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For Dutch artist Stefan Vincent, the feeling of melancholy also offers the opportunity for beauty to be found. “Decay and loneliness can serve a purpose. Depression can teach you things. To feel deep sadness also means the ability to feel profound
emotions.” he says. With this in mind, his debut album on MUSAR Recordings, “Post- Melancholy”, unpacks the twists and turns of grappling with this emotion, drawing from breaks, electro and IDM to make his most intricate work to date, after previous releases on Token, Dynamic Reflection, Symbolism, and Non-Series. Throughout “Post-Melancholy” Vincent traces the wave of melancholy and how it moves through the body, which allows for lighter moments alongside darker moods. Perhaps the lightest track on the album is its acidic-breaks opener, “Eyes Unclouded”, with its soaring acid lines and dazzling synths, which acts as a false pretense for the rest of the album. Tracks like “Poise”, “Arpeggino” and the meditative “Yonghegong Lama Temple Exit F” also break up the intensity. However, nestled between the more pacey, bass-weighted tracks on the album, these lighter openings still feel like tear-jerkers.

The more common associations of melancholy show up on tracks like “Another Skin To Wear” and “You Know This Isn’t Going To End Well”, which all create a more ominous feel via IDM and the polyrhythmic structures of drum’n’bass. Particularly on “Another Skin To Wear”, which borrows its name from a Radiohead lyric, the track's swooping motion feels realistic to melancholy’s chaotic and often unpredictable path. But, like all great storytellers, Vincent leaves the most poignant moment of the album for last with the rolling “8AM on the Train… (For Maarten)” devoted to his dear friend, Maarten, who sadly passed away at the young age of 36. This LP is dedicated to Maarten de Vries (1986-2022)

Exzellente, Karriere umspannende Werkschau zum 80-jährigen Geburtstag des französischen Modern-Jazz-Vertreters Frederic Rabold, der seit Ende der 1960er bis heute aktiv ist, mit Avantgarde-Musikern wie Gunter Hampel, Leszek Zadlo und Lester Bowie arbeitete und neben Albert Mangelsdorff, Klaus Doldinger und Dave Pike auf der Bühne stand. Limitierte Deluxe-Auflage auf schwarzem Bio-Doppelvinyl im Gatefold mit ausführlichen Linernotes (dt. & engl.), bislang ungesehenen Fotos und Download-Code. 17 Tracks.

Saxophonist Walter Smith III pays homage to his hometown of Houston, Texas on his sophomore Blue Note album, three of us are from Houston and Reuben is not, the follow-up to 2023’s return to casual. The album’s wry title signifies the lineup, which includes fellow Houston natives – pianist Jason Moran and drummer Eric Harland – while bassist Reuben Rogers, who hails from the Virgin Islands, rounds out the quartet. Together they enliven 10 compelling Smith originals and an imaginative rendering of a Sam Rivers composition – all of which speaks to Smith’s ascending status as one of modern jazz’s most engaging talents of his generation.

'Baby’ – cross it off your Wants List at last. Written by Caetano
Veloso, arranged by Arthur Verocai, covering Gal Costa. An
absolutely killer Brazilia modern soul jam – a rarity in Brazil
that we hammer in DJ sets and have been wanting to release for a
while. Taken from the Quinteto Ternura self-titled LP from 1974.

‘Filhos De Zambi’ is uptempo samba-funk of the highest order, and now very difficult to find at a decent price in it’s original RCA ’compacto’ format. Percussion high on the mix, hands claps and a brilliant harmonised chorus line.

