking their lead directly from the acid house movement, Nathan Coles and Terry Francis first brought Wiggle to life through their heady warehouse parties in the early 90s. Unpretentious to their core, these now infamous events were known for their purist values – community and a sound that booms. Finding a kindred spirit in another new face, Eddie Richards became resident from early sets and was a key figure from the off.

Through these now historic events, they embedded themselves deeply into London’s party landscape becoming familiar faces at cultural institution fabric. Heavily based around the core residents they also invited parts of the international and local world from Richie Hawtin, Jay Tripwire, Abe Duque and Colin Dale.

It’s about here we acknowledge Wiggle’s place in originating tech house - working the hard line swagger of techno together with the depth of feeling of house, matching rhythm with bass in a way perfectly aligned with endless hours of hedonism. This potent mix of musical elements is where it began and set down the foundation of London’s rich and active community of DJs, producers and ravers.

The label was founded close to the parties, sourcing tracks from the ever building network of producers who were fuelling this sound evolution. For their 25th birthday you can expect to see the Wiggle imprint coming back in strength - returning to cutting tracks to wax and continuing its legacy for bass fuelled party sounds and pioneering new talent.

2019 will see a series of international shows and a quarterly London party bringing the much loved Wiggle sensibilities and celebrate what they are and have achieved.

In stock dal11.06.2026

9,03

Last In: 27 days ago
Traxman - Tekvision Vol.2

Traxman

Tekvision Vol.2

12inchTEKLIFE009
Teklife
09.07.2019

Tekvision Volume 1 was a stone cold classic, with Rolling Stone charting it at #3 in their top 20 EDM records of 2017. Two years on, Cornelius ‘Traxman’ Ferguson returns with the second instalment, featuring 7 exceptional new Footwork productions. Traxman is a bonafide OG, with a discography dating back to the halcyon era of Ghetto House in the late 80’s and early 90’s. 30 years on, Traxman is a revered figure in Chicago’s urban music scene, having presided over the evolution from Ghetto House to Juke and from Juke to Footwork culture. Originally released in 1989, Work Dat Mutha Fucker by Steven Poindexter is considered to be one of the most influential tracks from the early days of Ghetto House. Traxman remixes it brilliantly on this release, reworking the stripped back, minimalist drum beat of the original into an upfront Footwork pattern. This sense of continuity is equally evident on Let Me See You Naked feat. DJ Juicy, and Traxman’s remix of To Da Hoooz by DJ Deeon. These productions successfully capture the sexual energy and exuberance of Ghetto House, turbo charged at 160 BPM. Elsewhere on the record, Traxman explores different moods whilst always keeping the dance floor firmly in mind. The opening track It’s Lasting Bass lays an infectious vocal harmony over complex drum patterns and a fearsome bassline. Osaka opens with mellow, sultry keys before introducing a wobbling synth and diced up Orchestal samples. 4 Da Lyfe is a soulful and slightly more meditative track, with a vocal loop expressing solidarity and self-affirmation. Wildcard feat. Jana Rush, stands alone as the only track without a vocal element, instead utilising a piercing and insistent synth to create a powerful sonic intensity. Overall this is triumphant record, and a worthy successor to the original Tekvision release, proving once again that Traxman is an unrivalled exponent of MPC-driven footwork energy.

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13,40

Last In: 5 years ago
Patience - Dizzy Spells

Patience began as bedroom synth project for songwriter Roxanne Clifford after the break up of her acclaimed indie pop band Veronica Falls. Born out of a desire to experiment with a new sound and analogue synthesizers, the project has since grown to become an all-encompassing persona and serves as the main vehicle for the full emotional spectrum always latent in Clifford’s songwriting. From her first long-sold-out 7” singles on Night School, her knack for melodic hooks and oblique emotional stances already contained a glistening sheen of promise. ‘Dizzy Spells’ serves as an intimate portrait of Clifford’s creative adventure, almost diaristic, conceived and recorded in her home studio, as well as with collaborators Todd Edwards (Daft Punk/Uk Garage fame), Lewis Cook (Free Love/Happy Meals) and engineer Misha Hering (Virginia Wing). Dizzy Spells delivers a debut album that twists Clifford’s songwriting into new shapes and ecstasies. The album dances around melancholy, thrown to the floor like a bad dream to be circled, emerging bright-eyed into the early morning full of hope. The Girls Are Chewing Gum (produced by Todd Edwards) bursts open Dizzy Spells like fresh fruit: sweet and rich with a synth-bass line beamed down from Chicago House heaven. Exquisitely sung by Clifford, it’s a wonderful, funky, instant-classic hinting at sexuality and memories dredged from our bodies’ secrets. The bouncy production expertly renders the addictive power of our ephemeral pleasures. Living Things Don’t Last chases themes of longing and loss, opening up into a life affirming chorus that sings of transience, the passing of time and railing against inertia. It’s the perfect example of a song formula that Roxanne Clifford has almost patented: simple and cutting straight to the point. There are shades of Strawberry Switchblade or French synth pop pioneer Jacno in the happy/sad dichotomy and it is all the better for it. Dizzy Spells features all three long-sold out singles, embedded in the full depth of Patience’s soundworld they fit like pieces of a puzzle. White Of An Eye, The Church and The Pressure—all recorded in Clifford’s former home of Glasgow—crackle with razor sharp melodies and dancefloor-ready dynamics. There are exciting additions to Patience’s sonic palette, brought into sharp relief on Voices In The Sand. In this song, a plaintive Clifford enunciates a heart-torn plea to the antagonist, a mournful cascade of synths and haunting vocals evocative of AC Marias, a sepia-toned ode to anxiety, “a storm is on the way”. On No Roses, a Vince Clarkesque production belies a sunburnt sadness. Clifford defiantly sings “you would go out tonight, but there’s nowhere you like,” describing a disenchantment with her adopted city of Los Angeles, she longs for home in a singular refrain “No roses… no roses for us.” An ode to English folk singer Shirley Collins, a surprising yet innate influence throughout Clifford’s work. On Moral Damage, former Veronica Falls bandmate Marion Herbain joins Clifford on an anglo-french duet that feels instant and spontaneous, a cutting comment on emotional accountability. More than a vehicle for Roxanne Clifford’s songwriting prowess, Patience is holding our hand through the night, dancing with tears in our eyes, dizzy and spellbound.

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17,61

Last In: 6 years ago
CJ Scott - Belton Fury

Cj Scott

Belton Fury

12inchVPT5
VELVET PONY
09.07.2019

The uncrowned king of nordic touched speedy house CJ Scott is back for his 3rd release on Art Alfie’s Velvet Pony label. The EP contains three dance floor focused tracks that’s been road tested thoroughly by Art Alfie himself over the past year with the conclusion ”never have so many super star dj ́s been brought out from the greenroom for a track id”.

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9,62

Last In: 6 years ago
Dam Swindle - High Life, The Remixes

After presenting Detroit Swindle’s sophomore album High Life in 2018, we felt it was the right time to serve you up a tasty selection of remixes from all over the world and all over the sound palette. We’ve got some dub and boogie from Australia and the Netherlands, classic deephouse from Detroit, dark and dreamy deephouse from the UK and some high energy house from Germany. This set of remixes comes from 5 artists we hold in high regard and have made a serious impact on their part of the scene; some recently and some already a long time ago.

We invited Dutch techno -plot twist alert!- legend Steve Rachmad to come up with a re-interpretation of ‘Yes, no, maybe (feat. Tom Misch)’. His Sterac Electronics remix actually has nothing to do with techno but is an uplifting modern boogie version of the already funky original. Glimmering electronics, some added harmonics and a tight 80’s groove is what this version is all about.

The A2 is reserved for Cinthie, who took the high energy afro funk track ‘Call of the wild (feat. Jungle by Night)’ and turned it into a full on house frenzy with solo’s all around and a groove that just keeps on going and going.

The A side is completed with a remix by Jura Soundsystem, who has impressed many of us with his balaeric influenced synth-boogie, and dub on his own label ‘Isle of Jura’. Here, he chose to remix ‘High life (feat. Lorenz Rhode)’ and has done an excellent job in re-imagining the track into a tamed down, dreamy dub.

On the flip, there’s Matt Karmil’s take on one of the album’s beatless tracks ‘Ketama gold’. He goes in deep with some dusty drums and an arrangement that keeps on building and building, keeping the chord sequence from the track’s outro as a main loop and adding subtle FX, toms and acid hits and a final delivery where electronic cowbells up the energy level by a notch or two.

We finish off the compilation with a moody deephouse re-interpretation of ‘Ex machina’ by Detroit legend Gari Romalis. The twisted machine funk of the original is craftfully replaced by a dusty house loop, dreamy pads and smart usage of the original’s drum effects to build momentum.

This remix package brings a lovely new chapter into the story of ‘High Life’ and we hope you’ll enjoy these reworks as much as we do.
Yours Sincerely,

Maarten & Lars.

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8,36

Last In: 4 years ago
Nachtbraker - Leonardo Ceviche

he second instalment of Nachtbraker's new label features four new original tunes from the Nachtbraker kitchen. Expect his signature deep grooves and inventive arrangements with moody synth melodies. Leonardo Ceviche is built for the dance floor, a "lean back" groove with a trance vibe to it. One (For Mom) is tailored for the warm summer nights, a steady baseline and snap-py snares supporting the lush and sweet synth melody. Flip the record for two versions of Havel. With the first one taking on a classic deep house guise, the Trip Mix of Havel takes us on a journey beyond your imagination.

Mastered and lacquer cut by Simon (The Exchange) Davey.

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8,03

Last In: 2 years ago
Dave Aju - Love In Zero Gravity

West Coast mainstay Dave Aju continues with his own varied style and pace, coming correct once again on Circus Company
with a truly special three-tracker of straight up dance floor bombs. This San Francisco DJ/producer is a master sampler, groove
innovator and jazz influenced artist who has been with this label for ten years. In that time, he has turned out plenty of timeless
LPs and EPs that have earned him a deserving reputation as a truly cultured craftsman.
Just in time for the warm summer months ahead, these pieces are fit for maximum daytime, nighttime, and after-hours pleasure
respectively. The releas kicks off with title track ‘Love In Zero Gravity’, one of those raw undefinable Dave Aju grooves, loaded
with soul and unique musicality. It builds in bass-heavy intensity, bright epic bursts and ecstatic waves like we've never heard
from him before. Next up the voodoo stylings continue on ‘Aubergine Dream’ but in a much deeper mode, where ultra-sweaty
basement funk collides with the darkest shades of purple imaginable, all laced-up with otherworldly lysergic lines. Finally,
‘Gatadu’ rounds things out with pure class, a bouncing robust house cut done-up with generous helpings of live percussion, rich
textures, and Aju's velvety vox - the perfect recipe to keep dancing long into Sunday's sun rays, all smiles and sing-a-long vibes
for the real heads and lovers. This is another superb offering from one of dance music’s most fascinating artists.

