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TV Smith & Richard Strange - 1978

Ex RSD LP on transparent red vinyl, gatefold sleeve with lyric inner sleeve and DL card. Final copies now reduced to £7.99. The tracks on this album have never been officially released before now. The eight songs on this album were recorded in 1978 on a 2-track stereo Revox A77 tape recorder. The recordings are unashamedly analogue, using one microphone and guitars plugged directly into the tape recorder. Bouncing down tracks irreversibly as they went on, forced to make creative decisions that could not be undone. Some hard choices had to be made with the mix, but with no record company meant no record company agenda. TV Smith & Richard Strange could write and record whatever they wanted – and did! It has been an enormous pleasure to rediscover these recordings, the result of a friendship of two artists emerging from broken bands and each about to embark on a lifelong adventure in words and music. TV SMITH - I wasn’t having a lot of fun in 1978 when Richard asked me to collaborate on a song he was writing called “Summer Fun.” I was in the final stages of songwriting for the second Adverts album “Cast Of Thousands,” a project that already seemed doomed to failure given an unenthusiastic record company, a band in the throes of falling apart, and a dwindling audience - but my creative juices were in full flow and I was ready for something different. I already knew Richard, of course, from the Doctors Of Madness, who I’d followed in the years before punk when I was still living in Devon and they were one of the few bands to come and play in the area. I considered them a warped poetic glam band with gothic leanings, and was slightly surprised when the song I’d been invited to work on turned out to be a kind of California surf pastiche. But I was game to get involved, and after we’d finished it and ventured forward with regular writing and recording sessions over the following weeks it soon became clear that “Summer Fun” was just a gateway drug, and the songs that were emerging from our combined forces were going to quickly become much deeper and much darker // RICHARD STRANGE - Watching the remnants of a musical dream being swept away by the juggernaut of corporate punk rock in 1976, I felt a combination of jealousy and resentment towards many of the key players who had been responsible for our demise. The Sex Pistols had supported my band Doctors of Madness early in their career and nicked not only our future but £12.00 from a pair of trousers in our dressing room in Middlesbrough Town Hall! The Jam, who supported us over four shows at London’s fabled Marquee Club, were how I imagined The Who would be if they’d joined the Young Conservatives. Warsaw, our go-to support band in Manchester, had just changed their name to Joy Division, and Johnny and the Self-Abusers, our Scottish flag wavers, had become Simple Minds. All were being feted by the all-powerful music press, while we were being buried. But there was one punk band for whom I never had anything but the greatest affection…The Adverts.

pré-commande13.05.2022

il devrait être publié sur 13.05.2022

15,92
Brennen Leigh Featuring Asleep At The Wheel - Obsessed With The West

'I've been obsessed with western swing since I was a kid, and it's always
been an influence, but my records in the past have ranged from bluegrass
to hard country to folk, So I've never fully explored it' - So says genrebusting Fargo-born, Austin- incubated, Nashville resident Brennen Leigh,
whose new collaboration with the kings of modern-day western swing,
Asleep at the Wheel, Obsessed With The West, is a showcase not just for
the Bob Wills fans, but for anyone who's ever curled up with Loretta Lynn,
Hank Sr, Cindy Walker, Billie Holiday, or Willie Nelson
On twelve all original songs, Leigh's supple winking voice and multi- instrument
fluency, her interplay with Ray Benson, and the undeniable chops of the Wheel
serve up a treat on Leigh's seventh album. With cameos from Emily Gimble and
Katie Shore, and all the players getting their moments in the sun, Leigh - a twotime winner of the Texas Music Awards Best Female Vocalist award -
demonstrates on the terrific jump 40's rhythm and blues, 'Comin' in Hot' and the
lonesome cowboy musing of 'Riding Off Onto Sunset Boulevard' why Rodney
Crowell and Lee Ann Womack have recorded her songs. Obsessed With The West
is a celebration of music for music's sake in 2022, not just an exercise in looking
back on times gone by.

