20 page book with gold foiled cover, featuring photographs from 1960s in and around Sunderland.
Romeo’s Fall is an original score for voice by artist and composer EXLRUTH (Ruth Hughes), a new work traversing romance and romanticism in a post-industrial North East England. Performed by countertenor Nik Rawlings with accompanying double bass from Caius Williams.
Informed by congregation, community and euphoria, exploring the meeting points of contemporary dance music cultures, traditional hymnal form, and the sonic appropriation and influence of regional industry, influenced by the legacy of the New Monkey. Addressing alternative trajectories of communion; on dancefloors (Makina) versus the nuclear act of togetherness within an industrial Northern landscape (classical/hymnal form).
This book features images taken from recently developed family super8, taken in and around Sunderland - 1960's onwards.
Suche:hugh
SF's Fog Lamp have been at it for a few yrs now, repping heavily around the local environs, garnering a solid word-of-mouth reputation. Originally a trio sans tubs, the synth-driven iron gulp of their early days was like Animal of Anti-Nowhere League crashing a Cabaret Voltaire rehearsal. 'Power to the paradox' I like to say, or in the immortal words of Tug McGraw, "Ya Gotta Believe!" So after a couple tapes & whatnot, Siltbreeze got clued in & have solidly backed their debut vinyl lp, Still Entangled. Along the way, the band enlisted the solid drumming prowess of Rachelle Hughes & by doing so, Fog Lamp have zoned in an intensive, beguiling churn of Dossier era Chrome slipping into The Sleepers panic-creep of 'Sleepless Nights'. Their hauntingly dense & layered murk is as authentically Bay Area as a bowl of Cioppino. Look for them on tour (West Coast only) in Jan. of 2026. Flannel is the new Goth
- 1: Slow Train
- 2: Dust Bowl
- 3: Tennessee Plates (Feat. John Hiatt)
- 4: The Meaning Of The Blues
- 5: Black Lung Heartache
- 6: You Better Watch Yourself
- 7: The Last Matador Of Bayonne
- 8: Heartbreaker (Feat. Glenn Hughes)
- 9: No Love On The Street
- 10: The Whale That Swallowed Jonah
- 11: Sweet Rowena (Feat. Vince Gill)
- 12: Prisoner
- 05: Mabo Maboe (Traditionnel) + Gigue De La Quatrième Suite En Mi Bémol Majeur Pour Violoncelle
- 06: Bombé (Extrait) + Ruht Wohl, Ihr Heiligen Gebeine
- 08: Mamoudo Na Sakka Baya Boudouma Ncombi (Traditionnel) + Prélude N°14 Bwv 883
- 12: Okoukoué (Traditionnel) + Cantate 147
- 01: Cantate 147 (Extrait)
- 02: Sankanda (Traditionnel) + Lasset Uns Den Nicht Zerteilen
- 03: Mayingo (Traditionnel) + Fugue Sur Mayingo
- 04: Herr, Unser Herrscher (Passion Selon St. Jean, Chorus N°1)
- 07: Pepa Nzac Gnon Ma (Traditionnel) + Prélude De La Partita Pour Violon N°3
- 09: Agnus Dei (Messe En Si, Bwv 232)
- 10: Ikokou (Traditionnel)
- 11: Inongo (Traditionnel) + Invention À Trois Voix N°3 En Ré Majeur Bwv 789
- 13: Was Mir Behagt, Ist Nur Die Muntre Jagd (Chorus Dit &Quot; La Chasse &Quot;)
- 14: Cantate 7, Jésus Que Ma Joie Demeure
Combining Bach with traditional Gabonese music, Lambarena pays tribute to Albert Schweitzer, a doctor and musician who settled in Lambaréné in 1913. Conceived by Hughes de Courson and Pierre Akendengué, this extraordinary project brings together more than 250 artists and blends organ, baroque choirs, and African percussion in a musical celebration of rare intensity. A true timeless classic, it is now available for the first time on double vinyl, accompanied by a 4-page bilingual booklet (English/French) recounting the history of this unique album.