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7,52

Last In: 6 years ago
Unknown Collective - Funktions EP

After the last press by Swoy, we're happy to scream that we've reached the 8th level with a massive release by the Italian crew Unknown Collective made by the mind of Fulvio Ruffert.


Fresh from a lot of vinyl release this year and here we can feel their capacity and flexibility in the studio. First track "Func" is a minimal - deep house influenced track with a cool bassline fit for heating the dancefloor. After the original version we have the remix from the famous French duo: Politics Of Dancing. They put their proper touch into the track by giving a rough sign to the bassline. On the B-side we find another original track; "Zolfo" is a Chicago-House-Acid track that remember us the sound of the big Brian Harden. The last but not the least is the collaboration with mister Earlydub: Loquace. This one is a massive and fresh work bringing you inside a tunnel without any escapes.

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9,20

Last In: 2 years ago
Miss Represented - Miss Represented

It's a welcome change to see the dance music industry shift from a sausage fest to a decidedly more diverse scene of artists and DJs, one where challenging and marginalized voices can be heard.

MISS REPRESENTED has such a voice, raw and fearless, an educated woman of experience, who has lived her life on the dark side of Scotland's acid house scene, where she has found plenty of food for thought.

Co-produced by Thomas Von Party of Multi Culti, who enlisted the talents of Kris Baha and Matt Karmil to mix, and brought in the elusive UK-underground legend Johnny Aux to rough up the already rugged Crack That Habit into an extended house banger.

If there's one thing dance music is guilty of, it's escapism. A refusal to confront reality. None of that here. Calling out a culture of lies, empowering female sexuality, facing the perils of addiction, and speaking of the resilience of the human mind, this is heady stuff for the rawest of parties.

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10,88

Last In: 4 years ago
Various - ASSORTED PIECES 2 EP

Detailed, smart, commanding, groovy. These are just a few words to describe the Assorted Pieces 2 compilation. This strictly in-house production by Friendship & Decadence contains tracks from such producers as Kade, Mirage Man, Poly Sone and Waltteri. Which is a intriguing mixture indeed.

Poly Sone’s “Home killing is taping music” is a rugged and fast paced take on nordic techno. As the track was recorded on a four track cassette recorder the saturation on this cut is immense, yet pleasant. Definitely not your everyday cheapo lo-fi tune.

Deep, quirky and playful bottom heavy roller, “Calm” by Waltteri has a hint of spanish roast in its blend. Waltteri’s debut on the imprint can be perfectly paired with a fun loving crowd during midnight or even around early mornings. Psychedelic multipurpose tool.

Kade’s raw and unconventional track “Sanko” is a treat for the adventurous mind. Haunting arpeggios and vocal chops will give you the creeps, while the unrefined saturated rhythms will sooth you into a trance. Eccentric and hypnotic dance music.

“This track never starts” by Mirage Man lives by its name as it is a slowly unraveling and cinematic number. Regardless of its thick lower end, in the club environment this track might send the restless to acquire a beverage from the bar, but for the grounded minds who enjoy ambient this just might be the ticket. Play it yourself and see what happens.

Limited press of 150 pcs. 12” record includes a download code.

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9,87

Last In: 6 years ago
ASIERHANS - DAY ONE EP

Asierhans

DAY ONE EP

12inchNR001
Noreple
05.07.2019

Day one is the first Asierhans’s EP, which consist in bunch of ideas collected during the last year, formed by 2 club-ready tunes inspired in a sound between House and Techno as well as sounds from Nu Disco, Balearic/Ambient in other tracks as Seville or Aderall. This is also the first reference of Noreple, a London/Madrid based label.

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10,04

Last In: 6 years ago
Vini Vidi Vici - Ou Sommes Nous

Platform 23 returns with the reissue of songs from Canadian project, Vini Vidi Vici. With just one privately pressed mini-album in 1989 that bridged the gap between the later years of New Wave and the early vestiges of House, the music included in this edited EP highlights a thriving Montreal scene in its heyday.

Vini Vidi Vici was created out of two different music backgrounds. Paul Klopstock was a classical pianist, while Mario Langlois was a DJ, self-taught musician and radio producer, who came together when both worked at the underground arts / club Le Lezard. Starting in 1986 the space mixed painting, drag shows and bands alongside the latest alternative sounds, from Rap to New Beat, Electro to Acid Jazz.

As House and Techno started to filter through, Mario (aka Ave Mario) and the other resident DJs laid the ground of what was to come. From this Paul and Mario collaborated from late 1987 through in to 1988 and created the mini-album, however this EP concentrates on the duo's self penned work.

Recorded at Oliver Sudden Production studio, the A side is made up the raw House of 'Club Stuff" and Native American meets avant percussion of 'Vini Vidi Vici'. Showing a confidence and experimentation beyond their years, the two tracks production and all round hypnotic danceability, highlight why original copies are so prized (and expensive).

The B side follows with two tracks recorded in Mario's home closet studio. Lo-fi to the max and improvised, the no wave / world beat experience of title cut, 'Ou Sommes Nous' and the proto-electro-wave of 'AA HHH' are like something again, a mesmerising fusion and quite unique.

Self pressed, the project ventured to live performance and (sadly unreleased) remix work, before the partners went their separate ways, however this archival document can be seen as their own special conquest.

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11,64

Last In: 5 years ago
Neil Tolliday - Music For Deathbeds

As with the first SchleiBen series, Emotional Response follows the success of the second set of split releases with a stand-alone album by one of the highlights, in Neil Tolliday.

Recorded over a 17-year period, the ambient, drone and noise pieces collected here offer a glimpse in to the depth of a supremely talented, thoughtful and at times, troubled musical mind.

As his love for house music and the success of his Nail moniker grew and waned during the ascent 90s boom, there followed his somewhat surprising success as one half of Balearic-pop combo Bent, propelling Tolliday in to a world of indie-charts and endless touring. The eventual unhappiness of this 'music career' and increasing need for personal escapism led him start experiment new musical forms of expression.

A thinker and oft-over drinker, success was viewed with a deep suspicion and introspection, drug use and later, depression. As his other music projects slowly imploded, this new, personal music was for many years, made purely for Tolliday's own absorption and comedowns.

Taken from an initial 4 track recording in Nottingham in 2000, more pieces were subsequently recorded around the globe on numerous devices - old portable cassette recorders, hand held digital stereos and even mobile phones. These heavily manipulated samples were slowed down, reversed, smudged and stretched before analog and modular patching, Mellotron, editing, programming and post production were added to the melting pot.

With hundreds of tracks collated, in the last few years Tolliday began putting them out via Bandcamp using different aliases, on made up record labels, with no press or mention to anyone. This would happen every 6-9 months - a new label was created with logo, band/artist names and a few albums worth of music, leaving it there for a few weeks before then deleting the lot.

Here then is a snapshot of those recordings, chosen to represent the depth of music, while trying not to think too much about in to the emotions that were used in making them. With special hand painted artwork by Sam Purcell, commissioned from the artist's own photographs taken from a adjournment at Homerton hospital, the hope is to do justice to such wonderful music and present Neil Tolliday, finally an artist, shorn of pseudonyms, in a broader light.

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19,29

Last In: 6 years ago
Dapayk & VARS - Streets & Bridges

Dapayk & VARS show their full potential on their first album released on Ritter Butzke Studio.

For over two decades now „Dapayk“ is on of the driving forces of the international Techno- and Electronic scene. With projects like „Dapayk Solo“, „Dapyk&Padberg“ and cooperations with many well-known artists around the world the Berlin based producer always searches for new ways to express his creativity. Now in 2019 he is turning over a new leaf with „Dapayk & VARS“ where he creates a mixture of Deep House, Indie and Minimal Electro combined with the extravagant voice of VARS.

VARS as a young and aspiring artist who already had a lot of experience in Indie- Rock and other genres as a singer joins the group with his youth and uncompromising passion to take new paths regardless of what old habits dictate.

Together they create a distinctive sound that is bridging the gap between old and modern fashion, neglecting but still accepting genres and fuse what is different. Their album shows those concordances and discrepancies in a refreshing and thrilling way.

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13,40

Last In: 6 years ago
Forte - Intermissions

Forte

Intermissions

12inchØEN012
ØEN Records
03.07.2019

Emerging from the flourishing house scene in Århus, Forte is one of the most exciting producers to make his debut in Denmark in the past years. Having produced and released music under various monikers, Forte debuted in 2017 as Forte with the excellent mini album Techne on 12recs and the standout EP ”Away” on ØEN Records. Intermissions is Forte’s first full length album. Composed and recorded in Århus during 2018 Intermissions consists of six tracks and five interludes and is a study of, and tribute to, intermissions.

Across the albums eleven cuts, Forte effortlessly traverse between ethereal dreamy vibes, intricate electronica and bustling rhythmic explorations. Stretching far beyond the traditional house music boundaries, Forte’s layered and intricate compositions constantly balances melancholic and elevating atmospheres. Perfectly suited whether you are lounging in the living room, standing on a train platform or at discerning and esoteric dance floors. Out on vinyl and digital June 22.

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13,74

Last In: 6 years ago
Captain Over - Deep Blue EP

Coming to the table with a fresh mutant sound, Darker Than Wax is proud to welcome Leeds-based artist Captain Over to our sonic universe with his Deep Blue EP. A solo project from one of the minds behind the band Paper Tiger, Captain Over represents a firm focus on dancefloor experimentation, blending the sounds of grime, broken beat, house, and LA beat music to create an entirely new beast. Much like the chess-playing supercomputer of the same name, ‘Deep Blue’ occupies a space between electronic weight and the human touch, fusing together icy digital synths borrowed from grime with off- kilter grooves and jazzy motifs.

Following a string of releases led by vocal tracks with grime MCs, ‘Deep Blue’ is the first fully instrumental offering from Captain Over, lending the artist a platform to make a strong statement about his creative vision and technical prowess. From the expansive arrangement of ‘4D’ to the duelling sci-fi synths on ‘Mind’s Eye’, the Deep Blue EP is a deeply creative yet functional record, signalling a bright future for the Captain Over project.

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10,04

Last In: 6 years ago
Patience Africa - Wozani

The career of Patience Africa Spanned over 40 years. After almost a decade of success on a major label with her Zulu Disco sound, and a few years in the early 80s experimenting with a more soulful sound, the funky synths of the 80's would force her to stay relevant in the quick changing times. It would be in 1987 that she would sign to the independent Ream Music which with the help of their tight knit in house production team had released hits for upcoming disco artists Makwerhu, Ntombi Ndaba, Sunset, Athena, Percy Kay and more. The label's success in the traditional market made Patience a perfect fit and could have been their first crossover artist.