pré-commande13.05.2022

il devrait être publié sur 13.05.2022

32,31
Black Bombers - Last Bite / You Take My Money

BLACK BOMBERS, Birmingham's rock 'n Roll veterans whose primal racket contains elements of both proto and post punk, drop a new 7"on Friday, April 1st - on Easy Action Records. All Fools' Day 2022 seems the perfect time to release a track about false promises and the fantasy of returning to fading Empires. The recording for the single was originally carried out during one of those brief respites from Lockdown in the Summer of 2020 and was then developed in the Soho studio of new Black Bomber guitarist Steve Crittall over the following few months. The 'B' side of the single features Black Bombers' cover of The Damned's 'You Take My Money' - the much maligned second album being something of a band favourite. Bass player Darren Birch played with Damned guitarist Brian James in a short-lived line-up of his James Gang band. This release comes as 'UN-SCENE!', Black Bombers' drummer Dave Twist's compilation album of Birmingham Post Punk, is receiving real acclaim and is already in short supply... The band have dates around the country in the coming weeks and play the DIE DAS DER benefit show for Ukraine on March 27th at the Hare & Hounds, Kings Heath Birmingham.

pré-commande12.05.2022

il devrait être publié sur 12.05.2022

9,03
The Nombres - Trivialities / Todos

The Nombres

Trivialities / Todos

7"-VinylSTR002ST
STREAM
02.05.2022

One part War, two parts Santana, and a dash of Motown, immersed in a rich Puerto Rican stock, Los Nombres were the undisputed kings of Northern Ohio’s Rust Belt barrios. Following successive explosions of brown-eyed and Latin soul in Los Angeles and New York during the mid and late ’60s, Willie Marquez led a rotating cast of Latino teens through numerous underfunded recording sessions for the Day-Wood, Beth, and Lorain Sounds imprints. “Trivialities” was initially recorded in 1972 for release on Beth label and was again re taken in 1977 for the Lorain Sound imprint. Both releases are today as rare as Caribbean pirate’s doubloons and were backed on the flipside by the incredibly groovy barrio banger “Todos”. Here we present the 1977 version of Trivialities and the only existing take of Todos, finally at an affordable price.

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18,07

Last In: 3 years ago
Prince Lincoln & Royal Rasses - Humanity LP

180 gram clear vinyl! Album features new cover art, and full colour Insert with extensive Sleeve Notes .

Features bonus track ‘San Salvador (Dub Plate Style)’.

Recorded at Channel One Recording Studio, Kingston, Jamaica .

Mixed at Harry J Recording Studio, Kingston, Jamaica
Probably one of the best vocal roots reggae albums!

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22,31

Last In: 3 years ago
Digital Afrika - Heart of Drums LP

FROM MUSIC COMES HARMONY
HARMONY BRINGS BALANCE
BALANCE RESTORES PEACE
Enter the heart of drums ..

With obvious intent Nui and Simon set out to create an album that encompasses all of their influences and experiences as musicians and journeymen in the world of African inspired rhythm and sound and have arrived at a work that is at once global, innovative and deeply funky !

It’s been an incredible journey that has taken them from the wilds of the northern hinterlands of New South Wales in Australia to the dreamy secret gardens of Marrakesh, from the onsite recordings of Afro-Cuban choirs of Havana, to the Gnawa street sounds of Moroccan medinas.

Nui and Simon have traversed the globe to create these recordings and have collected diverse and international group of artists to collaborate with in the making of Heart of Drums.

Artists such as Cazeaux Oslo, who is an African-American Mc and vocalist hailing from California.

Olugbade Okunade , Nigerian trumpeter and vocalist , was formerly a member of the Femi Kuti Positive Force band.

Members of Clave y Guaguanco, One of Cuba’s foremost folkloric groups, who have been around since the 60’s.

Lalita Yagnik, Portuguese Speaking Indian, vocalist and martial artist.

Radouan Naim, Traditional Moroccan vocalist and instrumentalist .

And

Close Counters, Australian Up and coming Electronic duo.

Digital Afrika is made up of two main protagonists:

Zhonu ‘Nui” Moon (Future Roots)
An African-Australian producer, percussionist and Dj that has performed and recorded all over the world.

With a strong focus on African music,He has worked with the likes of Femi Kuti , Mulatu Astake and Tony Allen.

And Simon Durrington (Si Fixion ) who is an Australian based producer, keys player and DJ. With extensive experience of working with Melanesian , Indian and world musicians.

Drawing on these influences, Si weaves these styles together seamlessly with his unique high quality electronic production.

This album ‘Heart of Drums’ is a synergy of lush analog electronica and fiery African percussion, vocals and instrumentation.

With occasional reinvented throwbacks to the Disco and Funk era as well as forward thinking Afro-futuristic Record bag essentials, Heart of Drums really brings the party!

