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Las Robertas - Love Is The Answer

The story of the new album begins when Las Robertas met producer Owen Morris (Oasis, The Verve, Ash, New Order) at a small, art gallery party in downtown San Jose. The result of this chance meeting is Love is the Answer, an album where the Welsh producer successfully highlights Las Robertas love of 90’s alt-rock greats like The Brian Jonestown Massacre, The Dandy Warhols, The Charlatans, LUSH, RIDE and The Breeders, while still sounding uniquely like Las Robertas.

Love is the Answer is a compilation of songs about love towards the universe, individual freedom and of hope in a time where the world seems ever closer to being consumed in chaos. It contains a pop edge while still combing shoegaze and psych rock influences.

pre-ordina ora03.02.2023

dovrebbe essere pubblicato su 03.02.2023

28,53
THE THIRD SOUND - FUZZ CLUB SESSION 2x12"
  • 1: Ghosts Of Memphis
  • 2: We Will Be Together
  • 3: Dissociation
  • 4: Your Love Is Evol
  • 5: For A While
  • 6: You Are Not Here (Ft. Lucy Kruger)
  • 7: This Is The Only Way I Know
  • 8: Half Alive
  • 9: Nine Miles Below
  • 10: Re-Elevation

180g double LP, black vinyl, 45 RPM. Berlin-based psychedelic post-punk group The Third Sound (led by Brian Jonestown Massacre guitarist Hákon Adalsteinsson) are set to release a new Fuzz Club Session LP on December 9th. Recorded live at Berlin's Marie Antoinette club, the 10-track double album sees The Third Sound perform a discography-spanning set with tracks from last year's highly-praised 'First Light' LP (2021), 'All Tomorrow's Shadows' (2018), 'Gospels of Degeneration' (2016), 'The Third Sound of Destruction and Creation' (2013) and 'The Third Sound' (2011). The session is released on vinyl, digitally and as a series of videos by Fuzz Club Records. It's number 19 in the London label's ongoing Fuzz Club Session series which has also seen the likes of A Place To Bury Strangers, Night Beats, Holy Wave, Heaters, The Entrance Band, The Myrrors, Lumerians, The Underground Youth, 10000 Russos and more.

pre-ordina ora16.12.2022

dovrebbe essere pubblicato su 16.12.2022

30,04
The Magic Castles - Sun Reign

First Time On Black vinyl. A lot has happened to the Magic Castles since this was released in April 2021 this release took over a year to be manufactured, the band have toured with the Brian Jonestown Massacre & the Warlocks in the USA in 2022 & the the track “Lost Dimension” was used in the HBO series “Succession” so not a bad 2022 for the band. Sun Reign is the band’s fourth release on Anton Newcombe's label ‘A’ Recordings Ltd. Ironically similar to BJM, the Magic Castles have been plagued by lineup changes over the years. In November of 2019, tragedy struck and Edmonds was seriously injured in a car accident that required hospitalization and surgery. Friends started a Go Fund Me that raised over $20k USD for the uninsured musician’s hospital bills, showing an incredible outpouring of love and support for him and his family. Fortunately, Edmonds has made a complete recovery from his injuries and has bounced back remarkably well. In early 2020, Edmonds managed to finish the remaining work on the album “Sun Reign”, including a previously unreleased song, “Surmise'' penned by guitarist Jermiah Doering, and a rare cover of a moody 1966 garage rock song “Ode to the Wind” by Danny and the Counts. Edmonds also began working with a booking agency, planning a return tour to Europe with the band to support the new album. Unfortunately, it was not to be. Due to the global pandemic crisis of Covid-19, the album was delayed until 2021, and the promising tour was cancelled. In May of 2020, Minneapolis police killed George Floyd two blocks from Edmonds’ home, which incited riots across the country. The protests led to the burning of Minneapolis, where a long time music venue and many other buildings were lost. Edmonds’ studio was not destroyed although many nearby buildings were. Edmonds is a known supporter of Black Lives Matter Tracklisting:- 1) Sunburst , 2) Lost Dimension , 3) Ode to the Wind , 4) Asuras , 5) World of Time , 6) Valley of Nysa , 7) Magna Mater , 8) Surmise , 9) Gates of the Sun , 10 ) Relax Your Mind

pre-ordina ora11.11.2022

dovrebbe essere pubblicato su 11.11.2022

20,97
Chrome - Red Exposure LP

Chrome

Red Exposure LP

12inchFTRSMO39A
FUTURISMO
04.11.2022

Futurismo are proud to present a deluxe remastered vinyl package of the classic 1980 album: Red Exposure by the uncompromising Chrome.