With the help of owner's Danny Antill and Clive Risko they would cut a 4 track EP that like many others of the time ended up being lost in to the hyper saturated market of the emerging Bubblegum demand. Two tracks would be written by Patience, including the title "Wozani La" Musically these were more aligned with her sound of the 70's accompanied by a purely digital production, but it's the two songs written by label boss Danny Antill that appear on this release. These two songs are unlike anything heard at the time. Embracing full commitment to the digital studio and some extensive and risky experimenting the trio managed to slide heavy house bordering electro pop and a haunting swing beat groove alongside the compositions of Patience to complete this EP for both markets. Although the album had great potential, poor promotion and low sales led Patience to feel cheated and after not earning a cent for the record left the label and took her first break from music since the early 70's. She would later return to her original sound recording up to til 2006 when she released what would be her final album before her death the following year. Still loved by her fans and those who knew her, she is remembered through the Patience Africa Foundation. Founded by her son Mangaliso in 2017 to help create a better South Africa in our lifetime.

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13,32

Last In: 4 years ago
Gaia Tones - #001

Gaia Tones

#001

12inchGT001
Gaia Tones
02.07.2019

In a landscape increasingly dominated by surface-level sonics and a lack of true organic – man-made-machine-driven - sound, the newly found and London-based Gaia Tones project rises with an unforgiving grasp over the science of improvisation and mystery. Like a gust of wind from Mother Nature herself, the duo comprised of John Swing and David Soleil-Mon breathe a new, highly perceptible form of life into the UK’s long ‘dub and ‘bass’ dynasty.

Contrary to the consumer plastics found across much of the ‘digital’ musical spectrum, the two artists impose their own vision and aesthetic to a framework of sound that has somehow always existed but never fully explored before. Heady, stoned-out and surely emanating from physical matter, their two debut tracks are set to redefine the standards going into the next decade.

The A-side “Lychees”, stutters its own brand of dread paranoia over a sea of complex, morphing percussion that together create a whole new palette of exploratory sound, loosely tied up into a hazy, nomadic groove. On the flip, “Wonkadonk” feels like its natural extension, evolving that familiarly off-kilter assembly of drums to work around a devotedly dystopian swell of bass that pushes further and further out into the ether.

In the end, the universe tends to unfold as it should.

Label artwork by Egidio Sterpa

A cryptical presence hiding behind many different aliases spread across a range of underground labels: co-owner of LiveJam Records alongside EMG, John Swing begins producing with a live and spontaneous approach that pushes the boundaries and general conceptions of club music while digging deeper into the techniques of the past.

The production process through ananlog equipment that John Swing so strongly supports with an uncompromising attitude is the key to his underground success and esteem.
With a back catalogue of over seventy releases including collaborations with established artists such as Mr. G and Ben Sims, the London based talent has been receiving recognition by established artists including Floating Points, Gerd Janson, Levon Vincent, Theo Parrish and many others.

Inspired by London's Plastic People and it's bonding vibes, through a well refined spectrum of musical knowledge John Swing engages with the dance floor in a physical yet emotional way: the strength and power of pure house is blended with black soul music in a constant crossover between underground aesthetics and cherry-picked funk and disco. His subtle understanding of the dance floor guarantees a deep-rooted experience for the mind, body and soul.

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17,02

Last In: 6 years ago
Legs 11 & Lisa & Lisa - Girl Like You

Legs 11 collaborate with the infamous drag DJ duo Lisa & Lisa for a special, limited 10" vinyl release. They first met at a festival in a community garden, where they both performed, instantly bonding over a shared love for underground pop music and clubbing. While dancing the night away in a tiny, steamy community garden play house, the idea for a collaboration was conceived.

Lisa & Lisa joined Legs 11 for their concert at Oslo Pride in 2018, adding vocals, dancing and fabulousness. The combination of the Lisas' irresistible, rough glamour and Legs 11's catchy, club tinged synth pop brought so much joy, that the obvious next step was a studio collaboration along the lines of Eight Wonder/Pet Shop Boys. The choice of covering Bertine Zetlitz' Girl Like You was similarly obvious, being the only true Norwegian electro pop diva. Adding Edwyn Collins' similarly titled song, proved a perfect choice for a double A-side single.

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8,87

Last In: 6 years ago
EVOD - Terra Di Nessuno

Evod

Terra Di Nessuno

12inchEVODLP00
EVOD Music
02.07.2019

Terra di nessuno is ispired by Tufara Valle, birthplace of Alessandro. It is a small country of south Italy, divided between East and West, across five countries and two provinces. for this reason, since sixties, it has nicknamed ‘ The Berlin of South. The author dedicated an entire album to his unknown place, his streach of road, together with three musicians coming from different musical cultures. Techno, Jazz, House, ambient and improvisation are fused together in homage to a no-man’s-land.

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10,71

Last In: 6 years ago
SIMIC - Atwater Dance

Simic

Atwater Dance

12inchSN006
SECOND NATURE
02.07.2019

Simic returns to secondnature with a new four track EP of exuberant house and techno. A collection of inspired original productions, Atwater Dance continues to explore the hallmarks of Simic’s musical world: rollicking grooves, loose melodies, psychedelic effects, and the occasional vocoder..!

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9,20

Last In: 7 months ago
Yutaka Hirose - NOVA + 4

Yutaka Hirose

NOVA + 4

2x12inchWRWTFWW028LTD
WRWTFWW Records
01.07.2019

WRWTFWW Records is blissful to announce the expanded reissue of one of the most fascinating Japanese ambient/environmental albums ever made, NOVA + 4 by Yutaka Hirose. The double LP includes the album known as Soundscape 2: Nova, sourced from its original masters, as well as 50 minutes of never-released-before recordings. It comes in a beautiful gatefold sleeve, packed with liner notes from the artist in English and Japanese. NOVA + 4 is also available on double digipack CD.

Initially released in 1986 as part of the Soundscape series* commissioned by Misawa Home Corporation for use in their prefabricated houses, Yutaka Hirose's NOVA has grown to become a mythical piece of the Japanese minimalist/ambient/environmental scene of the eighties. Initiated around the enchanting landscapes of the two first tracks recorded for the project, "Nova" and "Epilogue", Yutaka Hirose's magnum opus serenely blends vintage synth with nature sounds, exploring soothing palettes and organic backdrops. For "Slow Sky", Hirose explains he "went for a pointillism-like sound, and tried to express a scenery of awakening, where the portal of a heart is opening up", while on "Humming The Sea", he "tried to compose a kind of music that expresses the daily, lazy life of child-like innocence in a summer vacation in some small town."

The bonus LP gathers four long unreleased pieces created around the same period of time for installations, described by Yutaka Hirose as "not music per se but rather sound sculptures", and including the haunting "Shadow Of A Water Droplet" which was recorded for an Ikebana exhibition.

All in all, NOVA + 4 is a transcendent experience of nature in the urban context, an oeuvre which, much like Midori Takada's Through The Looking Glass or Satoshi Ashikawa's Still Way, holds the power to appease the soul in turbulent times. As one inspired YouTube commenter once said when describing Yutaka Hirose's masterstroke: "I can't tell if the birds are singing inside or outside! Thank you!"

*The Soundscape series also includes Hiroshi Yoshimura's Surround album.

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38,11

Last In: 6 years ago
Dj Balduin - Lost Cat

Dj Balduin

Lost Cat

12inchKOM404
Kompakt
28.06.2019

Leipzig’s Dj Balduin has been a staff favourite for some time as we are avid fans of his GLYK imprint, and in particular his debut EP “Vvigmara”. Dj Balduin proclaims to enjoy producing music that creates “states of hypnosis with an occasional, gentle “hands-up-face-slap” every now and then” which perfectly sums up “Lost Cat” - his first release for KOMPAKT.

“E.W.B.A” came to Dj Balduin while having a shower, so chances are high we have this summer’s rain dance anthem on our hands as it has all the right elements - a classic rave synth meets an infectious open snare to break through the beat.

The kick drum thud of “Sheee” seems to be all too menacing at first, but surprisingly learns how to open itself into a gorgeously seductive uplifting house tune.

This story ends with the perfect set closer; “Lost Cat And An Untied Shoe” brings that beat back with soaring synths and a playful natural bass line that adds just the slightest edge of funk to carry the crowd home at the end of the night.
Leipzigs DJ Balduin und besonders seine Debüt-EP „Vvigmara“ trendet, seitdem wir sein GLYK-Label kennen, unter den Mitarbeitern von Kompakt. Laut eigenen Angaben genieße es DJ Balduin, Musik zu produzieren, die seine Zuhörer in den „Zustand der Hypnose versetzt und gleichzeitig mit gelegentlichen zarten Schlägen ins Gesicht wachhält“, was auf „Lost Cat“ – sein erstes Release auf Kompakt – auch geschieht.

„E.W.B.A“ kam DJ Balduin unter der Dusche, die Chancen stehen also hoch, dass wir hier eine Hymne für diejenigen Raves haben, die unter kräftigen Sommergewittern stattfinden werden – die richtigen Zutaten sind alle da: klassische Rave-Hooks, ansteckende Snaredrums, die hervorbrechen aus dem Bass.

Der Schlag der Bassdrum von „Sheee“ scheint zunächst bedrohlich, lernt aber überraschender Weise sich selbst zu wandeln hin zu einem prachtvoll verführerischen House-Stück. Die Geschichte endet mit dem aller besten letzten Stück: „Lost Cat And An Untied Show“ bringt den Beat zurück zusammen mit aufsteigenden Synths und einer verspielten, natürlichen Bassline, die einen Funken Funk hinzufügt, um die Dancer nach Hause zu begleiten in der Nacht.

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10,80

Last In: 12 months ago
Danny Daze - El Cubano EP

Moustache Records 039 is made by a Moustache brother from the first hour "El Cubano" Danny Daze. This obscure techno acid electro EP contains 4 dark Club bangers for the floor. A1 Trumpet track ft. Johnny Superglu is the EP action starter. Crazy Loud Kick drums, a distorted trumpet played by the notorious Johnny Superglu on Acid. Retard synths, a dark vocoder shout and topped off with razor sharp snares. A2 track is called "Late night snack" a song about a boy on its way to the nightstore to get a coca cola. There he lost his way on LSD around the corner of his own house, a pure club banger with weird kiddo lunatic samples. B1 "Wandering aimlessly in NY for 4 hours" 4x4 monotonous building up acid tune. Do you remember that waiting before that new space journey? B2 is the EP tittle track "El Cubano" pure raw oldskool bunker strobo acid with robot vocoder voices and rolling drum section. Mentalism is not a crime!

