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"Recorded in 1959, Gerry Mulligan Meets Johnny Hodges is heralded as one of the best of Mulligan’s recorded pairings with fellow instrumentalists. On this date, the two saxophonists are joined by a solid rhythm section of Claude Williamson (piano), Buddy Clark (bass) and Mel Lewis (drums), splitting the repertoire across three originals each from Mulligan and Hodges. The two complement the other throughout with the exception of Mulligan’s ‘What’s the Rush’, where the baritonist sits out altogether in favour of Hodges’ alto taking the spotlight.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging."
- Buffalo Sky
- Ridin Hi
- Mexicali
- Like A Stray
- The Ballad Of Billy Major
- Pink Flamingos
- Frontier Romance
- Montana
- Massive Jesus
- Ragdolls
"Entweder du machst, was alle machen, besser als alle anderen oder du machst, ganz was anderes..." Was Sergio Leone für den Western war, ist Johnny Indigo für die Rock Musik. Anders, rauher, echt und kompromisslos. Johnny Indigo ist das Soloprojekt von dem Wahlwiener Mathias Kollos, der bereits für viele Künstler hinter den Kulissen und auf verschiedensten Bühnen tätig ist und war. Jetzt hat er den Schritt nach vorne getan und tritt mit seiner Band "The El Dorado Wildfire" mit eigens für Live arrangierten Versionen von seinem Debut Album "American Daydreams" gemeinsam auf. Wie klingt das verschmitzte Grinsen von Terence Hill? Was hört man, wenn Clint Eastwood seine unvergleichliche Miene verzieht? Den eigenständigen Mix aus Alternative Rock, Southern Rock, Country und Blues von Johnny Indigo. Das Album vermischt Roots und Country Elemente mit modernem Rock und Blues. Ästhetisch geprägt von dem Image der Spaghetti Western, ohne in unnötige Cliches zu verfallen. Vergangene Acts wie Led Zeppelin, Jimi Hendrix oder die Rolling Stones werden ebenso nicht vernachlässigt wie moderne Formationen wie Queens Of The Stone Age, The Black Keys oder Rival Sons.
- A1: Original
- B1: Instrumental
Johnny Davis and Reggie Hudson were American songwriters stationed at a G.I. base in Germany when they composed "Expand Your Mind”, a
song they originally wrote for Marvin Gaye but decided to put out on their own. Davis and Hudson stayed on in Germany where their music
careers flourished.
Johnny Davis, who handled the lead vocals, became one of the real voices of Milli Vanilli years later. Recorded in 1985, featured here is the original 12" version of "Expand Your Mind" including the original instrumental version.
- Rock Island Line
- (I Heard That) Lonesome Whistle
- Country Boy
- If The Good Lord's Willing
- Cry! Cry! Cry!
- Remember Me (I'm The One Who Loves You)
- So Doggone Lonesome
- I Was There When It Happened
- I Walk The Line
- The Wreck Of The Old 7
- Folsom Prison Blues
- Doin' My Time
- A1: Souvenirs Souvenirs
- A2: Je Cherche Une Fille
- A3: Bien Trop Timide
- A4: J'suis Mordu
- A5: T'aimer Follement
- A6: Kili Watch
- B1 24: 000 Baiser
- B2: Le Petit Clown De Ton Cœur
- B3: Je Veux Me Promener
- B4: Laisse Les Filles
- B5: Ce N'est Pas Méchant
- B6: Tutti Frutti
- C1: Depuis Qu'ma Môme
- C2: Oui J'ai
- C3: Oui Mon Cher
- C4: Une Boum Chez John
- C5: Ce Serait Bien
- C6: A New Orleans
- D1: Tu Es Là
- D2: Nous Les Gars, Nous Les Filles
- D3: J'étais Fou
- D4: Ton Fétiche D'amour
- D5: Mon Vieux Copain
- D6: Pourquoi Cet Amour
- E1: Si Tu Restes Avec Moi
- E2: Mon Septième Ciel
- E3: Tu Me Plais
- E4: Oui Mon Cher
- E5: Oh Oh Baby
- E6: Tu Parles Trop
- F1: Itsy Bitsy Petit Bikini
- F2: Hey Pony
- F3: Sentimental
- F4: Not Get Out
- F5: Le Plus Beau Des Jux
- F6: Bien Trop Timide (Live)
- 1: Ten Degrees Of Strange
- 2: Nether
- 3: The World To Come
- 4: Flood In The Desert
- 5: Tree Rings
- 6: Gods And Monsters
- 7: Enkidu Walked
- 8: Bonedigger
- 9: I Can’t Swim There
- 10: Home And Dry
- 11: Ferryman
Johnny and Robert began work on the album in the first weeks of the pandemic, wanting to make music that sang of those dangerous, disorienting spring days; when birdsong was brighter –– and the sense of bewilderment more powerful –– than any of us had known before. They drew inspiration in part from The Epic of Gilgamesh, the oldest surviving work of world literature; an epic poem from Ancient Mesopotamia that contains the earliest version of the Flood Myth. To Johnny and Robert, Gilgamesh resonated eerily with the present moment –– and it catalysed their song-writing. For Gilgamesh is a story of friendship, love, loss, grief, bad governance and good dreaming; of natural disaster and environmental crisis. It also contains the first recorded act of human destruction of the natural world: when Gilgamesh and Enkidu travel to the Sacred Cedar Wood, slay the guardian spirit of the forest, and cut down the trees with their axes, thereby bringing catastrophe upon themselves. Johnny and Robert wrote the album between March 2020 and February 2021, during a year in which we all wandered unsure of our path, lost in the cedar wood. The songs were composed in large part as a correspondence, through a back-and-forth of notebook pages, voice-recordings and WhatsApp-messages, at a time when lockdowns made meeting in person impossible. The first eight songs were recorded in an off-grid cottage deep in a Hampshire forest, with the sounds of chainsaws felling trees drifting in through the windows along with the birdsong. The result is an album at once urgent and ancient, which fuses poetry, landscape, myth and music into something unique. These are songs that ring with hope, love and sadness –– and one need not know anything about The Epic of Gilgamesh to be touched by them.


