Deluxe Anniversary Edition. Jade Green Swirl Vinyl. LP+7". - Deluxe Anniversary Edition of LP celebratiing 10 years since it's initial release - Enclosed in hardcover photobook with 96 pages of photos from the era with liner notes from each member of Modern Baseball - Includes exclusive 7" with. It's been ten whole years of us listening to Modern Baseballl's iconic record You're Gonna Miss It All, and to celebrate Run For Cover has teamed with the band to deliver a deluxe anniversary edition worthy of it's legacy. This version of the band's second album is a collector's delight - two discs enclosed in a heavyweight, hardcover 12" x 12" book with 96 pages of photos from longtime collaborator Jess Flynn. Each member of Modern Baseball also contributed notes to provide context to the countless photos taken while touring, recording, skateboarding, napping, swimming and a whole lot more. This deluxe edition also includes two never-before released demos of "Rock Bottom" and "Pothole" pressed on an exclusive 7". These early, intimate versions show how the ideas behind these two favorite tracks progressed into the final takes that made it onto You're Gonna Miss It All. Modern Baseball was formed in 2011 by friends and guitarists Jacob Ewald and Brendan Lukens, who were soon joined by Ian Farmer on bass and Sean Huber on drums.The band self-released their first EP The Nameless Ranger in 2011 while still in high school. Shortly after the members relocated to Philadelphia to attend college and quickly gained a strong following in the Philadelphia music community, teaming up with locals Marietta to release the Couples Therapy split in the spring of 2012. Modern Baseball released their debut full-length Sports later that year on Lame-O Records, which they self-recorded and produced. After spending the summer of 2013 touring heavily across the US, the band headed into Studio A in Philadelphia to self-record You're Going to Miss It All. Mixed by Jonathan Low at Minor Street Recordings and mastered by Will Yip, You're Going to Miss It All features 12 tracks that showcase the band's signature witty indie-pop.

Ursprünglich im Jahr 2020 veröffentlicht, ist some kind of peace ein persönlicheres und introspektiveres
Album, als Ólafur es je zuvor veröffentlicht hatte.
some kind of peace handelt davon, was es bedeutet, lebendig zu sein, sich zu trauen und verletzlich zu
sein. Es ist eine persönliche Reise, die Ólafur mit seiner bisher introspektivsten Musik vor dem Hintergrund
einer ins Chaos gestürzten Welt erzählt. Auf dem Album verarbeitet er reale Teile seiner Lebensgeschichte,
wobei er meisterhafte Sampling-Techniken einsetzt, um dem Hörer ein Fenster in seine Erfahrungen zu
öffnen.
Neben Ólafur Arnalds selbst sind auch befreundete Musiker auf dem Album vertreten, wie der britische
Musiker Bonobo, der isländische Sänger und Multiinstrumentalist JFDR und die deutsche Sängerin und
Komponistin Josin. ”All diese Menschen waren zu diesem Zeitpunkt Teil meines Lebens oder haben mit
mir die Erfahrungen gemacht, die das Album beeinflusst haben”, erklärt er. ”Es wäre seltsam, ein so
persönliches Album zu schreiben und meine Freunde nicht einzubeziehen.”
Mit einer Art Stück fordert Ólafur Arnalds das Leben mit all seinen Facetten heraus, zu akzeptieren, wie
es ist, loszulassen und vor allem zu reagieren und darüber nachzudenken, um unseren persönlichen inneren
Frieden zu finden. Sein atemberaubendes Album wäre definitiv der richtige Ort, um damit zu beginnen.

This album is about memories. About a feeling of nostalgia and longing, both beautifully comforting and devastating. It is an attempt to transform an unspoken sensation of the past to a solid object serving the future, an urge to remember and hold onto moments that we can't keep forever. On the 6th of October 2023, the release date of her third solo album ‘Ghosts’, Hania performed a very special album release concert with a string ensemble in a uniquely special location - Witold Lutosławski's Concert Studio at the Polish Radio in Warsaw. Over the years, the spaces of Polish Radio have become an important part of Hania’s life - both privately and professionally.