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10,71

Last In: 10 months ago
Peggy Gou - DJ-KICKS 2x12"

Peggy Gou

DJ-KICKS 2x12"

2x12inchKLP7382
K Records
28.06.2019

When Peggy Gou released her debut EP ‘Art of War’ in 2016, she made a list of career goals. One of them was to become the first South Korean DJ to play Berlin’s techno institution Berghain, an objective she achieved only a few months later. Another item on that list was to record an instalment of !K7’s DJ-Kicks series. “It’s the premier class of DJ mixes,” she says. “Some of my favourite selectors have contributed to it.” Now Peggy Gou can tick that off her list too as she proudly presents the 69th edition of the mix series.
The Berliner-by-choice started working on the mix last year. It was a
busy time for the 28-year-old: she’d just scored her first Mixmag cover
and her single ‘It Makes You Forget (Itgehane)’ was receiving awards
and critical acclaim. Each month she would DJ in 20 nightclubs all over the world. And yet, the goal for her mix was ambitious: instead of trying to capture the energy of her DJ sets, she aimed to create a portrayal of her own musical journey. An 18-track listening session that takes you straight into Peggy Gou’s living room where she plays you the formative tunes from her collection. No genre boundaries – she moves across disco, house, techno and electro. No tempo limits – the mix ranges from 90 to 150 BPM. And no age restriction – the earliest tunes on the mix are from 1983

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22,65

Last In: 2 years ago
JBS - Backbroke Hills

Jbs

Backbroke Hills

12inchBORFT167
Börft Records
28.06.2019

"In these times of dawless jamming JBS from Karlskrona brings you a release where the A-side is entirely made with samples on a ensoniq eps, while the B-side is entirely made on a computer. Which also means this record is the perfect gift the analogue hardware purist that despises all use of digital equipment. All tracks are somehow on the classic new york house vein with a distant homage to the nearly disturbing sample use heard in stuff from labels such as nu groove, but with the B?rft twist! Worth noting is that the first track on the B-side is a re-edit of a track made a long time ago by Pean Romael where his little sisters friend was the unlikely guest vocalist. Blasphemy Release! Get it now before its banned!" -DJ Joakim Cosmo

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10,55

Last In: 6 years ago
Nightwave - Rainbow Body EP

Nightwave

Rainbow Body EP

12inchNTRLZ-002
Neutralizer
28.06.2019

Dixon Avenue Basement Jams are proud to present "Rainbow Body" by Nightwave on their new sub-label Neutralizer Records.

New music from Nightwave is what life is all about.

Check out her new fantastic release for Dixon Avenue Basement Jams’ Neutralizer sub-label if you’re in any doubt. Rainbow Body EP is 4 tracks of Detroit influenced dance floor damage, taking in and breathing out lush melodic techno, driving ghetto beats, steppin’ authentic electro and bold yet synthy house music. It’s a release that does it all and with such style and confidence. You’d be a fool to miss out.

Limited Hand Stamped Vinyl and crazy story inlay included

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10,04

Last In: 6 years ago
Rotciv - Awakening

Rotciv

Awakening

12inchFV003
Funnuvojere
28.06.2019

Rotciv is the Brasilian born, Berlin based man behind Mister Mistery records. This prolific producer has been out there for quite a long time and you might remember "The Rimshooters", the long lasting collaboration with Massimiliano Pagliara himself. Now it is time for Rotciv to offer a piece of his synthesisers' craftsmanship to Funnuvojoere Records. This five tracker EP expresses Rotciv's skills with harmony and music progression. A1 AWAKENING starts off with a piano house arpeggio and slowly evolves into a trance acid-tinged explosive motive. Organic feeling drums develop giving it a disco touch that will put a smile on the crowded dance floor. A2 GOOD SPELL combines a pure cosmic style with a New Beat-like dissonance and uplifting vocals. B1 KNOW THE UNKNOWN keeps the experimentation levels high with distortions and an 8bit dialogue that drifts into a progressive-kind of sound. Deeper than the rest B2 puts on stage a dark landscape that reminds of a black and white vampire movie. B3 INTERMISSION follows up and gives the final ambient touch to this delightful EP.

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8,61

Last In: 6 years ago
LAPASSENKOFF - SHING & TSÉ

Lapassenkoff

SHING & TSÉ

12inchDEC002
Décalé
28.06.2019

“The year is 1982. Rita Mitsouko has not yet recorded its eponymous debut album. The pile of ashes that once was Disco is still smoking on the field of Comiskey Park. New Wave is a phrase, Post-Punk Rock a thing. In France, young musicians dream of New York City – some with more devotion than others. Lapassenkoff are to early 1980’s downtown New-York what seminal New Wave act Marie Et Les Garçons (who met John Cale on their way to CBGB) are to the city’s musical scene in the late 1970’s: an unexpected cousin from Lyon.

Indeed, going through Shing ‘n’ Tsé! sometimes feel like an impromptu meeting between John Lurie and Tom Tom Club in the basement of some French record store. If we press pause for a minute, a question comes to mind: how on earth such a unique blend of funk, post-punk, jazz fusion & hip hop (!) – more easily associated with, say, The Mudd Club, than with Les pentes de la Croix-Rousse – made its way to the brains of three French musicians?

The answer probably lies in a Swiss chalet, some 40 kilometers away from Zurich. Sent there by the wise people from Mosquito (the label which also gave Ramuntcho Matta and Carte de Séjour the opportunity to record their first album), the band experiences Alpine ennui and mysterious neighbours (a certain Carlos Peron, for instance). That is probably during this stay in Swiss meadows that they opened a Pandora’s box called experimental music, leading them into recording the mind-blowing sample-based – and accidentally proto-everything – M Le Maudit,, that would later grace Belgian airwaves via the famous Liaisons Dangereuses radio show.

But if we’re looking for a bigger picture, M Le Maudit is just an example of how inventive their approach to music was. This compilation is a testimony of a decade-long feverish flirt between the Lyon trio and dance music. From the infectious electric boogie cuts Shing A Ling and Roadie to the somehow euro-house-fuelled Ma Poubelle Angelina, via many unclassifiable yet iconic songs like Bossi Le Bosseman or Fièvres, Frissons, the compilation demonstrates one thing: Lapassenkoff took the road less traveled by and contributed to a different history of French Pop music.”

Pierre-Arthur Michau.

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16,51

Last In: 6 years ago
Attari - Meridian

happy to welcome new artist on endless flight. attari is brussels based artist and running very cool private club. title track “meridian” is melancholic deep house tune, it’s one of our most fav release in this year. both tracks on b side are dark new wave disco style tunes.

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8,03

Last In: 7 months ago
Chaos In The CBD - Hydrate EP

Chaos In The Cbd

Hydrate EP

12inchMULE241
Mule Musiq
28.06.2019

Repress

2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. ninth release is one of the best newcomer in a modern deep house scene “chaos in the cbd”. we have already released three 12inch and all of them were highly acclaimed. these two new songs are ambient break beats tracks. it’s a kind of their new style. if you like boards of canada or global communication, you will love.

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11,72

Last In: 5 months ago
John Power - Solo 2003 - 2008 3x12"

John Power

Solo 2003 - 2008 3x12"

3x12inchDEMRECBOX34
Demon Records
28.06.2019
  • A1: Electrify
  • A2: Paradise
  • A3: Everyday Folk
  • A4: Small Farm
  • A5: Tnt
  • A6: Songbird
  • B1: Mariner
  • B2: Happening For Love
  • B3: Change For Tomorrow
  • B4: Viva
  • B5: Island
  • C1: Give It To Me
  • C2: Willow Weep
  • C3: All My Days
  • C4: St Louis
  • C5: Old Red Sea
  • D1: Jumpin' Bean
  • D2: Now That You've Gone
  • D3: Good Morning
  • D4: Goodbye
  • D5: Give It To Me (Reprise)
  • E1: Ain't No Woman
  • E2: Calling You Back
  • E3: American Dream
  • E4: Stormbreaker
  • E5: Distant Eyes
  • F1: Good Life
  • F2: Fire In My Heart
  • F3: Tombstone
  • F4: Cockerel Crow
  • F5: Come The Morning

• John Power is the singer, songwriter and guitarist known as the frontman of Cast and
previously from the La’s
• Following the split from Cast, Power released three solo albums, his first solo album
Happening For Love (2003), followed by Willow She Weeps (2006) and finally
Stormbreaker (2008)
• This boxset houses all 3 albums on 180gm heavyweight white coloured vinyl with a
signed image by the artist himself
• Happening for Love and Stormbreaker are released on vinyl for the first time

pre-ordina ora28.06.2019

dovrebbe essere pubblicato su 28.06.2019

59,45
Peletronic - Blyss

Peletronic

Blyss

12inchFORTUNEA012
fortunea
27.06.2019

The Austrian electronic music label fortunea records is back with a new 12“. Viennese label-member "Peletronic" is the key figure on this record.

His intention was to limit himself in the use of external samples, without loosing on his own signature style. He tried to achieve this by recording all essential parts by himself and by flipping those snippets later on in a sample-jam manner.

The opening track "Blyss" is an infectious deep house groover.
Shredded filtered vocals, a bouncing bassline and a sun rising pad are the main characters of this piece.

Salzburg’s globetrotter Demuja is also present on this release by contributing a remix. He did a classic NY style house music treatment of the title track. It peaks with stunning strings and stabs and has a lot of potential for being heard during this years open air season.

The B-side of Peletronic's EP also features the original track "Wrapped In Silk". A gently calm down tune for afterhours. The slow tempo supports the vibe of silky pads and dreamy vocals.

And to wrap it all up, this track has been remixed by a second well-known Austrian artist. LeSale brings the mood of the original perfectly over to the dancefloor and adds some acid flavor to it.

Overall a great selection of music for this summer, made up by all Austrian artists. Check it out!

Limited to 300 copies! There will be no repress!

Mastering by Patrick Pulsinger.

Support by Cinthie, Jacques Renault, Soul Clap, Roman Rauch, Siggatunez

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5,84

Last In: 4 months ago
Marinada - Na vrućem krovu

Marinada

Na vrućem krovu

12inchMRND002LP
NOT ON LABEL
27.06.2019

After releasing the single “Čista ljubav” back in 2012, Marinada
and producer Qwerty continued to synthesize the band’s rich
catalogue. This collaboration album features eight songs
where Qwerty utilizes his playful approach to dance music
strongly tying together Marinada’s truthful voice and sensitive
instrumentation. The two sides bring in a wide range of
influences into the mix: from retro techno-pop and new wave
to contemporary braindance and acid house. The electronic
sounds are wrapped around simple and repetitive lyrics that
are simultaneously clearly relatable (if you speak Croatian)
and fully mystifying. Marinada has been a truly productive
phenomenon on the Croatian music scene, putting out more
than 20 albums woven from lo-fi electronica, acoustic
minimalism and art rock. Besides the hometown, the band is
connected to Qwerty via the family tree: the brothers have
been making IDMy techno sounds since the late 1990s and
releasing music on labels such as Phthalo and Breakin’
Records.

