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Following the release of Netflix's inspiring documentary short 'Hold Your Breath: The Ice Dive', Galya Bisengalieva presents her official soundtrack. To accompany the gruelling journey of freediver Johanna Nordblad as she tries to break the world record for distance travelled under ice with one breath, Galya has crafted an expert ambient narration that highlights the rising intensity toward the films looming climax. She uses warped solo violin techniques and electronically manipulated strings to produce compelling and emotive compositions that induce complete submersion. Aiding in the use of the dive to make comment on both global warming and the pandemic, the soundtrack commands attention while giving the characters their own space to breathe. Galya explains; "Composing music to Joanna's story was a completely new challenge. Until now my writing has been based on more abstract concepts but now I had the opportunity to engage closely in a clearly defined journey of an individual. A story of the freediver and her attempt to break the world record (men's and women's) for distance travelled under the ice, no fins, no wetsuit, on a single breath. What Joanna achieved is truly inspiring and incredibly brave. It would have been extremely easy for me to focus on the jeopardy of her record attempt. However, the story that is being told is her love of the cold water, her sister, family, and the nature she communes with every day. My music needed to reflect the personality of an extremely determined and loving woman. In order to achieve this, I used the violin as her voice, high harmonic soaring melodies. This I juxtaposed against layers of low warped drone and nature sounds, using field recordings of underwater, cutting of the ice for the dive and the howling wind in extreme weather conditions in Finland. The music hints at danger and the power of nature but always comes back to Joanna's intimacy with the icy water."

The Ice Warriors is the 39th story arc of the series Doctor Who consisting of 6 parts and ran in the 5th season. Parts 2 and 3 are considered lost and were animated for DVD release in 2013.

Plot: The TARDIS materializes on Earth, where humanity is fighting a new ice age. At Brittanicus Base, scientists are trying to use an ionic device to combat the advance of a glacier. When a giant humanoid creature is discovered nearby in the perpetual ice, additional complications arise as the ice warrior comes to life after thawing. It is the captain of a spaceship from Mars that crashed centuries ago. Varga also wants to revive his comrades and conquer Earth, since life is no longer possible on Mars. The Doctor and his companions must not only prevent Varga's plans but also save the base's crew from the approaching glacier....

On three LPs in a deluxe box set, fans can now relisten to the four surviving original TV episodes from 1967. The 140 gr. LPs come in the special color Molten Ice vinyl. Elaborately illustrated sleeves on top.

Truly sensational modern soul double sider. Fantastic group vocals, swirling string arrangement and top notch punchy production. Impossible to find on original format (came out on private press on KickBack Records). Spun only by a handful of deejay around the world, to include George Mahood and our very own Dj Camembert. Recorded at United Artist studio, Beverly & 3rd Street Los Angeles California in 1978. Co-Produced by JJ Wilson who was also the band leader at the time and Bert (Humberto) Agudelo who was also Chief Engineer on this project and is a mastering engineer known to have worked at Liberty/United Artists Recording Studio. He also produced the famous Rocky movie album on United Artist. Executive producer Cecil Lyde Holden from the well known Lyde, Fisher & Giles band, who has cut the classic Serve Me Right to Suffer in 1977 on HAB records. Enjoy and support the venture, and if you like the Starfire too, please bundle up and spare something. One in every home!

Ian Campbell was born in Nottingham (UK) in 1968.
In 1980 he left UK to join a breakdance group. During a tour of Italy
Ian fell in love with the “bel paese” and decided to stay on and find
a job as a singer or DJ.

His first love was rap, above all Raggamuffin (due to his Jamaican
origins).

In 1989 by chance he met the producer Robyx, who decided to
record a track with him.
In just a few days, the first single "Easy" was ready. Within a few
months it became a success first in Europe, then worldwide.
The project was called "Ice MC" and the songs were sung, written
and played by Robyx, while Ian took care of the rap.
The album “Cinema”, and two further singles, “Cinema” and
“Scream” followed this first success.

The three singles sold a total of two million copies, and the album
around five hundred thousand!
After more than 30 years, DWA is proud to announce the re-print of
this album on vinyl, a special gift to all collectors of ‘80s / ‘90s hits.

140 gram black vinyl reissue of the Grammy-nominated Alligator debut by The Master of the Telecaster, Albert Collins

An essential part of any blues collection, the album features all-time fan favorites like Master Charge, Honey Hush and Conversation With Collins. All tracks remastered. Originally released in 1978.

Albert Collins is revered as a true blues legend, and his greatest success came after he signed with Alligator and cut 'Ice Pickin'.' It won the Best Blues Album of the Year Award from the Montreux Jazz Festival, in addition to being nominated for a Grammy, and has been inducted into the Blues Hall Of Fame.

Ice City makes its return and it's another excursion into the world of obscure one-shot bands. Revered by crate-diggers worldwide, it's a long overdue 7" reissue of the elusive band Fate and its one and only record from 1982.

The dreamy "I'm in Love Again" is a rhodes-led, bass heavy groover crescendoing with an eyes-closed guitar solo, drenched in pure, raw passion.

