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Fangz - Shui

Fangz

Shui

Pict-VinylIMP139
IMPRESSED RECORDINGS
11.07.2025
  • Wide Awake
  • Animals
  • Annie Marie
  • Gone
  • Same Old Story
  • Wasting Time

Pressed to limited edition other-worldly Zoetrope picture disc, Shui is the new album from Sydney based punk rock five-piece, Fangz, out via Impressed Recordings.

Since their 2019 inception, the band have released three EP’s For Nothing (2019), But No Thanks (2020), Falling Is Pretty Normal (2022), and a slew of singles, which received strong support from the likes of triple j, triple j Unearthed, Triple M, Spotify, Apple Music, Amazon Music, Metal Hammer (UK), Loudwire (USA), Classic Rock (UK), Metal Injection (USA), Louder Sound (UK), NME, Pilerats, The Guardian, MANIACS and many more.

They’ve traversed the country multiple times selling out headline shows, performing at festivals and sharing stages with the likes of FIDLAR (USA), Pennywise (USA), The Bronx (USA), Cancer Bats (CAN), RedHook, Comeback Kid (CAN) and He Is Legend (USA).
The group have also completed an East Coast in 24 hours, launched their very own line of hot sauce Fang us Some Sauce, an annually curated festival ‘FANGZstock’, and hold the Guinness world record for the most hard-boiled eggs eaten in one sitting by front man Josh Cottreau (143 eggs in three minutes and ten seconds).

Coming into 2025, the quintet have released singles ‘Wasting Time’, ‘Nothing To Lose’, ‘Same Old Story’ and ‘Wide Awake’ from their forthcoming debut album ‘Shui’ (due July 2025), plus have taken FANGZstock on the road, launching the Melbourne and Brisbane contingents.

pre-order now11.07.2025

expected to be published on 11.07.2025

48,70 €
Addy Weitzman - Light Months Will Fly Over Us

The debut album from Addy Weitzman, ‘Light Months Will Fly Over Us’ explores new-wave, romantic pop and art rock with elegance and ambition, drawing from Weitzman’s scattered network of collaborators, as well as a “frighteningly vast” personal archive of compositions. Sequenced by Seth Troxler and released on his Slacker 85 label, it represents a pivot in musical direction for the imprint, and a showcase for the songwriting craft Weitzman honed as a member of cult electro duo Footprintz, and Montreal synth-pop projects The Beat Escape and Dawn to Dawn.

The title Light Months Will Fly Over Us is derived from a line in a poem by the Russian writer Anna Ahkmatova. Weitzman was immediately struck by its “hopefulness, its mystery… it gives the feeling of being suspended, hanging in a dream-like state”. This interpretation has been translated to the album, rich in memorable songwriting that nonetheless invites the listener to lean in further. Delicately mixed by engineer Pierre Guerineau, known for his work alongside Marie Davidson, each of the eight tracks gently interrogates life’s greater mysteries; fear, love and salvation, each defining and revealing the human soul.

Opener ‘End of The Line’ invites us into an immediately lush space of lounge lizard existentialism, soft brass and piano helping Weitzman introduce “where the journey begins and the fantasy dies”. Across orchestral arrangements arranged by Adam Wilcox, whose sensitive, ambitious compositions are weaved throughout the album, ‘Beyond The Speed of Life’ brings to mind the laments of Scott Walker. Navigating vulnerability via grandeur, Weitzman’s earnest vocals flourish in wide-eyed call-and-response with the object of a transcendent love affair.

Alongside collaborator, Richard Lamb, the next chapter of the LP plunges into contrasting machine-driven moods; the wry, bubbling ‘Entertainment Is All I Wanted (And I Found It)’ is imbued with the playfulness and experimentation of 80s electronic pioneers such as Fad Gadget, while the tougher, icier ‘Stranger To Your Kind’ shifts in a more instrumental direction, recalling Weitzman’s dancefloor experience, as well as contemporaries such as Matthew Dear.

Album centerpiece and striking first single ‘Running & Returning’ is the first of a suite of three tracks in collaboration with Weitzman’s The Beat Escape and Dawn to Dawn bandmate, Patrick Boivin. Blending lush saxophones and angular guitars with a wistful melodic touch and lyrics, its irresistible art-rock rhythm provides the foundation for one of Weitzman’s most involving vocal performances.

It’s followed by an anthem for existential absurdity: ‘Ice Cream Candle’ provides a driving acceptance that “the more and more you learn, the less you understand”; Weitzman submits to this uncertainty with equal grace on ‘No Man’s Land’, as baroque invocations of “words swept through the fields” and meeting “where the water lilies grow” give way to a blistering guitar solo, humbly riding hypnotic percussion.

For the compassionate finale of Light Months Will Fly Over Us, Weitzman narrates the experience of ‘Gabrielle’, a woman slipping between rooms between shuttered blinds in the towering city, “where cigarettes and roses fill the air.”

As lyrically delicate as it is musically ambitious, Light Months Will Fly Over Us is a sublime debut album, enriched with care, love and much-needed enchantment.

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Last In: 15 months ago
18,07 €
Au Pairs - Playing With a Different Sex

Playing with a Different Sex was the debut album by seminal post-punk band Au Pairs, released in 1981.

Described retrospectively by AllMusic as ‘one of the great post-punk records’, a review by Record Mirror on its release said the band’s ‘critique of all forms of possession and sexual stereotyping assumes a devastating power’. Themes include sexual politics and the torture of women imprisoned in Northern Ireland during The Troubles of the 1970s, as well as a stunning cover of David Bowie’s ‘Repetition’ about domestic violence. It peaked at No. 33 in the UK, and features the single ‘It's Obvious’, which reached No. 37 on the US Club Play Singles chart. Playing with a Different Sex is available as a numbered limited edition of 750 copies on turquoise coloured vinyl and contains an insert.

pre-order now11.07.2025

expected to be published on 11.07.2025

34,41 €
Chris Rea - New Light Through Old Windows(2025 Remaster) 2x12"
  • 1: Let’s Dance
  • 2: Working On It
  • 3: Ace Of Hearts
  • 4: Josephine
  • 5: Candles
  • 6: On The Beach
  • 7: Fool (If You Think It’s Over)
  • 8: I Can Hear Your Heartbeat
  • 9: Shamrock Diaries
  • 10: Stainsby Girls
  • 11: Windy Town
  • 12: Driving Home For Christmas
  • 13: Steel River

Zum ersten Mal seit seiner ursprünglichen Veröffentlichung im Jahr 1988 erscheint Chris Reas allererste Compilation „New Light Through Old Windows“ wieder auf Vinyl. Das Album wurde remastert, auf recycelte Doppel-LP und CD gepresst und wird am 11. Juli 2025 neu aufgelegt.

pre-order now11.07.2025

expected to be published on 11.07.2025

41,98 €
ASC - Echoes In Space Part Two

ASC

Echoes In Space Part Two

12inchSPTL039
Spatial
11.07.2025

A1 - Symbiotic Link
Kicking off another stellar, varied EP, ASC opens Symbiotic Link with an eerie introduction telling of a tense interaction between orcas in open waters before a thunderous break with immensely sharp venom-fueled snares often used by the likes of Photek back in the day aggressively seizes the attention, jolting and stabbing as the juddering bassline rumbles below - as synthy melodies provide respite in the mix.

A2 - A Single Emotion
Serving up another raucous, nostalgia-driven treat for any breakbeat fan, ASC channels his old-school mastery with a thoroughly absorbing journey through a variety of breaks, edited, chopped and filtered to perfection with dense, earthy basslines lying beneath. Lifted by a soundscape filled with light horn melodies, echoing vocal hits and washes of pads, you'll experience more than a single emotion here.

AA1 - Whirl
Time for a Hot Pants break serenade through swathes of atmospheric synths as Whirl expands ASC's diverse repertoire further still - an earworm melody at the forefront is provided by the bassline on this occasion - simple yet immensely effective. The bass intertwines with the breaks effortlessly while sci-fi effects and samples whoosh and fall with several tonal changes keeping things fresh till the curtains close.

AA2 - Frontier
A rousing cymbal kicks off a curious, deep introduction punctuated by melodic keys and a simmering undertone of suspense. Chunky old school breaks suddenly enter the mix with a continuous, enveloping bassline as the atmosphere builds steadily via micro melodies, noir vocal samples and delicate bells, as ASC closes another Spatial EP in his inimitable, unpredictable engaging style.

Words by Chris Hayes (Spatial / Red Mist)

out of Stock

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Last In: 14 months ago
14,71 €
Aural Imbalance - Cosmic Exploration

A1 - Sequence Array
Exquisitely filtered breaks open Sequence Array as Aural Imbalance opens the EP with a glorious intro capped off with a tight 808 bassline solo before the dependable, rapturous crunch of amens thrash their way into the mix. Programmed with dextrous skill allowing the crisp subtleties of the breaks to breathe among the layers upon layers of floral ambience, this one is an amen journey to remember.

A2 - In Formation
A more understated affair takes the stage as In Formation is introduced by airy pads and light DJ-friendly filtered breaks in the backdrop before a punchy yet delicate break pattern - high on the juddering snares and low on the kicks - ushers us along through plinky melodies and mood-elevating synthwork, completing a journey of reflective solitude from the master of ambient atmospherics.

AA1 - Voices From Neptune
Light keys and excitable, shimmering waves of ambience kick off the elegantly composed Voices from Neptune, setting a sumptuous tone before the uniquely constructed breakbeats commence. Kicks and energetic hi hats & snares are soon joined with a light Hot Pants break, crisp and complimentary in the mix as low pass melodies bask in the soothing swathes of exquisite synthwork.

AA2 - Decoded Message
Closing out the EP, Aural Imbalance sets free his Decoded Message, opening with a quietly suspense-fuelled intro flecked with light hi hats before a yearning, mournful melody intersects with a tapestry of ambient pads and effects. Swirling with an array of subtle jangling melodies to form a kaleidoscope of spine-tingling mood music, the compositions capped-off with old-school breakbeats riddled with analogue charm and earthy bass.

Words by Chris Hayes (Spatial / Red Mist)

out of Stock

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Last In: 15 months ago
14,71 €
Fat Produce - No Way/54-46 Was My Number
  • A1: No Way
  • B1: 54-46 Was My Number

From the sunny shores of Miami, Florida, Fat Produce is leading the charge in today's soul-jazz scene. Their latest release features two classic tracks, "No Way" and "54-46 Was My Number," which are beautifully molded into Fat Produce's unique sound led by guitarist Addison Rifkind and drummer Michael Duffy. This limited 7" single offers a preview of what’s to come from this rising trio.

The influence of Boogaloo Joe Jones is undeniable, so incorporating his 1970s classic "No Way" into their repertoire was a fitting tribute for the band. With a deeper sound and an infectious groove, Fat Produce pays homage to this musical giant, guaranteed to get everyone moving on the dance floor. On the flip side, "54-46 Was My Number" is a reimagination of a Toots & The Maytals original, transformed into the instrumental style of a soul-jazz guitar trio. Rifkind's lyrical guitar work breathes new life into Toots' original vocal melodies, embodying the essence of soul-jazz and crossing genres to keep the spirit of feel-good music alive.

Both tracks were recorded on a Tascam 388 at Studio Del Sol in Boca Raton, Florida, by Travis Acker and mixed at The F-Spot HQ in Los Angeles by D.M.C. With upright bassist Nestor Del Prado joining the duo on this album, Fat Produce's forthcoming sophomore LP is set to be released in October 2025.

pre-order now11.07.2025

expected to be published on 11.07.2025

14,24 €
CLUSTER - CLUSTER II

CLUSTER

CLUSTER II

12inchBB4061
Bureau B
11.07.2025
  • Plas
  • Im Süden
  • Für die Katz
  • Live in der Fabrik
  • Georgel
  • Nabitte

Cluster can be counted among the most important international protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, whilst to some they are firmly embedded in the krautrock universe. There is some truth in all of these notions. Cluster (or Kluster as they were in the beginning) were founded in 1970 in Berlin by Conrad Schnitzler, Hans-Joachim Roedelius and Dieter Moebius. A change in direction and musical differences moved Moebius and Roedelius to split from Schnitzler after which the duo recorded 10 regular studio albums between 1971 and 2009. Their debut album ("Cluster 71") was in Wire Magazine"s "One Hundred Records That Set The World On Fire" list. "Cluster II" is influenced by Berlin and Hamburg; situated somewhere in the middle of artistic happenings, musical outrageousness and drug abuse: an urban mixture.

pre-order now11.07.2025

expected to be published on 11.07.2025

23,49 €
DRAB MAJESTY - MODERN MIRROR

DRAB MAJESTY

MODERN MIRROR

12inchDAISC16136
Dais Records
11.07.2025
  • A DIALOGUE
  • THE OTHER SIDE
  • ELLIPSIS
  • NOISE OF THE VOID
  • DOLLS IN THE DARK
  • OXYTOCIN
  • LONG DIVISION
  • OUT OF SEQUENCE

White & Black Smash Vinyl. Drab Majesty's third album, Modern Mirror, is a journey of self-reflection, nostalgia, love, beauty, and heartbreak told across eight addictive and emotional synth pop anthems - a seemingly classic tale delivered unblinkingly through the frame of the modern world. Elements of classic tragedy weigh heavily in the reflection of Modern Mirror in songs like "The Other Side", possessing a fundamental sound that is energetic, luminous and hopeful. Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction, Drab Majesty has birthed a hybrid of dreamy malaise, captured for a future moment. The first single, "Ellipsis", romantically plays up the distorted concept of courting through modern technology in a world that has yet to adapt, while on "Long Division", Deb's resounding guitar cascades around the chorus shared with No Joy frontwoman Jasamine White-Gluz, wistfully warning us against our vanity and self-obsession. Even when hope for everlasting love peeks through in "Oxytocin", a sparkling and stoic track sung by Mona D., we are firmly reminded our fleeting existence. Produced by Josh Eustis (Telefon Tel Aviv) with appearances by Jasamine White-Gluz (No Joy) and Justin Meldal-Johnson (NIN, Beck, M83, Air).

pre-order now11.07.2025

expected to be published on 11.07.2025

22,27 €
DRAB MAJESTY - AN OBJECT IN MOTION
  • VANITY (FEAT. RACHEL GOSWELL)
  • CAPE PERPETUA
  • THE SKIN AND THE GLOVE
  • YIELD TO FORCE

The latest EP from Drab Majesty marks the start of a stirring new chapter in the band's majestic legacy. Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo-psychedelic resonance of a uniquely bowl-shaped 12-string Ovation acoustic/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into "flow states," letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell (Slowdive), Justin Meldal-Johnson (Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motion is true to its title, capturing the chrysalis moment of an artist evolving, reborn and untethered, silhouetted against an open horizon."Cape Perpetua" kicks off the collection's divergent palette: sparkling acoustic finger-picking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. "The Skin And The Glove" deploys jangle to different effect - baggy, soaring, grey-skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic freefall voice to The Cure-esque ballad, "Vanity," infusing poetic gravity to the doomed refrain: "If the valve breaks / then the earth quakes / and history finds a way / to put you in your place.""Yield To Force", the closing track of the EP, may be the most anomalous offering of the set. A 15-minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It's music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. Taken as a whole, An Object In Motion presents a showcase of potential futures from Drab's evolving domain, their sound poised to bloom at the precipice of transformation.

pre-order now11.07.2025

expected to be published on 11.07.2025

21,43 €
PELICAN - FLICKERING RESONANCE LP 2x12"
  • GULCH
  • EVERGREEN
  • INDELIBLE
  • SPECIFIC RESONANCE
  • CASCADING CRESCENT
  • PINING FOR EVER
  • FLICKERING STILLNESS
  • WANTERING MIND
also available

ORANGE VINYL[31,05 €]

LTD. BLUE MARBLE VINYL[32,35 €]