These are constructed dance floor motivators for any environment.

The artwork for this record deserves special mention as the mask was handcrafted by the interesting and talented artist Ju Mu Monster. Based in Berlin, the studied fashion designer creates colourful, wildly dancing image-worlds, in which beings from diverse cultures are combined with shamanism and spiritual worlds. Her enchanting works of art include murals and canvases as well as magical masks.

All tracks produced and arranged by Zhonu (Nui) Moon & Simon Durrington

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20,97

Last In: 3 years ago
Curse Of Lono - People in Cars LP

London alt-rock outfit Curse of Lono share brand new single ‘Let Your Love Rain Down On Me’, a hypnotic widescreen teaser for upcoming album ‘People In Cars’, set for release 19th November via Submarine Cat Records (She Drew The Gun, Alabama 3, John Murry).

Recorded during lockdown with long-term collaborator and producer Oli Bayston (Spiritualized, Teleman, Boxed In) and engineer Iain Berryman (Wolf Alice, Arcade Fire, Kings Of Leon), ‘People In Cars’ is a stunningly cinematic record that continues the band’s musical evolution and reinforces their trajectory as one of the most compelling lyrical voices of the British musical underground.

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13,40

Last In: 13 months ago
Tanika Charles - Papillon de Nuit: The Night Butterfly LP

Twice JUNO-nominated and two-time Polaris Prize listed, Toronto's soul songstress Tanika Charles unveils her album "Papillon de Nuit: The Night Butterfly".

"Papillon de Nuit: The Night Butterfly" is the third studio album from Canadian Soul/R&B powerhouse Tanika Charles and is slated to be released worldwide on Milan-based Record Kicks label on April 08th. Composed and recorded while in and out of lockdowns, "Papillon de Nuit" is an album anchored in growth and maturity. The thematic inspiration came from an unlikely source, a creature that soars after the sun sets, but often goes unnoticed until the light shines on it. It is the "papillon de nuit" to some, but drably referred to as a moth by others, revealing a bias in language alone.

"I always thought it was a strange insect. Once while in Paris, a friend swatted at one and I asked: 'Was that a moth?'. I was told: 'No, that's a papillon de nuit.' I thought that was the most beautiful description for this otherwise overlooked creature. When I later learned of the symbolism associated with it, I felt that really spoke to both my own situation and also what we've all been going through." Production on "Papillon de Nuit" was helmed by a mixture of old and new collaborators. The Safe Spaceship Records production team, consisting of Scott McCannell (Lydia Persaud, Claire Davis), Ben MacDonald and Chino de Villa (re.verse, Jessie Reyez), produced four songs on the album. The group also assisted as session musicians for songs produced by newcomer Todd "HiFiLo" Pentney (Allison Au Quartet, JUNO Award winner). "The Gumption" contributor Kevin Henkel ("Tell Me Something", "Look At Us Now") returned with three compositions, and old friend Jesse Bear (Sean Kingston, Stan Walker) contributed to one song.

Following the success of "Soul Run" (2016/17) and "The Gumption" (2019), Tanika had found a comfortable pace of releasing albums then hitting the road the following year to bring her show to new markets far and wide. So when things changed for all of us, and plans of touring "The Gumption" properly fell through, there was a realization that getting to work on the next project was the healthiest choice to make.

"I was in some dark places. My energy was stagnant and the only reliable constant was this perpetual uncertainty. I had gone from feeling like I was everywhere to only being in one place. From seeing so many new faces, to only my own, in the mirror, everyday and having to face that. Getting back to work on music allowed me to explore these feelings through the format I know best. And I wanted to make sure that when things were ready to resume, I'd be ready with something new for my audience too."

Tanika, who took part in the writing of most of the album, was also assisted by regular co-writer Robert Bolton ("Soul Run", "Remember to Remember") and accomplished solo performer Tafari Anthony (Priyanka, of RuPaul's Drag Race). Featured guests include the multi-disciplinary artist Khari McClelland and rising Toronto rapper, DijahSB. Both Dakarai Morris-James (Joanna Majoko, BeBe Zahara Benet) and Sean "D/SHON" Henderson ("Love Overdue", Serena Ryder) assisted with vocal arrangements across multiple songs.


"I think this album represents my best work to date. And yet, it also represents me coming to terms with who I am as an artist. For the first time I think I've actually accepted my own voice. I can hear beyond the imperfections, and I realized that when paired with the right music, it can sound pretty good. I still have my doubts and my dark places, but a little less of them."

