This project in a “12 inch form has been created to push the talent of the students from the online music production courses of Alex Font. Giving the students the first chance to sign a record on their names and got fully promoted under the Acmé branch.
Here you can listen to a variety of sounds that we are sure will fulfill different scenarios or set time of your forthcoming performance.
AF MPC (Alex Font Music Production Course) goes live online weekly • if you want to be part of the group just go to the IG page for more info.
Suche:page 105
Strong limited Box set contains: 3x 190g 12Inch / 1x 1000g/sqm Box with UV Spot Finish / 2x Screen printed Slipmat / 1x 24 Pages booklet / 1x A2 Poster / Stickerset / Heavy Underground Resistance and Detroit infected electro anthems! Die Gestalten! Made by a completely unknown source out of nowhere. vinyl only! No promotion, no digital, no social media, no faces, no games!
Wewantsounds is delighted to announce the release of Akiko Yano"s cult 1979 album 7 O"Clock in Tokyo, recorded live in September 1978 at a pivotal moment in Japanese music history, just as Yellow Magic Orchestra was about to take the world by storm (Yano would tour the world with the group in 1979). Featuring a very funky Yano performance accompanied by Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi, plus Tatsuro Yamashita and Minako Yoshida, the album is presented outside Japan for the first time, with remastered audio, original artwork, and a four-page insert including new liner notes by Paul Bowler.
California mail-order mystic Master Wilburn Burchette was first known from his ads, hidden in the back pages of Fate Magazine, Beyond Reality, and Gnostica News. On his 1972 sophomore album, Burchette channels dreamy early music, druid folk, electric fingerstyle, psychedelic balladry, and new age ontology to create a visionary guitar technique all his own. This faithful reproduction includes the original 12-page full color instruction book for the secret method of piercing the psychic heart.
- A1: Free Speech For The Dumb
- A2: It's Electric
- A3: Sabbra Cadabra
- A4: Turn The Page
- B1: Die, Die My Darling
- B2: Loverman
- B3: Mercyful Fate
- C1: Astronomy
- C2: Whiskey In The Jar
- C3: Tuesday's Gone
- C4: More I See
- D1: Helpless
- D2: Small Hours
- D3: Wait
- D4: Crash Course In Brain Surgery
- D5: Last Caress/Green Hell
- E1: Am I Evil?
- E2: Blitzkrieg
- E3: Breadfan
- E4: Prince
- E5: Stone Cold Crazy
- F1: So What
- F2: Killing Time
- F3: Overkill
- F4: Damage Case
- F5: Stone Dead Forever
- F6: Too Late Too Late
An extremely prolific artist, whose work encompasses composition, opera, theatre, radio plays, film or performance, Ergo Phizmiz returns in due time to the Discrepant fold long after his 'Two Quartets' and 'Disco Carousel' - under his given DW Robertson name - albums. A purveyor of the Creative Commons rights, Phizmiz has been deploying much of his work on the ever expanding Free Music Archive directed by WFMU since the early 2000's, creating a sprawling and defiant body of work that defies given and stale notions of sound hierarchies, history and copyright through a process that comprises collage, sampling, reappropriation, songwriting, covers and pretty much any available media with a playful and thoughtful approach.
For this new Discrepant entry, Phizmiz goes back in time to push into the future a number of pieces recorded more than two decades ago creating this perpetual motion outside a linear chronologic progression. Anticipating by almost 20 years the memefication of ASMR videos, 'Selected Ambient & ASMR Works 2001-2003' - itself a pun on the AFX classics - embraces the ambient tag not at its functional face value, but instead as a means to the "evocation of imaginary spaces, and correspondingly the invention of their sonic environments". Collecting recordings from a myriad of instruments - violin, xylophone, banjo, kora, found percussion and so on...-, shortwave radio and field recordings to create loops with different lengths that play with and/or against themselves continuously in a process "(dis)conjunction" not far removed from Feldman's 'Why Patterns?' or hip-hop's sampledelia. A free-floating temporal space that collapses the flashing images of Angelfire pages unto Web 2.0 sense of displacement.