Pelican has always been a band that's not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican's foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. "The `90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity," says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas' departure in 2022, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance. While longtime Pelican fans will recognize the album as an update to the band's ethos_one that's been constantly evolving since their very first EP_their new partnership with Run For Cover Records emphasizes something that's always been implicit to the Pelican formula. These songs take as much inspiration from titanic `90s post-hardcore, space-rock, and emo as they do traditional metal, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican's songwriters, so too did Quicksand, Christie Front Drive, and Hum. "A lot of people didn't hear it at first," says Schroeder-Lebec. "I was like, well, I guess the metal world is where we fit. But now, we're more willing to acknowledge all the suits we're wearing."On Flickering Resonance, Pelican doesn't attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican's thick sonic backbone remains intact, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like "Evergreen" and "Indelible" tease Pelican's doom-metal roots, but these songs feel equally, ebullient and truthful, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker, who recorded their first EP, Pelican begins this new chapter of their career with an album that's neither full reinvention nor back-to-roots revivalism. After so much time apart, and with so much life having been lived between the original Pelican lineup's last recording sessions together, the band approached it with renewed vigor and a more communal spirit."There was more room for openness and critique with the understanding that we're all trying to craft the best song possible and that every suggestion is valid until it's proven invalid," says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. "We didn't move forward unless we all wanted to move forward, and that felt like real community building," says Schroeder-Lebec of this unified approach. "I went from seeing it as my art and my craft to our craft that we were shaping together."In doing so, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like "Cascading Crescent" and "Indelible" don't languish in what's been lost, these tracks see the band embracing what remains in their hands instead of lamenting what's slipped through their fingers. It's a concept that's mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It's a piece built off the concept of flame meditation, and how the smallest flames can often bring about the biggest transformations. A song like "Flickering Stillness" exemplifies this feeling through its sonic expanse, putting the band's sonic density and hyper-focused clarity on display, but with an emphasis on the profound human connections that have kept Pelican going all these years. "When Laurent left and we were able to carry it through, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it" That feeling of deep, grounded appreciation isn't just one that's within the band members, it's expressed in every track on Flickering Resonance. Because at the very core of Pelican, are four individuals who have grown both separately and together, and always will.Like a distant light faintly glowing in the darkest night, Flickering Resonance is a reminder of all that has passed us by, but also all that is still to come.

pre-order now11.07.2025

expected to be published on 11.07.2025

31,64 €
GOOD LOOKS - BUMMER YEAR

Good Looks

BUMMER YEAR

12inchKSLPC247
Keeled Scales
11.07.2025
  • ALMOST AUTOMATIC
  • 21:
  • BALMORHEA
  • BUMMER YEAR
  • FIRST CROSSING
  • VISION BOARDS
  • WALKER LAKE

Born and raised in small Texas towns, the members of Good Looks met and began playing together in Austin. Songwriter Tyler Jordan grew up in a South Texas coastal town dominated by the petrochemical industry, his childhood steeped in the tension between nature and industry, exploitation abundantly present and the wealth gap on full display. His father's church, described by Tyler as "cult-like in its intensity," was homebase and where he learned to sing. Tyler eventually met lead guitarist Jake Ames in the late-night song-swap circles of the Kerrville Folk Festival campground (where they would also meet Buck Meek and Adrienne Lenker pre-Big Thief). They shared their mutual love of the Texas hill country canon (Blaze Foley, Townes Van Zandt, and Willie Nelson), a love of cheap diner food, thrift store baseball caps, and a healthy dose of harmless shit-talking. They began playing in bands together, backing up other songwriters and taking turns in the spotlight. They sought out producer Dan Duszynski (Loma, RF Shannon, Jess Williamson) to engineer their debut album. What would form was Good Looks, a blue-collar political indie-rock band with healthy doses of Replacements swagger and shimmering, desert rock riffs not unlike The War On Drugs.

pre-order now11.07.2025

expected to be published on 11.07.2025

22,65 €
HALF JAPANESE - ADVENTURE

Half Japanese

ADVENTURE

12inchFIRELP792
Fire Records
11.07.2025
  • BEYOND COMPARE
  • STEP ON UP
  • MEANT TO BE
  • POSSIBILITIES
  • THINGS
  • THAT'S FATE
  • ADVENTURE
  • THE SUMMER OF LOVE
  • STARS DON'T LIE
  • LEMONADE SUNSET
  • MAGNIFICENT
  • BLAME IT ON YOUR SMILE

Legendary indie travellers Half Japanese return with their new album Adventure. The prolific outsider combo, helmed by the ever-optimistic Jad Fair, delivers a heartwarming set of upbeat sonnets celebrating the power of love, affection, and maturity. More than 50 years since Jad and his brother David emerged from their lo-fi bedroom in Uniontown, Maryland, USA, Adventure takes the latest incarnation of the band down new and more refined avenues. Recorded in London at Vacant TV and produced by Jason Willett and Jad, Adventure presents a more pristine and polished canvas for Jad to expand upon. The addition of Euan Hinshelwood to the sonic palette, with saxophone, harmonica, and piano, creates a smoother backdrop for the band's less lubricated sound. Lemonade Sunset is an ode to the world of wonder, a spacious overture built with melancholy in mind but relishing the positivity of life. By contrast, Step On Up revolves around a glorious rising piano motif that hints at Steely Dan if they were high on energy drinks and spinach rather than their usual tipple. It's a light-hearted evocation of the good times. Magnificent is a homage to living in the present tense, powered by the bittersweet saxophone, with a glorious piano-led sub-melody offsetting Jad's positivity: "magnificently magnificent," no less. Elsewhere, ringing percussion and sharp arrangements provide Jad with a sturdy and far reaching soundtrack to lament over. Adventure sees Half Japanese covering new ground, with Jad's considered soliloquies set in a sumptuous setting. The lineup for Half Japanese on Adventure includes Jason Willett (bass, keyboards), Gilles-Vincent Rieder (drums, percussion), John Sluggett (guitar, piano, bass), Mick Hobbs (guitar), Euan Hinshelwood (guitar, saxophone, piano, harmonica), and Jad Fair (vocals, percussion). Sadly, longstanding member Mick Hobbs passed away last year. "Absurdly underrated art-rockers" - Record Collector. * "Fair's ability to bang out music behind him is matched perhaps only by Mark E Smith" - The Wire.

pre-order now11.07.2025

expected to be published on 11.07.2025

26,68 €
RICKY NELSON - GREATEST HITS
  • A1: Travelin' Man
  • A2: Poor Little Fool
  • A3: Hello Mary Lou
  • A4: Waitin' In School
  • A5: Be-Bop Baby
  • A6: I'm Walkin
  • A7: Believe What You Say
  • A8: I Got A Feeling
  • A9: Young World
  • A10: Lonesome Town
  • B1: It's Late
  • B2: Teenage Idol
  • B3: It's Up To You
  • B4: A Teenager's Romance
  • B5: Stood Up
  • B6: Never Be Anyone Else But You
  • B7: Just A Little Too Much
  • B8: A Wonder Like You
  • B9: Everlovin
  • B10: Sweeter Than You

When Elvis joined the Army in 1958, Ricky Nelson was the young man who, it was predicted, would fill the King’s blue suede shoes. He went on to become a country-rock pioneer, but everybody still remembered his pop hits. Ricky Nelson's teenage celebrity typecast him for life, but these recordings from his heyday reveal a solid musician who matured and grew over time. It’s also fair to say that his later music opened the door for the Eagles, featuring ex-Stone Canyon Band bass player Randy Meisner, to pass through. It was more than a sympathy vote that saw Nelson posthumously inducted into the Rock and Roll Hall of Fame in 1987.

pre-order now11.07.2025

expected to be published on 11.07.2025

21,81 €
Amina Claudine Myers - Solace of the Mind LP
  • African Blues
  • Song For Mother E
  • Sensuou
  • Steal Away
  • Ode To My Ancestors
  • Voices
  • Hymn For John Lee Hooker
  • Twilight
  • Cairo
  • Beneath The Sun

Over sixty years into a life in music, Amina Claudine Myers revisits old compositions with a quiet force on Solace Of The Mind, her first solo record since receiving an NEA Jazz Master honours. Recorded for Red Hook Records and produced by Sun Chung, it hears Myers at the piano, Hammond B3 organ and mic, reinterpreting personal standards such as 'African Blues', 'Song For Mother E', 'Cairo' and 'Steal Away' with patient, spacious phrasing and the tonal sensitivity she's honed since her days with the AACM. Chung's production renders every harmonic shimmer and pause with startling clarity; a glistening move compared to last year's duo release with Wadada Leo Smith, adding a returnal layer to an otherwise eclectic discography, spanning free jazz and blues-rooted experimentalism. In her words, "I wanted to play (the originals) differently this time."

pre-order now11.07.2025

expected to be published on 11.07.2025

25,17 €
Midnight Rodeo - Chaos Era LP

Signing with FatCat Records in 2022, and having released four singles to date, Nottingham-based Midnight Rodeo have now delivered their debut album, “Chaos Era”.