Visiting for the first time as a student of Chopin University of Music and returning to make her first recordings in late 2018, just before the release of the debut album ‘Esja’. It was also in these studios that Hania recorded her Live from Studio 2 video and EP. But whereas that featured a much-loved solo performance, for this very special recording from the larger Studio 1, Hania is joined by her regular collaborator Ziemowit Klimek on double bass and moog as well as a luxurious eight-piece string ensemble featuring Karolina Gutowska violin Jan Pietkiewicz violin Marta Piórkowska violin, Paweł Czarny viola, Tomasz Rosiński viola, Dobrawa Czocher cello, Marianna Sikorska cello, Mateusz Błaszczak cello.
Beautifully mixed by Greg Freeman in Berlin the music takes on a new life as Hania’s ethereal vocals, beautiful playing and exhilarating compositions are brought fully to life by the beautiful sweeping strings of the expanded ensemble. The concert is included here in its entirety with the addition of one beautiful extra performance – the title track ‘Nostalgia’ a beautiful interpretation of a much-loved piece from the Ghosts album taken from her concert at the Roundhouse in London. In addition the LP features a beautiful 16 page booklet of photographs of the Polish radio studios taken by Hania herself and featuring her thoughts on the recording, studios and the compositions themselves and the CD includes the photos in a beautiful glued in 12 page booklet.

Brand new remastered version of PENTAGRAM legendary album Review Your Choices in new coloured vinyl and with a brand new cover desgined by Mirkow Gastow. PENTAGRAM's fourth studio album "Review Your Choices" marked the band's sixth comeback after several changes of line-up and label. These acclaimed protagonists of Doom Metal proved once more indestructible by drug addiction, break ups, bad deals, jail terms, chronic illness, satanic blood sacrifices and various acts of self destruction. Main-man and singer Bobby Liebling has kept his band alive for over 35 years now and might easily be awarded the title of "longest serving cult band" - highly acclaimed by fans, press and fellow musicians alike. "Review Your Choices" marked the return of multi-instrumentalist Joe Hasselvander to join Bobby Liebling in his eternal quest of creating the heaviest sound possible. The album features a mix of re-recorded lost Liebling tracks from the 70's and stellar new numbers penned by Hasselvander, which gave "Review Your Choices" an extra heavy feeling. PENTAGRAM once again set a standard to be followed by such illustrious followers as Cathedral, Spirit Caravan, Goatsnake, St. Vitus, Trouble or High On Fire among many others. Dive down deep into gloom and despair with this classic Doom recording.

Neon Green Vinyl, limited to 400 copies. Brand new remastered version of PENTAGRAM legendary album Review Your Choices in new coloured vinyl and with a brand new cover desgined by Mirkow Gastow. PENTAGRAM's fourth studio album "Review Your Choices" marked the band's sixth comeback after several changes of line-up and label. These acclaimed protagonists of Doom Metal proved once more indestructible by drug addiction, break ups, bad deals, jail terms, chronic illness, satanic blood sacrifices and various acts of self destruction. Main-man and singer Bobby Liebling has kept his band alive for over 35 years now and might easily be awarded the title of "longest serving cult band" - highly acclaimed by fans, press and fellow musicians alike. "Review Your Choices" marked the return of multi-instrumentalist Joe Hasselvander to join Bobby Liebling in his eternal quest of creating the heaviest sound possible. The album features a mix of re-recorded lost Liebling tracks from the 70's and stellar new numbers penned by Hasselvander, which gave "Review Your Choices" an extra heavy feeling. PENTAGRAM once again set a standard to be followed by such illustrious followers as Cathedral, Spirit Caravan, Goatsnake, St. Vitus, Trouble or High On Fire among many others. Dive down deep into gloom and despair with this classic Doom recording.

Brand new remastered version of PENTAGRAM legendary album Sub-Basement in new coloured vinyl and with a brand new cover designed by Solo Macello. Doom is made out of 666 tons heavy riffing, vocals filled with pain, regret and spite as well as leaden song-structures stretched taut to the point of ripping. PENTAGRAM embody all those virtues like no other contender in this oldest of all genres of Metal being founded by none other than Black Sabbath. Many have named PENTAGRAM the true heirs of those originators of Heavy Metal and honourably dubbed them 'the American Black Sabbath'. In this sixth incarnation of the band, Doom lord Bobby Liebling had reunited with drummer Joe Hasselvander, who had already been a member of PENTAGRAM twice before. Hasselvander played all the instruments, while Liebling added his matchless vocals. "Sub-Basement" was the second output of this line-up and is regarded as the most Rock N' Roll effort of the doomsters ever. On top of PENTAGRAM's perfect Doom sound an irresistible groove and capturing catchiness was added, which made the album an all time favourite for many fans. "Sub-Basement" will kick your ass and twist your legs.