Arguably considered the San Francisco bands greatest work, Red Exposure, the fourth album to feature core members Damon Edge

and Helios Creed, was the definitive version of Chrome’s idiosyncratic approach to sound: a projected vision of near future dystopia via an undefinable guise of experimental space rock and punk-tinged alien soundscapes. Here, the band simultaneously draw from the otherworldly noises of their past records, whilst pushing their synthesizers forward into, albeit oblique, pop song structures.


Edge’s vocals are structured more like an instrument than a voice, lyrics painting images of humanities future on the edge of total destruction. As Creed’s guitar work multilayersit’s way into a completely different aural spectrum, beautiful yet violent, slashing against rhythmic pulsations, loops and experimentations, to create a sound that even today feels beyond the here and now. This distillation of the bands repertoire seemed to envision a deconstruction of rock ‘n’ roll, aimed to break past the shell of cliché that it would of course eventually come to inhabit. Which is why despite it’s age Red Exposure remains a record that still sounds like the sonic product of a far off civilisation, making this disk of new wave nihilism vital for fans of Space rock, Krautrock, Throbbing Gristle, Cabaret Voltaire and Suicide.

The deluxe remastered version of this out of print 1980 LP is presented here in ltd edition coloured vinyl. It comes packaged in a chromed mirrorboard sleeve, contains a large screen printed poster printed with neon ink featuring unseen photographs of the band, and a bonus track.

pre-ordina ora04.11.2022

dovrebbe essere pubblicato su 04.11.2022

43,66
PARKS, TESS - AND THOSE WHO WERE SEEN DANCING LP

Following years of international touring and a lengthy list of critically-acclaimed collaborations with Brian Jonestown Massacre's Anton Newcombe in recent years (most recently the duo's self-titled 2018 LP), the new album will be Parks' first full-length solo offering since her debut, 'Blood Hot', was released back in 2013 on Alan McGee's 359 Music label. "In my mind, this album is like hopscotch", Parks says: "These songs were pieced together over time in London, Toronto and Los Angeles with friends and family between August 2019 and March 2021. So many other versions of these songs exist. The recording and final completion of this album took over two years and wow - the lesson I have learned the most is that words are spells. If I didn't know it before, I know it now for sure. I only want to put good out into the universe." A growing disillusionment with the state of the world paired with an injury that stopped Parks from being able to play guitar and piano for months meant the album was nearly shelved. "I really felt discouraged to complete this album", she recalls: "I stopped listening to music for honestly about a year altogether and turned to painting instead. I really had to convince myself again that it's important to just share whatever good we can - having faith in ourselves to know that our lights can shine on and on through other people and for other people. The thought of anyone not sharing their art or being shy of anything they create seems like a real tragedy to me. Even if it's not perfect, you're capturing a moment." Recorded over a two year period but with songs, lyrics and ideas dating back over a decade in some form, 'And Those Who Were Seen Dancing' is an album full of such moments, people and places. Col LP is on 180g ultra-clear vinyl, standard sleeve.