Extensive, relentless touring (sold-out hometown shows,The Great Escape, Dot To Dot, and Kendall Calling) created a tight-knit family, their pleasure in playing as an ensemble is instantly evident on the album. When asked about this they’ll explain, “We want people to tap into why we are always smiling on stage.”

The songs are collaborative efforts. Their different musical backgrounds result in a genre criss-crossing and totally unique creative collisions. Bassist Harry says, “What we do is Dada-istic. The drums play hooks, the bass plays parts usually taken by brass, the guitar’s playing West Coast psyche over disco rhythms.”

Written over a prolonged period of time, the songs on the album can be viewed as a kind of coming-of-age “suite”, as the unit of 20-somethings wrestle with subjects such as relationships, shifting social dynamics, changing hopes and dreams. The LP’s title refers to tumultuous personal events they’ve helped each other through. Reinforcing their bonding. With no pointed political agenda, the album is about “escape”. “We want people to dance”, they say.

The band recorded the album with Samana’s Franklin Mockett. Making full use of the acclaimed duo’s residential studio, located deep in the Welsh countryside, during an Indian summer heatwave. The aim was to remove all distractions, and, with Mockett’s assistance, capture the group as live, and as analogue, as possible. For 10 days, in sometimes 16 hour sessions, music, incense, and whiskey flowed, while vintage amp valves glowed.

Just like the band’s live performances, “Chaos Era” is packed with a palpable joy. The exhilaration of creation in each others company. Its punchy production is most definitely meant to be played loud.

pre-order now11.07.2025

expected to be published on 11.07.2025

29,20 €
Plume Girl - Unnameable Glory (TAPE)

For her second full-length as Plume Girl, Sowmya Somanath crafts a space where boundaries of language, feeling, and sound start to dissolve. ‘Unnameable Glory’ ruminates on the limits of expression, and the luminous freedom that emerges when we let go of the need to name. Elaborating on the exploratory songs of her debut, Plume Girl continues to bring together Hindustani classical improvisation, ambient soundscapes, and experimental pop.

Somanath’s voice—from gentle murmur to radiant call—guides the listener through dreamlike arrangements: sunrise guitar arpeggios, humming choirs, heartbeat kickdrums, and synths tremble. Elsewhere field sounds and old family recordings are collaged, a woman’s giggle transposed into a piano melody, a sloshing body of water mirrored by synth bleeps. Plume Girl conjures moments of revelation, drawing from the natural beauty and intuition, that unnameable glory.

Is there a divinity or a wholeness that exists beyond language, belief, or tradition? Unnameable Glory both celebrates and gently challenges the notion: Can we honour the creative richness of culture while also seeing through the divisions it creates? Can we meet the world—and each other—without assumption, without fear, with eyes made new? In these songs, the sacred is found not in grand gestures, but in the anonymous freedom of simply being: the iridescence of oil and water on a street, the smile of a stranger, the hush that settles by a creek.

At the heart of the album is a sense of curiosity and surrender—a willingness to listen without judgment, to let the moment be unnameable, to allow wonder to arise and dissolve. And yet, as Somanath notes, there’s an impulse to capture that’s tough to ignore; a need to replicate and remember. Unnameable Glory dwells in this tension: between holding and letting go, between the urge to define and the beauty of what cannot be contained. There is a quiet, revolutionary joy in simply living and sensing together. Music becomes a meeting place for the whole, the holy, and the unnamable.

pre-order now11.07.2025

expected to be published on 11.07.2025

15,08 €
LOVE A - IRGENDWIE

Love A

IRGENDWIE

12inchRRLPRAN135
Rookie Records
11.07.2025
  • Juri
  • Oder?
  • Windmühlen
  • Entweder (Album Version)
  • Zaunmüllerei
  • Der tausendste Affe
  • Valentinstag (In Husum)
  • Kommen und gehen
  • Das Mädchen, das immer "scheisse" sagt
  • Nutzlos glücklich
  • Heul doch, Punk!
  • Horstmannscher Hass
  • Reise, Reise

Random Colored Edition, Limitiert. Love A ist etwas Bemerkenswertes gelungen: Das, was ihr Debüt "Eigentlich" auszeichnet, haben sie sich bewahrt. Die volle Faust auf die Zwölf, diese unmittelbare und schnörkellose Konfrontation, das Getriebensein durch ein Leben, das mehr Fragen aufwirft als es Antworten anbietet, dem Scheitern immer näher als dem Gelingen. Stefans Gitarre, die ganz untypisch für Punk völlig unverzerrt daherkommt und Jörkks latente Hysterie über allem.

pre-order now11.07.2025

expected to be published on 11.07.2025

20,59 €
Ria  Moran - Cubico

Ria Moran

Cubico

12inchDM020
Deep Matter
11.07.2025

Ria Moran steps into a bold new chapter with Cubico, her debut solo album set for release in July 2025 via DeepMatter Records. A deeply personal and sonically rich project, Cubico sees Ria stepping forward as a producer and instrumentalist, blending R&B, neo-soul, and jazz with introspective songwriting that explores love, self-discovery, and emotional growth. The 12-track album moves fluidly between smooth R&B grooves and darker alternative tones, embodying the full spectrum of her artistry—sweet, emotional, moody, quirky, and fun. Ria made her long-awaited return in November 2024 with Take It or Leave It, a collaboration with Nubiyan Twist that showcased her evolving artistry and set the stage for Cubico and finding support from BBC Radio 6, Radio 1, Rinse Fm, Jazz FM, Worldwide FM, and more. Prior to this, her 2019 EP Moving into the Light gained widespread recognition from BBC Introducing, BBC Radio 6, and Worldwide FM, placing her among the UK’s most exciting contemporary soul voices. Her music sits at the juncture of forward-thinking UK soul music and nu-jazz, placing her alongside contemporaries including Ego Ella May, Yazmin Lacey and Cleo Sol, whilst also nodding to pioneers like Sade and Erykah Badu. Beyond her solo work, Ria has built an impressive career as a collaborator. Her contributions to Nubiyan Twist’s Freedom Fables earned a MOBO Award nomination, and she later appeared on Blue Note Records’ Blue Note Re:Imagined series, performing a BBC Radio 2 live session at the legendary Maida Vale Studios. She also worked with bassist Daniel Casimir on his acclaimed Boxed In album, joining a roster of UK jazz heavyweights including Nubya Garcia and Moses Boyd. Since 2019, she has been a touring vocalist with Gotts Street Park, sharing stages with Celeste, ENNY, and Pip Millett. With Cubico, Ria Moran is fully stepping into her own as an artist, delivering a debut album that is as raw as it is soulful, as vulnerable as it is empowering—a must-hear for fans of innovative and heartfelt music..

pre-order now11.07.2025

expected to be published on 11.07.2025

25,17 €
M83 - A Necessary Escape-Dakar Chronicles OST (LP)

'A Necessary Escape' ist der Soundtrack zum demnächst erscheinenden Film 'Dakar: Race Against The Desert'. Die physischen Formate umfassen CD, Vinyl und eine limitierte Farbvinyl-Edition in Curacao-Blau. Es ist der vierte Album-Soundtrack von M83 und wurde in Frankreich und den USA von M83s Anthony Gonzalez zusammen mit den regelmäßigen M83-Mitwirkenden Joe Berry und Clement Libes aufgenommen. Der Film erscheint am 12. Mai digital bei Universal Pictures und feiert seine weltweite Kinopremiere am 26. Juni in der MK2 Bibliothèque in Paris. Unter der Regie des französischen Schauspielers und Regisseurs Jalil Lespert wird hier die weltberühmte Rallye Dakar begleitet - ein Event, das seit 45 Jahren die ultimative Bewährungsprobe für Belastbarkeit, Können und Ausdauer im Motorsport darstellt. Das 9.000 Kilometer lange Rennen dauert 14 strapaziöse Tage durch raues Wüstengelände. Mit beispiellosem Zugang taucht dieser Film in das härteste Autorennen der Welt ein. Begleitet wird dies von einem wunderbaren Score den Gonzalez perfekt auf den Film zugeschnitten hat. Ambient trifft auf sphärische Klangcollagen und ist damit der perfekte Ausgleich zu den im Film dokumentierten Strapazen um die berühmte Rallye. Nach dem fantastischen 'Fantasy'-Album von 2023 oder dem 2011er Klassiker 'Hurry Up, We're Dreaming' ein weiterer Geniestreich des französischen Sound-Magiers und seinem M83-Projekt!

