A deep and mysterious groove that makes you hesitate to give in to it. Kiyoshi Sugimoto is a guitarist who has sharply shot through the heart of the times. This is the highest point of his achievement.
Kiyoshi Sugimoto is a guitarist that Terumasa Hino longed for and Akira Ishikawa fell in love with. His cutting-edge and diverse sound has always been at the forefront of modern jazz and jazz rock, and has sharply shot through the heart of the times. There is no doubt that this work, "Babylonia Wind", captures one of the pinnacles of his musical expression. Hideo Ichikawa's electric piano spreads like a ripple, Yoshio Ikeda's rich yet restrained bass, Motohiko Hino's drums with good grain and strong propulsion, Takao Uematsu's saxophone that combines wildness and luster, and Sugimoto's sharp guitar that flashes. From the deep sea-like "Babylonia Wind" to the delicate and fleeting "Hieroglyph", when you listen to the whole album, you will be astonished by the variety of expression and awed by the depth of the groove.
quête:kiyoshi sugimoto
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Vol.9[22,14 €]
Vol.1[23,49 €]
Vol.13 PT2[23,40 €]
Vol.13 PT1[23,49 €]
Vol.15[26,47 €]
Vol.16[26,01 €]
Our latest examination of Esoteric, Modal & Progressive Jazz of the 20th Century has taken us to Japan. The liberating force of jazz has been created and felt all around the world, but few nations on earth embraced the jazz message with the passion and intensity of Japan. From the dawn of the jazz age to the present day, Japanese audiences have been renowned tastemakers, enthusiasts and champions of the music - in the 1980s, Japan was the biggest per capita market in the world for jazz records, and it has even been said that Japanese jazz fans kept the jazz record industry alive through the lean years of the 1970s, when the music fell from commercial favour in the land of its birth.
But while the jazz aficionados of Japan are celebrated as sophisticated fans and consumers of the music, comparatively little is known outside Japan of the remarkable and abundant music produced by generations of Japanese jazz musicians. Numerous Japanese jazzers have found enormous success on the international stage - Toshiko Akiyoshi, Sadao Watanabe, Teramasu Hino, and many others are household names among jazz listeners all over the world, and with good reason. But if such global figures are put aside, the stunning heritage of Japanese jazz remains poorly understood outside Japan. As a result, the work of many celebrated Japanese jazumen has remained largely unknown to international audiences, and the extraordinary scope and depth of Japanese jazz has not been widely recognised.
Compiled for the Spiritual Jazz series in collaboration with the celebrated collector and DJ Yusuke Ogawa (Deep Jazz Reality, Tokyo), this 2CD/twin set of double LPs aims to correct that omission by uncovering the uniquely deep sound of esoteric, modal and progressive jazz from Japan - music of the heart, soul and Japanese spirit!
Each 2LP set comes complete with OBI strip and thick, textured sleeve. Our extensive liner notes extend onto printed inners, and are in both Japanese and English.
- A1: Kazumi Watanabe - Park Avenue
- A2: Shigeharu Mukai - Hip Cruiser
- A3: Kiyoshi Sugimoto - The Island Skyline
- A4: Soul Media - Memory Lane
- B1: Spick & Span - Still Love You
- B2: Hidefumi Toki & Temps - Atsui Yujo
- B3: Shigeru Suzuki - West Beach Drive
- B4: Chika Asamoto - Gypsy Moon
- B5: Toshiyuki Daitoku - Living In A City
Selecting melodious and groovy crossover, fusion, and jazz-funk tracks from the Nippon Columbia catalog, including its sub-label Better Days, that City Pop fans will love.
The track selection and commentary are curated by Hitoshi Kurimoto, the most popular City Pop influencer in Japan.
This unique selection includes tracks from Soul Media, Hiromasa Suzuki, Kazumi Watanabe, and Kiyoshi Sugimoto, along with previously unreissued gems.
The artwork is designed by Stereo Tennis, known for its popular '80s-inspired graphics.
A must-have for fans of Japanese Jazz and City Pop.
