180 GRAM AUDIOPHILE VINYL
• GATEFOLD SLEEVE
• INCLUDING INSERT WITH LINER NOTES
• HIGH RESOLUTION AUDIO MASTER, CUT ON 45 RPM
• GRAMMY AWARD NOMINEE, THREE-TIME ECHO AWARD
NOMINEE, THEODORE PRESSER AWARD RECIPIENT JAZZ MUSICIAN THEO CROKER
• FEATURING ARI LENNOX, GARY BARTZ, CHARLOTTE
DOS SANTOS, MALAYA, IMAN OMARI, KASSA OVERALL &
WYCLEF JEAN
• LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED
COPIES ON TURQUOISE COLOURED VINYL
Every trip needs a guide. Through the trumpet, the Grammy Award-nominated artist, producer, composer, tought leader, influencer and tastemaker Theo Croker narrates a human story rooted in intimate experience, yet cognizant of cosmic consciousness. This journey unfolds in technicolor on his sixth full-length offering, BLK2LIFE || A FUTURE PAST.
“BLK2LIFE || A FUTURE PAST is meant to be a deeply impactful, personal experience for the listener. One that you can also dance to - it is Black music after all,” Croker says.
BLK2LIFE || A FUTURE PAST consists of 13 tracks and is inspired by the forgotten hero’s journey towards self-actualization within the universal origins of blackness. It’s a sonic celebration of Afro-origin, and ultimately a reclamation of the culture, for the culture. Joining Croker on the album are Ari Lennox, Charlotte Dos Santos, Gary Bartz, Iman Omari, Kassa Overall, Malaya, and Wyclef Jean.
BLK2LIFE || A FUTURE PAST is cut on 45 RPM with a high resolution audio master. The album is available as a limited edition of 750 individually numbered copies on turquoise coloured vinyl, housed in a gatefold sleeve.
quête:iman
- A1: Ben L'oncle Soul – River
- A2: Tété – Can't Get You Out Of My Head
- A3: Ginne Marker – Blinding Lights
- B1: Anwar – ..Baby One More Time
- B2: Imany – Bust Your Windows
- B3: Paper Plane – Shape Of My Heart
- B4: Yaya Minté – Tennessee Whiskey
- C1: Hugh Coltman – Mad About You
- C2: Axelle Rousseau – You Do Something To Me
- C3: Saandia – Don't Speak
- C4: E B – Do You Really Want To Hurt Me
- D1: Faada Freddy – Sayin' About You
- D2: Rover – Wicked Game
- D3: China Moses – Are You Gonna Be My Girl
In these times when music is so formatted, the freshness of this organic album, is a pleasure to hear by finding the salt of great voices such as Ben Uncle Soul, Imany, Rover, Faada Freddy, Tété, China Moses, or Hugh Coltman. Are also highlighted new voices, such as Saandia, Anwar, Ginne Marker or Yaya Minté
The album was produced by Johan Dalgaard, pianist / keyboardist known for playing with Benjamin Biolay, Jean-Louis Aubert, Gaëtan Roussel, ... He also produced the album of Alain Chamfort awarded at the Victoires de la Musique in 2019, several albums of Christophe Maé and the latest album of Bénabar
- A1: Nxquantize & Charlie Maurin – Spark (Ft. Imane El Halouat)
- A2: Sinclair Ringenbach – Aragó
- A3: Demar – Lo Fay (Ft. Holy Hamond & Levis Reinhardt)
- B1: La Dame – Death Of The Samurai
- B2: Lngsigh – Iterative Evolution
- B3: Dangerous Method – Vayapur
- C1: Mbkong – In The Eyes
- C2: Emahix – Tenderoni
- C3: Kumanope – On The Mountain
- D1: Daaria & Corvaxx – Die Alena
- D2: Orbital Lemon – Mountain Break
- D3: P. Real & Albertas – Dedicated 2 U
In March 2020, the Omakase team decided to gather some producers, musicians and singers they knew around a collective project, having the large electronic music spectrum as principal axis. From this idea was born, a few months later, a multiple opus, varied, rich of textures, shapes and influences going from trip-hop and bass to ambient, breaks, beat, house, lo-fi and jungle. This compilation, first record of the label, regroups several talented artists from the modern electronic
music scene who try to question sounds of today and tomorrow.
