An incredible document from The Hidden Hand playing live in their prime, 60 minutes of mayhem from Leipzig. Never released before.
Another bonafide classic from the all time heavy lifer Scott ‘Wino’ Weinrich. Things just get heavier and heavier in Wino's career and his short-lived classic band The Hidden Hand is no exception. Formed in 2002 and already disbanded in 2007, the trio featured Wino, Bruce Falkinburg on bass/songwriting/vocals and drummer Dave Hennessy.
If The Obsessed, St. Vitus, Shrinebuilder, Probot and Spirit Caravan aren’t enough to bring his CV to legendary status, stop reading now.
Cerca:l 60
- Laugh
- Living Machine
Cradle was a late-60s/early-70s Detroit rock band that evolved from the groundbreaking all woman rock group The Pleasure Seekers, led by the Quatro sisters-Patti, Nancy, Suzi, and Arlene, By the final lineup of The Pleasure Seekers, Nancy Rogers had joined as drummer, bringing a new thunderous presence with her double bass drum kit and playing a key role in the group's transfornation into their heavier sound under the new moniker, Cradle. With raw, intricate instrumentation and powerful dual vocals-Suzi's Joplin-esque edge and Nancy Quatro's Robert Plant-like wail-the band delivered socially relevant hard rock with grit and attitude. Touring extensively, they shared stages with legends like Mountain. Ten Years After, Jeff Beck, Santana, and Jefferson Airplane, cementing their place in Detroit's hard rock movement. Despite theit undeniable talent and determination. Cradle faced industry roadblocks, disbanding in 1973. But today, their music sounds better than, ever-and their legacy serves as an important chapter! in music history, helping pave the way for women in heavy rock.
Celebrated Blues artist Patrick Sweany returns with his much-anticipated new record Baby, It’s Late.
Utilizing ace players from two of his Nashville side-projects (the 50s/60s era Blues combo Tiger Beats, and the Soul/Funk quartet Super Felon), Baby, It's Late is a pastiche of Sweany's wide-ranging influences and history, incorporating Classic Rock, Soul, Country and, of course, a massive dose of vintage Blues.
Sweany produced the record himself - a first in his storied career.
This new "Experimental Chapter" by DJ Narciso comes as no surprise, really. Autonomous in the motorization of his music, pushing for progress within the framework of an undeniable (inescapable?) heritage. Twisting and bending sound every step of the way, Narciso definitely keeps in touch with the dancefloor, offering the always much needed transcendence through distinctive, non-linear melodies and patterns. The artist pursues a direct link with bodies in motion but seldom in the expected, institutionalized way club culture is being largely promoted.
This is challenging dance music, proud statements of difference. Narciso's previous record was named "Diferenciado". Now we get "Dificuldades", a track that simultaneously carries the weight of being somewhat odd and the difficulties of life. Check how the piano is venting, freestyle, communicating a feeling, and then lets itself get stuck in a loop, but that's exactly when the groove really starts flowing. And then another layer. It's like direct speech.
A common assertion of pride is found in the origin of the artists. The ghetto as a place where any transformation projects more power precisely because of... inherent difficulties. As others (including himself) did in more or less obvious ways, Narciso clearly states "I come from the ghetto" ( "Não Sabes" ). Twice the value. At least. Almost every segment of music in this album ends up sounding heavily emotional, reaffirming what may be - perversely - a well-known characteristic of Portuguese music: melancholy.
"Não Quero" begins side B as a march maybe more significant than a thousand words, such is the ominous tone of its texture. Next track is another lunar tarraxo, pulling down the shades. Then, "Dor de Barriga" lets things loose again, steering clearly off road, shouting this way and that until a peaceful resolution comes. In "Livra-me Desta", vocal snippets blend into synth snippets, disembodied voices abandon all traces of humanity and finally mutate into different entities that, towards the end, again sound vaguely human but now we find ourselves doubting. Closer "Bob" is a rather classic percussion track with plenty of echo, reverb and an unconscious nod to dodecaphonic music. Unlikely? No, the structural ADN of this music is made up of elements western and eastern, southern and northern. To say all-over-the-place is usually not flattering but in this case the expression translates as wonder, surprise, The Unexpected, and reveals Narciso perfectly at ease inside the nucleus of creation.
