Fresh from their US tour supporting Black Sabbath, Brooklyn-based heavy metal trio Sir Lord Baltimore expanded to a quartet for the recording of their self-titled sophomore album, released by Mercury in late 1971. The new addition was uitarist/keyboardist/vocalist Joey Dambra, brother of guitarist co-founder, Louis Dambra, adding a dual-guitar element to their hefty sound. The album begins with the epic “Man From Manhattan,” a symbolic allegory of a resurrected Christian icon in a new setting; in contrast, “Where Are We Going” captured the rawness of the group in live glory and “Chicago Lives” a twin-guitar attack. Somehow, the band did not survive long after its release, though Joey later recorded with John Lennon; this reissue spins at 45 RPM for maximum fidelity.
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Sect have a lot on their minds. With the release of their brand new single, New Low and the promise of Plagues Upon Plagues, the follow up full-length to 2019’s Blood of the Beasts, Sect explore the intersection of issues which have cascaded over us for the last five years, the “plagues” of the title referring to the literal pandemic, and the metaphorical plague of the political state and the rise of fascism.
Comprised of an international cast of stellar musicians, who cut their teeth in a formative moment of political, cynical, antagonistic extremes, Sect unites Scott Crouse (Earth Crisis, Tooth & Claw) & Jimmy Chang (Undying, Catharsis) - guitars, Steve Hart (Day of Suffering, Mania For Conquest) - bass, Andy Hurley (Fall Out Boy, Racetraitor) - drums and Chris Colohan (Cursed, Unwell) - vocals. They released No Cure For Death in 2017 and Blood of the Beasts in 2019.
Plagues Upon Plagues opens with the bereft waves of “No Uncertain Terms”, a side of the band we haven’t seen before. Vocalist Chris Colohan describes this album as “a funeral rather than a trial”, the activism of previous releases fading to sorrow and grief.
Lead single New Low follows with the advent of marching drums, a funereal procession for the world we hoped to build. There’s frantic horror on the album too, with the track “Drowning in Sorrows” taking a look at the ways in which we numb ourselves as a society. “#ForeverHome” is a bitterly angry track about how people used animals for both narcissistic virtue signalling and one-way comfort in the pandemic, and abandoned them en masse just as selfishly when social life came back. Speaking to their straight-edge principles and how that continues to feed into their songwriting, Chris says, “the only kind of straight edge songs I’m interested in writing are dynamic ones that address human realities that you don’t have to be straight edge to engage with.”
On Plagues Upon Plagues, Sect pierce through the veil of complacency, forcing listeners to confront uncomfortable truths about the fragility of our world. The band wields their sonic arsenal like a prophetic warning and with raw vocals and uncompromising lyrics, they confront the harsh realities of existence in these tumultuous times. As society teeters on the brink of chaos, Sect's cold hard statement resonates with an urgency that cannot be ignored.
LORD$'s debut album 'Speed It Up' is out on April 26 via Tricatel. LORD$ is a 5-piece band steeped in references ranging from US rap to 70s soft rock, skateboarding to video games, with Rémi Klein on keyboards and vocals, Jay Adams on bass, Zablon on guitar and vocals, