Cerca:l 60
- A1: I'm Gonna Booglarize You Baby
- A2: White Jam
- A3: Blabber 'N Smoke; Lyrics By – Jan Van Vliet
- A4: When It Blows Its Stacks
- A5: Alice In Blunderland
- B1: The Spotlight Kid
- B2: Click Clack
- B3: Grow Fins
- B4: There Ain't No Santa Claus On The Evenin' Stage
- B5: Glider
- C1: The Witch Doctor Life (Instrumental)
- C2: Semi-Multicolored Caucasian (Instrumental)
- C3: Your Love Brought Me To Life (Instrumental)
- C4: Two Rips In A Haystack / Kiss Me My Love
- C5: Harry Irene
- C6: Best Batch Yet (Track)
- C7: I Can't Do This Unless I Can Do This / Seam Crooked Sam
- D1: I'm Gonna Booglarize You Baby (Full-Length Version)
- D2: Pompadour Swamp (Full-Length Version)
- A1: Neocon
- A2: The Noose
- A3: Long Way Home
- A4: Hit That, Songwriter – Bryan Keith Holland*
- A5: Race Against Myself
- A6: (Can't Get My) Head Around You, Songwriter – Bryan Keith Holland*
- B1: The Worst Hangover Ever
- B2: Never Gonna Find Me
- B3: Lighting Rod
- B4: Spare Me The Details
- B5: Da Hui, Songwriter – Bryan Keith Holland*, Greg Kriesel, Kevin Wasserman, Pete Parada
- B6: When You're In Prison
- A1: Scene 1: Welcome 2 Collegrove; Narrator – 50 Cent
- A2: G6
- A3: Big Diamonds; Featuring – 21 Savage
- A4: Presha
- A5: Long Story Short
- B1: Scene 2: Duffle Bag Boys; Narrator – 50 Cent
- B2: Millions From Now
- B3: Crazy Thick
- B4: Transparency; Featuring – Usher
- B5: Significant Other
- C1: Scene 3: Ladies Man; Narrator – 50 Cent
- C2: P.p.a.; Featuring – Fabolous
- C3: Oprah & Gayle; Featuring – Benny The Butcher*
- C4: Shame
- C5: Bars
- D1: Scene 4: No Fent; Narrator – 50 Cent
- D2: Godzilla; Featuring – Vory (2)
- D3: Crown Snatcher 2:36
- D4: Can’t Believe You; Featuring – Rick Ross
- D5: Scene 5: Never Was Lost; Narrator – 50 Cent
- D6: Moonlight; Featuring – Marsha Ambrosius
- A1: Doors Of Your Heart
- A2: All Out To Get You
- A3: Monkey Murders
- A4: I Am Your Flag
- A5: French Toast (Soleil Trop Chaud)
- A6: Drowning
- B1: Dream Home In Nz
- B2: Walk Away
- B3: Over And Over
- B4: Cheated
- B5: Get-A-Job
- B6: The Limits We Set
- C1: Too Nice To Talk To
- C2: Psychedelic Rockers
- C3: Hit It
- C4: Which Side Of The Bed?