Blue jay vinyl, limited to 400 copies. Brand new remastered version of PENTAGRAM legendary album Sub-Basement in new coloured vinyl and with a brand new cover designed by Solo Macello. Doom is made out of 666 tons heavy riffing, vocals filled with pain, regret and spite as well as leaden song-structures stretched taut to the point of ripping. PENTAGRAM embody all those virtues like no other contender in this oldest of all genres of Metal being founded by none other than Black Sabbath. Many have named PENTAGRAM the true heirs of those originators of Heavy Metal and honourably dubbed them 'the American Black Sabbath'. In this sixth incarnation of the band, Doom lord Bobby Liebling had reunited with drummer Joe Hasselvander, who had already been a member of PENTAGRAM twice before. Hasselvander played all the instruments, while Liebling added his matchless vocals. "Sub-Basement" was the second output of this line-up and is regarded as the most Rock N' Roll effort of the doomsters ever. On top of PENTAGRAM's perfect Doom sound an irresistible groove and capturing catchiness was added, which made the album an all time favourite for many fans. "Sub-Basement" will kick your ass and twist your legs.

Oxblood & Gold Vinyl. Light In The Attic präsentiert in Zusammenarbeit mit Laurie Anderson und dem Lou Reed Archive die erste offizielle Anthologie von Lou Reeds Arbeiten für Pickwick Records 1964-1965. "Why Don't You Smile Now: Lou Reed At Pickwick Records 1964-65"enthält Raritäten, Kultklassiker (The Primitives' "The Ostrich") und bisher unveröffentlichtes Material (The Beachnuts' "Sad, Lonely Orphan Boy") und ist eine Zusammenstellung von Popsongs aus Reeds Feder, die er Mitte der 60er Jahre als angestellter Songwriter für das längst untergegangene Label Pickwick Records schrieb. Die Zusammenstellung ist der neueste Teil der Lou Reed Archive Serie und folgt auf Lou Reeds "Words & Music, May 1965" (2022) und die Wiederveröffentlichung von "Hudson River Wind Meditations" (2023). Als eine der originellsten und innovativsten Persönlichkeiten der Musikgeschichte erlangte Reed (1942-2013) zunächst als Mitbegründer und Frontmann der einflussreichen Band Velvet Underground Anerkennung. Im Laufe seiner fünf Jahrzehnte währenden Karriere brachte der zweifache Rock & Roll Hall of Famer seine einzigartige Vision in eine eklektische Bandbreite musikalischer Unternehmungen ein, darunter epochale Alben wie "Transformer" (1972) und wild experimentelle Werke wie der avantgardistische Noise-Klassiker "Metal Machine Music" (1975). Doch bevor er sich als Sänger, Songschreiber, Musiker und Dichter etablierte, begann Reed als interner Songschreiber (und gelegentlicher Session-Gitarrist/Sänger) bei Pickwick Records, einem Label, das sich auf Sound-ähnliche Aufnahmen spezialisierte, die die großen Pop-Hits der damaligen Zeit nachahmten. Von Garage-Rock und Girl-Group-Pop bis hin zu Blue-Eyed-Soul und Teenie-Idol-Balladen bietet Reeds Schaffen für Pickwick einen faszinierenden frühen Einblick in sein sich ständig weiterentwickelndes und wahrhaft grenzenloses künstlerisches Schaffen, das vom GRAMMYr-nominierten Mastering-Ingenieur John Baldwin restauriert und remastered wurde. Sowohl die 2xLP- als auch die CD-Editionen enthalten ausführliche Booklets mit ungesehenen Fotos, Linernotes von Richie Unterberger (renommierter Musikjournalist und Autor von "White Light/White Heat: The Velvet Underground day-by-day") und ein Essay von Lenny Kaye (dem legendären Gitarristen, Mitbegründer der Patti Smith Group, Autor, Produzent und Kurator der bahnbrechenden Garage-Rock-Anthologie "Nuggets"). Die Doppel-LP-Verpackung wurde von dem mehrfach mit dem GRAMMYr ausgezeichneten Künstler Masaki Koike gestaltet. Eine spezielle farbige Vinyl-Edition wird auf "Oxblood"-Wachs (A/B-Seite) und "Gold"-Wachs (C/D-Seite) gepresst.