pre-ordina ora20.05.2022

dovrebbe essere pubblicato su 20.05.2022

23,95
PARKS, TESS - AND THOSE WHO WERE SEEN DANCING LP

Following years of international touring and a lengthy list of critically-acclaimed collaborations with Brian Jonestown Massacre's Anton Newcombe in recent years (most recently the duo's self-titled 2018 LP), the new album will be Parks' first full-length solo offering since her debut, 'Blood Hot', was released back in 2013 on Alan McGee's 359 Music label. "In my mind, this album is like hopscotch", Parks says: "These songs were pieced together over time in London, Toronto and Los Angeles with friends and family between August 2019 and March 2021. So many other versions of these songs exist. The recording and final completion of this album took over two years and wow - the lesson I have learned the most is that words are spells. If I didn't know it before, I know it now for sure. I only want to put good out into the universe." A growing disillusionment with the state of the world paired with an injury that stopped Parks from being able to play guitar and piano for months meant the album was nearly shelved. "I really felt discouraged to complete this album", she recalls: "I stopped listening to music for honestly about a year altogether and turned to painting instead. I really had to convince myself again that it's important to just share whatever good we can - having faith in ourselves to know that our lights can shine on and on through other people and for other people. The thought of anyone not sharing their art or being shy of anything they create seems like a real tragedy to me. Even if it's not perfect, you're capturing a moment." Recorded over a two year period but with songs, lyrics and ideas dating back over a decade in some form, 'And Those Who Were Seen Dancing' is an album full of such moments, people and places. Col LP is on 180g ultra-clear vinyl, standard sleeve.

pre-ordina ora20.05.2022

dovrebbe essere pubblicato su 20.05.2022

23,95
Pink Mountaintops - Peacock Pools LP

Das vierte Album von Stephen McBean’s Nebenprojekt von Black Mountain. Die Bandbesetzung wechselt stetig und beinhaltet Mitglieder von Redd Kross, Melvins, Godspeed You Black Emperor, Dead Meadow und Brian Jonestown Massacre.

pre-ordina ora06.05.2022

dovrebbe essere pubblicato su 06.05.2022

23,49
Pink Mountaintops - Peacock Pools

Das vierte Album von Stephen McBean’s Nebenprojekt von Black Mountain. Die Bandbesetzung wechselt stetig und beinhaltet Mitglieder von Redd Kross, Melvins, Godspeed You Black Emperor, Dead Meadow und Brian Jonestown Massacre.

pre-ordina ora06.05.2022

dovrebbe essere pubblicato su 06.05.2022

23,49
Mandrake Handshake - Shake The Hand That Feeds You

Formed in Oxford where they lived, hung out and rehearsed
together on campus, eclectic group Mandrake Handshake
were christened after a song by The Brian Jonestown
Massacre, incorporating their influences of Krautrock, funk,
Japanese animation and Latin pastoral poetry to create a
unique brand of ‘Flowerkraut’ that vividly defines their sound.
 Having initially teamed up with the cult indie label for their
‘Nice Swan Introduces…’ series (in partnership with RIP
Records) late last year, the creative outfit have since found
labelmates in the likes of Courting, SPRINTS and Anorak
Patch, and fast established themselves as one of the most
enticing new acts in the UK psychedelic scene.
 With widespread acclaim arriving via multiple key indie press
titans (NME, NPR, DIY, The Line of Best Fit, Dork, So Young,
Clash, Loud & Quiet, Gigwise), the newcomers certainly
seem to be attracting the right kind of attention following the
release of mesmeric debut effort ‘Mandragora’ and
exhilarating follow-up ‘Gonkulator’, with their first few plays
on BBC Radio 1 (Jack Saunders) already opening them up
to a vast new audience.
 Detailing their EP, the band explained: “‘Shake the Hand
That Feeds You’ represents the culmination of many strands
of thought over the process of several months. It is designed
to announce the coming of the Mandrake in all her forms and
the ascent into her realm; as it soundtracks the listener
coming to know what will be expected of them for all future
sonic explorations.
 “No expense has been spared to bring the listener to the
zenith of psychedelic high-fidelity and have them fully
understand what they otherwise might only hint at knowing.
This is ‘Flowerkraut’. This is the beginning. This is the
Mandrake.”
 Recorded at Press Play Studios in Bermondsey with one of
their heroes - Stereolab’s Andy Ramsay.

pre-ordina ora22.04.2022

dovrebbe essere pubblicato su 22.04.2022

16,77
The High Strung - HannaH LP

The High Strung

HannaH LP

12inchLPPTV112
Park the Van
15.04.2022

After a 20 year wait, Detroit rock band The High Strung finally share their long lost album 'HannaH' on vinyl! Originally recorded in 2002, the album is finally seeing the light via Park The Van

In case you're not familiar with the group, they're fronted by Josh Malerman, author of New York Times best seller 'Bird Box'. The band is renowned for their rigorous touring, having played 250 shows a year for 7 years, touring with the likes of Guided By Voices, The Brian Jonestown Massacre, Son Volt, etc."These guys make instantly memorable music." - Pitchfork "Upbeat melodies, ever- shifting tempos, catchy choruses, and standout bass lines." - NPR
"Forget all that you know about the other hardest working bands in show business." - Paste

pre-ordina ora15.04.2022

dovrebbe essere pubblicato su 15.04.2022

27,52
The Goa Express - Everybody In The UK LP

7" Black Vinyl limited to 1000 copies.

