My Life, Americana trailblazer Iris DeMent’s sophomore album, cemented her legacy as one of the nation’s greatest living songwriters. Dedicated to her father, Patrick Shaw DeMent, who died in 1992, the album illustrates DeMent’s razorsharp songwriting on originals like “Sweet Is the Melody,” “No Time to Cry” and the title track. The songs “are jewels of universal longing” (Chicago Tribune) and “it is nearly impossible to exaggerate the beauty of these recordings.” (AllMusic). The album is being officially reissued for the first time for its 30th anniversary, pressed on maroon color vinyl and remastered by Mike Westbrook of MW Audio. The lacquer is cut by renowned mastering engineer Kevin Gray and is pressed at the state-of-the-art audiophile facilities at Citizen Vinyl in Asheville, North Carolina. This pressing is limited to 2,000 copies worldwide.
quête:iris dement
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Iris DeMent released Infamous Angel in 1992 - Nearly 30 years later, the
album remains among the most singular and fully realized singersongwriter debuts since the invention of that category in the early '70s
The abiding strengths of the album are especially impressive ' even a bit startling '
because 1992 is not a moment usually associated with her intimate brand of
acoustic country music. In country history, the year 1992 is most immediately
affiliated with Garth Brooks, whose album, The Chase, topped both the country
and pop album charts that year, and with Billy Ray Cyrus' 'Achy Breaky Heart,'
which fueled a line dance craze. Squeezed into a playlist alongside such hits,
DeMent's doleful, hushed 'Our Town' would've sounded as if it were being
broadcast from another planet. 'People call me country,' she told journalist Ben
Thompson while on tour in Britain a couple years later. 'But country doesn't call
me country.' Let's call her country. The genre is always more expansive than what
radio stations program. It happened Infamous Angel is close kin to a different
sort of country music that was just then having a moment: specifically, country
singer- songwriters, focusing on personal, but universal, loss and hope and
favoring small acoustic combos. It may have been out of step with the
mainstream, but Infamous Angel arrived right on time
- (We're Not) The Jet Set (Feat. Iris Dement)
- So Sad (To Watch Good Love Go Bad) (Feat. Connie Smith)
- Wedding Bells/Let's Turn Back The Years (Feat. Lucinda Williams)
- When Two Worlds Collide (Feat. Trish Yearwood)
- Milwaukee Here I Come (Feat. Melba Montgomery)
- I Know One (Feat. Emmylou Harris)
- It's A Cheating Situation (Feat. Dolores Keane)
- Back Street Affair (Feat. Patty Loveless)
- Loose Talk (Feat. Connie Smith)
- Let's Invite Them Over (Feat. Iris Dement)
- Til A Tear Becomes A Rose (Feat. Fiona Prine)
- In A Town This Size (Feat. Dolores Keane)
- We Could (Feat. Iris Dement)
- We Must Have Been Out Of Our Minds (Feat. Melba Montgomery)
- In Spite Of Ourselves (Feat. Iris Dement)
- Dear John (I Sent Your Saddle Home)
Red Transparent Vinyl[26,68 €]
- Who's Gonna Take The Garbage Out (Feat. Iris Dement)
- Storms Never Last (Feat. Lee Ann Womack)
- Falling In Love Again (Feat. Alison Krauss)
- Color Of The Blues (Feat. Susan Tedeschi)
- I'm Tellin' You (Feat. Holly Williams)
- Remember Me (Feat. Kathy Mattea)
- Look At Us (Feat. Morgane Stapleton)
- Dim Lights, Thick Smoke, And Loud, Loud Music (Feat. Amanda Shires)
- Fifteen Years Ago (Feat. Lee Ann Womack)
- Cold, Cold Heart (Feat. Miranda Lambert)
- Dreaming My Dreams With You (Feat. Kathy Mattea)
- Mental Cruelty (Feat. Kacey Musgraves)
- Mr. & Mrs. Used To Be (Feat. Iris Dement)
- My Happiness (Feat. Fiona Prine)
- Just Waitin
- (We're Not) The Jet Set (Feat. Iris Dement)
- So Sad (To Watch Good Love Go Bad) (Feat. Connie Smith)
- Wedding Bells/Let's Turn Back The Years (Feat. Lucinda Williams)
- When Two Worlds Collide (Feat. Trish Yearwood)
- Milwaukee Here I Come (Feat. Melba Montgomery)
- I Know One (Feat. Emmylou Harris)