- 1: Mayfair - St Sound Techniques Session – March 968
- 2: Time Has Told Me - 1St Sound Techniques Session – March 1968
- 3: Man In A Shed- 1St Sound Techniques Session – March 1968
- 4: Fruit Tree - 1St Sound Techniques Session – March 1968
- 5: Saturday Sun - 1St Sound Techniques Session – March 1968
- 6: Strange Face - 1St Sound Techniques Session – March 198
- 7: Strange Face – Rough Mix With Guide Vocal – September 1968
- 8: Day Is Done – Take 5 – April 196
- 9: Day Is Done – Take 2 – November 168
- 10: Day Is Done – Take 7 – April 1969
- 11: Man In A Shed – Take 1 – May 1968
- 12: My Love Left With The Rain – Cambridge, Lent Term 1968
- 1: Blossom – Cambridge, Lent Term 968
- 2: Instrumental – Cambridge, Lent Term 1968
- 3: Made To Love Magic – Cambridge, Lent Term 1968
- 4: Mickey’s Tune – Cambridge, Lent Term 1968
- 5: The Thoughts Of Mary Jane – Cambridge, Lent Term 1968
- 6: Day Is Done – Cambridge, Lent Term 198
- 7: Time Has Told Me – Cambridge, Lent Term 1968
- 8: Three Hours – Take 2 – November 196
- 9: Time Has Told Me – Take 4 – November 168
- 10: Strange Face – Take 1 – November 1968
- 11: Saturday Sun – Take 1 – November 1968
- 12: Fruit Tree – Take 4 – November 1968
- 3: Mayfair – Take 5 – January 1969
- 4: River Man – Take 1 – January 1969
- 5: Way To Blue – Cambridge – Winter 1968
- 6: The Thoughts Of Mary Jane – Take 2 – April 199
- 7: Saturday Sun – Take 1 Into Take 2 – April 1969
- 8: River Man – Take 2 – April 1969
- 1: Time Has Told Me
- 2: River Man
- 3: Three Hours
- 4: Way To Blue
- 5: Day Is Done
- 6: Cello Song
- 7: The Thoughts Of Mary Jane
- 8: Man In A Shed
- 9: Fruit Tree
- 10: Saturday Sun
- 1: Time Of No Reply – Take 3 Into Take 4 – December 968
- 2: Cello Song – Take 4 – January 1969
The Making Of Five Leaves Left tells the story of how Nick Drake’s debut album ‘Five Leaves Left’ came to be released in 1969. This Nick Drake Estate authorised 4LP edition comprises over 30 previously unheard outtakes from the sessions, compiled across three discs. The final disc to complete the package is the original Joe Boyd produced album. The whole set has been mastered by John Wood. Accompanied by a 60 page book printed on special textured paper stock, written by Neil Storey in collaboration with Richard Morton-Jack, complete with full track recording details, charts and recording history. This Nick Drake Estate authorised 4CD edition comprises over 30 previously unheard outtakes from the sessions, compiled across three discs. The final disc to complete the package is the original Joe Boyd produced album. The whole set has been mastered by John Wood.
Accompanied by a 60 page book printed on special textured paper stock, written by Neil Storey in collaboration with Richard Morton-Jack, complete with full track recording details, charts and recording history.
- 1: Lively Up Yourself
- 2: No Woman No Cry
- 3: Them Belly Full (But We Hungry)
- 4: Rebel Music (3 O'clock Roadblock)
- 1: So Jah S'eh
- 2: Natty Dread
- 3: Bend Down Low
- 4: Talkin' Blues
- 5: Revolution
Natty Dread gilt als Bob Marleys bestes Album, die vielleicht beste Reggae-Aufnahme aller Zeiten.
Es war Marleys erstes Album ohne seine ehemaligen Bandkollegen Peter Tosh und Bunny Livingston und das erste, das er als Bob Marley & the Wailers veröffentlichte.
Das hier präsentierte Material definiert, worum es im Reggae ursprünglich ging, mit politischen und sozialen Kommentaren, gemischt mit religiösen Lobgesängen auf Jah.
Bob Marley war ein jamaikanischer Reggae-Sänger, Songschreiber, Musiker und Gitarrist, der internationalen Ruhm und Anerkennung erlangte.