Teenagehood, brotherhood and a genuine love for alternative music has united THE GOA EXPRESS from the off. Hailing from the industrial town of Burnley and adopted by the Manchester culture carriers, their teenage years can be viewed as something of a hedonistic pilgrimage into the underbelly of suburban rock and roll- their first gig having been 3 songs blasted out their mates garage, the next on top of a local vintage shop where the floor nearly caved in: “when there’s fuck all, you make do with what you got”. The intensity of this friendship has resulted in the occasional bust up along the way, yet it only adds to the burning chemistry that the band offer on record and on stage. Together, brothers James Douglas Clarke (Guitar + Vocals) and Joe Clarke (Keys), along with Joey Stein (Lead Guitar), Naham Muzaffar (Bass) and Sam Launder (Drums) all contribute to a fuzzy wall of diverse sound, becoming harder to pin down with their constantly evolving, psych-umbrella’d, rock and roll. What sets THE GOA EXPRESS apart from other musicians who sit comfortably within scenes is that their identity as a band has been growing organically long before the 5 of them decided to pick up instruments and teach themselves art of killing time. Their genuine joy in the everyday; their attitude and antics seem to hark back to the glory days of the NME- if they talk about a night out, you want to be there because these lads ooze charm and wreak havoc. This purist, old school approach to creating music through unified experiences and stimulated good times is married with the plain fact that they are very much young people of this generation, and while they see its flaws its hyperreality, its sheep-like tendencies, they still understand the importance in the immediacy of pop music: of a banging riff, or a glorious chorus and how effective this can truly be, and they want everyone along for the ride. With influences ranging from Spacemen 3 and The Brian Jonestown Massacre to French existentialism, from Beat Literature to long hours working at the Bookies to the journey into the sunrise on the night bus home, it is their ability to be all these things at once which makes THE GOA EXPRESS a guitar band for the 21st Century. Nothing is ever a compromise because they are so unapologetically themselves in everything they do- proud Northerners with a DIY foundation that aren’t afraid to look into the often dim future and see themselves shining brightly in it, unforgiving and unpretentious. So far, the band have released 3 singles with great success. The first: ‘Be My Friend’, produced by Ross Orton right next Sheffield’s famous ‘City Sauna’ brothel, presents itself to us as a cheeky, snarling pop song, holding undertones of raw cynicism laden with psychedelic sunshine. Ross Orton’s studio was also right next door to where the band recorded their last single ‘The Day’ with Nathan Saoudi of Fat White Family at ‘Champ Zone.’ Both these producers have been able to give these instant pop classics a grittier feel, capturing the essence of the unfettered lifestyle the band were living at the time that they were able to capture themselves in the music video for ‘Be My Friend’. After signing with Ra-Ra Rok, (WU-LU/Bingo Fury) the band released anthemic summer hit ‘Second Time’, that went straight to the 6 music B-List before quickly heading up to the A-List 2 for 2 weeks. This was followed by the release of its B-Side ‘Overpass’ that almost immediately caught the eyes and ears of BBC Radio 1’s Jack Saunders, who had the band on his ‘Next Wave’ Segment. Closing the year that saw them play to 1000 strong crowds at festivals like Latitude & End of the Road, the band headlined their biggest headline show to date at Manchester’s Gorilla. Its fair to say that this really is only the beginning.