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14,58

Last In: 6 years ago
Parris Mitchell Vs Nina Kraviz - Feel My Butterfly

Influential Chicago House DJ/producer Parris Mitchell teams up with Siberian producer-singer-songwriter and DJ Nina Kraviz on ‘Feel My Butterfly’ - their debut release on Riva Starr’s acclaimed Snatch! RAW imprint as part of a collaboration with Dance Mania, out 28th June 2019.

The special 2 track vinyl and digital release sees Kraviz and Mitchell officially team up for the first time with their only other release encounter being in 2014 when Kraviz remixed Mitchell’s ‘The Track Stars’, released via Berlin-based label Deep Moves.

The result of the rare partnership is one to be relished, producing ‘Feel My Butterfly’ – a heady acid-laden dancefloor-ready masterpiece comprising of a sick ghetto house groove, an abundance of squelchy TB-303 acidlines and Kraviz’s distinctive spoken word vocal throughout.

To complement the Original Mix, Berlin’s DJ Krime steps up to deliver his own interpretation of the track for the B-side, delivering a powerful peak-time TR-808-tinged rework that boasts the original’s key elements.

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11,13

Last In: 6 months ago
NICK BERLIN & MAX EROTIC - CLUB BELGIQUE VOLUME 1

The Belgian duo San Soda and Red D entered the world of recorded music some 12 years ago with the inception of Red D’s label We Play House Recordings. A few years later their collaboration continued in the studio with the start of the FCL project, leading to original and remixed club hits.

In the meantime both have gained considerable mileage and reputation as adventurous DJ’s who are not afraid to take risks and with a ‘no boundaries’-approach to playing music. Being Belgian they continue to find inspiration in Belgium’s rich music and clubbing history, which led to the ‘Our Beat Is Still New’ compilation in 2013 on We Play House Recordings. Both San Soda and Red D contributed some tracks and thus the aliases Nick Berlin and Max Erotic were born.

Fast forward to today and Club Belgique, a concept Red D has been brooding on for quite some time. A true tribute to Belgium’s club (music) heritage which consists of club nights and also a new label for fresh material by himself and San Soda in his Nick Berlin guise. This release brings you that new material in the form of two tracks situated between new beat, synth pop and italo disco. Long live Belgium!

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8,11

Last In: 6 years ago
COLD FRONT - BEYOND THE BEAT

Founded in 1990 in Minneapolis, Minnesota, Cold Front were what you'd call early adaptors, their music at the time of its inception an oddity. This fourpiece, consisting of spouses Ayanna and Cam Muata, Jon Jon Scott and Ron Clark, were far ahead of their time and faded just as rapidly as they entered the stage, only playing a handful of local shows in support of Nine Inch Nails, Meat Beat Manifesto and such, alongside several cameos during early house nights and techno events.

Though short lived, their music nevertheless speaks volumes. It's intriguing stuff, a magical association of sound reminiscent of Ron Hardy and Klein MBO. New Beat-like drum parts, overdubbed by politically engaged raps, basslines that would make The Cure proud, held together by freakout speaking in tongues vocal experiments while also showing an obvious parallel to the rise of triphop at the other side of the ocean.

Beyond the Beat will burst dancefloors soon. In collaboration with Paris' recordshop Dizonord, Knekelhuis will close the summer of 2019 with this amazing gem.

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10,55

Last In: 6 years ago
Tee Mango - 50 Songs - EP#1

Tee Mango

50 Songs - EP#1

12inchMH-50S-EP1
Millionhands
25.06.2019

Ahead of his second artist album on his own Millionhands label in July, Tee Mango teases with a fantastic first EP taken from it. The album finds the UK artist stretch himself with a dazzling array of soul drenched, fully fledged songs featuring his own singing and that of Detroit legend (and Moodymann collaborator) Amp Fiddler.

The sound, very much influenced by early Prince and even a little Bon Iver, combines effortlessly with that loose sampled MPC-house feel that you would associate with a Tee Mango production. It also comes with a seal of approval from Radio 6 Music legend Gilles Peterson and after EPs on the likes of Aus, Clone and Local Talk in recent years.

Opening up the EP, Amp Fiddler features on ‘Feels Like Whatever’. Dancing Rhodes keys, ooze jazz charm and float atop a simple house beat, while the Detroit legend’s emotive raw soulful vocal directs proceedings.
The heart breaking ‘No More Tears’ is an introspective sad soul song that shows another side to Mango’s skills. Tender chords, downbeat drums and vocal hums and coos all melt your very being. Last of all comes the dazzling ‘Lay Down (Disco Mix)’ with its slapped funk bassline, finger clicks and squelch synth work all topped off by an effortless
falsetto. This is a fantastic introduction to the full length to come.

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12,06

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Steamheat - Austin Funk

Steamheat

Austin Funk

12inchJMANLP113
Jazzman
25.06.2019

Numbers 28, 29 & 30 in the Jazzman Holy Grail Series.

Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums on Fable by Austin bands 47 Times its Own Weight, Steam Heat and Starcrost. With only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all 3 have gone on to become highly sought after by collectors and DJs around the world.

We meet with Michael at our UK offices and over several hours he tells us the highs and lows of running Fable Records, leaving no stone unturned and with success and tragedy in equal measure. We also speak with members of all 3 bands, and they share with us interesting stories and cool anecdotes of the wild times in the mid '70s when their records were made. We acquire informative press cuttings and some awesome posters & flyers, and all of this we publish in a booklet included with each LP which are housed in a US-style tip-on sleeve. Jazzman Records - We Dig Deeper.

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22,65

Last In: 4 years ago
Strategy - Tropical Storm

Strategy

Tropical Storm

12inchIDLE059
Idle Hands
25.06.2019

Strategy returns to Chris Farrell's Idle Hands label for the first time since his 'Seeds Of Paradise' LP, and his first record of the year following releases for Nite Owl's Diner and Zam Zam's sister label Khaliphonic in 2018.

Here he turns in a bassy house number by the name of 'Tropical Storm', one for those sloppy grins in the summer months. The most requested track ID on Shanti Celeste's Dekmantel mix, here it finally sees the light of day. On the flip is the more paired back 'Evolu'

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8,78

Last In: 6 years ago
MARSKE - Hospital Corners (Inc. Spencer Parker / Boxia Remixes)

Ape-X Records is the new label created by the people behind the Newcastle club party of the same name.

After 11 years of bringing global DJ talent to the North East of England, Ape-X is now turning things on its head and bringing the musical talent of the North East to the rest to the world.

Its first release features the debut release by the mysterious new spoken-word musician “MARSKE”.
“Hospital Corners” is as high brow as it is lo fi, and is difficult to describe beyond saying it shares DNA with House Music, Techno, No Wave and Beat Poetry
Production duties for the original track come from North East artist (and Ape-X’s Label Manager), Man Power.
The record also features an Instrumental version, as well as 2 incendiary remixes, from Spencer Parker (Rekids) and Boxia (Drumcode) respectively..

Over its 11 Year tenure in Newcastle, Ape-X has always followed its own uncompromising musical path, immune to trends, and with a distinctly northern personality.
As a result, a specific sound for the party will always remain hard to pin-point, but Luke and Gabe from the party best describe the sound of the label as:

“attempting to capture the unhinged moment in every party where the energy remains high, but the vibe can turn weird. Where the excitement and emotion are both balanced enough to let the DJ move peoples minds as much as they move their feet”.

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9,71

Last In: 6 years ago
Various - Deepsounds Five

Number Five is alive! Red Ember Records presents nothing short than another subaqueous house odyssey on its ‘Deepsounds’ imprint. On in the wax, number five sees its first duo appearance with Sauco & Prakash, alongside Frankie Soukal, Erell Ranson and ‘TH pressing’ boss Tominori Hosoya.
Continuing the noble pursuit of underground electronic deepness, house music and beyond, from all corners of the globe.

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9,87

Last In: 6 years ago
Mr. Stiff - Freehanded Woman EP

birthportal presents its second release featuring tracks from Mr. Stiff.
Look deep into your chonchousness, textures and intricate rhythms coalesce within the essential realms of possibility. As imminent rigidness prevails over the mass psyche, those who understand to meld with the motion of experience reciprocate the most invariably. As we proceed we discover austere, perhaps absurdist, levels of techno funk and minimal jamage.

Techno, House, Minimal

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10,04

Last In: 6 years ago
T.U.R.F - Have A Nice Day EP

T.U.R.F. is up next on Tilly Jam with an EP that screams
summer. After releases on Exploited and Tensnake´s True
Romance imprint the Dutch duo delivered three sample heavy
tracks that make you wonder if they have been swindling us
and actually hail from Paris. Hella funky jams for those who
like their house muzak filtered and their grooves fresh. Enough
of the talking, let’s do it like Mr. V once said, ‘Jus Dance Baby’.

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8,36

Last In: 12 months ago
Zru Vogue - Zru Vogue

Zru Vogue

Zru Vogue

12inchDE251
Dark Entries
19.06.2019

Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas.

The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks.

The self-tilted LP was released on the band’s Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars.

The duo’s sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.

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15,08

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Part Time Lover - Don’t Hesitate (PBR Streetgang Remix)

One half of esteemed house duo Waifs and Strays, Amos, launches his new alias: Part Time Lover. Debuting on Crosstown Rebels with Don’t Hesitate, the EP is a stunning six track release that features vocals from Danielle Moore and Oli Gosh, as well as remixes from PBR Streetgang.

The EP opens with Don’t Hesitate. A pure house groover, Oli Gosh’s vocals provide the track with a seductive flare, whilst the swinging bassline rolls alongside dynamic pulsing keys. Second up is the dub version of Don’t Hesitate. Stripped back yet still wholesome, the mix features whirring pads. Tied comes next, as Danielle Moore’s incredible soulful vocals coat the record with a dance-ready warmth. PBR Streetgang are first up on remix duties, providing
an acid-flecked reinterpretation of Tied that harks back to the 80s with electro-like synths and distorted kicks, before their dub mix continues in a similarly driving vein.

English vocalist Oli Gosh has featured on Dutch house music label Armada Deep. Danielle Moore has been the lead singer of Crazy P since 2002, releasing on the likes of Wolf Music Recordings and Smoke ‘N’ Mirrors. PBR Streetgang released their standout album Late Night Party Line last year on the esteemed Skint label.

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8,78

Last In: 6 years ago
Kim English / Loni Clark - It Makes a Difference/Rushing-Danny Krivit Edits

Danny Krivit is currently known as one of the music community’s greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as “King of the Re-edit.”


Danny has a deep connection to Kim English’s “It Makes A Difference” release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny’s re-edit of one of the most famed dubs from the Nervous catalogue
as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The “rushing rushing rushing” hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.