- A1: Tadaaki Misago & Tokyo Cuban Boys – Sakura Sakura 7 32
- A2: Minoru Muraoka – Muraiki 3 55
- A3: Count Buffalo & The Jazz Rock Band – Mago-Uta 3 43
- A4: Kiyoshi Sugimoto Quartet – D-51 6 05
- B1: Toshiyuki Miyama & The New Herd– Adult's Day 9 25
- B2: Soul Media – Breeze 4 33
- B3: ジョージ・大塚カルテット– Sea View 5 03
- C1: Hozan Yamamoto, Masahiko Togashi, Yosuke Yamashita – Breath Prologue 5 08
- C2: Jiro Inagaki & Soul Media – Do It! 7 25
- C3: Hiroshi Suzuki – Romance 5 56
- C4: Masahiko Sato – Tochi Mo Kurumi Mo Fukiotose 3 01
- D1: Masahiko Togashi – Fourth Expression 6 45
- D2: Takeshi Inomata & Sound Limited – Mustache (Live) 8 50
- D3: Takeo Moriyama – Watarase 6 40
repressed !
● Essential 14 track collection of "WaJazz" music selected and compiled by renowned Japanese jazz expert Yusuke Ogawa, owner of the Universounds record store in Tokyo.
● Gatefold 180g heavy double vinyl LP. Comes with extensive track-by-track liner notes by Yusuke Ogawa.
● All tracks licensed by Nippon Columbia, Tokyo, Japan.
● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.
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Universounds, HMV Record Shop and 180g team up for an exceptional release: from blazing hard bop to free jazz, to introspective saxophone solos and massive big band sounds, renowned Japanese jazz expert Yusuke Ogawa presents an essential 14 track collection of "WaJazz" music taken from the Nippon Columbia vaults. Featuring Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki, Hozan Yamamoto, Count Buffalo, Takeshi Inomata, and much more!
"Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also theShōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has been a growing trend to move away from the DJ-focused perspective and to appreciate jazz with a deeper understanding. Nowadays, there is more and more interest in the background and roots in which jazz has developed in Japan, with Japanese jazz as a whole now considered as its own distinctive genre.
Of course, even if we speak about "WaJazz" as one genre, there is a truly wide variety of styles within it. However, when Japanese musicians play, there is something uniquely Japanese flowing through that creates a kind of synergy. It may be the melody, the rhythm, or even something deeper, like an inexpressible flicker. I would be happy if some of its charms and secrets emerge from the fourteen tracks included in this collection." (Yusuke Ogawa)
Yusuke Ogawa has been running the Universounds store in Tokyo since 2001, specializing in jazz and second-hand, rare, and collector records. He is also a reissue supervisor, label manager, DJ, and music writer. Known for his vast musical knowledge, eye for detail, and archival skills, Ogawa has worked on more than 250 reissues and compilations – including the highly praised Deep Jazz Reality and Project Re:Vinyl series. He is the co-author of the Wa-Jazz Disc Guide and the Independent Black Jazz of America books.
Japanese jazz, rare groove masterpiece re-released on clear lime yellow color vinyl!
The pleasure of feeling numb all over your body with a single drum beat. Akira Ishikawa, the super funky drummer born in Japan, runs through a wonderland of grooves!
Akira Ishikawa is a super funky drummer born in Japan. His ability to freely explore and fuse jazz, rock, and African music to create a unique musicality has been highly praised in many fields. His career includes masterpieces from jazz rock to rare groove, but this work is especially beloved for its outstanding song selection and exciting musicality. "Let's Start" is a tight cover of Fela Kuti's Afro-funk, "Bongo Rock" is a dynamic song with drum breaks, and "Pick Up The Pieces" is a jazz-funk version of the Average White Band's classic song. It is full of amazing monster tunes that are hard to believe were recorded in 1975. Support from masters such as Kiyoshi Sugimoto, Hiromasa Suzuki, and Takeru Muraoka also shines.