Seine Musik begründete in den 70er Jahren seinen weltweiten Ruf und machte ihn mit mehr als 75 Millionen verkauften Tonträgern zu einem der weltweit meistverkauften Künstler aller Zeiten.
A1: Chinese Eyes (40th Anniversary Version)
A2: Fly Me High
B1: Chinese Eyes (7’’ Version)
B2: Chinese Eyes (Extended Version)
Dieses Jahr feiert der 80er-Jahre Italo-Disco-Klassiker „Chinese Eyes“ unfassbares 40-jähriges Jubiläum.
Anlässlich dessen erscheint hierzu am 01.08.25 eine strikt auf 1000 Exemplare limitierte Auflage des unkaputtbaren Hits auf einer hochwertigen 10‘‘ rot-transparenten Vinyl.
Fancy war seiner Zeit stets voraus und Pionier in vielerlei Hinsicht. In einer Zeit, in der Anderssein noch
weitaus stärker polarisierte als heute, schaffte er es willensstark und zielgerichtet auf die unterschiedlichsten
Bühnen der Welt.
Als Produzent (von u.a. Siegfried & Roy), Arrangeur, Komponist, Parodist, Zauberer und Buchautor
arbeitete er mit den größten Namen der Pop-Welt, wie z.B. Michael Jackson und den Pet Shop Boys,
zusammen und prägt bis heute nachhaltig unterschiedlichste Szenen und Subkulturen mit seiner Pionierarbeit.
Auf der Re-Edition sind neben der originalen 7‘‘, sowie der partyerprobten Extended Version auch zwei
brandneue Songs mit dabei. Eine, zum Anlass des 40ten Jubiläums, von Fancy selbst produzierte Version
von „Chinese Eyes“, mit überraschendem Intro, sowie der bislang noch nie von Fancy selbst eingesungene,
aber seinerzeit von ihm für Linda Jo Rizzo (The Flirts) geschriebene und produzierte Euro-Disco-Evergreen
„Fly Me High“.
- A1: Wake Me Up
- A2: Cry For Me
- A3: I Can't Fucking Sing
- A4: São Paulo
- A5: Until We're Skin & Bones
- A6: Baptized In Fear
- A7: Open Hearts
- B1: Opening Night
- B2: Reflections Laughing
- B3: Enjoy The Show
- B4: Given Up On Me
- B5: I Can't Wait To Get There
- C1: Timeless
- C2: Niagara Falls
- C3: Take Me Back To La
- C4: Big Sleep
- C5: Give Me Mercy
- D1: Drive
- D2: The Abyss
- D3: Red Terror
- D4: Without A Warning
- D5: Hurry Up Tomorrow
Der mehrfach mit Platin und siebenmal mit Diamant ausgezeichnete R&B- und Popstar The Weeknd kommt mit seinem Album „Hurry Up Tomorrow“ zurück. Nach seinem 2020 erschienenen Erfolgsalbum „After Hours“, welches auch das am häufigsten gestreamte R&B-Album aller Zeiten ist, und dem 2022 veröffentlichten Album „Dawn FM“ bringt The Weeknd die Trilogie mit „Hurry Up Tomorrow“ zu ihrem Höhepunkt. Dieses Album hebt seine künstlerischen Erzählungen auf ein neues Level und fängt existenzielle und selbstreferenzielle Themen des Sängers ein. Titel wie „Dancing In The Flames“, „Timeless“ mit Playboi Carti und “Sao Paulo” mit Anitta werden bereits seit dem Sao Paulo Konzert von den Fans gefeiert. Im Jahr 2023 wurde The Weeknd vom Guinness-Buch der Rekorde zum „Beliebtesten Künstler der Welt“ ernannt.
Mike Oldfield ”Hergest Ridge” erscheint auf Vinyl und BluRay mit brandneuem Artwork, mit einer neuen
Cover-Notiz von Mike Oldfield, der diese aus seinem Ruhestand heraus schrieb. Es ist das erste Mal überhaupt, dass beide Mixe zusammen auf Vinyl erscheinen - der Original-Half-Speed-Mix von 1974, gemastert
von Miles Showell und zum ersten Mal auf Vinyl, Mike Oldfields Mix des Albums von 2010.
Neben der LP, enthält die Blu Ray Audio eine brandneue ATMOS- und Stereomischung von David Kosten,
Mike Oldfields 5.1- und Stereomischung von 2010, den „Boxed“-Quad-Mix von 1976 und die OriginalStereomischung von 1974.