pre-ordina ora01.04.2022

dovrebbe essere pubblicato su 01.04.2022

8,82
The Third Sound - First Light

On August 27th 2021 The Third Sound released their fifth album ‘First Light’ on Fuzz Club Records and it is now being given a second pressing after selling out upon release the first time aorund. Dealing in a hypnotic blend of neo-psychedelia, post-punk and new wave, The Third Sound is a Berlin-based band led by the Icelandic musician Hákon Aðalsteinsson, who is the guitarist in Brian Jonestown Massacre and formerly played in the cult rock’n’roll outfit Singapore Sling. A mainstay of the European psych underground in his own right, not just through his collaborations with the likes of Anton Newcombe and Tess Parks, The Third Sound has been Hakon’s primary solo endeavor since the release of his self-titled debut on Newcombe’s A Recordings a decade ago. Arriving following 2018’s ‘All Tomorrow’s Shadows’ LP, ‘First Light’ marks an evolution into a brighter and at times uplifting sound. Marrying moments of light and dark, the result is The Third Sound’s most dynamic full-length to date. Talking about the album, Hakon said: “This album is definitely less gloomy than the previous one, although some ghosts from the past are lurking in the background. We always try to make something new on each album and never make the same album over again, but this feels like an even bigger change than usual, especially regarding the mood. Something new is beginning although the past is not forgotten. I think the title, First Light, describes the overall feel of the record pretty well.” ‘First Light’ is the fifth full-length from The Third Sound and arrives off the back of 2018’s ‘All Tomorrow’s Shadows’, 2016’s ‘Gospels of Degeneration’, 2013’s ‘The Third Sound of Destruction and Creation’ and their 2011 self-titled debut. With Hakon Aðalsteinsson leading the group on vocals and guitar, the rest of the band is currently comprised of Robin Hughes (Guitar / Organ), Fred Sunesen (Drums) and Andreas Miranda (Bass). With a number of European tours in tow, the band have previously shared the stage with the likes of the Brian Jonestown Massacre, The Warlocks, Singapore Sling, Crocodiles, Clinic, Tess Parks and more.

pre-ordina ora28.01.2022

dovrebbe essere pubblicato su 28.01.2022

22,65
Sinead O'Brien - Drowning In Blessings EP

Originally from Limerick, O’Brien’s work captures the everyday and the inbetween in a way that transcends any genre label. Writing from her own observations, O’Brien’s influences can be found in the realism of Mark E. Smith of The Fall, Patti Smith and The Slits, and the works of literary icons such Frank O’Hara, W.B. Yeats, Joan Didion and Albert Camus. Releases to date have drawn admiration from British and American outlets and radio stations as diverse as The FADER, Stereogum, The Guardian, Loud And Quiet, The Quietus, BBC Radio 1 and BBC Radio 6 Music, and more.

Speaking about the new single, O’Brien explains: “‘Most Modern Painting’ is about the creation and maintenance of ‘the self’ - the most epic task we are faced with in our lives. I wanted to work with structure in an unconventional way, linking the movements together using various voices from the narrative. The lyrics are voiced through a dialogue between the conscious and unconscious, through dream recall, memory, the individual and the ego.”

The accompanying music video for ‘Most Modern Painting’ was shot in a film-like manner on 16mm. Directed by Saskia Dixie, the movements are intrinsically linked to the lyrics; the choreography incorporates physical theatre, dance and elements of daily gestures and habits.

The chorus line on ‘Most Modern Painting’ birthed the title for the EP ‘Drowning In Blessings’ - “The more I said it, the more it meant. It’s an image which I find really cathartic; seeing the weight or build up of things as possibilities and opportunities instead of bearing their burdens. I approached the set of songs on the EP like a short album so the body of work feels full and tells a substantial story. Tracks allude and refer to one another and provide clues and hints to the future and to the past. It’s not only about language and music - it’s about energy, spaces, leaving room for other people to get in.”

