Suche:infernal

Infernal Sounds welcome back Taiko to the fold as they celebrate their 20th release on the label with a stinking 3-track EP from the Sheffield-based producer. Having previously featured on IFS009 with Darkimh on the track 'Unwarp', it's time for him to take centre stage and unleash this all-rounded release, showcasing exactly why he's one of the most sought after producers under the 140 spectrum. The 'Giant Big Man' EP delivers all of the known traits from Taiko's productions - a dynamic percussion, intricate use of vocal snips, laced with grimey undertones. The EP is pressed on 180g vinyl, and finished with a full sleeve design from returning illustrator, Emily Dayson.

Having received major support from the likes of Sicaria Sound, N-Type and Truth, amongst many other top drawer DJ's, this is a must-own piece of art to add to your collection.

Dread technicians Pact Infernal debut on their own Altar Label with 4 all new haunted constructions

Infernal Sounds welcomes their newest member to the imprint, Dark Tantrums. After a brief hiatus from releasing music, the producer who's had previous EP's out on both Deep Medi and GetDarker is back with a bang. From the millitant march of 'Command', to the distorted and twisted mind of 'Darkside', with 'Time Warp' rounding things off in a typical old-school fashion, this EP will knock your socks off and deliver a punch for the dance floor. IFS011 not only displays his ability to adapt his style under the 140 spectrum, but continues to prove why he's one of the most underrated artists to grace the scene.

Infernal Sounds is discharging its fifth hefty, system-affine release, adding another highly regarded talent to their roster. Having featured revered producers like Von D, Sepia, Causa, Shu & Perverse, the label has clearly positioned itself in the front row seat of the modern dubstep movement. Representing a combination of upholding the values of system music with a 21st-century take on sound - the next release, catalogued as 'IFS005' is stylistically congruent and adds to the discography in total.

It is now time for highly talented Sub Basics (Tom Woods) to augment the imprint's discography with his ridiculously massive incarnation of bass music. His debut vinyl release on the Canadian imprint 'Visceral Vibrations' in 2015 has garnered ample amounts of positive reception by esteemed figures in the scene like Versa, Syte and J:Kenzo. After an equally praised 10' dubplate release ( Give Dem') in 2016, we now find ourselves in the silence before the thunderstorm, that is this very record. His upcoming release includes three tracks, two of which will feature on vinyl (A. Horus/ B. Cartel), while the third 'Northern Lights' will be a Bandcamp-exclusive.

Diving into the sound at hand, his arrangements are closely aligned and firmly true to the origins of Dubstep - conjugated with extreme clarity, as well as preposterous amounts of weight and gravitas. The impeccable execution of his minimalistic sound design will leave this release rumbling on soundsystems around the globe - and will most stay a fan's favourite draw from the record bag for a good while.


Perfectly displaying a refined sense of dynamics with 'Horus', Sub Basics effortlessly squeezes every available ounce of air out of the system, while preserving an immense sense of space. The highly infatuating groove of 'Cartel' is mingled with a sweltering foundation - tied together through his meticulous attention to detail. As etheral pads complement the gnarly drum reverberations and bird's cries recoil - the listener is left in a surreal world of the 'Northern Lights' - apprehended by the sonorous magnitude of the bassline. Completed by creamy atmospheres with tape-echo-esque characteristics, this whole release is sure to tick all your boxes from top to bottom - IFS005 has already received support from J:Kenzo & Foamplate among others, therefore the pre-order is strongly advised.

Through the Gate of Hell a Wild Savage Forest of Wretched Souls had let me Frozen and Faint. Now all is heard. Lux Rec presents the second appearance of Echo 106 on the label.
The two brothers descended into Infernal Regions to witness torturing flames, black magic woods, seas of damned souls and ice cold bodies. So brave, although not without any fear, they went close enough to sense such pains themselves. Carving five songs that depict their gloomy journey to an extent that, as the last song says, all is heard indeed.

The EP comes in a double 12" outfit with a gatefold sleeve. The front picture is a work of Giandomenico Carpentieri. The production has been curated by D Cosmo.
Free download included.

Virginia/North Carolina-based cult Loincloth reveal details of the upcoming LP, Psalm Of The Morbid Whore. This marks their second and final full-length release, again via the masters of heavy, Southern Lord Recordings.