- A1: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 60Ak
- A2: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 183A
- A3: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 60Zz
- A4: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 60Z
- A5: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 96A+
- A6: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 104A+
- A7: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 104B
- A8: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 162B
- A9: Fecalove, Mutant Ape, Oubliette & Torturing Nurse - 60Aa+
- B1: Fecalove - Syphillis
- B2: Mutant Ape - Bleak Baits
- B3: Oubliette - Collectability
- B4: Torturing Nurse - 2 Of 5
Limited 300 release of the legendary 2007 tape from Turgid Animal tape label.
NOISE !!
- A1: 1000 Light Years Dub (Feat. High Times Players, Lloyd Obeah Denton)
- A2: In The Shadow Dub (Feat. Vin Gordon, Glen Dacosta, Sheldon "Atiiba" Bernard)
- A3: Whitewater Dub (Feat. Ibo Cooper, Lew Chang)
- A4: Memories Of Old Dub (Feat. Ernest Ranglin, Tyrone Downie)
- A5: Rose Hall’s Birds Dub (Feat. Vin Gordon, Glen Dacosta)
- B1: Squirrel Inna Barrel Dub (Feat. Ernest Ranglin, Vin Gordon, Karl Bryan)
- B2: Under The Cotton Tree Dub (Feat. Glen Dacosta, Ibo Cooper, Cat Coore)
- B3: 45 Charles Street Dub (Feat. Roots Radics, Dwight Pickney, Dean Fraser)
- B4: Everlasting Love Dub (Feat. Sly & Robbie, Dean Fraser, Peace Diouf)
Bringing together over 50 of Jamaica's greatest session musicians, whose work spans from the birth of reggae in the late 1960s until today, Roots Architects is the largest gathering of Jamaican musical talent on one all-instrumental album. Never before have so many veterans, who helped create the immortal rhythms that made reggae internationally successful, been assembled to play on new material without vocals. This project aims to celebrate and pay tribute to the unsung heroes of reggae music: the rhythm builders or Roots Architects. Following the outstanding success of the first chapter of the project, From Then 'Til Now (2024), Fruits Records is pleased to reveal the dub album From Dub 'Til Now. A veritable immersion in the mythical sound of Kingston studios in the late 1970s. Dub master Roberto Sánchez sublimates the work of the Roots Architects with wildly inventive sound experiments. Reminiscent of the finest years of King Tubby, Lee "Scratch" Perry and Scientist.
The project is the brainchild of Swiss keyboardist and producer Mathias Liengme. In 2013, he travelled to Kingston, Jamaica, to produce The Inspirators project, an all-star album gathering Leroy ”Horse-mouth” Wallace, Lloyd Parks, Earl ”Chinna” Smith and Sangie Davis, the four of them acting both as musicians and vocalists. This first experience in Kingston studio life paved the way to what would become the Roots Architects project. In February and March 2017 Mathias Liengme travelled for the fifth time to Kingston to record as many of reggae’s greatest living veteran musicians as he could. With the help of a few of these Architects like Robbie Lyn, Fil Callender or Dalton Browne, he managed to gather over 50 session musicians aged 60 to 85 on nine instrumental songs.
Roots Architects are legends back together in Kingston studios doing what they do best: creating in-strumental music all together!
- A1: Thank You For Sending Me An Angel
- A2: With Your Love
- A3: The Good Thing
- A4: Warning Sign
- A5: The Girls Want To Be With The Girls
- A6: Found A Job
- B1: Artists Only
- B2: I'm Not In Love
- B3: Stay Hungry
- B4: Take Me To The River
- B5: The Big Country
Mit der Wahl des ehemaligen Roxy-Music-Mitglieds und David-Bowie-Kollegen Brian Eno als Produzenten erweiterten Talking Heads ihren Sound für ihr 1978 veröffentlichtes zweites Album erheblich. More Songs About Buildings And Food zählt zu den besten Werken der Talking Heads. Der Einfluss des Produzenten Brian Eno ist deutlich zu spüren, da er die Band in immer innovativere Gefilde vorantrieb. Das gesamte Album, sogar der kleinere Hit, eine von Eno bearbeitete Coverversion von Al Greens „Take Me To The River“, klingt auch 36 Jahre später noch erstaunlich frisch. Diese Super Deluxe Edition erweitert das Originalalbum um ein Bonusalbum mit seltenen und bisher unveröffentlichten Studio-Outtakes sowie einer bisher unveröffentlichten kompletten Show aus der More Songs…-Tour, die im Oktober 1978 im Entermedia Theatre in New York City aufgenommen wurde. Das CD-Format enthält eine Blu-ray-Disc mit Dolby Atmos, 5.1 und Hi-Res-Stereo-Mixes sowie zwei bisher unveröffentlichte Live-Auftritte in voller Länge, die 1978 auf Video aufgezeichnet wurden.