A multifaceted artist, O’Brien’s writing has also been published by the esteemed London Magazine whose alumni include T.S. Eliot, Sylvia Plath and William Burroughs. Her unique fusion of spoken lyrics and art rock has piqued the attention of luminaries of both fields, seeing her perform with John Cooper Clarke and The Brian Jonestown Massacre at sold out theatres across the U.K. Playing live with her band and collaborators; Julian Hanson (guitar) and Oscar Robertson (drums), Sinead O’Brien’s transfixing performances are placing her at the forefront of a resurgent wave of independent British and Irish talent.

pre-ordina ora15.10.2021

dovrebbe essere pubblicato su 15.10.2021

14,75
The Charlatans - A Head Full Of Ideas

The Charlatans

A Head Full Of Ideas

6x12"-VinylTHEN1LPXX
Then Records
15.10.2021
 
51
disponibile anche

2 x 12[32,48 €]

3 x 12[41,39 €]


THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

pre-ordina ora15.10.2021

dovrebbe essere pubblicato su 15.10.2021

133,99
The Altered Hours - Convertible

The Altered Hours have just announced details of their second full length album ‘Convertible’. The Irish group have just signed with Pizza Pizza Records and the 8 track album is set for release in May 2021. Following on from some successful headline tours across Europe supporting their debut album & some blistering EP’s along the way, the group found themselves looking for the next step in their ever- evolving journey. Having previously recorded in Anton Newcombe’s Berlin studio for their debut singles & ending up in the infamous Funkhaus studios to lay down what would become their debut album ‘In Heat Not Sorry ’, the band decided once again to



change the approach & take their new songs back to the privacy of their own studio space on the outskirts of Cork City. The new LP ‘Convertible’ is the result of countless late night/early morning sessions that took place over the past 2 years. Choosing to self produce and engineer this record was a conscious choice as the band felt an urge to take what they had learned on the road & in various studios previously, and condense all of this energy back into the boiling pot of their own rehearsal space.

The group have been a part of some exciting movements since the beginning and their path has been an organic one. They quickly became known in their hometown for taking over an ex-government building in the heart of Cork city, turning into a studio and creating a hub for the scene that surrounded them. The years that follow shine a light on the relentless energy of this group and unwavering love for playing shows anywhere & everywhere. Having been invited to perform at Liverpool Psych Fest numerous times, supporting the Brian Jonestown Massacre, selling out venues, churches & clubs, playing rip-roaring DIY shows in friends’ basements, getting joined by members of Spacemen 3 on stage and more recently, being invited by fellow Irish rockers Fontaines D.C to join them on their 2019 European tour playing sold out shows in venues like The Bataclan, Paris & Paradiso, Amsterdam. It’s been a wild ride for The Altered Hours so far & their music keeps evolving & growing as the experiences build. This is a group with the spirit of music deeply ingrained in them and a passion for making rock music something that you can believe in.

Their second full length album ‘Convertible’ is a window into the band’s idiosyncratic tendencies, a closer look into how their writing & sound continuously moves forwards while somehow remaining rooted in their own unique world all at once. The Altered Hours seem born to be an underground affair, something that they wear with pride and this album is a wonderful culmination of their DIY upbringing, their unfiltered rock ‘n’ roll spirit along with a confident stride into personal songwriting.

pre-ordina ora24.09.2021

dovrebbe essere pubblicato su 24.09.2021

25,17
Skrattar - Hellraiser IV 2x12"

Skrattar

Hellraiser IV 2x12"

2x12inchBBBLP003
BBBBBB
16.08.2021

Bjarki’s bbbbbb records welcomes its first-ever non-electronic project as Icelandic rock band Skrattar joins the label to unveil their thirteen-track album, ‘Hellraiser IV’.

Four-piece outfit Skrattar can be described as cigarette rock with an electronic vibe that makes your upper lip sweat. Having already developed a loyal fanbase in Iceland as a powerful live act with an energetic and provocative stage presence, the band now look further afield to global horizons as they reveal their latest album, ‘Hellraiser IV’.

With the release of ‘Hellraiser IV’, bbbbbb broadens its catalogue beyond dance and electronic music. While the label’s primary focus will remain electronic, several other genres will also feature - the connecting factor being that the music is Icelandic, experimental and fresh... the best that grassroots has to offer.

‘Good music should be heard, and this is my take on delivering probably the best music coming from Iceland at the moment. It’s an honest, wild love story of true friendship and creativity coming together in one album’ - Bjarki

‘Hellraiser IV’ contains thirteen tracks written over three years, with the oldest songs composed the year the band was founded, 2016. In 2019, when a good foundation for an LP had been laid as the band gained followers and honed its sound, they locked themselves in the studio until they completed the album. With many of the tracks composed in the dead of night, containing both lyrics written over a long period as well as improvisation, the final product is a record made by them from A to Z, in line with the band’s endearing DIY ethos.