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21,81

Last In: 4 years ago
King Tubby - Dub From The Roots

Tubby did three original dub albums, “Dub From The Roots, “The Roots Of Dub” and the third is “Brass Rockers” with Tommy McCook ’pon the flying cymbals. Where he mixed it with the horn going in and out in a dub way and one named “Shalom Dub” you can call Tubby’s too because he mixed the versions as they were off the forty fives.

King Tubby and Producer Bunny “Striker” Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a “serious joke” (more of which later…) they went on to release the first pressings of this new musical genre namely “Dub Music”. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard…. The Remix / Version cuts to an existing vocal tune.

Osborne “King Tubby” Ruddock was born in Kingston, Jamaican the 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and also on two correspondence courses from the USA. When he had qualified, Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm and Blues at local weddings and birthday parties His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a homemade mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.

Dynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubby’s dub plate experiments began to make it on to vinyl and the first ever long playing King Tubby releases would feature a collection of his mixes to a selection of Striker’s rhythms. So please sit back and enjoy this historic set of sounds. Lovingly restored and with a few extra gems added to the CD editions. These releases were the first to carry the name of King Tubby and the first to credit the great musicians that contributed so much to the rhythms that made these albums possible.

Hope you enjoy the set……

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13,40

Derniere entrée: 34 jours
Augustus Pablo - Rockers At King Tubbys

Augustus Pablo's unique sound which was created around playing what could best be described asa child's musical toy, the melodica. It made him a very popular session player in the late 1970's and early 80's.It was not only his unique talent of playing the instrument but also his talents on a piano and the keyboard.
Pablo worked on a varied amount of sessions for all the top Jamaican producers but especially for King Tubby at hi studio in the heart of the Waterhouse district of Kingston Jamaica.
We have compiled a set of rhythms that have King Tubby and Phillip Smart at the controls and Augustus Pablo adding his musical flavour to the mix to make what we believe to be a great album...
Hope you enjoy the set....

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13,24

Last In: 3 years ago
Low Res - Marvin Gaye's Trouble Man Adapted

"Marvin Gaye's Trouble Man adapted and conducted by Low Res"

Marvin Gaye was extremely proud of his pioneering film score for the “blaxploitation” film “Trouble Man”. In 1982, he commented:
“The "Trouble Man" film score was one of my loveliest projects and one of the great sleepers of all our time. I'll probably be dead and gone before I get the probable acclaim from the "Trouble Man" album, musical track, that I feel I should get. And put to a symphony, if someone took my album and did a symphony on it, I think it would be quite interesting.”

American musician Daniel Zelonky (AKA “Low Res”) had been captivated by this record for decades. Given the opportunity to recreate and conduct the entire film score live with a 36 piece orchestra at Voohuit, a beautiful classical venue in Gent, Belgium he set about meeting this daunting challenge: to be faithful to the feeling of the original and yet to create something "new", to expand upon certain elementts in a formal way, no "jamming" on the themes.

After a very successful performance, the resulting recordings were augmented in studio with additional instrumentation, and with the vocals of Blackwolf, singer of the late, lamented "Kings Go Forth" (Luaka Bop Records).

We think that the crate-digging denizens of the original soundtrack, and the curious Marvin Gaye fans alike will find much to enjoy in this 50th Anniversary tribute to Marvin's Blaxploitation masterpiece!

pré-commande08.04.2022

il devrait être publié sur 08.04.2022

27,52
Anthony Johnson - Gun Shot

Anthony Johnson's 'Gunshot' is one of the all dancehall-era defining records. The driving original rhythm, expertly constructed by ace deejay-turned-producer Jah Thomas with the Roots Radics at Channel One, formed a suitable platform for the strident wails of Anthony Johnson, a rising ghetto star that became one of the hottest vocalists on the evolving dancehall scene of western Kingston.

Reissued for the first time after its original release on the Midnight Rock label in 1982, with remastered audio and extensive liner notes by David Katz.

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20,63

Last In: 4 years ago
Joe Tatton Trio - Timeline

Joe Tatton Trio

Timeline

7"-VinylRODMUS001
Rodina Music
06.04.2022

Joe Tatton, keyboard player with UK/US funk/soul jazz kings The New Mastersounds, releases this new 7 inch single in March 2022 and this time there is a lovely double A-side 7" physical vinyl option. Two tracks that showcase Joe's skills as a pianist and vocalist and confirm his talent for writing quality original compositions.