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9,62

Last In: 10 months ago
Various - Lilly Good Party #5 Alex Attias & Stephane Attias edit

LillyGood Party! is back with their 5th release of their official and fully licenced Edits.We are very happy to bring some jazz and some south African vibes to our serie of our extended versions.Those tracks have already been tested and played in clubs at our parties or parties worldwide and those ones are sunny, groovy and club ready for the spring and summer vibes coming. Full of joy and energy, those two bulletsare just perfect for those who love music and mix various styles in their dj sets.On the A side Alex Edit is a long road to freedom like the title says. Co written by Airto and José Neto this longer version of this south African fast afro latin number is infectious with a deep slow beginning going into a fast and crazy ride mixing percussions, great bassline and live music to make people dance and sweat with a big smile on the face.On the B side the Attias brothers Edit with added overdubs sounds bigger and phatter than the original version to be played in a dj set. A sort of deep jazz slow house jam for early or late play . A jazz groove with percussions and great Byron Wallen musicians and singer re fixed for you . Don't sleep its limited and never came out this way J

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9,12

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Point G. - Remix Vol#4

Point G.

Remix Vol#4

12inchPG14
Point G.
18.06.2019

Point G remix by ,the new Point G project for 2019 features a very Serious 12 inch for the summer with two legends and two fresh youngsters on the A side “ Celestial” is getting remixed by New york City Legends Satoshi Tomiie , the Japanese Born who moved to new york to join the DEF mix crew along with Franckie Knuckles and david Morales Delivers a Minimalistic Bomb , a deep rollercoaster Jamed With Modular synth and all type of goodies FXs. A2 is “Can you “ Jay Ka remix who took a complete different angle , here we get a Dope funk trip , the prefect tool for Nu disco Strong driven set B1- The Classic Point G tracks “ Balea “ gets remixed by I Cube , The Mysterious French legend gives a super fresh reinterpretation of that bliss summers classic putting the Balearic feel somewhere else. A Must Have B2- Take Me - Siler remix , we know silver thru his label Pop corn records , he delivers here a Futuristic house vibe that s gonna put the Floor on Fire Point G records gives us a Serious Release for The Summer not to be Missed .

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10,04

Last In: 13 months ago
Adeline - When I’m Alone

Paris-come-NYC diva Adeline makes her solo debut on RNT Reserve with a future club classic! Previously known as the front woman for disco outfit Escort, Adeline has recently been coming into her own as a solo artist, crafting a distinctive and soulful sound.

Co-written and produced with Morgan Wiley of Midnight Magic, When I’m Alone is a bright and bouncey disco anthem, which feels both fresh and familiar at the same time.

NYC cohort Jacques Renault takes things to a deep and hypnotic place on his remix, while Milan’s Dirty Channels turn in a blistering disco-house treatment, and RNT co-head joins forces with Underground System’s Peter Matson for the electro-boogie vibes.

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13,82

Last In: 13 months ago
Rich NxT & East End Dubs - The Four Slip EP

Longstanding FUSE resident Rich NxT combines with fellow London favourite East End Dubs this June to release their debut collaborative EP ‘The Four Slip’, featuring two bubbling, heady cuts.

As one of FUSE’s original residents, Rich NxT’s evolution alongside the London brand has seen him become one of the scene’s most respected DJs and producers, releasing a slew of material via their renowned in-house imprints as well as via the likes of Tamango, Elision, Vatos Locos and his own NxT Records. This pairing sees him up alongside one of the scene’s most prolific and consistent producers, East End Dubs, who arrives fresh from a string of EPs via his own self-titled and anonymous imprints, and material on Eastenderz, Infuse and Moxy Musik to offer up the two-track ‘The Four Slip’ EP, marking the pairs debut collaboration, which was over a year in the making, whilst offering a concentric overlap between their own unique sounds to tell another fresh story for the 34th release of the rapidly maturing imprint.

The A side sees the paring combine to offer up ‘E3’ - a slinking and swing-fuelled lead cut that merges woozy, spacey melodies, chunky kicks and warping electronics, before employing crunchy percussion licks, rich chords and a glitchy, low-slung core groove throughout ‘Bubbles’ on the flip to close the package in fine fashion.

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13,87

Last In: 75 days ago
Mothership - Dubby White EP

WE R THE ALIENS is a fresh new label based out of Hamburg and Berlin. The label marks the start of a new chapter for Wareika’s beat machine Jakob Seidensticker, former Square Room Hero Boronas, and American house import Snad. Together, they are Mothership. The maiden voyage begins with this clubby three-track trip. Groovy technoid cut “Dubby White” sets the course, evolving into the spooky yet driving minimal house track “Melting” feat. Zhiqi Song.
Finally, Smallpeople round up the release with an uplifting House Remix of “Dubby White” perfect for warmer days.
Join us in welcoming the Mothership; the alien invasion has begun.

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8,36

Last In: 2 years ago
Various - Ep

Various

Ep

12inchGIANT013
Giant Records
17.06.2019

ONLY 300 PRESSED - VINYL ONLY

The 13threlease on GIANT is a various artists EP – this is VOL 1 and VOL 2 will follow later in the year. This EP features tracks from three exceptional new breed producers and one band who have been making waves for well over ten years now. This release joins up artists from across Europe and Russia. First up is CLAUDIO IACONO who hails from Italy. Then its PYSH who is from Poland followed by Russia’s ANTON LANSKI then last but no way least is Bulgaria’s BABYFACECLAN – The four tracks range from after hours deep techno to sublime deep house and BABYFACECLAN’S track has an Andy Weatherall flavour to it. Only 300 pressed.

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12,06

Last In: 6 years ago
Alex - Simulations

Alex

Simulations

12inchPLMKR_042
Playmaker
17.06.2019

his time with rapid-fire synths and dance beats that worm their way into your brain and get stuck there. Keeping it Cyberpunk and dance-able, he surprisingly tops himself once again. We can just spew more praise but let's let this album speak for itself, along with his amazing collaborators.

Scottish producer Alex returns to Playmaker Media Records after his previous album ‘X’ was released through the label last year. After a few releases through New Retro Wave he’s becoming a house hold name in the alternative synth scene with his unique mix of dark synth and cyber pop".

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18,45

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La Fine Equipe - 5th Season

New LP from French beat-makers La Fine Equipe featuring Illa J, T3, 20Syl, Mr J Medeiros, Georgia Anne Muldrow, Fakear ...

Let's be clear: La Fine Equipe is a band. The numerous hats wore by its four members are so various that it could mislead one's. Indeed, surrounding Blanka, oOgo, Chomsky and Mr. Gib, there are recording studios, collaborations, lives, side-projects... There is also and especially a whole universe built during the past ten years around their passion for beatmaking, embodied by the release of « 5th Season », new album.
So yes, La Fine Equipe is a band, but it's also much more than that.

Since their creation in 2006 and their first album « La Boulangerie » two years later, the four producers became inevitable when you think about a new scene breaking the barriers between musical genders. Hip Hop is at the heart of their craft, corner stone of their musical background and inspirations where the paths of J Dilla, Madlib, Flying Lotus, Kaytranada and the turntablists A-Trak, C2C and Birdy Nam Nam are crossing ways. Two things gather La Fine Equipe and those big names, the constant need of collaboration with other artists, and this thirst of discovery, main feature of the digger.

From 2008 to 2014, La Fine Equipe mastered its craft with the « Boulangerie », compilation gathering 34 beatmakers on 113 tracks. They also work on the creation of the label Nowadays Records (Fakear, Skence, Unno, Clément Bazin, Leska, Douchka...) and released more than 75 EPs and LPs in five years.
With an outrageous number of shows across the world, tour in Asia, South America, collaborations with several international artists... Their success changed the game: Whereas many producers coming from this environment where isolated, La Fine Equipe federated a growing scene and became its reference.
After years spent paving the way for other artists and creating a structure that could support the growth of a musical scene, they decided to go further and launch a new era with « 5th Season ».

Because the band works with eight hands and four brains, there's nothing surprising in the fact that the album sounds like a condensed of each and everyone inspirations and experiences, from hip hop and sampling, to electronica, jazz and Latinas inspirations. If homogeneity is the new trend, La Fine Equipe isn't ready to sacrifice its wishes to fit the mould.

« 5th Season » is also a glance at the world looking over our planet's current state, the cosmos, the vegetal and these things that are greater and stronger than us, and the things and behaviour that could led to our loss.
It's an almost apocalyptic vision of our future, but full of optimism at the same time. There is something solar and cinematographic in this album, a format that goes beyond the one chosen before, closer to playlist and compilations such as the three Boulangerie opuses remind us.

Loyal to their status of ambassadors, the four beatmakers keep on inviting other artists to complete their universe. Illa J and T3, respectively brother and partner (Slum Village) of the late J. Dilla, make the connection between a glorious past and the future embodied by La Fine Equipe on the track « The Source ». With « Aurora », it's the solemn and mystical voice of Madjo that take this electro-pop track to another level. The American rapper Mr. J. Medeiros on the boom bap anthem « What Eva », the Montrealer ZeFire on « Typical », each and every artists brings its stone to the edifice of « 5th Season », giving to the album a limitless and freed musical richness.

But to release an album isn't enough. In parallel, each member of La Fine Equipe continues to fulfil its multiples tasks and work on a new concept live show bringing a scenic and visual show in addition to their music. It is what the artists looking toward the future do, and La Fine Equipe is looking straight ahead.

_________________________________________________________________________

TRACK BY TRACK

AURORA (Ft. Madjo)
Already remixed by the quatuor on the beautiful track « Choose The Heart », it's Madjo's turn to be invited by La Fine Equipe for a collaboration. Her mystical voice, which fragility paradoxically seems to strengthen its power, turns the track into an epic pop anthem.

NOBU (Ft. Grems & 20syl)
The association of these three names seems obvious, like a family reunion. Grems did the visual of the anniversary box of La Boulangerie, 20syl (C2C, Hocus Pocus) was one of the beatmakers who took part in the project.
This time, the two big brothers are side by side behind the mic, for the first French speaking collaboration of La Fine Equipe.
On this trapy/footwork beat, the two rappers ring the alarm before it's too late to save our house, the earth.

THE SOURCE (Ft. T3 & Illa J)
In the family of Hip Hop jewels of 5th Season, here is one coming from the USA. Fans of J Dilla and Slum Village since the first hour, La Fine Equipe pays its respects to its influences by inviting T3 and Illa J. Respectively member of Slum Village and brother of the legendary Detroit producer, these two MCs build a bridge between the eras and let their sharpened flows confuse our perception of time.

5TH SEASON (Ft. Fakear)
A second collaboration with their little brother from the Nowadays Family, Fakear. Eponymous title, it represents the universe of both entities, true road trip through Fakearians melodies and La Fine Equipe's funk declined in five seasons.

TYPICAL BOY (Ft. ZeFire)
With « Typical Boy », La Fine Equipe express its love for House music with chopped rhythms and a heavy but swaying bass line. The freed track oscillate between power and lightness. A beat that quickly becomes ZeFire's playground. The Montreal singer, already heard on Her's tracks, brings a missing r'n'b touch to create the perfect chemistry.