‘Skrattar’ is Icelandic for a specific type of demon that you can’t control, but in Swedish, it means ‘to laugh’ - with laughter involved across many of the tracks on ‘Hellraiser IV’ as if to mock the dualism of seriousness. Their subject matter is chaos and anarchism - but their humour and satire are never far away. The music is an ode to the eternal void, while at the same time laughing in its face.

In addition, a remix album will be released digitally alongside Hellraiser IV, reimagined and reworked by a host of fellow musicians, producers, and artists. Among them, label regular Kuldaboli, bbbbbb boss Bjarki, DJ Flugvél og Geimskip, russian.girls, KGB and Anton Newcombe - the founder of The Brian Jonestown Massacre.

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26,85

Last In: 4 years ago
TRIALOGOS - STROH ZU GOLD

180g schwarzes Vinyl, Cover auf 300g GC1 INSIDE/OUT, gefütterte Innenhülle, 2seitiges Insert, Downloadcode. Tony Conrads Konzept von Minimal Music als Maximalismus des Ausdrucks ist eine der Inspirationen für TRIALOGOS. Die Musik entsteht aus der Spannung zwischen den Beiträgen der drei Akteure Conny Ochs, Sicker Man und Kiki Bohemia, die aus unterschiedlichen musikalischen Subszenen stammen. Im Zusammenspiel ergeben sich so musikalische 'Trialoge'. Das Ergebnis sind kinematografische Klangflächen, die sowohl helle Interferenzen schaffen, als auch düstere, verzerrte Wirklichkeiten verbergen. Dabei wirken die Stücke des Debüt-Albums "Stroh zu Gold" hoch emotional. Sie sind das Ergebnis einer kollektiven Improvisation und Instant Composition, und eben keine Konstruktion. TRIALOGOS sind: Conny Ochs, Sicker Man and Kiki Bohemia. Conny Ochs ist längst fester Bestandteil der Exile-On-Mainstream-Familie. Zeugen sind seine Solo-Alben und natürlich die Kollaborationen mit Doom-Legende Scott "Wino" Weinrich. Tobias Vethake ist Multiinstrumentalist und Komponist. Als Komponist von Schauspiel- und Filmmusiken arbeitete er u.a. am Volkstheater Wien und dem Imperial War Museum London und schrieb Soundtracks u.a. für Muxmäuschenstill (D), Bye Bye Berlusconi (I) und Seance (US). Er ist auch Produzent und Co-Autor diverser internationaler Vero?ffentlichungen (z.B. Serengeti (US / Anticon), SchneiderTM (D / Editions Mego), Gregor Schwellenbach (D / Kompakt). Die Berliner Musikerin und Sängerin Kiki Bohemia produziert und veröffentlicht eigenes Material und kollaboriert mit internationalen Künstlern unterschiedlichster musikalischer Genres (z.B. Yann Tiersen, The Brian Jonestown Massacre, Blainbieter, The Crack-Up Collective). Echtzeitkompositionen, Live- Filmvertonungen, Musik fu?r Kunstinstallationen, Performances und Live-Ho?rspiele sind Zeugnisse ihrer Affinität zu experimentellen und aleatorischen Auffu?hrungsansa?tzen und Improvisation (u.a. Documenta Kassel 2012, Schauspielhaus Hamburg, Sophiensaele Berlin, Kater Holzig, Deutschlandradio Kultur).

pre-ordina ora18.06.2021

dovrebbe essere pubblicato su 18.06.2021

16,51
The Acacia Strain - Wormwood

Wormwood is the fifth studio album by American metalcore band The Acacia Strain. This is the band's second album to feature bassist Jack Strong and third featuring drummer Kevin Boutot; it was also their last release on Prosthetic Records. The album was released on July 20, 2010. Wormwood reached #67 on the US Billboard Top 200 chart.