Released on CD and digital on the 21st May 2021, this eagerly anticipated LP from I Grade Records immediately soared to the number one position in the iTunes reggae charts. The LP is now being released on 12" vinyl and cassette tape courtesy of Before Zero Records.
Polarities is the 13th and final full album of new material from Vaughn Benjamin and I Grade Records, the culmination of a 20 year working relationship that began with 2001's Nemozian Rasta album, which was Midnite's 4th album released to date at that time.
Polarities was produced jointly by the Zion I Kings production team, with Tippy I of I Grade at the production helm, alongside Vaughn Benjamin himself.
The album also includes two notable guest features: Tiken Jah Fakoly of Ivory Coast on "Everything Bless" and Chronixx of Jamaica on "Black Carbon", which were both released in 2020 as the first singles off of Polarities.
- A1: The John Coltrane Quartet — Africa 16:27
- B1: Max Roach — Garvey's Ghost 7:52
- B2: Quincy Jones And His Orchestra — Hard Sock Dance 3:20
- B3: John Coltrane — Up 'Gainst The Wall 3:14
- B4: Elvin Jones/Jimmy Garrison Sextet — Just Us Blues 5:55
- C1: John Coltrane — Alabama 5:09
- C2: Charles Mingus — Better Get Hit In Yo' Soul 6:31
- C3: Shirley Scott Trio — Freedom Dance 4:50
- C4: Yusef Lateef — Sister Mamie 5:27
- D1: Archie Shepp — Malcolm, Malcolm—Semper Malcolm 4:48
- D2: Stanley Turrentine — Good Lookin' Out 5:21
- D3: Earl Hines — Black And Tan Fantasy 5:11
- D4: Oliver Nelson — The Rights Of All 3:58
- E1: Pharoah Sanders — The Creator Has A Master Plan (Edit) 9:08
- E2: John Coltrane & Alice Coltrane — Reverend King 11:03
- F1: The Ahmad Jamal Trio — The Awakening 6:22
- F2: Albert Ayler — Music Is The Healing Force Of The Universe 8:41
- F3: Charlie Haden — We Shall Overcome 1:19
- G1: Alice Coltrane — Blue Nile 7:02
- G2: Pharoah Sanders — Astral Traveling 5:50
- G3: Archie Shepp — Blues For Brother George Jackson 3:52
- G4: Michael White — Lament (Mankind) 2:28
- H1: Dewey Redman — Imani 7:09
- H2: Marion Brown — Bismillahi 'Rrahmani 'Rrahim 6:02
- H3: John Handy — Hard Work 6:58
Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era’s velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active—from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even—from swing and bebop, to free and Afrofuturist. The performances on Impulse Records: Music, Message and the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time.
For it’s 4th release, Melodeum Records embarked on an epic quest in the search of a treasure which has remained hidden in the musical ether for many suns. After months of digging, a hidden gem emerged, a true diamond in the rough, a life form who only goes by the name of Roluce.
Roluce mastered the binding powers of enthralling House with the drawing influence of Minimal rhythms. Every frequency on the Rogustine EP was individually curated to forge this powerful composition. All 4 original tracks have the power to destroy dancefloors and cause mass euphoria - please play with the utmost care.