- C5: Drowning (Dub)
- D1: Too Nice To Talk To (Dubweiser)
- D2: Psychedelic Rockers (Dubweiser)
- D3: Doors Of Your Heart (Extended)
- D4: Hit It (Extended)
Horace Andy has always commanded a place high on the list of Reggae singers from Jamaica. His distinctive haunting vocal style stands strong on any rhythm,song or style he chooses to cover. Of the singers on that long list, he has managed more so than any other, to crossover to a new generation of listeners due to his individual style, helped also by his collaborations with the likes of Massive Attack. Horace Andy (b. Horace Hinds,1951,Kingston Jamaica) like many otherJamaican singers began his musical career at Coxsonne Dodd's Studio One. So impressed with the youth, Coxsonne decided on a name change for theyoung artist and called him after his top songwriter of the time Bob Andy. So Horace Hinds became Horace Andy. His first tune for Coxsonne 'Something On My Mind' was a slow burner in Jamaica, but his belief in his young protégé paid off when followed later by 'Skylarking' a tune that burst the singer all overthe radio and sound systems of Jamaica. After numerous singles and two albums worth of material, Horace moved on to work with many of the topflight Jamaican producers, among them Keith Hudson, Augustus Pablo and Niney the Observer, but it was his work with producer Bunny Lee in the 70's that he cut most of his hits for and from this stable of work, that we have compiled this set. Some of his late 60's classics were recut in the popular1970's style, working with the rhythm kings themselves, Sly Dunbar andRobbie Shakespeare. They have added some shine to the tracks, 'SomethingOn My Mind' and 'Skylarking' and made them hits all over again. Such wasHorace's delivery to the covers he sang like Delroy Wilson's version of theTams 'Riding For A Fall', the Heptones 'My Guiding Star', John Holts'Man Next Door' and Bill Wither's 'Ain't No Sunshine', that these finetunes were made his own. The roots end of his musical style was covered by
Andy originals such as 'You Are My Angel', 'Zion Gate','Money Money'and the cut which we have taken our edited title, the timeless 'Just SayWho'.A bass heavy cut to Bob Marley's 'Natural Mystic' works so well inthis style also. Another nickname Horace acquired was the affectionate title of Sleepy, as he was always hanging around the yards and studios of Jamaica waiting his turn, sometimes so long he would fall asleep. His enthusiasm to get back in the studio to work some more of his magic, to a catalogue of material that has developed into one of the finest in Jamaica. I hope you will agree, this fine set of 1970's classics will sit alongside.
O B8 | AIN'T NO SUNSHINE
From the underground to festival main stages, they’ve built their reputation on sheer force of will, crushing live shows, and an unshakable foundation of heavy riffs and harder work.
Now, with their fourth studio album “Where Only The Truth Is Spoken”, Sheffield’s finest step into a new league. Recorded in California at Dave Grohl’s legendary Studio 606, the album was tracked through the iconic Neve 8078 console, the same desk that captured game-changing records like Nirvana’s “Nevermind,” Fleetwood Mac’s “Rumours,” and Tom Petty’s “Wildflowers.” For a band that’s always pushed forward without compromise, it was the perfect setting to carve out a record that represents everything Malevolence stands for.
The album marks a new level of songwriting precision without sacrificing the band’s trademark weight. Working alongside Grammy Award-winning producer Josh Wilbur (Lamb of God, Gojira, Trivium), the result is Malevolence at their most punishing, urgent, and anthemic.
From the underground to festival main stages, they’ve built their reputation on sheer force of will, crushing live shows, and an unshakable foundation of heavy riffs and harder work.
Now, with their fourth studio album “Where Only The Truth Is Spoken”, Sheffield’s finest step into a new league. Recorded in California at Dave Grohl’s legendary Studio 606, the album was tracked through the iconic Neve 8078 console, the same desk that captured game-changing records like Nirvana’s “Nevermind,” Fleetwood Mac’s “Rumours,” and Tom Petty’s “Wildflowers.” For a band that’s always pushed forward without compromise, it was the perfect setting to carve out a record that represents everything Malevolence stands for.
The album marks a new level of songwriting precision without sacrificing the band’s trademark weight. Working alongside Grammy Award-winning producer Josh Wilbur (Lamb of God, Gojira, Trivium), the result is Malevolence at their most punishing, urgent, and anthemic.
- A1: Memorabilia (Non-Stop Ecstatic Dancing Version) – Remastered
- A2: Where Did Our Love Go? (Non-Stop Ecstatic Dancing Version) –Remastered
- A3: What! (Non-Stop Ecstatic Dancing Version) – Remastered
- B1: A Man Could Get Lost (Non-Stop Ecstatic Dancing Version) – Remastered
- B2: Chips On My Shoulder (Non-Stop Ecstatic Dancing Version) –Remastered
- B3: Sex Dwarf (Non-Stop Ecstatic Dancing Version) – Remastered
- C1: Torch (12" Version) – Remastered
- C2: Insecure Me? (12" Version) – Remastered
- C3: A Man Could Get Lost (Jon Pleased Wimmin Remix) - Previously Promo Only
- D1: Bedsitter (Erasure Remix) - Previously On Keychains Box Set Only
- D2: What! (12" Version) – Remastered
- D3: So (12" Version) – Remastered
Soft Cell’s second long-player was the groundbreaking mini-LP ‘NonStop Ecstatic Dancing’… the world’s first remix album and a huge influence on subsequent generations of clubbers, DJs and remixers. Reissue of the original album, remastered, and bolstered by the inclusion of extended versions of its two related hit singles – ‘Torch’ and ‘What!’ – and bring it up to date with a second disc of unreleased mixes and highlights from 2007’s long-deleted ‘Heat – The Remixes’. The release will be laser-focussed to celebrate Soft Cell’s pioneering work in the clubs of Leeds, London, New York and Berlin and clear the decks for our next full deluxe edition ‘The Art Of Falling Apart’ in Q3 2025. Barring the super 6CD version would follow the formats that were so successful for ‘Non-Stop Erotic Cabaret’ reissue with a 2CD and 2LP coloured as the physical versions with a digital deluxe mirroring the 2CD set. We know this artist has a wide appeal AND a solid fanbase and this album is also legendary in DJ / club / electronic circles.