b 02: Sankanda (traditionnel) + Lasset uns den nicht zerteilen [Passion selon St. Jean]
[e] 05: Mabo Maboe (traditionnel) + Gigue de la quatrième suite en mi bémol majeur pour violoncelle [extrait]
[f] 06: Bombé (extrait) + Ruht wohl, ihr heiligen Gebeine [Passion selon St. Jean, mouv. 62]
[h] 08: Mamoudo Na Sakka Baya Boudouma Ncombi (traditionnel) + Prélude n°14 BWV 883 [extrait]
[l] 12: Okoukoué (traditionnel) + Cantate 147 [extraits]
- A1: The Woman In White
- A2: The Thursday Murder Club
- A3: The Arm In The Mirror
- A4: Jumper
- A5: My Mother's Name
- A6: Di Penny Gray
- A7: The Enemy Approaches
- A8: Wtf
- A9: Scrum
- A10: Witnesses To A Murder
- A11: Aunt Maude
- A12: Night Flowers
- A13: Clever Daughter
- A14: Cheap Trick
- A15: Headstones
- A16: A Woodpecker
- B1: Don't Wake The Dead
- B2: Four Sugars
- B3: The Case Of Angela Hughes
- B4: What A Chase
- B5: Good People Bad Things
- B6: Always Bring Cake
- B7: The Famous Coopers Chase
- B8: Blood Roses
This summer's epic murder mystery will find its way to your record player! The new film by Chris Columbus
(Harry Potter and the Sorcerer's Stone, Home Alone) has once again been fully scored by composer Thomas Newman.
With titles such as American Beauty and Road to Perdition under his belt, Newman is renowned for his hauntly eerie,
but beautiful style. The beloved film composer matches perfectly with the cozy, yet intriguing
Netflix movie starring Pierce Brosnan (GoldenEye, Mamma Mia! The Movie) and Helen Mirren (The Queen, Excalibur).
The Thursday Murder Club is available as a limited edition on red vinyl.
- 11: Symphonie Égyptienne
- 12: Dhikr / Requiem / Golgotha
- 01: Ikhtitaf Fi Assaraya – &Quot; L&Apos;Enlèvement Au Sérail &Quot; (Mozart / Traditionnel)
- 02: Double Quatuor En Fa K. 496 – Pour Clarinette, Violon, Alto, Violoncelle, Arghul, Rababa, Kawala, Tabla, Doff Et Sagat (Mozart)
- 03: Lamma Bada Yatathanna / Symphonie N°40 (Mozart / Traditionnel)
- 04: Mahdiyat – &Quot; Berceuses &Quot; (Mozart / Traditionnel)
- 05: Concerto Pour Oud Et Piano N°23 (Mozart)
- 06: Hamilu Lhawa Tahibou / Aria De Papageno N°20 (Mozart)
- 07: Yaman Hawa / Thamos Roi D&Apos;Égypte (Mozart / Traditionnel)
- 08: Mawwall (Traditionnel)
- 09: Double Quatuor En Mi Bémol K. 374 – Pour Clarinette, Violon, Alto, Violoncelle, Arghul, Rababa, Kawala, Tabla, Doff Et Sagat (Mozart)
- 10: Ouazat Al Kahira – &Quot; L&Apos;Oie Du Caire &Quot;
Halfway between the West and the East, Mozart l'Égyptien was born from the idea of producer Hugues de Courson and Ahmed El Magghrabi to create a dialogue between Mozart's work and the richness of Egyptian music. Released in 1997, this album became an essential reference in the history of musical fusion, enjoying worldwide success. It is now available for the first time on double vinyl, accompanied by a 4-page bilingual booklet (English/French) recounting the genesis and history of this unique project.
AVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLETAVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLETAVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLET
AVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLET
j 10. Ouazat al Kahira – " L'Oie du Caire " [Mozart]
[k] 11. Symphonie égyptienne [Mozart]
[Mozart / Traditionnel]
- A1: The Woman In White
- A2: The Thursday Murder Club
- A3: The Arm In The Mirror
- A4: Jumper
- A5: My Mother's Name
- A6: Di Penny Gray
- A7: The Enemy Approaches
- A8: Wtf
- A9: Scrum
- A10: Witnesses To A Murder
- A11: Aunt Maude
- A12: Night Flowers
- A13: Clever Daughter
- A14: Cheap Trick
- A15: Headstones
- A16: A Woodpecker
- A17: Don't Wake The Dead
- A18: Four Sugars
- A19: The Case Of Angela Hughes
- A20: What A Chase
- A21: Good People Bad Things
- A22: Always Bring Cake
- A23: The Famous Coopers Chase
- A24: Blood Roses
BRIDGE - WAITING PATIENTLY b/w LOVE’S IN YOUR CORNER
Paul Tillman Smith is a significant figure within in the music community of The San Francisco Bay Area, California. His connections and collaborations read like a who’s who of famous musicians.
As leader of 70s Buddah Records group VITAMIN E and then BRIDGE, the subsequent band cut an album in 1981 for the CBS distributed Bang label that never saw the light of day.
It was released by First Experience Records as a double LP and CD in 1999 and is recognised as being one of the finest unreleased discoveries within its genre.
IZIPHO SOUL revisit the album and release two gems from this magnificent body of work.
WAITING PATIENTLY - Modern Soul with all the right ingredients - lead vocal Derick Hughes, backing vocals courtesy of The Satin Shadows, driven along by Butch Haynes’ conga playing. Presented here as an extended version crafted by Phil Ward.
On the flip - LOVE’S IN YOUR CORNER (Remastered) featuring the supreme voice of Debravon Lewis (RIP) and Larry Sampson. There’s importance in documenting this great song, as this demo paved the way for the Norman Connors’ version.
- Because Your Love Is Mine
- Hey La
- Skin Of Our Teeth
- Rose And Thorn
- Mona Lisa
- Let Go
- Bully
- Selkie Woman
- Know By Heart
- Winter Strangler
Tristen stammt aus der lebhaften Roots-Rock-Szene von Nashville, Tennessee, und hat sich in den letzten zwei Jahrzehnten als produktive und vielseitige Musikerin etabliert. Ihr Talent für das Komponieren fesselnder Melodien und scharfsinniger Texte hat ihr hochkarätige Kooperationen eingebracht. Sie war Co-Autorin von ,Love is an Art", dem neuesten Album von Vanessa Carlton, und tourte mit Jenny Lewis als Teil ihrer Band Voyager. Ihr folkiges Debütalbum ,Charlatans at the Garden Gate" aus dem Jahr 2011 brachte ihr das Lob als ,Nashvilles bestgehütetes Geheimnis" (The Boston Globe) ein, während sie sich mit ,CAVES" aus dem Jahr 2013, das von Stephen Hague co-produziert wurde, als hypnotische ,Synth-Pop-Sirene" (SPIN) neu erfand. Sneaker Waves erschien 2017 und markierte ihren Übergang zur vollständigen Produktion ihrer Musik und Musikvideos in ihrem Heimstudio zusammen mit ihrem langjährigen Kollaborateur und Ehemann Buddy Hughen. Rolling Stone beschrieb es als ,Nilsson-würdige Powerballade", während Ann Powers von NPR es als ,voller großartiger Melodien und eingängiger Arrangements, die das Ohr kitzeln und nicht mehr aus dem Kopf gehen" bezeichnete. 2021 erschien Aquatic Flowers, woraufhin Talkhouse verkündete: ,Sie ist eine dieser Songwriterinnen und Performerin, die von anderen Musikern absolut geliebt werden, und das aus gutem Grund. Sie ist eine Risikofreudige im Studio, wagt sich in unbekanntes Terrain vor und findet fast immer etwas, das zumindest interessant und oft unglaublich ist." Ihr fünftes Studioalbum ,Unpopular Music" erscheint im Oktober und enthält Beiträge von Pat Sansone von Wilco, Vanessa Carlton, Becca Mancari, Erin Rae und Natalie Prass. Damit kehrt sie auch endlich wieder auf die Bühne zurück und setzt ihre Karriere fort, in der sie bereits mit Robyn Hitchcock, Television, Ezra Furman und den Mountain Goats aufgetreten ist.