- Fillmore East, June 17, 1970
- A1: Introduction
- A2: Directions
- A3: The Mask
- Fillmore East, June 17, 1970
- B1: It’s About That Time
- B2: Bitches Brew
- B3: The Theme
- Fillmore West, April 11, 1970
- C1: Paraphernalia (Bonus Track)
- C2: Footprints (Bonus Track)
- Fillmore East, June 18, 1970
- D1: Directions (Bonus Track)
- D2: The Mask (Bonus Track)
- Fillmore East, June 18, 1970
- E1: It’s About That Time
- E2: Bitches Brew
- Fillmore East, June 18, 1970
- F1: The Theme
- F2: Spanish Key (Encore)
- F3: The Theme
- Fillmore East, June 19, 1970
- G1: Directions
- G2: The Mask
- H2: I Fall In Love Too Easily
- H3: Sanctuary
- Fillmore East, June 19, 1970
- I1: Bitches Brew
- I2: The Theme
- Fillmore West, April 11, 1970
- I3: Miles Runs The Voodoo Down (Bonus Track)
- Fillmore East, June 20, 1970
- J1: Directions
- J2: The Mask
- Fillmore East, June 20, 1970
- K1: It’s About That Time
- K2: I Fall In Love Too Easily
- K3: Sanctuary
- Fillmore East, June 20, 1970
- L1: Bitches Brew
- L2: Willie Nelson
- L3: The Theme
- Fillmore East, June 19, 1970
- H1: It’s About That Time
Miles At The Fillmore - The Bootleg Series Vol. 3 features four historic perfor- mances from the Fillmore East and West in 1970, at a time when Miles Davis was single-handedly bringing jazz into the commercial rock era.
The visionary Bill Graham had booked Miles on a bill with The Grateful Dead at the Fillmore West and with fellow Columbia artist Laura Nyro in June 1970. The latter recordings are the earliest documented live performances of Miles’s band when he hired the keyboardists Chick Corea and Keith Jarrett, along with saxophonist Steve Grossman who had replaced Wayne Shorter. The rest of the rhythm section - bassist Dave Holland, drummer Jack De- Johnette and percussionist Airto Moreira - were the backbone of his band throughout this explosive period.
Curated by Carlos Santana, this set features fascinating firsthand accounts and profound insight into a seismic shift in American society, music, and culture. In a rare, in-depth interview, Miles was “so excited about the music that he wanted every set, every note made available to the public...” The searing heat of these concerts, originally issued in severely edited form, are now made whole. This set includes several bonus tracks like Wayne Shorter’s “Paraphernalia” and “Footprints”, an early version of “Miles Runs The Voodoo Down” plus a rare encore performance of “Spanish Key” from the Bitches Brew album.
The Bootleg Series Vol. 3: Miles At The Fillmore is available as a deluxe 6-LP boxset, housed in a lift-off box. This 6LP-set includes printed inner sleeves and a 12-page booklet with extensive liner notes and rare photos.
Opaque Red Vinyl. California mail-order mystic Master Wilburn Burchette was first known from his ads, hidden in the back pages of Fate Magazine, Beyond Reality, and Gnostica News. On his 1972 sophomore album, Burchette channels dreamy early music, druid folk, electric fingerstyle, psychedelic balladry, and new age ontology to create a visionary guitar technique all his own. This faithful reproduction includes the original 12-page full color instruction book for the secret method of piercing the psychic heart.
Staring 10th Anniversary Deluxe Sky Blue Vinyl. A cornerstone of the Arbutus catalogue, this deluxe LP features a multi-page photo zine, huge party poster, and sky blue colour vinyl. TOPS were formed in Montreal in 2011 when song-writing duo David Carriere and Jane Penny decided to join forces with drummer Riley Fleck. Delivering a raw punk take on AM studio pop, Picture You Staring is a lush array of timelessly crafted songs. Singer Jane Penny gives a new voice to the silent girl at the edge of the circle, disillusioned but honest and unpretentious, a tone complemented by David Carriere's seamless guitar playing and the measured drumming of Riley Fleck. TOPS' subtle arrangements are delivered with a cool restraint that blend with the individuality and self-assured desire of their female lead. Picture You Staring gathers strength through intimacy. Self-written, recorded and produced at Arbutus Records' studio in Montreal over the course of a year, this album contains 12 impeccable examples of pop craftsmanship that will reward repeat listeners.