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Last In: 15 months ago
21,43 €
VARIOUS - CARRY ON OI! VINYL ALBUM EDITION LP
  • A1: Garry Johnson - United
  • A2: JJ Allstars - Dambusters March
  • A3: The Business - Suburban Rebels
  • A4: Infa Riot - Each Dawn I Die
  • A5: The Partisans - Arms Race
  • A6: The Ejected - East End Kids
  • A7: Peter & The Test Tube Babies - Transvestite
  • A8: Blitz - Nation On Fire
  • A9: Last Resort - King Of The Jungle
  • B1: The Gonads - Tuckers Ruckers Ain’t No Suckers
  • B2 4: Skins - Evil
  • B3: The Business - Product
  • B4: Red Alert - SPG
  • B5: Oi! The Comrade - Guvnors Man
  • B6: Peter & The Test Tube Babies - Maniac
  • B7: The Ejected - What Am I Gonna Do
  • B8: The Partisans - No U Turns
  • B9: Blitz - Youth
  • B10: Oi! The Choir - Walk On

Originally released in 1981 ‘Carry On Oi!!’ hit No.4 in the Independent Chart.
It “introduced” the likes of The Business, The Partisans, Blitz, Red Alert and The Ejected alongside ‘veterans’ such as The 4 Skins and Infa Riot

Now re-issued on vinyl complete with a gatefold sleeve and original inner bag, Previous vinyl re-issues of ‘Oi! The Album’ (AHOYLP 72)
and ‘Strength Thru Oi!’ (AHOYLP 230) have all proved strong sellers and we expect ‘Carry On Oi!’ to do the same.

pre-order now11.07.2025

expected to be published on 11.07.2025

28,99 €
Sonic Propaganda - Native

Sonic Propaganda

Native

12inchMR-022RP
Mutual Rytm
11.07.2025

SHDW's Mutual Rytm imprint is back with its third release of 2024, marking a full label debut from Sonic Propaganda with their 'Native' EP.

Sonic Propaganda comes from the collaborative minds of Earwax and Rosati, a pair who favour dark and intense techno sounds and take inspiration from Jeff Mills and Robert Hood. In the studio, they blend analog and digital technologies into smoky warehouse atmospheres and immersive journeys that connect with listeners on an emotive level, and this full EP lands following their contribution to the third instalment of the Mutual Rytm's Federation Of Rytm compilation series in February.

The powerful 'Native' opens up at high speed with tightly coiled drum loops that never let up. Sleek metal percussive sounds peel off the grooves and lock listeners into a perfect state of hypnosis. 'Soul Pressure' is just as absorbing, with a tense bassline keeping you on edge as the train-like drums march under incendiary hi-hat ringlets. There is plenty of perfect machine funk to 'Terminal', which has more rusty synth textures and chopped-up vocal fragments humanising the turbulent grooves. 'Basic Path' brings an extra skip to the kicks as they enter, scuffed up and flowing just above the groove, while vocal pulses and twitchy synth modulations bring the detail. 'Body Empire' closes the vinyl package with a deeper vibe and pensive synths that add warmth and soul to the brilliantly mechanical grooves, while digital bonus 'Acid Riot' closes with squelching acid lines amongst a swell of analog crunch and laser-sharp percussion.

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Last In: 6 months ago
11,72 €
Gary Beck - Upside Criminal EP

Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.

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Last In: 37 days ago
11,72 €
SEVEN BROTHERS - Crying In The Street LP
  • 1: Crying In The Streets 04 00
  • 2: Me And The Devil
  • 3: Good Times In Heaven
  • 4: I Never Knew Joy 02 25
  • 5: You Can't Hurry God
  • 6: I Have A Dream
  • 7: I've Been Born Again
  • 8: Satisfied 01 53
  • 9: America
  • 10: Waiting For Jesus

CHARLY RECORDS present the first ever reissue of the sought-after Gospel treasure Crying In The Street by Robert Sims and his Seven Brothers.
Originally released circa 1969 by Lelan Rogers on his Nashville based House Of The Fox imprint. The title track ‘Crying In The Streets’ is a Gospel anthem penned by Sam Matter, Kerry Porter and Ted Harris as a response to the assassination of Martin Luther King. It was recorded contemporaneously by Baton Rouge deep soul vocalist George Perkins who scored a regional hit when it was picked up by Lelan Rogers for his Silver Fox subsidiary. The song was covered to great effect by Buckwheat Zydeco, featuring Ry Cooder, and appears on the 2005 benefit album for Hurricane Katrina.
This is a forgotten gem, atmospheric and beautifully produced. It is a passionate, life-affirming record that resonates today just as much as it did over 50 years ago.
A Gospel Experience.

pre-order now11.07.2025

expected to be published on 11.07.2025

29,37 €
IT'S ALL MEAT - It's All Meat LP

IT'S ALL MEAT

It's All Meat LP

12inchGUESS267
GUERSSEN
11.07.2025

Official reissue of this sought-after Canadian psychedelic hard-rock album from 1970.
Formed in Toronto in the late 60s, It’s All Meat (the name was taken from a dog food commercial!) soon caught the attention of influential character Jack London (frontman of pre-Steppenwolf band Jack London and the Sparrows) who managed the band and secured a deal with major label Columbia Records.
After recording their first 45, the proto-punk MC5/Stones sounding “Feel It”, the band started working on their first album with the tandem of Jed MacKay and Rick McKim as main songwriters.
“It’s All Meat” was released in 1970 and offered a powerful mix of garage-rock, psychedelia and early hard- rock, drawing influences from bands like the Stones, Country Joe & The Fish, Doors, Velvet Underground... tracks like “Roll My Own” or the lysergic “Crying Into The Deep Lake” are now considered classics of the genre.
Sadly, the band would split soon after the LP was released.
*Original artwork in gatefold sleeve *Remastered sound in 24-bit domain *Insert with liner notes by Plastic Crimewave and rare photos / memorabilia
*Download card with non-LP singles and rare tracks
RIYL: STONES, MC5, DOORS, JEFFERSON AIRPLANE, NEW YORK DOLLS,
“One of the classic Canadian rarities. It’s All Meat deliver ballsy Stones influenced hardrock with some psychedelic west-coast moves” - Patrick Lundborg (Acid Archives)

pre-order now11.07.2025

expected to be published on 11.07.2025

35,71 €
SUN RA - A Fireside Chat With Lucifer LP (Lime Green Vinyl)

An F-bomb saturated hip-hop call & response club cut...from Sun Ra?!