- A1: The Town
- A2: Kick Off
- A3: Blue
- A4: Underground
- B1: Lost
- B2: Two Sips
Stirring, snaking riffs, set closer to Josh Homme’s sun-bleached Joshua Tree compound, than the English Channel-lashed grin-and-bear-it character of Cleethorpes, sound the return of Lincolnshire teen-trio, Revivalry as they get set for 2025. Rushing and rattling into 2025, targeting fresh terrain as last year’s land grab of main stage festival and support slots becomes yesterday’s news, most recent single "Lost"'s three-and-a-half minutes of abandon pushes at the door of another sunny season of big shows and wild memories. School was out in 2024 as the teenagers took off from their hometown to first tackle the festival fields of Kendal Calling last summer, becoming the youngest ever band to play the Main Stage, having been hand-picked by bookers who spotted them mid-flow at one of their earliest shows. With trailblazing single, The Town, accompanying them on their way as thousands of new music-hungry gig goers caught the band on stages of increasing scale, their online listeners kept pace. Touring from sweaty venues to major outdoor support slots, their impressive run included a first, major Manchester headline, playing at Deaf Institute as the year met it’s festive close. Delving into record collections and distinct individual tastes, the three members of Revivalry refer with comfort to Rage Against The Machine and Bring Me The Horizon, as easily as fellow documentarians of youth, Arctic Monkeys or Supergrass, when discussing their beyond-years writing.
- Un Pays
- Une Reine Et Un Roi
- La Nuit Me Mord
- Buisson Ardent
- Mon Amie
- Et J'en Oublie
- Entre Le Oui, Le Non
- Dans Les Gares
- Tout Ce Que Je Sais De Toi
- La Sentence
- Faut-Il
- L'onde
Few lovers stay together for life-and beyond. Just as rare are the artists who manage to keep alive the burning flame of their creative desire. Areski Belkacem is one of those who nurtures in his heart a fire that never dies out, a passion that burns just as intensely for music as it does for his beloved. As long as the message eventually reaches its intended recipient, he cares little for how long the journey takes. His new album, Long courrier, is proof of this: twelve unreleased songs that flow like a love letter set to music. In nearly 60 years of career, Areski Belkacem has released only three solo albums-intimate and deeply personal works that feel like whispered confidences to a loved one. In an era where commercial demands shape much of music production, these records exist solely to fulfill his need for expression. The late music lover and producer Jean-Philippe Allard once said, "Areski goes against the tide-he always seems to enjoy taking forbidden paths!" In Long courrier, Areski tenderly expresses love for his homeland and his beloved. He believes in the power of sensuality, the sacredness of pleasure, and the hidden beauty in every person despite life's hardships. He shows a fraternal gaze toward outsiders and sings of inner journeys, doubt, vows, eternal bonds-with a voice as warm and bright as a loving smile. He honors the mystery of the union between music and the French language. Blending his familiar chaabi rhythms and guitar with piano, accordion, bass, and electric guitar, he plays alongside the same musicians who have accompanied him for over two decades on stage-supporting the woman he shares both stage and life with: the incomparable Brigitte Fontaine.