Light In The Attic präsentiert in Zusammenarbeit mit Laurie Anderson und dem Lou Reed Archive die erste offizielle Anthologie von Lou Reeds Arbeiten für Pickwick Records 1964-1965. "Why Don't You Smile Now: Lou Reed At Pickwick Records 1964-65"enthält Raritäten, Kultklassiker (The Primitives' "The Ostrich") und bisher unveröffentlichtes Material (The Beachnuts' "Sad, Lonely Orphan Boy") und ist eine Zusammenstellung von Popsongs aus Reeds Feder, die er Mitte der 60er Jahre als angestellter Songwriter für das längst untergegangene Label Pickwick Records schrieb. Die Zusammenstellung ist der neueste Teil der Lou Reed Archive Serie und folgt auf Lou Reeds "Words & Music, May 1965" (2022) und die Wiederveröffentlichung von "Hudson River Wind Meditations" (2023). Als eine der originellsten und innovativsten Persönlichkeiten der Musikgeschichte erlangte Reed (1942-2013) zunächst als Mitbegründer und Frontmann der einflussreichen Band Velvet Underground Anerkennung. Im Laufe seiner fünf Jahrzehnte währenden Karriere brachte der zweifache Rock & Roll Hall of Famer seine einzigartige Vision in eine eklektische Bandbreite musikalischer Unternehmungen ein, darunter epochale Alben wie "Transformer" (1972) und wild experimentelle Werke wie der avantgardistische Noise-Klassiker "Metal Machine Music" (1975). Doch bevor er sich als Sänger, Songschreiber, Musiker und Dichter etablierte, begann Reed als interner Songschreiber (und gelegentlicher Session-Gitarrist/Sänger) bei Pickwick Records, einem Label, das sich auf Sound-ähnliche Aufnahmen spezialisierte, die die großen Pop-Hits der damaligen Zeit nachahmten. Von Garage-Rock und Girl-Group-Pop bis hin zu Blue-Eyed-Soul und Teenie-Idol-Balladen bietet Reeds Schaffen für Pickwick einen faszinierenden frühen Einblick in sein sich ständig weiterentwickelndes und wahrhaft grenzenloses künstlerisches Schaffen, das vom GRAMMYr-nominierten Mastering-Ingenieur John Baldwin restauriert und remastered wurde. Sowohl die 2xLP- als auch die CD-Editionen enthalten ausführliche Booklets mit ungesehenen Fotos, Linernotes von Richie Unterberger (renommierter Musikjournalist und Autor von "White Light/White Heat: The Velvet Underground day-by-day") und ein Essay von Lenny Kaye (dem legendären Gitarristen, Mitbegründer der Patti Smith Group, Autor, Produzent und Kurator der bahnbrechenden Garage-Rock-Anthologie "Nuggets"). Die Doppel-LP-Verpackung wurde von dem mehrfach mit dem GRAMMYr ausgezeichneten Künstler Masaki Koike gestaltet.