Wewantsounds is delighted to reissue Harold Land's 1971 Mainstream Records LP 'Choma (Burn),' recorded in Los Angeles with Bobby Hutcherson and featuring Reggie Johnson on bass, Ndugu and Woody Theus on drums, Bill Henderson & Harold Land Jr. on piano/Fender Rhodes. Together the musicians create a superb spiritual mix of funky and modal Jazz that was the trademark of the Harold Land-Bobby Hutcherson quintet between 1968 and 72. Choma (Burn) is reissued here in its original gatefold artwork with all the photos scanned from first generation negatives recently found in the Mainstream Records vaults, and comes with newly remastered audio and a 2-page insert including new liner notes by Kevin Le Gendre
The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley.
All articles presented IN ENGLISH. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, Ahmed by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album & live reviews, plus more.
128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.
- Part - Hiirejaht 1965
- Part - Operaator Kops Uksikul Saarel 1968
- Rannap - Lend 1973
- Rannap - Varvilind 1974
- Rannap - Lugu Janesepojast 1975
- Grunberg - Klaabu Kosmoses 1981
- Grunberg - Liigub Liigub 1977
- Grunberg - Linalakk Ja Rosalind 1978
- Ehala - Aeg Maha 1982
- Aare - Korb. Dzungel - Kas Maakera On Ummargune 1977
- Aare - Linn - Kas Maakera On Ummargune 1977
- Aare - Kodu - Kas Maakera On Ummargune 1977
- Naissoo - Naerupall 1984
- Naissoo - Meemeistrite Linn 1983
- Ehala - Kaelkirjak 1986
- Ehala - Pagar Ja Korstnapuhkija 1982
- Ehala - Harjutusi Iseseisvaks Eluks 1980
Compilation of (mainly instrumental) music from 1960-80s Estonian animated films. Comes with 8-page full-colour booklet in Estonian with texts by Andreas Trossek and Berk Vaher.
Musically all over the place, as you'd expect.
Note: The animated films of this LP can be watched online at kohilarecords.eu/ark
In the mid1970s, when Tallinnfilm animation studios recruited a youthful bunch of skilled artists and cartoonists, interesting things started to happen. Contemporary themes and ironic depictions of domestic life were introduced into Estonian animation – as well as pop-art aesthetics and even psychedelic imagery. Also, composers found their chance to exercise something beyond the routine standards of pop and academic music, to try their hand at the edges of orchestral sonic palette and electronic soundscapes.
Suddenly, pop art merged pop music, and electric guitars, Rhodes pianos and synthesizers were telling tales of a better future that still hasn’t fully arrived today.
1STEP Process 180g 45rpm Double LP Pressed on VR900-Supreme Vinyl!
Mastered from the Analogue Mix-Down Tapes of the Original Digital Recording by Bernie Grundman!
Ultra-Luxe "Monster Pack" Jacket with a Deluxe 16-Page Booklet & Striking Outer Slipcase!
New lacquers cut after each run of 500 pressings!
Strictly Limited to 5,000 Numbered Pressings!
Impex 1STEP #5 celebrates Patricia Barber's 1999 "return" to The Green Mill, Chicago's fabled jazz club. Conceived as a "companion" to her Grammy-winning studio album Modern Cool, Companion finds Barber and her touring band in inspired form, playfully and energetically performing hits and deep tracks from her celebrated oeuvre.
The dynamic interaction between the artist and her reverent audience adds a palpable sense of space and community. At the same time, the fans' hushed attention creates a studio-like sense of precision and detail. The snap and crackle of Barber, her grand piano, and her onstage partners practically leaps off the groove into your listening room!