"Timeline" is Joe's spotlight on today's social media obsessed society delivered in the style of his musical hero Mose Allison. The latter was the legendary Mississippi born/New York based jazz/blues musician and singer whose wry and intelligent lyrics married to amazing original music shone a light on society and the world from the mid-1950s until his death in 2015. Mose was a huge influence on musicians like Georgie Fame, Van Morrison and Ben Sidran and was and still is one of Joe Tatton's favourite musicians of all time. This song is the title track for Joe's debut solo album due for release later this year on Rodina Music.

"Stomp" is a slow bluesy instrumental funk burner that has a New Orleans swagger about it and features Joe's grand piano solo followed by JTQ band member Gareth Lockrane cutting loose on the flute. If you like music by Allen Toussaint, Ramsay Lewis and Herbie Mann, you'll be feeling this one.

Joe Tatton has been a member of The New Mastersounds now for 16 years now and has recorded over a dozen albums and many singles with them playing organ, piano and keyboard. Annually, he tours 8-9 months a year with the band, mainly in the USA but also across Europe and Japan too. Prior to joining The New Mastersounds, Joe held down the keyboard role with UK jazz-funk kings The Haggis Horns appearing on their first two albums "Hot Damn!" and "Keep On Movin". He's also featured on piano/keyboards on the worldwide hit single "Put Your Records On" by Corinne Bailey Rae.

Over the years he has played live sets with Maceo Parker and Fred Wesley as well as Art Neville, George Porter Jr and Zigaboo Modeliste of The Meters. He's always maintained his own trio under his own name as a side project, releasing singles and EPs via ATA Records (UK) and Color Red Music (USA).
A few years ago, he needed to find the time and place to record them. So in 2020, between New Mastersounds gigs, he managed to book a few days at a studio near Nashville USA, "The Rockhouse", run by Grammy winning engineer Kevin Mckendree. He hooked up with a couple of Nashville session musicians, Steve Mackie (double bass - longtime Dolly Parton bassist) and Kenneth Blevins (drums), and put down all his original songs and also a cover of Mose Allison's "Ever since the world ended", the first single released last year

Now comes the second double A-side single and a further taste of what's in store from Joe and the band later this year when the "Timeline" album drops later in the year. However this time, there's a lovely little black vinyl offering for all the record lovers out there. Just a small first pressing which will no doubt sell out very quickly so people need to jump on it super fast. Once they're gone, they're gone.
"Time line / Stomp" double A-Side single by the Joe Tatton Trio. Released worldwide on Rodina Music - March 31st March 31st 2022.

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11,35

Last In: 4 years ago
Red Astaire - Nuggets For The Needy #3 2x12"

NEW RED ASTAIRE (AKA FREDDIE CRUGER) drops the 12 more dope tracks influenced by classic reggae, hip hop, R&B, downtempo and dub vibes. Includes several hard to find/out of print gems including "GHETTO HELL", "MAMBO EL KINGSTON" and a previously
unreleased version of his classic "FOLLOW ME". Full pic sleeve (with some dope artwork from BASTARD JAZZ’s JJ MARLEY). Don't miss!

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23,49

Last In: 3 years ago
Jah Thomas - Dub Of Dubs LP

Jah Thomas

Dub Of Dubs LP

12inchBSRLP886R
Burning Sounds
01.04.2022

12” album of previously released Dub album by Nkrumah “Jah” Thomas from Kingston, Jamaica. Re-issued on WHITE vinyl.

Nkrumah “Jah” Thomas is an esteemed reggae deejay and record producer who first came to prominence in the 1970s, later setting up his own labels ‘Midnight Rock’ and ‘Nura’.