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16,35

Last In: 6 years ago
Various - Abstract Contemplations Volume 1

Instrument Of Change, the brand new label by Rotterdam's underground veteran Steven Pieters, brings together four producers who are operating on the fringes of house music. Mattiik (London) draws you into the depths of his inner realm with the infectious "Shadow Of A Former Reality". Nikolajev (Tallinn) showcases his unique lo-fi aesthetic on "Speks" where he skillfully drowns the listener in vintage synth heavy emotions. Labelboss Steven Pieters turns it up a notch with "Gamayun", accompanying a driving beat with shards of acid and uplifting strings. Chicago native Radius strips it down to the bare essence on the spaced out "Places Spaces (Solstice Dream Redux)". Solid deepness for the true heads!

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8,03

Last In: 6 years ago
Mannequins feat. Katey Ellen - Mannequins Vol.1

New release from the mysterious MANNEQUINS - the guys have released tracks on various labels under other aliases, now they've
started their own imprint to release their own music - Deep House for the early hours.

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8,87

Last In: 6 years ago
The Tolhouse Men - Lady June / So Double U

It's time for some pre-fun by The Tolhouse Men! This single is a little taste of what you can expect for their upcoming album! On the A-side we have ''Lady June'', a soulful vocal house joint. Light and happy, it will give you an instant smile on your face! The B-side named as, ''So Double U'', is more serious. Heavy bass and melodic chords. Perfect to drown away in your thoughts or jus' cruizin' in your ride. The funk hits you with this one!

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8,36

Last In: 6 years ago
Haze - Aimless EP

Haze

Aimless EP

12inchRB005
Rhythm Büro
14.06.2019

Sergii Galan, the Ukrainian producer also known as Haze, makes his debut on the Kyiv-based Rhythm Buro imprint. The artist who released his first ever EP just two years ago (the excellent "Somewhere In Time" EP on Anagram Records) is now joining the roster of the label affiliated with the event series of the same name. While the Rhythm Buro events are best known for keeping the Ukrainian capital's dance floors busy, the Rhythm Buro label is set to hit its fifth release with Haze's RB005. As is evident with the EP's artwork, RB005 marks the beginning of a new era for the label, breaking the ties with what was previously its signature visual mark.

The record's opening tune is the heaviest on the EP, good reason as to why it was chosen as the title track. "Aimless" is bottom-heavy and bass-rich, done in the true "acid eiffel" face-melting fashion. However, its successor on A2, "Inner Voice", takes a completely different route sound-wise, referencing timeless old-school breaks and vocal samples, which showcase the diversity of Haze's palate. To further confirm this notion, "Prism" on A3 appears as the EP's "slow burner", the acidic-psychedelic-downtempo tune you wouldn't often come across on a record filed under "techno" in 2019.

In line with Rhythm Buro tradition of sorts, the B-side of the record is dedicated to the deeper tunes, which blur the lines between techno and house. "Majula Sunset" on B1 is both trippy and melodic; with a groovy rolling bass line only a quality sound system could handle properly. Closing the record is Ben Buitendijk's remix and combination of two of Haze's tracks from the EP: "Prism" and "Aimless". As indicated by the title, this track "Natura" is not only a rework of Haze's tunes, but also homage to one of Rhythm Buro's most original events of the same name, which Buitendijk has played, an event which is held in the forest outside Kyiv every summer.

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8,03

Last In: 3 years ago
Architectural - Secret Chapter part 1 & 2 sales pack

Atmospheric, darkness, emotional, deep and organic, Architectural returns with a very special album. A musical piece with a soundtrack essence that transports to the darker and disturbing forests. The cd edition has a second cd with a previous tracks compilation released on Architectural recs.

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10,04

Last In: 5 years ago
King Britt presents Sraddha - Believe EP

King Britt appears as Sraddha for the second release on Rekids offshoot
Stranger In The Night entitled ‘Believe EP’, following a notable debut release
from Radio Slave.

King Britt, of course, is a long-time house head who brings his Philly roots and a
real sense of musical soul to his timeless and feel good grooves. Here he
introduces Sraddha on four fantastic new cuts that ooze quality from start to finish.
Fantastic opener ‘Believe’ is a shimmering house cut with well treated vocals that
bring an eerie quality to the warm, deep drums. The ‘No Drums’ version is an
intimate bit of late-night mood-setting that creates a dreamy ambiance.

The excellent ‘Memories’ is perfectly off-balance deep house, with live sounding
drums and gorgeous synth puddles, deft leads and a romantic feel that is perfect
for cosy dance floors. Last of all, the gorgeous ‘You’re All I Need’ sinks you into a
reverie over eight soft-focus minutes of persuasive hand claps and withering
chords, subtle sci-fi motifs and plenty of real musicality that is often all too rare in
modern house music.

Once again King Britt’s unique sense of class really shines through on these most
authentic and soulful house tracks.

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8,78

Last In: 6 years ago
JLMT - Dream Like a Child EP

London's Axe On Wax crew have proven themselves to be highly dependable purveyors of good vibes.
French producer JLMT lands their Axe On Wax White series with a Jack J-ish mellow jazzed out house vibe.
Ep includes remixes by Laurence Guy & Real J. Therapeutic, feel good breezy house just in time for summer!

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10,80

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Toribio - Capicua! EP

Toribio

Capicua! EP

12inchTJD008
THE JAZZ DIARIES
12.06.2019

The Jazz Diaries is proud to announce NYC’s favorite underground papi Toribio will be releasing his sophomore EP June 14th 2019. Hot of-the-heels of his Gator Boots 12” for Soul Clap, which received hands in the air support from Seth Troxler, Adam Port, and Soul Clap, Toribio makes you feel at home in the club with his expressive new EP - Capicua!

Growing up playing Dominican percussion instruments from an early age, and being a staple DJ in the NYC circuit for the last 7+ years playing with a who’s who of DJs (Danny Krivit, Rick Wilhite, Louie Vega etc), Toribio expands the palette of what dance music is, fusing his Dominican roots, afro-cuban latin riddims and 90s hip-hop to create a cultural melting pot that signals a change in the guard for NYC House Music.

As Toribio rightly puts…
“Capicua!” is an expression Dominicans yell as they slam the last domino of a certain hand with belligerent righteousness. It means you win on both sides of the table no matter which way you look at it. Top to bottom. This my musical way of saying in a Dominican style... I won on both sides with this record.

This is certainly true of EP opener ‘Get Up’, which hits you on the upside with a nasty dose of p-funk over a bed of live and programmed house riddims. The record showcases Toribio’s penchant for the funky, yet rhythmically inquisitive. It is this trademark sound that permeates the record and continues its way through the acid tinged ‘Make Your Mark’, where long time friend and collaborator Byron the Aquarius steps in on remix duties - providing a lush reprise from the frenetic afro-cuban percussion found in the original mix.

Last but not least, Toribio rounds of the EP with a sensual, take your girl home cover of ‘Household’ by Totally Enormous Extinct Dinosaurs. The tune showcases the broad depth of Toribio’s musical portrait, prominently featuring his voice and guitar, further giving credence to the musicality and diasporic nature of the new Nu York, and further cementing Toribio’s place in it for years to come.

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9,96

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Native Cruise - Sky Rider EP

Native Cruise

Sky Rider EP

CassetteBYR020
Byrd Out
12.06.2019

Native Cruise’s new release is just in time for the summer, bringing a relaxed take on house that laps at your ears like a warm sea. We’re happy to have got some of his time - he’s been releasing on No Bad Tapes, Fruit Merchant and YAM Records. He pitches the release as “a mixture between house, tribal and balearic not sure what else”,so it’ll be hard to file neatly, but we are glad he’s made this lovely EP.

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Bread N Butta - Hot Sauce

Bread N Butta

Hot Sauce

7"-VinylMSLX012
MSLX Recordings
12.06.2019

Fresh original, his one’s a spicy 122 bpm groover as that peaks with Bread N Butta laying down some
seriously smooth piano licks.
The groove comes out of nowhere, and ends up being the funkiest rolling deep house track you have always
wanted on 7 inch vinyl.
Calgary’s Bread N Butta, aka, Enoque Carrancho, Enno Karr and One Less Of Them is another extremely talented artist
to emerge from the city that seriously loves House music. Bread N Butta is a moniker intending to express a more
soulful, playful side of Enoque's musicality.

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XOA - WAY WEST

Xoa

WAY WEST

12inchFEP28
Five Easy Pieces
12.06.2019

XOA, led by London based producer and musician Nick Tyson, is setto
release debut album 'Way West' via Five Easy Pieces.
XOA means to look outwards; to draw inspiration from many
sources.'Way West' is alive withthis: steeped in the rich analogue sonics
of the past,the warmth of machines and influence fromthe sounds of
London's fervent musicscene.
Featuring a blend of contemporary electronic production and
liveinstrumentation, 70s Afrobeat inspired drums and cosmic melodies
are thrustintothe present day with strong cues from house and techno.
Three vocalists contribute across the album, with Tyson choosingto work
with singers he has apersonal admiration and friendship with. HollieCook,
known to many for her ethereal pop tingedreggae, delivers a
sumptuouscontribution on 'Heartland', adding a beautiful emotional
dimensionto the hornled track. Lulu Jones' vocals are treated more as a
sample for the garagetinged 'CallOn Me' and Ruby Wood, of Submotion
Orchestra, has worked with Tysonover a number ofprojects and their
shared love of 90s soul comes to the fore onthe laid back grooves and
sunkissed 'Only One Thing'.

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HUMANOID - Built By Humanoid

Humanoid

Built By Humanoid

12inchFSOLDLP10
FSOL DIGITAL
12.06.2019

“Built By Humanoid” is Humanoid's second album, a mere 30 years after the debut, though Brian Dougans claims the first album wasn't really him anyway.
Humanoid's classic acid house single, ‘Stakker Humanoid’, highly regarded as one of the key tracks from the era (Richard James (Aphex Twin) sights the Stakker project as a major influence), enjoyed massive success in 1988. Reaching No.1 for 5 weeks in the UK dance charts, performances on Top of the Pops, a John Peel session for the BBC and European tours eventually led to an album deal.
Whilst all this was happening, Brian Dougans (one half of electronic legends Future Sound of London) claims he was returning to his squat in Kings Cross with no electricity or water. He not only became disillusioned with the business, but also became increasingly ill from the conditions he was living in. Around 6 tracks into the album, he left London and record label, Streetsounds, returning to Manchester to recover and regroup his thoughts. However, Steetsounds pressed ahead with the album and it was finished in Brian’s absence with guest performers.
Brian left Humanoid behind and went on to create FSOL with Gaz Cobain becoming leading lights in the burgeoning ambient scene, scoring a top 10 album "Lifeforms" on Virgin Records.
In 2003 Rephlex (Aphex Twin’s label) released a posthumous album of 1988 out takes compiled by Brian.
Recently Humanoid tracks have been popping up on modern compilation albums (Touched Music / Gasman, etc) signalling a possible return.
“Built by Humanoid” is a brand new nine track album of future acid cuts, breaks and electronics, a lot of which is credited to 2 synthesisers co-designed by Brian Dougans and English Electronics company Digitana. It is this innovation that has helped usher Humanoid back into the limelight and consequently the album has a rather new and unique sound and style.
The track ‘Polymath’ is created using a possibility / probability theory that results in a track which at no point repeats itself - 303 tinged acidic bubbles. Meanwhile ‘Traktion’ is a break beat, pulse laden, bass heavy monster. ‘Fu*k It’ is the future sound of 303. Fast, frantic and beat driven. Whilst ‘Post Humans’ combines thumping 909 and 303 into an acid hallucination.