- 1: A Moment Of Truth (Feat. James Labrie)
- 2: Out Of The Dark (Feat. Harry Hess)
- 3: City Of Lights (Feat. Steve Walsh/Jerome Mazza)
- 4: The Voice Inside (Feat. Steve Overland/Kee Marcello)
- 5: In The Shadows Of The Night (Feat. Dan Reed)
- 6: Bag Of Your Bones (Feat. Dino Jelusick/Jimmy Westurland/Ivan Keller)
- 7: Chasing The Dream (Feat. Robin Mcauley/Howard Leese)
- 8: History (Feat. Jerome Mazza/Mick Box)
- 9: I Am The Night (Feat. Andrew Freeman/Doug Aldrich)
- 10: Rose In Hell (Feat. Glenn Hughes/Mike Slamer)
- 11: Closer To Heaven (Feat. Kent Hilli)
- 12: The Nero Decree (Feat. Marty Friedman/Ralf Sheepers)
- 13: Turn Your Head Around (Feat. Mick Devine)
- 14: Wreckage (Feat. Craig Brooks/Doug Aldrich)
- A1: Metaphor
- A2: Yusef's Mood
- A3: The Beginning
- B1: Morning
- B2: Blues In Space
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analogue mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
Das Debütalbum des Jazz-Multiinstrumentalisten Yusef Lateef, Jazz Mood, wurde ursprünglich 1957 auf
dem Label Savoy aus New Jersey veröffentlicht. Das Album enthält fünf Originalkompositionen von Lateef
und wurde von Curtis Fuller (Posaune), Hugh Lawson (Klavier), Ernie Farrow (Bass) und Louis Hayes
(Schlagzeug) eingespielt. Diese Neuauflage des Albums erscheint als Teil der Original Jazz Classics Series
auf 180-Gramm-Vinyl, gepresst bei RTI, mit vollständig analogem Mastering von den Originalbändern bei
Cohearent Audio und einem Stoughton Tip-On-Cover.
- You Or Your Memory
- Broom People
- This Year
- Dilaudid
- Dance Music
- Dinu Lipatti's Bones
- Up The Wolves
- Lion's Teeth
- Hast Thou Considered The Tetrapod
- Magpie
- Song For Dennis Brown
- Love Love Love
- Pale Green Things
Am 26. April 2005 veröffentlichte John Darnielle als The Mountain Goats sein drittes 4AD-Album The Sunset Tree - ein zutiefst persönliches Werk, inspiriert von seiner bewegten Kindheit. Zum 20. Jubiläum erscheint am 17. Oktober 2025 eine Neuauflage (20th Anniversary Edition) mit den 2025er Abbey-Road-Remasters, Original-Artwork und neuem OBI-Design von Chris Bigg, erhältlich digital, auf CD, Kassette und als limitierte apricotfarbene Vinyl. Zudem wurde das Musikvideo zu "This Year", inszeniert von Rian Johnson (Star Wars: The Last Jedi, Knives Out), in verbesserter Qualität neu veröffentlicht. Entstanden Ende 2004 mit Produzent John Vanderslice und Musikern wie Peter Hughes, Franklin Bruno und Erik Friedlander, gilt The Sunset Tree bis heute als eines der kohärentesten und bewegendsten Alben der Band. Die 13 Songs, geschrieben nach dem Tod von Darnielles Stiefvater 2003, zeichnen ein vielschichtiges Bild seiner Jugend - geprägt von Familie, Freunden, Gegnern und einer schwierigen Vaterfigur. Darnielle selbst sagte damals, er habe lange gezögert, dieses Material zu verarbeiten, aus Respekt vor dem eigenen Trauma und weil sein Stiefvater noch lebte. Statt schonungslos bleibt das Album letztlich versöhnlich: "You are going to make it out of there alive", heißt es in den Liner Notes. Auch nach über 20 Alben - zuletzt Jenny From Thebes (2023) - behalten The Mountain Goats kulturelle Relevanz, gefeiert etwa von Jack Antonoff und Stephen Colbert. Darnielles neues Buch This Year: 365 Annotated würdigt das Werk der Band mit einem Song und Kommentar für jeden Tag des Jahres.