John Mayall is often referred to as the "Father of British Blues." Born on November 29, 1933, he's primarily known for his work as a singer, songwriter, and multi-instrumentalist, particularly as a harmonica player and keyboardist. Mayall gained prominence in the 1960s as the founder and leader of the band John Mayall & the Bluesbreakers, which served as a launching pad for numerous British blues and rock musicians. Mayall's Bluesbreakers lineup famously included Eric Clapton, Peter Green, and Mick Taylor, all of whom went on to achieve great success in their own right. His band became a crucial part of the British blues movement and influenced countless musicians around the world. Over the years, John Mayall has released numerous albums both as a solo artist and with various iterations of the Bluesbreakers. His music spans a wide range of blues styles, from traditional Chicago blues to more experimental and progressive sounds. Mayall's influence on the development of blues and rock music cannot be overstated, and he will always remain a respected figure in the music industry. This John Mayall release from Indigo Records ''Through The Years Live 60's to 80's'' are live recordings presented on Blue vinyl.

One of the great enigmatic figures of jazz, Sun Ra's persona as philosopher, showman and space enthusiast often overshadowed his purely musical accomplishments as one of the most prolific and creative composers and big band leaders in the business. The current release contains one of Sun Ra's most exceptional and highly regarded albums of the 1950s: Jazz in Silhouette. Although the exact recording dates are unknown (no details were given on the original LP back cover, which included no liner notes at all) it was recorded in Chicago in late 1958. The Penguin Guide to Jazz would give Jazz in Silhouette the prestigious four stars accompanied by a crown, which is its highest rating.

Legendary UK band Asian Dub Foundation is celebrating its 30th Anniversary this year!

Asian Dub Foundation are a genre unto themselves. Their unique combination of jungliest rhythms, dub bass lines and wild guitar overlaid by references to their South Asian roots via militant high-speed rap has established them as one of the best live bands in the world. The story began in the early 90’s when ADF formed from a music workshop in East London at the institution which is their spiritual home, Community Music. Their unique beginnings in a music workshop in east London shaped both their sound and their educational aspirations, setting up their own organisation ADF Education (ADFED), plus instigating campaigns on behalf of those suffering miscarriages of justice.

Building a solid live reputation in the mid-90’s, they gained worldwide recognition sharing the stage with Rage Against The Machine, the Beastie Boys, Radiohead and Primal Scream. On record, they've collaborated with Radiohead, Sinead O'Connor, Iggy Pop, Adrian Sherwood, and Chuck D. In addition to their blistering live reputation ADF were one of the first bands to experiment with live film re-scores (“Cineconcerts”), beginning with their rapturously-received re-interpretation of the French classic La Haine back in 2001.

In 30 years, Asian Dub Foundation have racked up 1000’s of unforgettable shows, 9 studio albums alongside a social and educational activism that both created the group and sustains them today. In celebration of the longevity of this unique project they are announcing an extensive European tour for 2024-25 of more than 60 shows and a special album showcasing their many iconic collaborations. “94-Now: Collaborations” will be released on September 27, 2024!










h B3 Free Satpal Ram ft. Primal Scream (Bendran Lynch Mix) ADF30 Remaster

j B5 Black Steel in the Hour of Chaos ft. Chuck D (Live At Somerset House) ADF30 Rework)








h B3 Free Satpal Ram ft. Primal Scream (Bendran Lynch Mix) ADF30 Remaster

j B5 Black Steel in the Hour of Chaos ft. Chuck D (Live At Somerset House) [ADF30 Rework)

In 1975 Phil Pratt first recording session with Keith Poppin at Channel One on Maxfield Avenue generated a spare, hypnotic re-working of 'Bad Mind Grudgeful' retitled 'Envious'. The seven inch single, "caused a sensation here and in Britain", was a Number One record in Jamaica and a big hit on the UK reggae market too. The acclaimed 'Envious' album followed. Keith Poppin continued to work with Phil Pratt on releases such as 'Who Are You', another big hit, and two years later, recorded his second album for Phil Pratt 'Pop Inn'. This classic collection, also created with a stellar line up of musicians at Channel One, was released in the UK only on the Burning Sounds subsidiary label Burning Rockers and consolidated Keith's reputation as one of Jamaica's foremost vocalists with his soulful and melodic voice. This re-issue of 'Pop Inn' is released on 180-gram vinyl including comprehensive sleeve notes