Not to be undone by the A-side, flip the 45 over for the psych-soul slow burner "Without You Girl" for an extra dose of heart-melting emotion.

Icy City kicking off the year strong with another limited 7" that's not to be missed!

Blue light. No heat. A glacial wall of denser-than-dense sound. Dallas Texas’ FROZEN SOUL lives up to their name as the sound of death metal at its most cold and classic. Riff after slow, grinding riff, there’s no mistaking the themes of isolation and suffering that permeate the quintet’s massive sonic missives. “The feeling I’m getting from playing in FROZEN SOUL is powerful in a way I wasn’t getting from other bands I’ve played in before”, says frontman Chad Green. “The sound. The lyrics. Even the logo itself has a harshness to it that just feels powerful and cold. Add to that the depression of dealing with real life and the venomous people that can inhabit it and the vibe of the band just makes sense.”
FROZEN SOUL’s brand of straightforward, in-your-face death metal is a gasp of fresh air in a genre that’s stretched the very limits of technicality. Fully formed in 2018, the quintet has rapidly made a name for itself and churned the underground with a sound that evokes the old school sound of bands like Obituary, Mortician and Bolt Thrower. That reverence for death metal’s roots was apparent from Frozen Soul’s initial four-song Encased In Ice demo (which includes a cover of Mortician’s “Witch’s Coven”) that was released in early 2019 on California’s cave dwelling, knuckle dragging, Maggot Stomp Records.

Durch die Kunst des komplizierten Songwritings und des ausgeklügelten Storytellings haben Ice Nine Kills
aus Boston, die Fähigkeit, ihre Zuhörer zu fesseln und zu begeistern. Nahtlos verwebt die Band aggressiven
Post-Hardcore mit erhabenen Melodien, nutzt vielschichtige Gitarren-Hooks, eine doppelte Gesangsattacke,
komplexe orchestrale Arrangements und eine stampfende Rhythmusgruppe, die den Hörer an der Kehle
packt und nicht mehr loslässt. Das 2015 erschienene „Every Trick In The Book“ war eine Hommage an ein
klassisches, literarisches Werk und wurde das bisher erfolgreichste Album von Ice Nine Kills und erreichte
die Top 5 der Hard Rock Album Charts.

Demon Records presents the narrated TV soundtrack of a partially ‘lost’ six-part adventure set in a
future Ice Age, starring Patrick Troughton as the Doctor.
The Doctor and his friends land on Earth in the future, and find it in the grip of a new Ice Age.
They join a team of scientists struggling to hold back the huge glaciers that threaten all human
life. A giant creature is discovered inside the ice and quickly comes to monstrous life – it’s an Ice
Warriors from Mars! It intends to find its crashed spaceship, where a whole crew of Warriors is
waiting to be revived…
Presented across a trio of 140g Molten Ice vinyl discs, this 1967 TV soundtrack – only four
episodes of which survive as film recordings - is narrated by Frazer Hines, who co-stars as the
Doctor’s companion Jamie, with Deborah Watling as Victoria. The guest cast includes Bernard
Bresslaw as the Ice Warrior Varga, Peter Barkworth as Leader Clent, and Peter Sallis as Penley.
Incidental music is by Dudley Simpson, and the familiar strains of the Doctor Who theme are
courtesy of the BBC Radiophonic Workshop.
The coloured LPs are presented in fully illustrated sleeves which, when assembled together, form
the cover image. Original episode billings, and full cast and credits, are included.
Dummedy-dum, Dummedy-dum, Dummedy-dum, Dum-dum…

Crumb’s second album, Ice Melt, takes its name from the coarse blend of salts that you can buy from your local hardware store for $9.99. When sprinkled on your wintry steps, this mixture absorbs water and gives off heat, transforming the ice into a viscous, briney


slush and, eventually, nothing at all. Beginning with the dynamic chaos of “Up & Down,” and ending with Crumb’s closest thing to a lullaby, Ice Melt’ s ten tracks combine, like ice sculptures melting into a glistening puddle.

From the start, the group knew that cohesion was best achieved through plumbing their individual strengths— frontwoman Lila Ramani’s earliest songwriting, which catalyzed the group’s first two EPs; Bri Aronow’s knack for building (dis)affecting soundscapes; the hypnotic grounding of Jonathan Gilad’s drums, a Crumb mainstay; and Jesse Brotter’s distinctive bass playing, which subtly traces Ramani’s vocal melodies while providing an unrelenting pulse. These collective skills make Crumb a project of independent self-discovery, four creative minds converging around an idea that is always shifting and reforming.

Convening in Los Angeles to work with producer Jonathan Rado, Crumb tapped into atmosphere-creation like never before, building experimental compositions that are at turns head-nodding and surrealist, energetic and euphoric. Ramani characterizes the album as a “return back down to earth,” a deeply felt examination of “real substances and beings that live on this planet.” It is also the cultivation of road-worn musicians exploring brand-new sounds and thematic concepts, pushing themselves into territory they could never have anticipated five years ago.