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16,77

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The Band of Enlightenment Reason & Love - Zota Yinne (Version)

This release by The Band of Enlightenment, Reason & Love presents a new instrumental version of the heavily sought after debut release "Zota Yinne" by Alogte Oho, the meanwhile classic second release on Philophon from 2014 (PH45002). So far, The Band of Enlightenment, Reason & Love, as Philophon's house band, never had any release under its own name, but here we go! It's sure: more will follow.

"Zota Yinne" is a dubbed out variation of the original Frafra gospel classic with the one and only Jimi Tenor as a guest on flute and synth. "Starlet Road Filling Station Romance" is an other-worldly search for love, perfectly characterized by Jimi Tenor's love cries on the saxophone.

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Taz Modi - Reclaimed Goods

Taz Modi

Reclaimed Goods

12inchRECLMD001LP
Reclaimed Records
12.06.2019

LP comes pressed on 180 gram vinyl.

On 29th March, Reclaimed Records are proud to present pianist and composer Taz Modi's elegant debut solo album 'Reclaimed Goods', which brings to light his love for contemporary composition – something which may come as a surprise to fans of soulful dance music heavyweights Submotion Orchestra, and jazz trumpeter Matthew Halsall's Gondwana Orchestra - for both of whom Modi plays keys/piano. Whilst also gaining further demand as a musician, including for A-list studio and live work for funk 'n' soul legends Dennis Coffey and Fred Wesley, plus beatmaker heroes DJ Shadow and Mr. Scruff, Modi has been discreetly pursuing an additional passion during down-time for years – and his prolonged, patient crafting shows in the record's tasteful and beautiful spirit.

Calling to mind the piano music of Cage, Frahm, Hauchska, Sakamoto and Aphex Twin, 'Reclaimed Goods' is a graceful affair, in which lush strings and gently pulsing rhythmic flutters sit alongside prepared and plaintive piano, with the tunes ranging from sparse beauty to weightier moments of electronic rhythms. This allows the music to appeal equally to fans of heavier electronic acts such as Cinematic Orchestra and Bonobo, to devotees of ambient and contemporary classical music, as well as those familiar with Modi's work with both Submotion Orchestra and Matthew Halsall.



Positive review by John Lewis for the Guardian's contemporary music album of the month section: 'An even more effective exploration of solo piano territory comes from British pianist Taz Modi; best known for his work in various jazz and funk ensembles, his solo debut Reclaimed Goods features a host of introspective instrumentals that are reminiscent, variously, of Ryuichi Sakamoto (Libra), Nils Frahm (Time to Practise, Crystalline) and Hauschka (Ethical Tourist).

Featured in Music Week's Tastemaker section, 15th April 2019 with Haydon Spenceley: 'Listen to it; it'll lift you high above our care-worn world to a place of safety and grace'.

First single 'Ethical Tourist' featured as a premiere on 18 Feb 2019

Second single 'Crystalline' premiered on Boiler Room's 4:3 video channel, 12 Mar 2019

'A kaleidoscopic album that seductively pulls you in and leaves you curious about the inspiration behind the songs' - AAA Music

Positive review on Magazine Sixty

Support on Soho Radio, Dom Servini

Played on Worldwide FM, April 3, Gondwana Records show

Featured on Bleep's Spotify playlist 'For Your Ears and For Your Head', April 2019

Played by Mischa Kreiskott, NDR Radio Germany, ndr.de

Worldwide FM's Gondwana Records show on May 1 featured an interview with Taz Modi, along with multiple tracks from the album.



Musicians:

Taz Modi – piano, keyboards/electronics, arrangement and production

Natalie Purton – violin + viola

Liz Hanks – cello

Margit van der Zwan – cello

Seb Hankins and Jon Scott – drums

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Chloé - Endless Revisions Live

Vor 20 Jahren startete Chloé Thévenin ihre Karriere mit Mixer und
Plattenspieler, bereits 1999 zählte sie zur Speerspitze der Pariser
Techno-Szene. Seitdem kennt man Chloé als technisch versierte und
groovig agierende DJ mit Vorliebe für Deep House und Minimal. In der
französischen Kapitale sind besonders die Batofar-Residency und PulpNächte im Rex in Erinnerung geblieben. Ihre Skills präsentierte sie einem
größeren Publikum auf Mix-CDs wie "I Hate Dancing" (2004) oder "Live
At Robert Johnson" (2008). Hinzu kamen regelmäßig eigene
Produktionen, die sie auf über einem Dutzend 12_ÇÖ_ÇÖes
veröffentlichte. Daneben brachte Chloé mit "The Waiting Room" (2007)
und "One In Other" (2010) auch zwei Großformate heraus. Dass es bis
zur Fertigstellung ihres dritten Langspielers sieben Jahre gedauert hat,
erklärt sich für Chloé durch die Wechselfälle des Lebens. Aufgrund
spannender Kollaborationsarbeiten und verschiedener
Kompositionsaufträge für Filme und Installationen blieb ihr zu wenig Zeit
für die Albumproduktion. Außerdem gründete sie mit Lumière Noire ein
eigenes Label, auf dem "Endless Revisions" als eines der ersten Werke
erscheint. Dieses gleicht einem elektroakustischen Soundabenteuer und
hat mit Tanzmusik nichts am Hut. Zwar mäandern immer mal wieder
satte Beats durch die Tracks, aber eben nur als ein Element unter vielen
anderen. Ein Album für den kontemplativen Hörgenuss

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The Breed & Shuko - Dippin'

The Breed&Shuko

Dippin'

12inchFTLOI023LP
FOR THE LOVE OF IT
12.06.2019

German producers Shuko and The Breed announce joint Westcoast Album "Dippin'"

The collaboration between producers Shuko and The Breed was love at first sight. Thanks to their preference for classic Westcoast sound, they immediately found a common denominator and harmonized excellently during the production. The result is the album "Dippin'", based on the song with the same name by Westcoast legend King Tee, who besides MC Eiht and Benny Sings is also the only rap feature on the instrumental hiphop album. After the song "Life in Los Angeles" with the Westcoast legends, the tune "Cali Sunshine" has officially announced the joint record of the producers, which is available on black gold in addition to the digital release at June 5.

The Breed and Shuko can already look back on a number of prominent productions in Germany and the world. The Breed was mainly responsible for the style-defining sound of Alles or Nix Records and is now mainly the house producer of Plusmacher, but has also built beats for famous German rappers like Olexesh, Haftbefehl or Marteria. Shuko is known in Germany as a producer for Casper, Cro, Farid Bang or Kollegah. Internationally he could already place beats on releases of Cypress Hill, Evidence, The Clipse, Lil Wayne or Nipsey Hussle. But besides their productions for rappers and singers they have always concentrated on their solo careers. Both are very successful in the field of instrumental HipHop and can boast impressive figures in the millions on Spotify. But what unites the two is their love for the Westcoast sound of the 90s. Therefore, they have now joined forces for a project on which they pay homage to classical G-funk, but also create a new modern version of this genre. This album is a tribute to the city of angels and its style-defining sound. The instrumental bangers fit perfectly into the summer and are the perfect soundtrack for sun, beer and BBQ.

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Hugh Mane - Voodoo Questions

Welcome to the deeper end of the Hugh Mane spectrum. Mane’s third outing on Running Back captures his love for the spirit of early Detroit techno, IDM’s ambient aspects, the philosophy of the acid house experience and a natural production flow. Four tracks for fans of Larry Heard, Jungle Sounds, Nu Groove and the very early British response to that. Emotions electric. Vintage voodoo with modern spells. Equipment used:
Child Of Love: Lots of Alpha Juno 2 - which with the editor is such an underrated gem of a synth.
Everything Question: 808, Juno 60, Matrix brute. a big f*ck off vintage reverb
Vintage Voodoo: Alpha Juno 2, Oberheim DX for snare & toms, 909 claps, Korg DD1 hats
Free To Spend: Korg DD1 congas, snare and hats 808, Alpha Juno 2

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DMX Krew - Malekko Phase Mod

Idiosyncratic producer DMX Krew offers up four playful acid-tinged tracks for the Malekko Phase Mod EP, released through eclectic Spanish label/club night/promotion agency, Fanzine Records. The vinyl-only release is the first output of 2019 for the Coruna based imprint currently celebrating their 10th anniversary and is the follow up to C44's bizarro-techno Res Publica Populi Romani EP, and Dijuma's dubby and atmospheric Cold Tracks EP.

For DMX Krew's first Fanzine release the eccentric producer adopts a much lighter and brighter sound, in line with his recent records on Hypercolour and his classic output on Aphex Twin's Rephlex Records. The EP also comes hot on the heels of the prolific producer's latest album, Glad To Be Sad - twelve wavey cuts of vigorous electronic funk released in March through Hypercolour.

Kicking off the A-side with "Maleko Phase Mod", DMX Krew immediately conjures an effortlessly enjoyable mood. From the opening bars, a bouncing synth line is met with a classic acid house beat - prominently featuring the requisite skipping snares, rustic rimshots and phasing percussion that gives this track its distinctly Chicago feel. Meanwhile, shimmering chords fill the track with sunny warmth and enthusiastic energy.

Next up, "Smoke Stack" matches a groovy acid bassline with vintage drums, clusters of claps and a mischievous marimba-esque lead. Don't let the whimsy fool you, however, DMX Krew is a master craftsman at sequencing intricate synth lines and programming complex drum patterns.

On the flip, "Low Star" imbues DMX Krew's familiar elements bubbling bass, sparkling synths, and a pumping groove with a twisted 80s lo-fi essence. Crunchy claps, distorted hats, and tumbling toms keep the track bouncing at a frenetic pace, while a glossy lead contrasts with solemn pads to create a mood at once exuberant and earnest.

Closing track "Suspicion Ruff Mix" once again finds the producer riding a classic jacking 80s house beat, filling any gaps in the groove with crashing cymbals, rolling snares, and cascading claps. With his squelchy bass, vibrant lead, and oddball melody, DMX Krew concludes the Malekko Phase Mod EP with a sense of effervescent joy undeniably his own.

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