"CAM Sugar is thrilled to present Jeymes Samuel’s Spaghetti Western Collection, a selection of rare cuts from Italian Western film soundtracks (1963–1972), curated by the acclaimed father of the contemporary Spaghetti Western genre, BAFTA-winner director (The Harder They Fall, The Book of Clarence) and singer-songwriter Jeymes Samuel (The Bullits, Executive Music Consultant for The Great Gatsby alongside Jay-Z and Baz Luhrmann, as well as collaborator of Gorillaz and Talib Kweli, Jay Electronica). The English artist has also supervised the art direction of the products – painting the cover artwork by hand – compiled the music selection and produced two new original tracks. 2-LP DELUXE VERSION 2LP, a 20-track deep dive into the CAM Sugar catalogue casting a light on the trademark Italian sound that shaped Spaghetti Western, the legendary film genre birthed 60 years ago from the brainchild of Sergio Leone A Western Saloon Inspired Box Set with additional artwork for the box set. Exclusive 7” featuring an original song written and composed by Jeymes Samuel and an instrumental version of the song. Exclusive 10” featuring an original song written and composed by Jeymes Samuel with a CAM Sugar Sample and an unreleased poem by Regina King. Exclusive Official and unreleased story board from The Harder They Fall by Dwayne Turner Exclusive Interviews by Jeymes Samuel with The Harder They Fall protagonists Regina King and David Oleyowo, included in a booklet that will also feature content from the CAM Sugar Archives: Original Scores and Movie Posters One Dollar mini poster customized with Jeymes Samuel’s portrait in pure Spaghetti Western style THE STANDARD 2LP and CD versions:Featuring the 20 tracks selected by Jeymes Samuel and the exclusive booklet, including interviews By Jeymes Samuel to The Harder They Fall protagonists Regina King and David Oleyowo as well as content from the CAM Sugar Archives: Original Scores and Movie Posters.
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- A1: We Begged 2 Explode
- A2: Pash Rash
- A3: Festival Song
- A4: Staring Out The Window At Your Old Apartment
- A5: Wave Goodnight To Me
- A6: To Be A Ghost
- B1: Pietro, 60 Years Old
- B2: I Did Something Weird Last Night
- B3: Blast Damage Days
- B4: Bang On The Door
- B5: Rainbow
- B6: Planet Luxury
- B7: Helllhoooole
- B8: June 21St
- B9: The Fuzz
- B10: While You're Alive
- B11: Perfect Sound Whatever
- A1: Jetlggd
- A2: Bergdorf
- A3: <3Mygng
- A4: Vtmntscoat
- A5: Nostylist
- A6: Fakenggas
- A7: Soarin
- A8: Turninup
- A9: Lnly
- A10: Prssure
- A11: Onthetable
- B1: Swgskool
- B2: Crystlcstles
- B3: Dangerous
- B4: Mkeitstop
- B5: Onthefloor
- B6: Passaround
- B7: Otw
- B8: Veteran; Featuring – Ken Carson (3)
- A1: Trampolene 3:35
- A2: Shot Down, Mixed By, Recorded By
- A3: Eve's Volcano (Covered In Sin), Vocals
- A4: Spacehopper, Guitar
- A5: Planet Ride, Organ
- B1: World Shut Your Mouth
- B2: Saint Julian, Cor Anglais – Oboe Kate St John*, Strings
- B3: Pulsar, Arranged By – Donald Ross Skinner, Joss Cope, Julian Cope, Recorded By – Ed Stasium
- B4: Screaming Secrets, Mixed By – Warne Livesey
- B5: A Crack In The Clouds, Cor Anglais – Oboe Kate St John*, Guitar
[b] A2 Shot Down, Mixed By, Recorded By [Additional] – Warne Livesey
[c] A3 Eve's Volcano (Covered In Sin), Vocals [Chorus] – Dee Lewis, Tessa Niles
[d] A4 Spacehopper, Guitar [Airhead Guitar], Vocals [Screams] – Donald Ross*
[e] A5 Planet Ride, Organ [Acetone] – Paul Crockford, Vocals [Chorus] – Dee Lewis, Tessa Niles
[g] B2 Saint Julian, Cor Anglais – Oboe Kate St John*, Strings [String Machine] – Keith-Richard Frost*
[j] B5 A Crack In The Clouds, Cor Anglais – Oboe Kate St John*, Guitar [Oregon Guitar] – De Harrison*, Strings – Warne Livesey




