Companion's fan-favorite reputation is enhanced immeasurably by Jim Anderson's jaw-dropping, lifelike recording. Eschewing the crystalline sterility of digital recordings of the time, Anderson's sound is always warm, natural, and lacking unforced "hype."
Like Anderson, Impex aims to present great recordings that are as natural as possible. And we couldn't wait to put our favorite Patricia Barber release, using Jim's analog mix-down master tapes, on 180 grams of VR900 Super Vinyl. The deep, inky black backgrounds and absence of surface noise will pull listeners right into those three evenings in 1999, capturing a seminal modern jazz artist at a creative and professional peak and reveling in a perfectly rendered and joyous audio time capsule.
Finally, our deluxe Impex Treatment packages the whole party with a lovely outer slipcase, a booklet containing a new note from Patricia, and a dazzling array of photographs from the evenings by frequent Barber collaborator Valerie Booth, exclusive to our 1STEP. Heavy paper stock with spot gloss coating and a faithfully recreated exterior design will satisfy original fans and aesthetes throughout the music-loving world.
Drunk Uncle isolated themselves into a cabin on an East Texas farm to write and record the follow up to their debut Look Up in 2022. The result "O, brittle weather!" is a thoughtful, probing album that explores a cacophony of sounds in a playful and whimsical way. The album feels like a telling of a great story- songs like pages colored with splashes of acoustic and electric guitars, floating bass, keys, horns, and percussion that ranges from a whole kit to a single tambourine that succinctly cues up the next chapter. Narrated by melodic vocals belting out emotional poetry, "O, brittle weather!" seems to plead with you to keep listening until the last word. Then, it begs you to listen again. Most bands are content to just collect a handful of songs and group them together as an album. Drunk Uncle strived to make something bigger than themselves. And wouldn't you know it, they succeeded.
- A1: Al Muqademah 1 (Introduction 1)
- A2: La`lan (Advertisement)
- A3: Mashad Al Fahes (Examination)
- A4: Tango
- A5: Break
- A6: Al Muqademah 2 (Introduction 2) - Inst
- A7: Al Muqademah (Introduction) - Inst
- A8: Tagheer Awal (First Change)
- A9: Oghniyat El Shahadeen
- B1: Tagheer Thani (Second Change)
- B2: Al Piano
- B3: Tagheer Thaleth (Third Change)
- B4: Al Jeel (The Generation)
- B5: Hake Ad Ma Baddak Fee
- B6: Oghniyat El Gharam
- B7: Mashhad Al Hob
- B8: End Of Chapter 1
- B9: Kabbaret Dancing
- B10: Kbareah Wa Mhajjaren
- B11: Slow
- B12: Mashhad Al Serk
- B13: Final - Al Adala
Wewantsounds is delighted to announce the reissue of Ziad Rahbani's cult album "Amrak Seedna & Abtal Wa Harameyah," one of his praised albums from the 80s, released on the sought-after Lebanese label Relax-in in 1987. This release is an event as the album, recorded at Rahbani's By-Pass studio, was only released in Lebanon at the time. Mixing Arabic music with Funk and Fusion Jazz and hints of Boogie, it's a bonified Rahbani classic, sought after by Arabic groove DJs and collectors around the world. The reissue features audio remastered by Colorsound Studio in Paris and a 2 page insert with a new introduction by Mario Choueiry from Institut du Monde Arabe in Paris (English/French).