Bevor Klaus Doldinger 1971 die legendäre Band Passport gründete, wandte er sich 1969 mit seiner Band Motherhood dem Rock-Jazz und der Fusion-Musik zu. Dieses selbstbetitelte Album ist das zweite der Band aus dem Jahr 1970. Im Line Up finden sich herausragende Musiker wie Keith Forsey am Schlagzeug und Gesang, der später mit Künstlern wie Amon Düül ll, Giorgio Moroder, Donna Summer, Boney M., Psychedelic Furs oder Billy Idol arbeitete. Er produzierte auch Soundtracks für Filme und Serien wie Beverly Hills Cop, Ghostbusters, American Pie, Futurama, Scrubs und viele mehr. Udo Lindenberg wurde zu einem der erfolgreichsten Künstler Deutschlands und spielt immer noch Arena-Shows. Doldinger selbst ist einer der führenden deutschen Jazzmusiker, der zahlreiche Alben und Soundtracks in verschiedenen Konstellationen veröffentlicht hat und für sein Lebenswerk mit dem Bundesverdienstkreuz oder dem Deutschland-Echo ausgezeichnet wurde. Das lange Zeit vergriffene Album wurde nun endlich für Vinyl remastert und als 1LP neu aufgelegt.

Brooklyn alternative metal band A Deer A Horse will release their new album, Texas Math, via Rookie Records. Texas Math will be A Deer A Horse"s second full-length LP and the first featuring their new lineup. In addition to longtime members Angela Phillips (vocals and bass guitar) and Dylan Teggart (drums), this album introduces Marissa Mazzotta (lead guitar) and Ripley Shultz (guitar and backing vocals). Following their 2022 LP Grind, Texas Math captures the band as they reflect inward musically and lyrically, blending a wide range of influences, including metal, punk, industrial, and stoner rock. As bass player Angela Phillips steps into her role as the sole lead singer, she explores lyrical themes such as suicide, hallucination, isolation, denial, and religious indoctrination.

Dieses 2-CD bzw 2LP-Set mit dem Titel Early Home Recordings versammelt 27 alte Aufnahmen aus den 1960er Jahren (hauptsächlich 1966-67) der Vor-Fairport Convention Sandy Denny. Sorgfältig remastered, enthält dieses Paket ein exklusives neues Essay des Fairport Convention-Biographen Patrick Humphries - der Sandy persönlich kannte. Enthalten sind zwei verschiedene seltene Demos ihres Klassikers 'Who Knows Where the Time Goes' von 1967 (bevor sie ihn mit den Strawbs aufnahm) und ein weiteres von 1968. Sie hatte dieses unglaubliche Talent, diese unglaubliche Stimme - sie spielte 'Who Knows Where the Time Goes', und ich fiel fast vom Stuhl. - Linda Thompson. Außerdem gibt es eine Reihe von Liedern aus Sandys Feder, darunter 'Boxful Of Treasures', das später in den Song 'Fotheringay' umgeschrieben wurde (von Fairport Convention's What We Did On Our Holidays Album). Fotheringay" erscheint hier auch in Demoform. ,Sie muss neu bewertet werden. Sie hat eine Art von Song geschrieben, die heute nur noch sehr selten geschrieben wird - emotional, musikalisch interessant, wirklich gut gesungen - ernsthaftes Songwriting. Sie war dem Rest haushoch überlegen. Und das bleibt sie auch." - Ashley Hutchings (Gründer von Fairport Convention). Außerdem gibt es gefühlvolle Coverversionen von Jackson C. Frank, Fred Neil, Anne Briggs, Dylan und vielen traditionellen Folksongs. Die endgültige Sammlung von Dennys frühen Demos, die von ihrem Nachlass autorisiert wurden, mit Sandys Tochter Georgia Lucas' eigenen charmanten Zeichnungen ihrer Mutter, die zum ersten Mal auf einer offiziellen Denny-Veröffentlichung erscheinen, sowie bisher unveröffentlichten Bildern Sandys der 1960er Jahre. Linernotes von Reissue-Produzent Pat Thomas.