Support:
Dewalta, Arapu, Sascha Dive, Norm Talley, Herck, Cosmjn, Sublee, Andrea Ferlin, Barbara Preisinger, Pheek, Charliee, Matheiu, Dan Primaru,
- A1: Intro
- A2: Come Back To Me (Feat Junie & Rick Ross)
- A3: Wake Up Love (Feat Iman)
- A4: Lowkey (Feat Erykah Badu)
- A5: Let's Build (Feat Quavo)
- A6: 1800-One-Night
- B1: Mornin' (Feat Kehlani)
- B2: Boomin' (Feat Missy Elliott & Future)
- B3: 69
- B4: Killah (Feat Davido)
- B5: Bad
- B6: Wrong Bitch
- C1: Shoot It Up (Feat Big Sean)
- C2: Bare Wit Me
- C3: Lose Each Other
- C4: Concrete
- C5: Still
- C6: Ever Ever
- D1: Try Again
- D2: Friends
- D3: How You Want It? (Feat King Combs)
- D4: Made It
- D5: We Got Love (Feat Ms Lauryn Hill)
Being a jack of trades has enabled Teyana Taylor to become a master of all. From her smoky melodic vocals to her dynamic dance moves, the R&B superstar entertainer dips ’n dives between her talents as singer, songwriter, producer, director, dancer/choreographer, actor, fitness guru, model, and mother. When it comes to describing herself, the Harlem native can only think of one word: Everything. In 2014, Teyana’s love for the arts and R&B earned her the title of the first woman signed to Kanye West’s G.O.O.D. Music imprint.
THE ALBUM, released June 19 2020, was tapped by Pitchfork as one of the “most anticipated albums of the summer.” In addition to "Wake Up Love," Teyana’s masterpiece included her new graduation anthem "Made It," pegged by NPR as a “a triumphant, isolation-proof anthem for the Class of 2020.” In August, it was announced that "Made It" was picked by President Barack Obama as one of the tracks on his 2020 Summer Playlist.
Debuted at #1 on the Billboard R&B Charts, the album has spawned a number of standout creative moments, from her self directed video for “Lose Each Other” featuring Elton John. Following the release of her album, Taylor was awarded Video Director of the Year at the 2020 BET Awards.
- A1: Gambit
- A2: Halt Mal
- A3: Hideo Ochi
- A4: Seemy 2
- A5: Bruuh
- A6: Opanke
- A7: Imani Yangu (Feat Imam Ally Salaam)
- A8: By Your Side
- B1: Go Thru Changes With Me
- B2: Okami 7
- B3: Slide Away (Feat Reginald Omas Mamode Iv)
- B4: Eddy St
- B5: I Hear Everything (Feat Kurt Wagner & Keshavara)
- B6: Tofu Break
- B7: It Takes Two To Tango
- B8: Azuki
Objets Trouvés
1 – ein Alltagsgegenstand, der zum Kunstwerk gemacht wird, indem der Künstler ihn findet, seiner bisherigen Funktion entledigt und ihn als Kunstwerk behandelt.
2 – ein Album von Twit One mit 16 Songs, inspiriert von verschiedenen Situationen und Sounds. Die Gästeliste wird geschmückt von Reginald Omas Mamode IV aus London, Kurt Wagner (Lambchop) aus Nashville und den Kölner Artists Keshavara und Imam Ally Salaam. “Objets Trouvés” ist Twit Ones drittes Soloalbum bei Melting Pot Music. Wenn wir seine Projekte mit Hulk Hodn (als Testiculo Y Uno), den Summers Sons (als Syrup), Lazy Jones (als Flatpocket), Count Bass D und Fleur Earth dazuzählen, dann blicken wir auf 10+ LPs zurück (LP steht für Longplayer; die Betonung ist uns wichtig, da wir jedes Twit One Album auf Vinyl releasen). 2009 startete Twit One das Beat-Game in Deutschland zusammen mit seinem Weggefährte Hulk Hodn. Twit One war Lo-Fi lange bevor Instrumental-Hip-Hop zu Coffeshop-Musik wurde (Wun Two und FloFilz können das bestätigen), obwohl er seinen Sound niemals mit einem solchen Begriff beschreiben würde. Heute spielt Twit One in seiner eigenen Liga und hat einen Ausdruck eigens für sein Genre geprägt: Cool Bap. Er ist ein Beats schaffender Tausendsassa, der Musik, Artworks und Videos kreiert. Er ist Musikkurator, DJ, Radiohost und betreibt einen Plattenladen (Groove Attack Recordstore in Köln). Auf der Suche nach „Beats to chill or study to“ wird man bei „Objets Trouvés“ nicht fündig. Bei einer Vorliebe für Musik, die ausdrucksvoll und vielseitig ist, eine Botschaft transportieren kann und ihre Wurzeln kennt, sollte „Objets Trouvés“ zum Standardrepertoire werden. Unterstützt von einem Team aus grandiosen Gästen – von Londoner MC/Sänger Reginald Omas Momade IV bis zu Kurt Wagner von den US-Alternativ-Rock-Ikonen Lambchomp – vereint Twit One Hip-Hop, Soul, Jazz und Funk wie nur er es kann. Untangiert von Trends und Moden ist sein Sound charakterisiert von Humor und kompromissloser Eigensinnigkeit, besonders empfehlenswert für Fans von Sun Ra, Dilla oder Moodymann (um nur ein paar der GOATS zu nennen).