- A1: 2 Of Amerikaz Most Wanted (Feat Snoop Dogg)
- A2: California Love (Feat Dr Dre & Roger Troutman)
- A3: So Many Tears
- B1: I Ain't Mad At Cha (Feat Danny Boy)
- B2: How Do U Want It (Feat K_Ci & Jojo)
- B3: Trapped
- C1: Changes (Feat Talent)
- C2: Hail Mary
- C3: Unconditional Love
- D1: Dear Mama (Feat Anthony Hamilton - Remix)
- D2: Resist The Temptation (Feat Amel Larrieux)
Best of 2Pac is a posthumous greatest hits compilation series from Tupac Shakur released in two parts: Thug and Life. Both albums were released on December 4, 2007 in the United States and December 3, 2007 in the United Kingdom. Both compilations consists mostly of songs released before his death.
KEY FEATURES
• 2+1 Mixing channels
• 1 MICRO input
• 2 PHONO inputs
• 3 LINE inputs
• Master Output (HOUSE) on XLR and RCA connectors
• Booth Output on RCA connectors
• 6.3mm Jack and 3.5mm mini-jack Headphone Monitor Outputs
• 3 band full cut EQ for main channels and 2 band full cut EQ for MICRO/LINE channel
• 3 bands isolator (300Hz and 4KHz, -∞/+12dB, 4th order 24dB/oct )
• Maximum Output without distortions: 21dBV (23dBu)
• Mechanized from a solid block of aluminum knob, without visible screw. Ecler Unique design
• Alps Blue Velvet Potentiometers
• FX Send control and Pre/Post fader selector
• Screen-printed faceplate by selective anodizing
• Wooden side panels included
Audio Performances
Inputs Sensitivity nom/Impedance:
—
LINE : 0dBV/50kΩ
PHONO : -40dBV/50kΩ
MICRO : -50dBV/>1kΩ
FX RETURN : 0dBV/>6kΩ
Outputs Level/Minimum Load:
—
HOUSE (BAL) : 0dBV/600Ω 1V *(+12dB 4V)
HOUSE (UNBAL) : 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (UNBAL) : 0dBV/2.2kΩ 1V *(+12dB 4V)
REC : 0dBV/10kΩ
HEADPHONES : 200mΩ/200Ω THD 1%
FX SEND : 0dBV/2.2kΩ
Frequency Response:
—
LINE : 10Hz÷30kHz -1dB
MICRO : 10Hz÷25kHz -1dB
PHONO : RIAA ±0.5dB
FX RETURN : 10Hz÷50kHz -1dB
THD-N:
—
LINE : 70dB @ 1kHz
Signal Noise Ratio:
—
LINE : >99dB
MICRO : >85dB
PHONO : >98dB
FX RETURN : >100dB
Max Undistorted Output Level:
—
HOUSE (Electr.BAL) : 21dBV (23dBu)
HOUSE (UNBAL) : 21dBV (23dBu)
BOOTH (UNBAL) : 21dBV (23dBu)
Trim control:
—
INPUTS 1-2 : ± 15dB
INPUT 3 : ± 20dB
Tone control Inputs 1-2:
—
BASS : +10/-30dB
MID : +10/-25dB
TREBLE : +10/-30dB
Tone control Input 3:
—
BASS : ± 15dB
TREBLE : ± 15dB
Tone control Isolator:
—
BASS : +12/-70dB
MID : +12/-40dB
TREBLE : +12/-70dB
Tone Filter cut frequency at -6dB (slope 12dB/oct):
—
BASS : 200Hz
MID : 200Hz÷6.8kHz
TREBLE : 6.8kHz
Isolator cut frequency at -6dB (slope 24dB/oct):
—
BASS : 300Hz
MID : 300Hz÷4kHz
TREBLE : 4kHz
- Main Titles - Overture
- Deceleration
- Once Around Altair
- The Landing
- Flurry Of Dust - A Robot Approaches
- A Shangri-La In The Desert / Garden With Cuddly Tiger
- Graveyard - A Night With Two Moons
- Robby, Make Me A Gown
- An Invisible Monster Approaches
- Robby Arranges Flowers, Zaps Monkey
- Love At The Swimming Hole
- Morbius' Study
- Ancient Krell Music
- The Mind Booster - Creation Of Matter
- Krell Shuttle Ride And Power Station
- Giant Footprints In The Sand
- Nothing Like This Claw Found In Nature!
