Black Vinyl[24,24 €]
Red Coloured Vinyl[24,24 €]
Picture Vinyl[32,14 €]
Cream Vinyl[26,47 €]
Red Vinyl[25,42 €]
il devrait être publié sur 16.05.2025
Black Vinyl[24,24 €]
Red Coloured Vinyl[24,24 €]
Picture Vinyl[32,14 €]
Cream Vinyl[26,47 €]
Red Vinyl[25,42 €]
il devrait être publié sur 16.05.2025
Col Vinyl[27,69 €]
Red Coloured Vinyl[24,24 €]
Picture Vinyl[32,14 €]
Cream Vinyl[26,47 €]
Red Vinyl[25,42 €]
il devrait être publié sur 16.05.2025
Col Vinyl[27,69 €]
Black Vinyl[24,24 €]
Picture Vinyl[32,14 €]
Cream Vinyl[26,47 €]
Red Vinyl[25,42 €]
il devrait être publié sur 16.05.2025
Col Vinyl[27,69 €]
Black Vinyl[24,24 €]
Red Coloured Vinyl[24,24 €]
Cream Vinyl[26,47 €]
Red Vinyl[25,42 €]
il devrait être publié sur 16.05.2025
Col Vinyl[27,69 €]
Black Vinyl[24,24 €]
Red Coloured Vinyl[24,24 €]
Picture Vinyl[32,14 €]
Red Vinyl[25,42 €]
Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.
Col Vinyl[27,69 €]
Black Vinyl[24,24 €]
Red Coloured Vinyl[24,24 €]
Picture Vinyl[32,14 €]
Cream Vinyl[26,47 €]
il devrait être publié sur 16.05.2025
Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.
il devrait être publié sur 10.05.2025
il devrait être publié sur 09.05.2025
David Janeway’s 1986 independent release Entry Point is a gathered and stylish offering of fusion jazz, flitting between Latin, modal and spiritual themes. Featuring desirable cameos from the likes of Bob Berg, Steve Berrios and Marcus Belgrave, the album comprises seven tracks, six of which are original Janeway compositions.
Self-released in 1986, Entry Point didn’t initially make a splash and fell into relative obscurity, only to be discovered by rare jazz collectors and dealers many years later. Upon contacting David with a view to potentially reissue Entry Point, he revealed that he had original sealed copies of the release in his possession – a record which has commanded high prices in jazz dealer circles. We have exclusively imported the last of the original stock: what you’ll get here are original, sealed copies from 1986, pressed up on David’s New Direction label. They are all in mint condition, sealed in their original shrink wrapping, and extremely limited in quantity, with only forty copies in stock.
Entry Point is a beautiful album full of outstanding musicianship, dedication, craft and audible passion, informed by the many diverse musical stylings of its time and gathered by the overarching sonic maturity and discipline of jazz. A true classic of its ilk, and a one-of-a-kind album that is an absolute must for any discerning jazz collector, a newly discovered gem that is long overdue recognition for the outstanding piece of work that it truly is.
David Janeway is an extraordinary pianist with a great facility and wealth of ideas. He exhibits maturity and depth in his playing. He has most definitely “ARRIVED”. ~ Eddie Henderson
il devrait être publié sur 30.04.2025
Mit verschiedenen Ensembles wie seinem World Saxophone Quartet hat US-Saxofonist David Murray Jazz
und Avantgarde zusammengebracht und das Genre über Jahrzehnte hinweg immer wieder maßgeblich
geprägt. Letztes Jahr hat er mit Pianistin Marta Sanchez, Bassist Luke Stewart und Schlagzeuger Russell Carter ein neues Quartett gegründet und einen Vertrag mit dem legendären Coltrane-Label Impulse!
Records abgeschlossen.
Für sein dortiges Label-Debüt hat er sich von Musik inspirieren lassen, die älter als die Menschheit ist:
dem Vogelgesang. “Birdly Serenade” ist Teil des Grammy-ausgezeichneten “Birdsong Project”, sechs der
acht Originale komponierte Murray in einem Künstler-Retreat in den Adirondack Mountains, inmitten
von Seen, Wäldern und endlosem Himmel. Am Anfang des Schreibprozesses standen drei Gedichte von
Francesca Cinelli, die auf dem Album auch mit einer Spoken-Word-Performance zu hören ist. Weiterer
Gaststar ist Sängerin Ekep Nkwelle.
Wer zartes Flötenspiel und “Jazz-Gezwitscher” erwartet, den wird der kraftvolle Saxofon-Sound des im
berühmten Van Gelder Studio aufgenommenen Albums eines Besseren belehen.
il devrait être publié sur 25.04.2025
il devrait être publié sur 25.04.2025
Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.
Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.
Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.
Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.
il devrait être publié sur 04.04.2025
il devrait être publié sur 02.04.2025
Repress on Limited Crystal Clear Vinyl and Black Vinyl to coincide with new album ‘Daylight’ release
The album was recorded at the top of an East London tower block, mixed in a beach hut on Camber Sands and gilded by Bollywood strings is already setting its sights hide and wide, but when the sound and vision encompasses panoramic electronic soul laced with a viscerally personal reaction to the mad times we’re living through, we’re in the presence of something special
Our two British protagonists are Sean Dickson, a former indie star who reinvented himself as an electronic adventurist - musician, DJ, producer – whose last album Ft. featured a stellar line-up of guest vocalists, including Yoko Ono, Fred Schneider (B- 52’s), Alan Vega, Crystal Waters (fronting ‘Testify’, which topped the US Billboard dance chart) and David McAlmont - the last, a thrilling singing sensation with an illustrious history, from indie-soul pioneers Thieves and the legendary McAlmont & Butler to purer soul and jazz recordings and a striking collaboration with minimalist composer Michael Nyman.
Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.
The Austin, TX-based singer-songwriter—whose decades-long career has seen six full-length studio albums, three EPs, countless collaborations, and an illustrious supergroup project in Glorietta—spent a season of rest away from his focus on writing songs. In the wake of the end of a long relationship, he wanted to prioritize processing his grief as a human, not as an artist bleeding on the page. “I love all the records I’ve made in the past. But in making them, there was always the thought in the back of my mind of where and what it could get me. I made both creative and business decisions with a goal in mind... a goal that often never came. This time it was all about just the joy of making it, about having fun with it.”
il devrait être publié sur 21.03.2025