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22,06

Last In: 4 years ago
BIG JOE WILLIAMS - BIG JOE WILLIAMS AND HIS NINE STRING GUITAR LP

Big Joe Williams is seen by many as the ultimate incarnation of the Delta Country Blues player, and several of his songs have become standards in the Blues canon. Known for being rough on his guitars, it's one of the reasons for the ongoing tinkering that led to the construction of his first nine string instrument. This fine studio album was released in 1962 on the Folkways Label after being recorded the year before. It contains King Highway Blues, a slow and at times almost spoken track. Where as Somebody's Been Foolin' is fairly driven along by Ransom Knowling's Bass. In 1968 Downbeat Magazine, simply stated that "Big Joe Williams' Blues is a beautiful experience". Listen to this album and you'll agree.

pré-commande31.03.2022

il devrait être publié sur 31.03.2022

13,40
Various - BLACK SOLIDARITY PRESENTS : STRING UP THE SOUND SYSTEM

At the beginning of the eighties reggae music became increasingly in tune with what was happening in Kingston’s dance halls… probably more so than at any time since the sound system operators had started to make their own shuffle and boogie recordings in the late fifties. The international audience and the critics were too busy looking for a new Bob Marley to appreciate what was happening downtown and failed to acknowledge that this was a return to the real, raw roots of the music. Brash, confident, young record producers who were totally in tune with the youth audience stepped forward and seized the moment…

Oswald ‘Ossie’ Thomas began his apprenticeship in the music business at the age of fourteen and served his time as a record salesman for Bunny ‘Striker’ Lee and Winston ‘Niney The Observer’ Holness before moving on to Miss Sonia Pottinger’s Tip Top Records.

“I ended up working in three record stores on Orange Street from 1976 to 1981… Yeah man! Me deh ‘pon me bicycle till I buy my motorcycle! Them days records were coming out left, right and centre… every day!” Ossie Thomas

It was during his time with Miss Pottinger that Ossie began to produce records for himself and in 1979 Ossie and Phillip Morgan began the Black Solidarity label based deep in the Kingston ghetto on Delamere Avenue. Phillip initially inspired Ossie to start the label and soon Triston Palma, Phillip Frazer and “a youth named Gary Robertson” joined in although Gary later left for Canada.

The Soul Syndicate rehearsed in the Delamere Avenue area and Tony Chin gave Ossie a cut of a rhythm that he used for Triston Palma’s ‘A Class Girl’… the label’s inaugural release. The record was a sizeable success and paved the way for hit after hit after hit on Black Solidarity. Ossie worked with just about everybody who was anybody during this critical period of the music’s development including vocalists Robert Ffrench, Little John, Sugar Minott, Frankie Paul and most notably Triston Palma.

“But Delamere must be considered as a music street sheltering as it does such artists as Junior Byles, Don Angelo, Triston Palma, Phillip Frazer and producer Ossie of the Black Solidarity label…” Beth Lesser
And the man who had made his name in the business selling other people’s records now became one of the most important and influential record producers of the era.
With grateful thanks to: Paul Coote, Nick Hodgson & Hasse Huss

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13,66

Last In: 4 years ago
Paul T & Edward Oberon - Strange Days 2x12"

* Strictly limited-edition 2x12” vinyl in full colour sleeve. Includes card to download full album in WAV format.
* ‘Strange Days’ the debut album from one of the standout Drum & Bass acts of recent years, due for release on the legendary V Recordings on 3rd December 2021.
* Features collaborations with Serum, Makoto, MC Fats, Lorna King, 2shy MC, Cleveland Watkiss, Blak, Riya, A Little Sound, Elipsa & T.R.A.C.
* With support already secured from the likes of Shy FX, Bryan Gee, Fabio & Grooverider, Rene LaVice, Hybrid Minds, Serum, Randall and with a growing international fanbase at their back, Paul T & Edward Oberon's new album 'Strange Days' is set to be one of 2021's defining drum & bass releases.
* Their recent run of singles, including two Beatport number ones and collaborations with vocal talents like Cleveland Watkiss, MC Fats, A Little Sound & Lorna Kings have given us a flavour of this monumental project. An eclectic array of influences from jazz to jump up have been filtered through the unique musical perspective of this duo to bring us something that we've never quite heard before.
* Drum & bass has the capacity to deliver, on the one hand, soulfully emotive musicality and, on the other, sheer rave-inflaming filth. Paul T & Edward Oberon, however, have consistently performed the alchemical magic of bringing together both the music and the mayhem without compromising either.
* But of course they have. Paul and Edward have years of experience creating music for some of the most prestigious labels in the scene and drawing from a myriad of influences. Individually, they have credits stretching back decades, and, as a combo, they've been dusting dances around the world since 2011.
* Having won an army of new-gen fans with anthems like 'Stomp', 'Look for the Light' and the absolutely huge scene smashing Serum-collab 'Moon in Your Eyes', these veteran artists have wasted no time in stepping things up to even greater heights as they gear up to drop their album.
* Balancing vibes and viciousness, 'Strange Days' lays out the definitive manifesto for Paul T & Edward Oberon's dirty soul sound. Operating as both a self-contained audio journey and a collection of rave-ready deejay weapons, this LP is a piece of work that demands your attention!