While the most renown track in this omniversal opus is the atomic expletive-filled repartee “Nuclear War,” there is so much more to this dark mysterious journey through the mind of Sun Ra. The sprawling, suite-like 20-minute title track sustains a lyrical edge in spite of an open framework and textures, which encourage sonorities to surface and emerge from the band as if there was no human intention behind them. In opposition to “Nuclear War,” Ra's organ playing here was built less on bombast and sonic terror than it is on whispers, stutters, shivers, and swells. Fireside Chat offers a wide stylistic array, as was the artist’s intent, reflecting his eclectic, seemingly irreconcilable approach to compositional extremes. With Sun Ra you get everything... except predictability. Pressed on lime green vinyl!

pre-order now11.07.2025

expected to be published on 11.07.2025

31,05 €
Ketch Secor - Story The Crow Told Me LP
  • 1: Busker's Spell
  • 2: Talkin' Doc Blues
  • 3: Ghost Train
  • 4: Dickerson Road
  • 5: OldMan River
  • 6: Catch Me If You Can
  • 7: Highland Rim
  • 8: Junkin
  • 9: On The Wall
  • 10: Thanks
  • 11: Again
  • 12: Holes In The Wall
  • 13: What Nashville Was

Ketch Secor is a merry ringmaster, passionate professor, modern Beat, and unassuming virtuoso 'The Story the Crow Told Me' is his solo debut album, tracing the journey from street busker to founding Old Crow Medicine Show, now a Grammy-winning, Opry-member band behind the double-platinum hit "Wagon Wheel." Produced by Jody Stevens, the album features Marty Stuart, Molly Tuttle, Willie Watson, Jaren Johnston, and an ode to Nashville with help from Bob Dylan and Johnny Cash. First single, "Dickerson Road" drops May 15th "Catch Me If You Can" impacting Americana Radio June 5th Ketch solo dates July Old Crow Medicine Show touring August-Sept Album focus track "What Nashville Was" to premiere on SiriusXM Outlaw Country Ketch to host SiriusXM's Outlaw Country Show July 7th

pre-order now11.07.2025

expected to be published on 11.07.2025

23,49 €
Ann Liu Cannon - Clever Rabbits LP
  • Jealous God
  • Good Submarine
  • Clever Rabbits
  • Lost On You
  • Tangle
  • No You Don't
  • At Least it's Warm
  • Mên- an- tol
  • False Hope
  • Movement of Standing Stones
  • Gobbleknoll

Recorded with BRIT Award-winning producer Ethan Johns (Paul McCartney, Kings of Leon, Laura Marling, Ray Lamontagne) Ann's debut album Clever Rabbits explores the limits of prescribed identity in a timeless, brave and sensitive challenge of the zeitgeist - Inspired by the Chinese idiom "Clever rabbits need three burrows", and the imagery of three rabbits found in Devon's churches and China's caves, Ann Liu Cannon weaves Anglo-Celtic folklore, sacred texts, the sonic binaries of modern digital synthesis and her classic singer-songwriter roots, with integrity and precision - Clever Rabbits is a story told in her distinctive land of elegant, wonky folk

pre-order now11.07.2025

expected to be published on 11.07.2025

31,05 €
Modern Jazz Quartet - Fontessa LP
  • 1: Versailles (Porte De Versailles) - The Modern Jazz Quartet (3.27)
  • 2: Angel Eyes - The Modern Jazz Quartet (3.53)
  • 3: Fontessa - The Modern Jazz Quartet (11.16)
  • 4: Over the Rainbow - The Modern Jazz Quartet (3.57)
  • 5: Bluesology - The Modern Jazz Quartet (.09)
  • 6: Willow Weep for Me - The Modern Jazz Quartet (4.52)
  • 7: Woody N You - The Modern Jazz Quartet (4.26)

The Modern Jazz Quartet, known for its sophisticated and elegant approach to jazz, consisted of pianist John Lewis, vibraphonist Milt Jackson, bassist Percy Heath, and drummer Connie Kay

Here are Some key points about the album: "Fontessa" is regarded as one of the Quartet's essential recordings, praised for its elegant performances and refned compositions. The album refects the commitment to creating jazz that is both accessible and artistically ambitious. Critics and jazz enthusiasts often highlight the interplay between Milt Jackson's vibraphone and John Lewis's piano, supported by the solid rhythm section of Percy Heath and Connie Kay. The title track "Fontessa" is a suite in several movements, showcasing the band's ability to merge different musical themes seamlessly; the album includes notable covers such as "Angel Eyes," "Willow Weep for Me," and "Over the Rainbow" all of which are given the Modern Jazz Quartet unique treatment with a mix of lush harmonies and sophisticated improvisation. The album, released in 1956, signifcantly contributed to the evolution of jazz by demonstrating that it could be a serious, artful genre capable of sophisticated expression. The Modern Jazz Quartet infuence extends beyond jazz to classical and popular music, and "Fontessa" remains a testament to their innovative spirit and enduring appeal, a key album in their discography, exemplifying their unique sound and artistic vision.

pre-order now10.07.2025

expected to be published on 10.07.2025

20,13 €
Various - Equilibrium

Various

Equilibrium

12inch15YRDREF004 NOCOVER
Dynamic Reflection
10.07.2025

This fourth EP in the Time Crystals series sees Troy returning to the label with a low-key driver, carried by sharp percussion and filtered chords that keep the attention locked in before Ukrainian Svarog and Ma-gooch take over, delivering their signature sound - evolving pads, dreamy soundscapes - resulting in yet another beautiful early hours piece of music.

Wonderchild Luigi Tozzi proves once again that he is a master at blending ambient-influences with dubby atmospheres, resulting in music that fits both dancefloors and living rooms. For the EP's forth track Jonas Korbl, who you might remember from his debut album in 2017 on Dynamic Reflection LTD, combines energetic percussion patterns and synth rhythms.

His Primal Grade is a seemingly perfect successor to Tozzi's Haboob, as both artists obviously take pride in their carefully arranged and modestly performed pieces of techno.

Equilibrium is part of Dynamic Reflection's 15 year anniversary celebration: Time Crystals. This is the fourth of five EP's. Own all five and an all new, visual piece of art will appear.

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Last In: 15 months ago
12,90 €
Lizz - Chapter II (4x12")

Lizz

Chapter II (4x12")

4x12inchPLAYEDBY014
Playedby
10.07.2025

LTD Repress !

LIZZ is back on PlayedBy with Chapter II, a compilation of new and unreleased artifacts and other treasures from his dense catalog. Diverse and expansive, it captures his versatile musicianship and ever-evolving production style.

Broadly speaking, there are two types of tracks produced by LIZZ: on one hand rallying for the right to party, and on the other, nostalgic odysseys, sometimes lustful and sometimes wistful. Chapter II has a bit of everything. Thirteen tracks of club heat varied narrative that is worth listening to carefully.

Opener "Seamless" and its steady snare keep spirits high while the spacey keys provide a trippy, out-there vibe. On the flipside, "Clasic Dewan" uses elements we've heard before - warm pads, a percussive organ, and a looped vocal sample - but still makes for a great dancefloor track. Both tracks are a throwback to LIZZ's tried and true Terrafirma.

"Cynelmoon" unravels a labyrinthine universe twisting in and out of misty existence, with its snake-like rattles winding through a maze of synth bleeps.

Refreshing and zippy, "Dip Si M" stands out as a gritty reinterpretation of a great space and sounds like the most fun he's ever had on record. On the other hand, "Chemical Chords" is ethereal, meditative, with a hushed musicality that is almost stoic.

LIZZ takes the listener on a journey of vertiginous peaks and deep valleys as he leads "Round Around" into spiraling locked down looped club music.

Listening to "Nothing with Nothing" feels like a video-game on its own. It’s a bundle of joy and energy, peaking with a crescendo of color.

On "69" the energy builds with such careful, gradual restraint that even the most active listener might wonder how they ever got to this point. Chopped up shards of melody and vocals combine to create a kaleidoscopic funhouse with a strong Perlon-esque flavour.
"Roaki" is the dreamy track with an irresistible groove, where LIZZ combines smooth synth pads with dubby and distorted electronic drums that add a sense of cyberpunk feel, reconfirming's Playedby's fanaticism for this project.

A bubbling, percussive roller marks the beginning of "Jazzohub" and skyrockets from there. The track hits with an inviting vocal that dissolves into a fluid swirl of layered hand drums.
"No More High" is a a real banger. This one bounces hard with a bass-heavy beat and a military snare, leaving you no choice but to tip-toe with its groove all night long.