text by Yusuke Ogawa (universounds/Deep Jazz Reality)
With J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central. This latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible style imaginable. Focussing on the key years 1968-1981, J Jazz volume 4 sees compilers Tony Higgins and Mike Peden dig even deeper into their record collections and pull-out tracks that span styles ranging from solo to big band, jazz classical interpretations and heavy jazz rock, to febrile post-bop, white hot samba fusion, and modal psychedelic wig-outs. J Jazz volume 4 features icons such as drum master Takeo Moriyama, keyboard magi Hiromasa Suzuki, Fumio Itabashi, and Masahiko Satoh, and guitar wizards Kazumi Watanabe and Kiyoshi Sugimoto, alongside big band maestros and innovators Nobuo Hara and his Sharps and Flats, and Toshiyuki Miyama’s New Herd. Thunderous basslines nestle alongside glistening runs of electric piano, bubbling synths and air-tight drumming as the heavy psychedelic modal blues of Jiro Inagaki flows with the infectious samba grooves of Takashi Mizuhashi featuring Herbie Hancock; Shigeharu Mukai’s fusion funk epics take the music to another level and Mikio Masuda’s driving keyboard rhythms brings the heat to an incendiary dancefloor zone.
- A1: The Cougar
- A2: I'm Gonna Make You Love Me
- A3: Michelle
- A4: Green Sleeves
- A5: The Sandpiper
- B1: No More Than A Drop
- B2: Hey Jude
- B3: Deep River
- B4: Mago-Uta
Introducing Count Buffalo! An ambitious work that explores the sound of the next generation with innovative arrangements and outstanding performances. A new era opens here.
Akira Ishikawa, a drummer who led groups such as Midnight Sons, Genchers, and Count Buffaloes and has released countless works to the world. This work, the earliest recording under the name of Count Buffalo, features Ken Muraoka, Hiromasa Suzuki, Kiyoshi Sugimoto, Masahiko Sato, and others. Hip jazz-rock “Cougar” led by disquieting strings, “Greensleeves” with a hint of avant-garde, his own interpretation of “Hey Jude”, and a dry jazz-rock version of a folk song such as “Makouta”. , so dense that you don’t even have time to breathe. It is one of the most important works in the history of Japanese jazz-rock, not only in content, but also considering the era of 1969.
text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY)
- A1: Yoko, Ai To Kako (Mimikazari) (3 43)
- A2: Noriko, Ai To Omei (Utsukushiki Emono) (3 11)
- A3: Chie, Ai To Shinjitsu (Ame No Hi No Wana) (3 45)
- A4: Miyako, Ai To Tsuiseki (Koi No Wana) (2 53)
- A5: Nobuko, Ai To Tobo (Shi To Sora To) (5 15)
- B1: Miyako, Ai To Gisei (Aoi Kemonotachi) (4 11)
- B2: Misako, Ai To Kibo (Tobosha) (2 53)
- B3: Sakiko, Ai To Uragiri (Hitokui) (3 43)
- B4: Sanae, Ai To Kyofu (Konoha No Fune) (4 45)
Presented by Mitsuko & Svetlana Records, distributed by WRWTFWW Records.
A golden era gem from the master himself.
Archival reissue of long lost treasure from genius pianist and composer Masahiko Satoh whose resume includes hundreds of legendary albums and collaborations with Midori Takada (Lunar Cruise and Ton•Klami) among many others.
Very rare soundtrack of a 9-episode suspense drama that aired on TV in 1969 and 1970. Filled with exquisite jazz, soul-jazz, folk-jazz, and mystery-jazz, plus groovy affairs, classical moods, and 70s flair.
Highly recommended to Japanese jazz collectors, soundtrack collectors, Masahiko Sato collectors, lovers of rare gems and wearers of vintage trench coats.
All compositions and arrangements by Masahiko Sato
Masahiko Sato: piano, keyboard
Yoshiko Goto: vocal
Kiyoshi Sugimoto: guitar
Kunimitsu Inaba: bass
Yasuo Arakawa: bass
Akira Ishikawa: drums
Originally released in November 1970 as an LP on Toho Records (BL-1001)
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