Packing nine new instrumental passages of white-knuckled twists, and by-the-throat percussion,into a half-hour onPsalm Of The Morbid Whore. As with their 2012-released Southern Lord debut LP, Iron Balls Of Steel , Loincloth returned to Pershing Hill Sound in Raleigh, North Carolina to record with Greg Elkins. Masteringby Brad Boatright (Sleep, Corrosion Of Conformity, Sunn O))), Obituary) at Audiosiege.

About the release, the band made the following statement, Loincloth is no longer a live band, so this record is our final offering not only to the great horned one below, but to the committed ladies and gentlemen of the Cloth.'

Loincloth is a culmination of years of worshiping at the altar of the riff and Psalm Of The Morbid Whore arrives with the promise of absolute pummel! Guitarist Tannon Penland and drummer Steve Shelton (Confessor) return with their twisted brand of instrumental metal on the forthcoming LP, this time around also enlisting the infernal hands of Tomas Phillips on bass, who collaborated with Penland in experimental outfit Gauchiste for their self-titled 2012's release through Little Black Cloud Records. Penland, Shelton, and Phillips were joined by guitarist Craig Hiltonwho contributed towards the composition and on tour with Sunn O))) and at festivals from Barcelona's Day OfDoom and Power Of The Riff inLos Angeles, to Richmond's GWAR-B-Q.

Join Loincloth in their final hour of worship...

Nervous Gender’s legendary synthpunk LP Music From Hell burbles up from infernal depths to resurface on Dark Entries. Confrontational, unhinged, and unabashedly queer, Music from Hell is an unholy grail for fans of the strangest underbellies of post-punk, minimal synth, and early industrial music, and is presented here newly remastered and on expanded double LP.

Nervous Gender (de)formed in LA in 1978 at the hands of Phranc, Gerardo Velaquez, Edward Stapleton, and Michael Ochoa. Phranc, the androgynous embodiment of the band’s name, left in 1980. Following her departure, a wide cast of LA freaks would find themselves drawn into the band’s orbit, including Alice Bag of the Bags, Paul Roessler of the Screamers, the Germs’ Don Bolles, and an 8-year old drummer named Sven Pfeiffer. In 1980, Nervous Gender appeared on the seminal Live at Target compilation alongside Factrix, uns, and Flipper. With the band’s notoriety cemented, Music from Hell followed in 1981 on Subterranean Records (as no LA label would touch this material).

Side A, dubbed “Martyr Complex”, presents a more punk-forward sound with live drum salvos and slabs of aggressive synth. These twitchy, unsettling shockers ooze with the kind of snotty misanthropy that will endear them to fans of the Screamers or Crass.

Side B, known as “Beelzebub Youth”, is a live performance the band labeled "an electronic bruto-canto dissertation on the banality of spiritual transcendence." Mutant melodies cede way to synthesized clangs, whirs, bleeps, manipulated tapes, and howls of despair.

In addition to all the material from the original LP, we’re treated to a full disc of the band’s demos, the material from the Live at Target compilation, and early live recordings. Included are unrecognizable covers of Carly Simon and Lou Reed, and the Sex Pistols that are so despairingly skewed they fall into the void. This reissue of Music From Hell includes a 36 page lyric booklet, foldout poster, and gatefold sleeve with photos, flyers, and news-clippings designed by Eloise Leigh. Tackling taboo issues like sexual kinks, mental illness, drug use, and childhood molestation, Music From Hell is still surprising – even shocking - over 40 years after the album’s release. Nervous Gender stand as one of the most genuinely anti-establishment outfits in underground music, a colossal fuck you to social norms from religious strictures to gender essentialism.

Kid Katana Records teamed up with Dotemu, The Game Kitchen and KOEI TECMO GAMES, to bring you the highly anticipated NINJA GAIDEN: Ragebound OST on vinyl.



The physical edition is a 2LP designed in close relationship with the game's creative team:
- 2 colored vinyls: transparent blue & magenta, matching the cover art & the color-code of the two protagonists
- exclusive poster with extended credits & liner notes giving insights from the game’s creative team and featured artists


This album illustrates the incredible return to the saga's origins, embodied by Ryu Hayabusa's disciple Kenji Mozu and The Black Spider Clan Kunoichi Kumori, both united to repel the sudden onslaught of demons. It takes players back to its roots: a side-scrolling, brutally precise action-platformer set between the events of the first three episodes of the NINJA GAIDEN 8-bit era. The game’s OST blends different genres: rock, retro tunes and action-packed arcade music that respect the IP music legacy while modernizing it.

