Australian Soul Jazz holy grail from 1968! Limited to 300 copies w/wide. Debut release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Australian Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Two high energy Mod burners, both originals taken from the forthcoming album 'Whatever It's Worth'.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock).
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.
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- A1: Billy Thorpe - Back On The Street Again
- A2: The Id - Feel Awright
- A3: Ross D. Wyllie - Do The Uptight
- A4: Johnny Rocco Band - Funky Max
- A5: Daly-Wilson Big Band - City Sounds (Featuring Kerrie Biddell)
- B1: Dalvanius & The Fascinations - Voodoo Lady
- B2: Renee Geyer - Be There In The Morning
- B3: John Sangster - Hair
- B4: Ray White Revival - Superstition
- B5: Festival Studio 24 Orchestra - Africa (L'ete Indien)
- B6: Brute Force & His Drum - Weird And Wonderful
- C1: Mcphee - The Wrong Time
- C2: Kahvas Jute - Odyssey
- C3: Tamam Shud - Sea That Swells (From Morning Of The Earth)
- C4: Blackfeather - The Rat Suite Main Title
- D1: Al Styne - Vehicle
- D2: Mcphee - Indian Rope Man
- D3: Hot Source - Oz Bump (Soul Thing)
- D4: Count Copernicus & The Cosmic Fire - Painted Ego
- D5: John Sangster - A Day In A Life
COMPILED BY PETE PASQUAL, ERICA OLSON & DJ KINETIC
Following on from acclaimed compilations like 'Down Under Nuggets' and 'Heavy Soul' (and two other new titles 'Running The Voodoo Down' and 'Dodgy Bossa (& Silly Sambas)' - details below), Festival Records presents another deep dig into the archives, this time shining a light on rare Australian soul-jazz, jazz-funk, and freaked-out groove rock from the late '60s and '70s.
BACK ON THE STREET AGAIN - AUSTRALIAN FUNK, SOUL & PSYCH (MOSTLY) FROM THE FESTIVAL VAULTS is a stunning 20 track CD and 2LP release that highlights a point when the previously disparate styles of rock, jazz and soul all started influencing each other, and exciting new genres were created. To quote the liner notes (by DJ Kinetic):
Australia produced some amazing music during the 60s and 70s that sat outside of the normal rock mould. Avant guard artists like John Sangster pushed boundaries and experimented with the fusion of local and overseas influences, artists like Dalvanius recorded soaring disco music that was lost amongst the popular music of the time, only to be rediscovered by DJs overseas who were searching for unknown sounds, composers like Brute Force and His Drum took risks and recorded left-field funky sounds hidden within their more mainstream compositions, and popular artists like Billy Thorpe occasionally strayed from their A&R directions and took leaves from the books of American artists who were largely unknown in Australia at the time. Beneath the veneer of bland rock and roll lay an unknown multitude of funky sounds hidden from mainstream view.
In addition to the artists that Kinetic mentions (and the compilation features two John Sangster tracks - stunning versions of 'Hair' and the Beatles' 'A Day In The Life'), the collection includes iconic names of the era like the Daly-Wilson Big Band (featuring Kerrie Biddell), Renee Geyer and the Johnny Rocco Band. '60s sides from Ross D Wyllie and The ID (featuring Jeff St John) reveal the various styles' roots in American rhythm & blues, and the unexpected inclusion of some legendary Australian rock outfits like Tamam Shud and Blackfeather reveals the psychedelic and progressive rock influences at play. The full range of the music is highlighted by the inclusion of both cabaret/daytime TV performer Al Styne and outrageous Kings Cross club act Count Copernicus & The Cosmic Fire as well as the in-house studio 'pops' orchestra, Festival Studio 24 Orchestra.
Co-compilers Pete Pasqual, Erica Olson and DJ Kentic to undertake interviews with specialist media around release. Facebook ad's around release.
- A1: Yellow - The Ghetto (Getto/Yellow In Kyoto) (Getto/Yellow In Kyoto)
- A2: Quincy Jones & Ray Brown Orchestra - Fat Cat Strut
- B1: Miguel Angel Fuster - Polvo Lunar
- B2: Michel Sardaby - Welcome New Warmth
- B3: David Alexrod - Mucho Chupar
- C1: Brute Force & His Drum - Weird & Wonder
- C2: Johnny Frigo - Thank You
- C3: John Sangster - Hair
- C4: Boris Gardiner - Ghetto Funk
- D1: Fred Wesley - Blow Your Head
- D2: The Motherhood - Back In The Dark
- D3: Leo Acosta - Rencorosa
- D4: The Bridge - Alles Klar
Sven Libaek's Inner Space is, simply put, one of the most legendary soundtrack recordings in the history of Australian music. Released in 1973, soundtracking a documentary series on underwater life by Ron & Valerie Taylor, it now stands proud as a key album of 'underwater music', one of the most rightly and righteously revered fields within soundtrack and library music circles.
Endlessly inventive, gorgeously melodic, at times oceanic, at times amphibian, at other times in some mysterious pelagic zone, Inner Space sits proudly alongside such classic underwater OST's and libraries as Egisto Macchi's Fauna Marina, the Sonoton Underwater Music series, the Ittologia and Biologia Marina twin-set, and Danielle Patucchi's Men Of The Sea, Alla Scoperti Del Mare and Uomini E Squali. Considered to be one of the unsung masters of Australian Film music, Sven Libaek composed for many Australian Films and TV series in 1960's and 70's. Inner Space is considered amongst his finest.
Featuring the best Australian jazz musicians including Don Burrows and John Sangster, they masterfully range from the incidental to the improvisational as they create a whirlpool of sublime aquatic jazz exotica. Notably, in 2004 the soundtrack had a second lease on life when several tracks were used in the Wes Anderson film.
'The life aquatic with Steve Zizzou'.
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