- It's A Cheating Situation (Feat. Dolores Keane)
- Back Street Affair (Feat. Patty Loveless)
- Loose Talk (Feat. Connie Smith)
- Let's Invite Them Over (Feat. Iris Dement)
- Til A Tear Becomes A Rose (Feat. Fiona Prine)
- In A Town This Size (Feat. Dolores Keane)
- We Could (Feat. Iris Dement)
- We Must Have Been Out Of Our Minds (Feat. Melba Montgomery)
- In Spite Of Ourselves (Feat. Iris Dement)
- Dear John (I Sent Your Saddle Home)
Black[26,68 €]
More Than A Whisper: Celebrating The Music Of Nanci Griffith is an all-star tribute to the legacy of the GRAMMY award-winning singer, guitarist, and songwriter. Featured artists include Brandy Clark, Shawn Colvin, Iris Dement, Steve Earle, Mary Gauthier, Emmylou Harris, Sarah Jarosz, Lyle Lovett and Kathy Mattea, Ida Mae, John Prine and Kelsey Waldon, Todd Snider, Billy Strings and Molly Tuttle, Aaron Lee Tasjan, and The War And Treaty covering some of Griffith’s most notable releases. ★★★★ - MOJO “More Than A Whisper is Olympic standard” 9/10 Americana UK
- 1: Remember Everything – Brandi Carlile
- 2: Pretty Good – Nathanial Rateliff
- 3: Saddle In The Rain – Amanda Shires
- 4: Yes I Guess They Oughta Name A Drink For You - Tyler Childers
- 5: Sweet Revenge – Margo Price
- 6: Summers End – Valerie June
- 7: Souvenirs – Jason Isbell
- 8: Angel From Montgomery – Bonnie Raitt
- 9: Sam Stone – John Paul White
- 10: One Red Rose – Iris Dement
- 11: Hello In There – Emmylour Harris
- 12: Paradise – Sturgil Simpson
Broken Hearts and Dirty Windows: Songs of John Prine, Vol.2, the follow up to the original 2010 tribute record, is set for an October 8th release. With tracks from Sturgill Simpson & Brandi Carlile revealed so far, the release adds to an esteemed legacy for Oh Boy Records, which is celebrating its 40th anniversary this year.
Hannah Peel’s latest work "Fir Wave" contains re-interpretations of the original music of the 1972 KPM series featuring Delia Derbyshire and the Radiophonic Workshop.
The new album, a sonic shimmer of textures and pulses that switches between raw atmospheric edges and environments, arrives with a fascinating history. As Peel explains, “The specialist library label KPM, gave me permission to reinterpret the original music of the celebrated 1972 KPM 1000 series: Electrosonic, the music of Delia Derbyshire and the Radiophonic Workshop.” This process of re-generation and finding fresh inspiration in pioneering, experimental electronics from the early 1970s is at the core of the album. Peel has made connections and new patterns that mirror the Earth’s ecological cycles through music. Peel explains, “I’m drawn to the patterns around us and the cycles in life that will keep on evolving and transforming forever. Fir Wave is defined by its continuous environmental changes and there are so many connections to those patterns echoed in electronic music - it’s always an organic discovery of old and new.” As Delia Derbyshire revealed in 2000 to BBC sound engineer, journalist and academic Jo Hutton: “I like new things that don’t seem new . . . as though they’ve always been there.” Known more recently for curating and presenting on BBC Radio 3’s Night Tracks, the Northern Irish Emmy-nominated composer and producer’s work is ambitious and forward-looking, adapting and re-inventing new genres and hybrid musical forms.
Recent albums include the solo electronic and pop work of Awake But Always Dreaming, which became an ode to her grandmother’s mind as she lived with dementia; the electronic ruralism of Chalk Hill Blue, an album recorded with the poet Will Burns; and the space and the unparalleled vastness of Mary Casio: Journey to Cassiopeia, scored for synthesisers and a 30 piece colliery brass band. In 2019 she composed and recorded the soundtrack for Game of Thrones: The Last Watch which earned her an Emmy nomination for ‘Outstanding Music Composition For A Documentary Series Or Special (Original Dramatic Score)’.
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