GET OUT OF HERE!

Zarkoff brings it all:

– A cry to battle
– An ode to the abyss
– A sacriligious chant

INVOLUCIJA recruits vocalist & poet Zarkoff from Sumerian Fleet to deliver razor-sharp justice. You can label it EBM, industrial techno or even futuristic math-rock – we just call it Balkan Body Music.

“And after a line, another line” (Serbo-Croatian: I poslije linije, linija) is a flippant reference to Yugoslvia’s nostalgic lament ‘And after Tito – Tito!’ Oh how the ethical goalposts of the past are moved, again and again.

As Zarkoff warns: don’t turn your back on the golden youth!

/// Berlin labels aufnahme + wiedergabe and INVOLUCIJA·ORG connect again for another split-label release // INVOLUCIJA is an experimental post-industrial collaboration with artists from ex-Yugoslavian countries, started by Michel Morin (Sneak-Thief / Polygamy Boys) and Lucija Invo. ///

Headek Records returns with its second release, HDK-2: The Eyes of Goa – Syncrosonix EP.

This time, we dive deep into the hypnotic realms of Goa Trance with a truly special EP. Syncrosonix and Goagoa unfold across two tracks, each presented in two versions, making a total of four sonic explorations. Expect a perfect fusion between the raw essence of classic Goa Trance and the futuristic pulse of bleep-infused techno. Pulsating trance basslines intertwine with resonant synths, acid sequences, and shimmering bleeps, creating a mesmerizing vortex of energy. Let yourself be drawn into the infernal spiral of trance and lose all sense of time.

Sebastian Sandmann, from Elsteraue in Germany, has been DJing and producing since 1999, honing his skills in clubs and gigs such as the ‘Endstation’ event series in the Leipzig Distillery which resulted in him being picked up by the renowned Leveltrauma booking agency where his obvious talent flourished leading to residencies at the Sky Club, Leipzig and the Tube Club, Merseburg. Sebastian’s music repertoire covers many genres inc. multiple forms of techno, house, hardcore and DnB which has culminated in releases on some insane German labels including “Rage & Error”, “Leveltrauma” and “PsychoDevils Records”.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in
Scotland, we’re getting more extreme than we’ve ever been before with an absolute ‘Onslaught’ of speaker
punishment grade screaming techno. This is Sebastian Sandmann’s first ever solo vinyl release and it‘s utterly lethal. Featuring four aggressive crushin’ tracks to get all them imprisoned clubbers marching
to its accelerated beat. This aint dance music, this is stomp music, and you best not pound on down in front of
anyone when it’s spinning or you’re gonna get trampled on, mark our RIOTous words.

The full digital release also features one bonus brain mashin’ track so you can dive even deeper into your own infernal techno psyche.

WARNING: ONCE THE RIOT SENTINEL APPEARS YOU MUST OBEY ……………. OR ELSE

Credits:

Written by Sebastian Sandmann
Mastered by Joe Farr
Artwork by Nomad

Control 333 is the E.P. of Uruguayan artist Leo Mendez a.k.a Jardines Sin Explorar, who has left this earthly plane at the beginning of 2024.

This release features 2 super powerful EBM tracks, with infernal bass lines and melodies that achieve a rave atmosphere, 2 pieces of music that takes us on a ride to the true essence of the Underground culture of electronic music.

"Heridas", a track with a classic Ebm sound with a strong bass that marks the hypnotic of the track, accompanied by melodies in their leeds with influences of the punk sound that characterized Jardines, a track loaded with many feelings that are transformed into pure fire. "Turbio" is the second track of the ep, which is more characterised by the electro industrial sound with post punk influences, rhythmic leads and break drums with crashing vocals that lead you to explore your darker side.

“Marre Marre Marre” was recorded, composed, and burned behind the stove by Sexy Sushi.

Sexy Sushi is made up of Herr Silver & Rebeka Warrior, "Marre Marre Marre” was remastered in 2021 by Tony Chauvin. Originally released on CD only in 2007, this album is a medley of our least successful tracks.

The surface area of France is 670,922 km².

Without you, none of this would have been possible—it’s all your fault. So, thank you.

red marbled vinyl

Tensal M is already here with 4 tracks of fiery rhythms and explosive textures, infernal arpeggios and overwhelming sound for this new Ep presented with a beautiful design and a crystal clear & solid red vinyl.