- Robby, The Cook, And 60 Gallons Of Booze
- Battle With Invisible Monster
- Come Back To Earth With Me
- The Monster Pursues - Morbius Is Overcome
- The Homecoming
- Overture Reprise2. Freak Magnet
Vinyl reissue of the legendary soundtrack to Forbidden Planet by Bebe and Louis Barron, an absolute milestone for Electronic Music. Recorded in 1956 by Bebe and Louis Barron, the soundtrack to the cult film Forbidden Planet is without a doubt one of the most suggestive and astounding examples of early Electronica, bringing the extraterrestrial experience of the movie to new levels with the help of the stunning sounds created by the couple through of a myriad of vintage artifacts, including loop FX and amazing modular synths. An absolute masterpiece of the genre, bringing proto electronica, sci-fi and abstract music together for an unforgettable aural experience. Includes a foldout insert with a Bebe Barron interview.
- Sing, Goddess
- The Rex
- Lake Acid
- Achilles
- The New Judas
- Code Of Hammurabi
- Indian Driving
- Shawshank
- Ghrá Rúnda
- Kathmandu
Hedvig Mollestad Thomassen ist die Gitarrenheldin unserer Zeit. Ihr geschmolzener Gitarrensound stammt aus den gleichen Hochöfen wie der von HENDRIX, TONY IOMMI und JIMMY PAGE und wird zum Abkühlen in ein dampfendes Fass aus Free Jazz im Sinne von SONNY SHARROCK und FRED FRITH geworfen. Aus Tracks wie ,The Rex" und ,Lake Acid" spricht die riesengroße Riff-Wissenschaft von LED ZEPPELINs ,Kashmir" und ,Rock'N'Roll", doch angereichert mit einer Flexibilität und Intensität, die so typisch für die düsteren nördlichen Regionen ist, aus der sie und ihre Bandkollegen stammen. ,All Of Them Witches" folgt auf den 2011 Rune Grammofon Release ,Shoot!" und präsentiert das HEDVIG MOLLESTAD TRIO als Mitstreiter der neuen Welle von norwegischem Avant Rock bzw. Free Metal. Dieser letzte Batzen elektrifizierender Instrumentalstücke wurde live in der Inselumgebung des Ocean Sound Studios aufgenommen, einer hölzernen Scheune mit Grasdach am Rand des norwegischen Meers. Dort konnte das HEDVIG MOLLESTAD TRIO vor dem Frühstück im eiskalten Wasser schwimmen und mitten in der Aufnahme den Blick schweifen lassen. Es ist keine Überraschung, das solch weiten Ausblicke zu epischen Konzepten führen, so dass der erste Track ,Sing, Goddess" seinen Namen aus der ersten Zeile von Homers ,Ilias" erhält. Inspiriert vom weiten Himmel sind ,Shawshank" und ,Ghrá Rúnda" mehr nach innen gerichtet und baden im kontrollierten Feedback. Line-Up: Hedvig Mollestad Thomassen -Gitarre, Ellen Brekken - Bass, Ivar Loe Bjornstad - Schlagzeug
Brand new Paul Sitter’s heavy breaks edits. Side A is a dance rework of 60s Los Bravos — Bring a Little Lovin’ and the B side is a mashup of Jane Birkin’s beautiful voice and Big L’s raps
- Tiger Rider
- Flatfoot Willie
- All Dried Up
- Hungry Man
- Dolphins Hotel
- This Love That We Outwore
- Political Disaster
- Changing Times
- Ego In A Bag
- Time Will Show The Wiser
Formed in 2012 by long-time musical companions Oyvind Holm and Hogne Galaen,
the band quickly grew into the six- piece musical force they are today. Their unique
sound fuses cosmic Americana and rich vocal harmonies with catchy melodies, highspirited improvisation, and contagious musical energy that will leave you craving
more.