Essential Liverpool psychedelic folk collective mapping their territory with a record rooted in place and memory.
For fans of: CSNY, Tim Buckley, Talk Talk, The Byrds, Sufjan Stevens and Love.
Like Tame Impala doing Nick Drake covers.
Professor Yaffle have created their most focused and expansive work yet. Following acclaimed previous releases, ‘Everyone Wants to Dream’ finds the band at their creative peak.
The album turns on Everton Brow - an unremarkable Liverpool hill offering the city's finest view. Rogers returns to this vantage point throughout eight tracks, using it as both setting and metaphor for looking back on life without nostalgia. From here, you can see the Mersey stretch toward Snowdonia, the city spread below like a living map.
'Lost in a Dream (On Everton Brow)' weaves Lee Roger’s lyrics as an eighteen-year-old lyrics with newly composed music. 'Everyone Wants to Dream' confronts the disorientation when your children grow and your role shifts. 'On Top of the World' becomes what Rogers calls 'a stoned love letter to Liverpool'.
This is Professor Yaffle's first release with Violette Records, marking the beginning of a partnership between two Liverpool entities who've circled each other for years before finding their moment.
Featuring a 1979 Karl Hughes photograph of a policeman surveying Liverpool from Everton Brow, capturing something essential about the record: that those who maintain order might dream the biggest dreams of all.
"Songs that speak clearly about things that are difficult to articulate - the changing nature of purpose, the ways we dream our fears away, the view from unremarkable hills."
Because sometimes you need to be above it all to see what's been right in front of you.
Zum 25-jährigen Jubiläum präsentieren Lowrider eine überragende Neuauflage ihres unschlagbaren Debütalbums "Ode to Io", der absoluten Blaupause für die Post-Kyuss-Stoner-Rock-Bewegung. 25 Jahre nach der Erstveröffentlichung am 19. September 2000 erscheint diese Sonderausgabe des Wüstenrock-Klassikers auf wunderschönen silber/schwarz/weißen Doppel-Vinyl mit bisher unveröffentlichten Fotos, Essays und Linernotes der Band und einem prächtig aktualisierten, silberdurchwirkten Design als Hommage an eine der Gründungssäulen des Wüstenrocks zu ihrem silbernen Jubiläum. 25th Anniversary-Ausgabe des Stoner-Rock-Klassikers mit Extras: - Deluxe Doppel-LP in Klappcover als Silber/Schwarz/Weiß Merge Vinyl - Aktualisiertes Sleeve Art: kommt im exklusivem Silver Jubilee silber Cover-Artwork - Enthält bisher unveröffentlichte Fotos, Essays und Notizen der Band auf 4seitiger Beilage Für Fans von Kyuss, Dozer, Truckfighters, Greenleaf, Witchcraft und Graveyard... LOWRIDER ist DIE europäische Wüstenrock-Band
- A1: Looking After No 1
- A2: Kiss
- A3: Me & Howard Hughes
- A4: Here's A Postcard
- A5: Dave
- A6: Drag Me Down
- B1: Rat Trap
- B2: Someone's Looking At You
- B3: Banana Republic
- B4: Diamond Smiles
- B5: When The Night Comes
- B6: Mary Of The Fourth Form
- C1: There's No Tomorrow Like Today
- C2: The Elephant's Graveyard
- C3: She' So Modern
- C4: (I Never Loved) Eva Braun
- C5: Trash Glam Baby
- C6: The Boomtown Rats!
- D1: Like Clockwork
- D2: Neon Hear
- D3: Up All Night
- D4: Monster Monkeys
- D5: I Don't Like Mondays
- D6: Joey's On The Street Again




