Sixteen years after their previous effort, in 2017 Nicola Conte met again his friend and colleague Gianluca Petrella, an encounter that led to the release of 3 EP's and this full-length album. From Detroit future dance to afrobeat and spiritual jazz through a nu-disco sound, the unique vibe of "People Need People" drags us in search of deep music in a spiritual and mantric context, with a message of hope, aggregation and Universal Love. More than just a new album, it's a collective experience wisely directed by the duo, whose goal is to accompany the listener through a collective spiritual elevation path, guided by the only true universal language: music. In a historical period marked by contrasts, lack of communication and forced social distancing, "People Need People" proves to be even more essential and necessary.
- A1: Do It
- A2: 2 The Music (Feat Iman Omari)
- A3: Go Dj (Feat Sir)
- A4: Gray Area (Feat Mick Jenkins)
- A5: Puff Lah
- B1: 10% (Feat Kali Uchis)
- B2: Need It (Feat Masego)
- B3: Taste (Feat Vanjess)
- B4: Oh No (Feat Estelle)
- C1: What You Need (Feat Charlotte Day Wilson)
- C2: Vex Oh (Feat Goldlink, Eight9Fly & Ari Pensmith)
- C3: Scared To Death
- C4: Freefall (Feat Durand Bernarr)
- D1: Culture (Feat Teedra Moses)
- D2: The Worst In Me (Feat Tinashe)
- D3: September 21
- D4: Midsection (Feat Pharrell Williams)
Third EP in a row for the new Conte-Petrella project, which further explores the themes and sounds found on their previous collaborations, "Sun Song/Nigeria" and "African Spirits/New World Shuffle", with it's heavily West African influenced rhythms and cosmic-leaning musicality, once again with the participation of Bridgette Amofah and her incredible voice. A work suspended between joyous straight-up pary jam and spiritual atmospheres, where it's easy to get equally as lost in the driving groove as the intergalactic sound-palette that floats on top of it.
Heritage finds Mark de Clive-Lowe in the process of grand introspection about his Japanese heritage, with specific tracks as memories from the past illustrating the right history of Japan. The albums have a sweeping, almost majestic feel with signature electronic soundscapes throughout.
Day turns to night as Mark de Clive-Lowe's Heritage II takes us from the meditative zen of Heritage into a world of jazz and Japanese roots culture fused with hip hop, drum'n'bass and broken-beat.
On Heritage II, de Clive-Lowe is joined by a cast of world-class musicians: Josh Johnson (Leon Bridges/Esperanza Spalding), Teodross Avery (Talib Kweli/Mos Def), Brandon Eugene Owens (Terrace Martin/Robert Glasper), Brandon Combs (Moses Sumney/Iman Omari), Carlos Nin~o (Build An Ark/Lifeforce Trio) and Tylana Enomoto (Kamasi Washington/Bonobo) - who all contribute stellar performances in support of de Clive-Lowe's music.
'GOTH-TRAD formed new unit 'EARTAKER' with Diesuck(vocal) and Masayuki Imanishi(noise) in 2017. Their doomful & dissonant sound with Diesuck's low scream feels like music that can be heard from the gap between end of the world and the new world. It is hard to categorise to any genre. This is the unit's first LP.'