Chasing an ever-vivid muse,"Electronic World" hits with its drumming rhythms, labyrinth of synth bleeps and bold vocals reminiscent of tunneling club nights.

Closing track "I Am Cross" brings an unusual kind of dark atmosphere to the fore: it's cavernous and enveloping, almost as if the rhythm was an afterthought.

Chapter II is every bit as ambitious as its predecessor. Across thirteen tracks, LIZZ approaches the dancefloor forms of his earlier work with a fresh and voluptuous groovy attitude. Somehow, individually, we must reclaim our own experience.\5

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Last In: 8 months ago
46,68 €
THINKING FELLERS UNION LOCAL 282 - THE FUNERAL PUDDING
  • 1: Waited Too Long
  • 2: Flames Up
  • 3: Firing Squad
  • 4: Traffic Mule
  • 5: 23 Kings Crossing
  • 6: Heavy Head
  • 7: Give Me Back My Golden Arm
  • 8: Sidewinder
  • 9: The Invitation

The Funeral Pudding originally came out as a CD-only release on the Dutch label Brinkman to promote Thinking Fellers Union Local 282’s 1994 European tour. For the domestic release, the band chose Chicago’s Ajax Records—which had already released two TFUL282 singles in 1990—to press a 12-inch mini-LP. Comprising a selection of songs masterfully recorded and produced by Greg Freeman right after the sessions that yielded 1993’s Admonishing The Bishops EP, The Funeral Pudding could be thought of as a sister release to that EP; indeed, the band originally considered combining tracks from both sessions into a single album. Had it been released, that record would’ve followed the pattern of the previous album in which the band’s pop and avant-garde leanings are yoked together cheek by jowl. Instead, Admonishing showcases the band at its most accessible while The Funeral Pudding flaunts their more expansive, abrasive and absurdist side without forfeiting the earlier EP’s miraculously high standards for songwriting and sonic clarity. What makes The Funeral Pudding a unique feather in the Fellers’ cap is that most of the tracks are sung by bassist Anne Eickelberg and guitarist Hugh Swarts—a notable departure from the Davies / Hageman vocal dominance on most of the other albums. With Eickelberg’s soaring vocals leading the proceedings, tracks like “Waited Too Long” and “Heavy Head” are some of the most beloved in the band’s discography. And “23 Kings Crossing” is a whiplashinducing psych / prog stunner that adds another metric ton to the burden of proof demonstrating that TFUL282 was creating some of the most thrilling, enduring and sonically autonomous music of its era.

pre-order now10.07.2025

expected to be published on 10.07.2025

19,29 €
Ignatius & DJ Bruce Lee - Horizon

After a few collaborations, Ignatius and DJ Bruce Lee return with a joint production: Horizon. A fast-paced, ravey breaky house track, accompanied by two remixes—one by DJ Bruce Lee on his own, and another by label regular and Vallecas stomper TR, who delivers a wild acid-infused version. The 12" also includes an old DJ Bruce Lee remix of Ignatius' Lowdown.

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Last In: 8 months ago
12,40 €
JULIA MESTRE - Maravilhosamente Bem

JULIA MESTRE

Maravilhosamente Bem

12inchMRBLP316LB
Mr Bongo
10.07.2025

Proudly presenting Maravilhosamente Bem the powerful, female-centred third album by Brazilian singer, songwriter, actress, and creative director, Julia Mestre.
Alongside being a member of the Latin Grammy-winning Brazilian supergroup, Bala Desejo, Julia has been steadily building a solo career where her unique vision and alluring soft, sultry voice take centre stage. Drawing inspiration from ‘80s ballads, MPB, pop and disco productions, each song on this third album finds Julia creatively exploring different characters and tones.

A love-song-driven LP at its core, Maravilhosamente Bem holds a playful mirror up to blissful days gone by, artfully reimagined with Julia’s own modern twist. An album filled with love and nostalgia, it pays homage to her love of classic female disco divas such as Donna Summer, Sade, Alcione, Lady Zu, and the Brazilian rock queens Rita Lee and Marina Lima. Of that latter pairing, the late iconic Brazilian vocalist and musician Rita Lee (Os Mutantes) is referenced in the music video for the first single, ‘Sou Fera’, blessing Julia with a magical guitar. Marina Lima then provides guest vocals on the album’s closing track, ‘Marinou, Limou’, with her name transformed into a mantra by Julia.

Channelling a lo-fi ‘80s ballad aesthetic, Julia navigates a multitude of themes across the nine sublime tracks. From the sexy, whispered performances on vintage horror movie-inspired tunes ‘Vampira’ and ‘Pra Lua’ to the delicate, fragile love lullabies of ‘Sentimento Blues’ and ‘Cariñito’, and the seductive disco diva embodiment on dance tracks ‘Veneno de Serente’ and title track ‘Maravilhosamente Bem’. Another hidden highlight is the palette-cleansing mini-suite, ‘Interlúdio dos Amantes’. A luscious strings instrumental piece that lends to the beautiful Sade-esque ‘Seu Romance’.

Produced by Julia and longtime collaborators Gabriel Quirino, Gabriel Quinto, and João Moreira, Maravilhosamente Bem sees Julia embarking on a new era of her musical career. This sensational third album is a captivating showcase of the creative vision and versatility of one of Brazil’s finest stars.

Released on Mr. Bongo (ROW) and Altafonte (Brazil).

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Last In: 15 months ago
27,52 €
Botch - 061524 LP 2x12"

Botch

061524 LP 2x12"

2x12inchSH297LP
SARGENT HOUSE
10.07.2025
  • 1: Intro
  • 2: To Our Friends in the Great White North
  • 3: Mondrian Was a Liar
  • 4: John Woo
  • 5: Spaim
  • 6: Japam
  • 7: Framce
  • 8: Oma
  • 9: Thank God for Worker Bees
  • 10: One Twenty Two
  • 11: Vietmam
  • 12: Transitions from Persona to Object
  • 13: Hutton’s Great Heat Engine
  • 14: Afghamistam
  • 15: C. Thomas Howell as the “Soul Man”
  • 16: St. Matthew Returns to the Womb
also available

Coloured[39,45 €]


Influential hardcore innovators Botch have delivered their electrifying new live album 061524, recorded at the iconic Showbox in Seattle on June 15, 2024—exactly 22 years to the day after their original farewell show at the same venue in 2002. 061524 captures a band still pushing sonic and emotional boundaries, now sharper, louder, and more dynamic than ever. Botch’s impact on aggressive music is undeniable. Their chaotic, math-laced brand of hardcore helped shape the genre’s landscape well after the band’s abrupt breakup in 2002.

For years, a reunion seemed unlikely—until a chain of unexpected events brought the original lineup back together for the band’s first new recording in over 20 years: 2022’s “One Twenty Two.” The song was released to critical acclaim, building into a frenzy of anticipation for Botch to reunite. What started as a nostalgic experiment quickly became a full-circle celebration, with the band reconnecting both personally and musically. That spark unleashed a wave of activity: secret warm-up shows, sold-out headlining gigs, and eventually a carefully curated international reunion tour, culminating in their hometown return at the Showbox—where 061524 was recorded in front of a packed, exhilarated crowd. 061524 is a blistering, unflinching document of a band reawakened—not as a legacy act, but as a vital force.

The album captures the energy, grit, and heart of a group that’s not only older and wiser—but more rehearsed and way more ambitious. The performances are tight but still full of the raw unpredictability that defined their early years. Fan favorites like “To Our Friends in the Great White North” and “Transitions from Persona to Object” are more complex and invigorating than ever before. Other songs, like “Afghamistam” and “Oma,” never considered feasible to pull off live previously, are delivered with the intricacy and intensity that has earned the band a lasting legacy and fresh legion of followers.

pre-order now10.07.2025

expected to be published on 10.07.2025

36,09 €
Botch - 061524 LP 2x12"

Botch

061524 LP 2x12"

2x12inchSH297LPBS
SARGENT HOUSE
10.07.2025

Influential hardcore innovators Botch have delivered their electrifying new live album 061524, recorded at the iconic Showbox in Seattle on June 15, 2024—exactly 22 years to the day after their original farewell show at the same venue in 2002. 061524 captures a band still pushing sonic and emotional boundaries, now sharper, louder, and more dynamic than ever. Botch’s impact on aggressive music is undeniable. Their chaotic, math-laced brand of hardcore helped shape the genre’s landscape well after the band’s abrupt breakup in 2002.