The six members come from diverse musical backgrounds but are united by their
shared love of psychedelia and cosmic Americana. They draw particular inspiration
from the California sound of the late '60s, with bands like The Byrds, Crosby, Stills,
Nash & Young, and the Grateful Dead as key infuences.
Between 2012 and 2019, the band recorded and released fve critically acclaimed
albums, two of which were recorded in the California desert at the legendary Rancho
De La Luna, nestled among the Joshua trees. Like many other artists, the pandemic
shook their foundations, forcing the band into an involuntary hiatus. In the aftermath
of lockdowns and other imposed restrictions, the backlash from other projects kept
them from picking up where they had left off.
However, the fall of 2024 brought new opportunities. An unexpected email from Mike
Scott of The Waterboys reignited their spirit and motivation. While on tour in Norway,
Scott discovered one of their albums and was so taken by their sound that he invited
them to contribute vocal harmonies to 'The Tourist,' a track off The Waterboys' new
album Life, Death & Dennis Hopper.
Soon after, an even greater opportunity arose--an invitation to join The Waterboys on
tour in the UK and Scandinavia. To accompany the upcoming tour, we've put together
a beginner's guide to Sugarfoot.
The compilation album Cosmic Norse Americana features nine highlights from
Sugarfoot's career so far, along with a newly recorded cover of Emitt Rhodes' 1967
track "Time Will Show The Wiser."
Sugarfoot:
Hogne Galaen - guitars, vocals
Even Granas - drums
Thomas Henriksen - keyboards
Oyvind Holm - guitars, vocals
Bent Saether - bass
Roar Oien - pedal steel
THOUGHTS AND WORDS
The Sugarfoot story begins back in 2011. But before there was Sugarfoot, there were
the Dipsomaniacs, Kulta Beats, Motorpsycho, Too Far Gone, and Deleted Waveform
Gatherings--bands that, in one way or another, featured future members of what would
eventually become Sugarfoot. Six musicians from diverse musical backgrounds,
united by a shared love of psychedelia and cosmic Americana. Drawing deep
inspiration from the California sound of the late '60s, their musical compass points
toward The Byrds, Crosby, Stills, Nash & Young, and the Grateful Dead.
I say eventually, because Sugarfoot didn't start as a band--it began as a duo. Hogne
Galaen and Oyvind Holm had previously played together in Deleted Waveform
Gatherings. But when their drummer moved out of town, the group was put on ice. Not
ones to sit still, the two of them launched a side project to keep the creative wheels
turning.
Throughout the winter of 2011, they holed up in their rehearsal space, writing and
recording rough sketches of what would soon grow into a full album. And that's when
things got interesting. They drew up a wish list--a dream lineup of musicians they'd
love to bring into the fold.
Among the names on that list were Even Granas, Thomas Henriksen, Bent Saether,
and Roar Oien, all soon to be permanent Sugarfooters. Each was invited to contribute
to the project, adding their parts to the pre-recorded tracks--without knowing what the
others were doing. Like assembling a giant musical puzzle, Galaen and Holm later
pieced the album together from these blindfolded contributions. The result was This
Love That We Outwore, released in the fall of 2012.
From there, things escalated quickly. By the following year, Sugarfoot had become a
proper band. Big Sky Country-- written and recorded collectively-- landed in 2014,
solidifying the group's evolving sound, including favourites such as Dolphins Hotel and
Ego In A Bag. When it came time to record a third album, the band felt the itch for
something new. They wanted a change of scenery--somewhere that could spark fresh
inspiration and leave its own sonic fngerprint on the production. So they asked
themselves: where could they go that carried the spirit, the legacy, the stardust of their
musical heroes?
That search led them to the California desert, to the legendary Rancho De La Luna,
nestled among the Joshua trees. Their next two albums, Different Stars (2016) and
The Santa Ana (2017), were both recorded at the Rancho. In fact, The Santa Ana was
both recorded and mixed during a two- week stay in 2015, making it a true time
capsule in the band's discography.




