- A1: Page 1
- A2: Page 2
- A3: Page 3
- A4: Page 4
- A5: Page 5
- A6: Page 6
- A7: Page 7
- A8: Page 8
- A9: Page 9
- A10: Page 10
- A11: Page 11
- A12: Page 12
- A13: Page 13
- A14: Page 14
- A15: Page 15
- B1: Page 16
- B2: Page 17
- B3: Page 18
- B4: Page 19
- B5: Page 20
- B6: Page 21
- B7: Page 22
- B8: Page 23
- B9: Page 24
- B12: Page 27
- B13: Page 28
- B14: Page 29
- B15: Page 30
- B10: Page 25
- B11: Page 26
black LP[28,78 €]
Das Debütalbum der Supergroup um Ipecac Label-Mitinhaber Mike Patton (Faith No More, Mr. Bungle) mit Buzz Osborne (The Melvins), Dave Lombardo (Slayer, Misfits) und Trevor Dunn (Mr. Bungle) aus dem Jahr 1999. Einzel-LP mit ausklappbarem Poster. Jetzt, zum 25-jährigen Jubiläum des Labels, zum ersten Mal einzeln auf Vinyl erhältlich und mit dem Original-Artwork! Bisher konnte man die Platte nur als Teil des 2014 erschienenen Wunderkammer-Boxsets erwerben mit anderem Artwork.
- Little Women
- Plumfield
- The Beach
- Christmas Morning
- Dance On The Porch
- Ice Skating
- The Book
- Father Comes Home
- Christmas Breakfast
- Amy
- Friedrich Dances With Jo
- Telegram
- Theatre In The Attic
- Laurie Kisses Amy
- Friedrich
- Laurie And Jo On The Hill
- Young Love
- Meg's Dress
- Carriage Ride
- Laurie
- The Letter
- Snow In The Garden
- Jo Writes
- Amy, Fred, Meg & John
- Dr March's Daughters
- It's Romance
"Little Women explores the lives of the March sisters in 1860s New England in the aftermath of the American Civil War. The prolific composer Alexandre Desplat, who has an incredible number of high-profile projects under his belt, composed the music for the movie. Overall, Desplat currently has ten Oscar nominations in his career, with two wins (The Shape Of Water and The Grand Budapest Hotel). As some has stated his musical score for Little Women was undoubtedly one of the best compositions of the year. According to one of its producers, the new adaptation of Little Women focuses more on the sisters' young adult lives, particularly after Meg, Jo, and Amy leave their family home. The film jumps back and forth in time and focuses more on themes rather than narrative. Little Women stars Timothée Chalamet, Saoirse Ronan, Emma Watson, and Meryl Streep amongst others.
Little Women is available as a limited edition of 1500 individually numbered copies on lavender coloured vinyl. This 2LP is housed in a heavyweight gatefold sleeve and includes a 32-page booklet with exclusive pictures, liner notes, and sheet music."
Little Women by Alexandre Desplat, released 16 May 2024, includes the following tracks: "The Beach ", "Dance On The Porch ", "The Book ", "Christmas Breakfast " and more.
This version of Little Women comes as a 2xLP in a(n) Gatefold Sleeve
- A1: Page 1
- A2: Page 2
- A3: Page 3
- A4: Page 4
- A5: Page 5
- A6: Page 6
- A7: Page 7
- A8: Page 8
- A9: Page 9
- A10: Page 10
- A11: Page 11
- A12: Page 12
- A13: Page 13
- A14: Page 14
- A15: Page 15
- B1: Page 16
- B2: Page 17
- B3: Page 18
- B4: Page 19
- B5: Page 20
- B6: Page 21
- B7: Page 22
- B8: Page 23
- B9: Page 24
- B12: Page 27
- B13: Page 28
- B14: Page 29
- B15: Page 30
- B10: Page 25
- B11: Page 26
silver LP[28,78 €]
Das Debütalbum der Supergroup um Ipecac Label-Mitinhaber Mike Patton (Faith No More, Mr. Bungle) mit Buzz Osborne (The Melvins), Dave Lombardo (Slayer, Misfits) und Trevor Dunn (Mr. Bungle) aus dem Jahr 1999. Einzel-LP mit ausklappbarem Poster. Jetzt, zum 25-jährigen Jubiläum des Labels, zum ersten Mal einzeln auf Vinyl erhältlich und mit dem Original-Artwork! Bisher konnte man die Platte nur als Teil des 2014 erschienenen Wunderkammer-Boxsets erwerben mit anderem Artwork.




