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20,80

Last In: 7 months ago
Various - Rock Steady Cool

Rock Steady Cool is another fine collection of Rocksteady hits. The ‘Cool’ subtitle could not be more relevant to an album, as around 1966, an extreme heatwave hit the Jamaican island. This would not stop the all night dances from going ahead but the jerky Ska Rhythms proved too strenuous of an activity to partake in, so a new slower beat to suit this extreme weather had to be found and the ever resourceful music entrepreneurs came up with the slower paced beat and Rocksteady was born.

This two-year Rocksteady period ran until 1968 and would see some of the power escape from the big three producers, Clement ‘Coxone’ Dodd, Prince Buster and Duke Reid. It was time to make room for a new wave of up-and-coming producers that also had something to offer the people. Such names as Joel Gibson (Joe Gibbs), Sonia Pottinger, Derrick Harriott and most prolific of them all, Mr Bunny Lee would step forward and add some new musical touches to the island.

Rocksteady was an inspirational and somewhat overlooked sound that provided us with some outstanding music. So, sit back and enjoy some Rocksteady straight from the dances of Jamaica.

Hope You enjoy the set….

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13,40

Last In: 3 years ago
The Jazz Defenders - King Phoenix LP

Bristol's jazz daddies The Jazz Defenders drop their second album for Haggis Records (home of UK funk kings The Haggis Horns), in March 2022 and it's a real departure from their debut release "Scheming" (released in 2020). Whereas that album was a homage to the late 1950s/early 1960s classic jazz style known as hard bop, this release moves into new territory with hip-hop/jazz, cinema soundtrack flavours, Latin rhythms and soul-jazz all upfront in the mix. Three taster singles from the album released in mid/late 2021 and march 2022, "The Big Man/Love's Vestige, "Live Slow" (featuring US rapper Herbal T), and "Perfectly Imperfect" (feat Doc Brown) received great radio support from the likes of Craig Charles (BBC 6 Music), Helen Mayhew (Jazz FM), Jamie Cullum (BBC Radio 2), Ashley Beedle (Worldwide FM), Colin Curtis (Worldwide FM) amongst many others, all loving the Jazz Defenders' musical fusion of retro meets modern.

The classic sound that has inspired the band this time is very much from the mid-late 1960s era and the merging of soul and funk beats with jazz solos/improvisation. Tracks like "Wagger Jaunt" and "Munch" nod to the piano and organ-led soul-jazz of artists like Ramsey Lewis, Herbie Hancock, Reuben Wilson, and Jimmy Smith. Meanwhile "Saudade" and "Love's Vestige" feature Brazilian bossa rhythms but with some added film soundtrack overtones. Speaking of movie soundtracks, "The Oracle'' is a pure homage to the classic cinematic compositions of maestros like John Barry(James Bond, The Ipcress File) or Lalo Schifrin (Mission Impossible, Bullitt) right down to the very impressive string arrangement, beautifully scored and orchestrated by band leader George Cooper.

A big departure from the previous album comes via the two hip-hop/jazz tracks, both of which feature guest MCs. "Live Slow" has US rapper Herbal T blessing the mic over an uptempo soul-jazz number whilst "Perfectly Imperfect" features London MC/actor Doc Brown rapping on a nice and slow 90's style head-nodding hip-hop groove. Both compositions show George Cooper's love for old-school boom-bap hip-hop (by the way, he also plays keys with renowned UK hip-hop big band Abstract Orchestra). For classic jazz lovers who dug the first album, there are two pure jazz tracks that join the dots between that debut release and this sophomore one - "Twilight" and "From The Ashes" - with plenty of vibrant solos for the discerning listener.

"King Phoenix" is a statement in itself from The Jazz Defenders. After 2 years of music being destroyed by the pandemic and many musicians inactive, the band has risen from the ashes with new vigour, energy and vision to try something new and not just repeat past musical glories. A band that sticks to the same script every release might just end up having a short shelf life but the Jazz Defenders are planning on being around for a long time.










j Live Slow (Album Version) feat. Herbal T

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