pre-ordina ora26.03.2021

dovrebbe essere pubblicato su 26.03.2021

24,33
The Hanging Stars - A New Kind Of Sky

London-based folk-psych-country band The Hanging Stars return with their eclectic third studio album, A New Kind Of Sky, due out on 21 February 2019. Carrying on their exploration of transatlantic psychedelic folk and cosmic country, the new album blends twelve-string, harmony-laden lullabies with soft rock anthems to create a guilded box of bucolic folk-rock. As well as the band’s signature wistful pastoral escapism, there are lyrical concerns about the recent past; the systematic division of people, values, facts and humanity in The West in general - and the UK in particular. The band weave the same thread they have always woven but this time with a more unified vision, creating a kaleidoscopic poncho for these times.

The Hanging Stars comprise songwriter, singer and guitarist Richard Olson, Sam Ferman on bass, Paulie Cobra on drums, Patrick Ralla on guitars, keys and vocals, and renowned pedal steel player Joe Harvey-Whyte. Returning guest Collin Hegna from Brian Jonestown Massacre plays an instrument called a Marxophone on “Choir of Criers”. They also welcome Sean Read of The Rockingbirds and Dexy's Midnight Runners, who adds horns to “Three Rolling Hills” and “I Was A Stone”.

The main bulk of the recording for the new album was done live in the studio at Echozoo in Eastbourne with Dave Lynch. For the first time, the band decided to dive straight in to the recording studio following their German tour in 2018. Having lived in each other’s pockets and playing their new songs every night, the band were as tight and primed as they could possibly be. There ensued a few, very long, days of recording, capturing the essence of the band in their element.

The songwriting process was even more collaborative for this album, with the usual co-writes between Richard Olson, Sam Ferman and Patrick Ralla enhanced by Joe Harvey-White’s arrangements and Paulie Cobra’s harmonies. The biggest difference is that Sam Ferman sings lead on the first single “‘(I’ve Seen) The Summer in Her Eyes”, a song about lost love and self doubt channeled through two and a half minutes of garage pastoralism.

The album’s title track “A New Kind of Sky” tells a story from the point of view of somebody who idealises a past that never existed. The band go glam-rock on the stand-out track “I Will Please You”, a tale of a cult leader/world leader and his irresistible (for some) charm from the point-of-view of his most recent victim and “Heavy Blue” is a country music tale of drunken debauchery seen through the eyes of an inexperienced young man. The triumphant trumpet-driven song “These Rolling Hills” is a minor-key tale of a journey into the hills of Marin County, California undertaken by Paulie and Richard to visit friends Asteroid No. 4, with a most interesting outcome.

The Hanging Stars released their debut album Over the Silvery Lake in 2016, which received plaudits from broadsheets such as The Times, who described it as; "An album with enough of a hazy, sun-dappled charm to make the capital's dreariest weather bearable”, as well as The Guardian, who said; “Mersey-laced harmonies and just a whiff of the Gun Club.” They picked up a good amount of support at 6 Music and “The House on the Hill” scored a much-coveted 10/10 by John Robb on Steve Lamacq’s Roundtable.

Their second album Songs For Somewhere Else in 2017 received critical acclaim from the likes of Uncut (Revelations article), Shindig (several features and 4* review) as well as The Quietus and The Line Of Best Fit, plus radio support from Gideon Coe and Bob Harris (they performed an Under the Apple Tree Session for Bob Harris in January 2019).

Whilst playing their own successful sold-out headline dates, the band were invited to share the stage with Teenage Fanclub, The Clientele, Wolf People, The Long Ryders and GospelbeacH, as well as playing festivals such as Liverpool’s International Festival of Psychedelia, Red Rooster, Ramblin' Roots, UK Americana Festival and The Long Road.

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13,92

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L'Épée - Ghost Rider

L'épée

Ghost Rider

12inchAUK134-12
A Recordings
13.12.2019

This is the 2nd single release from L'Épée, from the seminal album “Diabolique”. This 3 track single contains an exclusive track to the release “Shiny Shiny” & the artwork is by Frank Kozik.
The band are Emmaunelle Seigner (Ultra Orange & Emmanuelle), Anton Newcombe (The Brian Jonestown Massacre) & Lionel & Marie Liminana (The Liminanas).

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