For years, a reunion seemed unlikely—until a chain of unexpected events brought the original lineup back together for the band’s first new recording in over 20 years: 2022’s “One Twenty Two.” The song was released to critical acclaim, building into a frenzy of anticipation for Botch to reunite. What started as a nostalgic experiment quickly became a full-circle celebration, with the band reconnecting both personally and musically. That spark unleashed a wave of activity: secret warm-up shows, sold-out headlining gigs, and eventually a carefully curated international reunion tour, culminating in their hometown return at the Showbox—where 061524 was recorded in front of a packed, exhilarated crowd. 061524 is a blistering, unflinching document of a band reawakened—not as a legacy act, but as a vital force.

The album captures the energy, grit, and heart of a group that’s not only older and wiser—but more rehearsed and way more ambitious. The performances are tight but still full of the raw unpredictability that defined their early years. Fan favorites like “To Our Friends in the Great White North” and “Transitions from Persona to Object” are more complex and invigorating than ever before. Other songs, like “Afghamistam” and “Oma,” never considered feasible to pull off live previously, are delivered with the intricacy and intensity that has earned the band a lasting legacy and fresh legion of followers.

pre-order now10.07.2025

expected to be published on 10.07.2025

39,45 €
Codeine - The White Birch LP

Codeine

The White Birch LP

12inchNUMLPC1918
Numero Group
10.07.2025

Washed Up Color Vinyl is Clear w/ White Splatter! A white ship sailing in a sea of blackness, Codeine's swan song arrived in 1994 amid grunge's ascension to alt radio's godhead status. John Engle's guitar alternates between crystalline and sludge, and Stephen Immerwhar's distorted bass floats on top of punishing drums from newcomer Doug Scharin (Rex, June of 44), resulting in nine perfect meditations on the loneliness and uncertainty of early adulthood. "Codeine's unyielding numbness creates its own kind of warmth _ the feeling of cold water running for so long that it suddenly feels hot." _ Spin

pre-order now10.07.2025

expected to be published on 10.07.2025

23,49 €
Smut - Tomorrow Comes Crashing LP

Smut

Tomorrow Comes Crashing LP

12inchBR070LPC1
Bayonet
10.07.2025
  • 1: Godhead
  • 2: Syd Sweeney
  • 3: Dead Air
  • 4: Waste Me
  • 5: Ghosts (Cataclysm, Cover Me)
  • 6: Burn Like Violet
  • 7: Touch & Go
  • 8: Crashing in the Coil
  • 9: Spit
  • 10: Sunset Hymnal

Smut is the project of lyricist Tay Roebuck, guitarists Andie Min and Sam Ruschman, drummer Aidan O’Connor, and bassist John Steiner. Roebuck, Ruschman and Min started the band a decade ago in Cincinnati, Ohio. Since then, they’ve played alongside Bully, Wavves, and Nothing. After years in the Cincinnati DIY scene, they made their Bayonet Records full-length debut, How the Light Felt. The record was a revelation. Pitchfork called it “a rigorous, decade-spanning study,” and a “well-oiled spin on late-’80s guitar pop.” Under the Radar called it “pop perfection,” that “blends subtle hooks with wistful lyrics.” It was a record that explored grief through the lens of melancholic dreampop, using drum machines and layered, intricate melodies.
Tomorrow Comes Crashing, Smut's first record with O'Connor and Steiner, sees the band re-energized and trained on the limitless potential that comes with making music with people you love. Galvanized with a new lineup, Smut focused on creating a record that possessed the same towering intensity as the records that first got them into music: Three Cheers for Sweet Revenge, Relationship of Command. The outcome is ten of their most intense, bombastic, and focused songs to date.
Catharsis bursts through the seams throughout Tomorrow Comes Crashing. “Syd Sweeney, ”inspired by the actress, is the record's centerpiece. It's about how profoundly strange it can be to be a woman, to be misunderstood by people who don’t even know you. The song is driven by chugging guitars and big, rolling drums. In other words: stadium rock about perception. Paramore meets Dookie. “She connects to the youth and the girls in the water/All she amounts to is someone’s daughter,” sings Roebuck in one particularly poetic moment. The song comes to a thrashing metal-inspired breakdown. It’s ecstatic.
To make the record, Smut recorded “as live as they could,” alongside Aron Kobayashi-Ritch(Momma) in a studio in Red Hook, Brooklyn, over the course of ten days. “We have so much energy right now,” says Roebuck. Right before they went off to New York, Roebuck and Min got married, with the rest of the band by their side. The recording was a true labor of love — driving from Chicago with all their equipment, returning from 12 hour studio days to sleep on friends' couches and floors, Roebuck completely blowing her voice by the end. Smut has always been DIY. Because they love it. Because they have to do it–there’s no other option. Tomorrow Comes Crashing is the culmination of that DIY spirit: making a record that completely encompasses the intensity, moodiness, and emotion of their journey so far.

pre-order now10.07.2025

expected to be published on 10.07.2025

28,15 €
Jackson and the Janks - Write It Down LP
  • A1: The Kick
  • A2: Beats Me
  • A3: Windowsill
  • A4: I Don't Give Any
  • B1: Riding On a Smile
  • B2: Lament
  • B3: Let's Leave Here
  • B4: Do What You Want to Do

You're strolling down an alley in New Orleans or Brooklyn late at night and this sound jumps out at you -- rock & roll, classic rhythm & blues, sung and played with verve, personality, and joy. The dance floor is full. You stroll in and hear sounds that wouldn't have sounded out of place on the legendary Specialty Records of the 1950s and '60s.

Indeed one of the eight cuts onWrite It Down, the new album fromJackson& The Janks, comes from the repertoire of rhythm & blues singer Mamie Perry, first recorded in 1959. The rest areJacksonLynch originals, inspired by his time living and playing music in the Crescent City. Theuniquearrangementsof the band itself have deep roots in NOLA, too, with Matt Bell (Esther Rose) on lap steel, Craig Flory (Tuba Skinny) on bass saxophone and Sam Doores (The Deslondes) sharing backing vocals while trading-off on drums and keys.

Jacksonand the Janks have performed at the Brooklyn Folk Fest, Blackpot Festival (Louisiana), and Oldtone Festival (New York) and did a video session for tastemaker series GemsOnVHS and Jackson a solo session for Paste. Its residency on Fridays in Brooklyn (when they're not on tour) packs the house week after week with fans and folks drawn in by the word-of-mouth buzz and the sound.

pre-order now10.07.2025

expected to be published on 10.07.2025

28,99 €
Marvin Gaye - Recorded Live on Stage LP
  • Stubborn Kind of Fellow
  • One of These Days
  • Mo Jo Hanna
  • The Days of Wine And Roses
  • Pride and Joy
  • Hitch Hike
  • Get My Hands on Some Lovin
  • You Are My Sunshine

This is a live album by the legendary soul singer Marvin Gaye, released in 1963 that captures the energy and charisma of Gaye's live performances during a period when he was establishing himself as one of Motown's premier artists

The album includes live renditions of some of his early hits and popular songs of the time and the live performances showcase Gaye's dynamic stage presence and his ability to connect with the audience. "Recorded Live On Stage" features a mix of upbeat tracks and soulful ballads, refecting the versatility of Gaye's vocal and musical style: it was released during a formative period in Marvin Gaye's career helped cement his reputation as a compelling live performer, which would be further solidifed with subsequent recordings. The album is considered an important document of Marvin Gaye's early career, capturing a time when he was evolving into a major star and his ability to bring a different dimension to his studio recordings through live renditions: "Recorded Live On Stage" remains a cherished album for Marvin Gaye art lovers and for those interested in the history of live soul music performances.

pre-order now10.07.2025

expected to be published on 10.07.2025

20,13 €
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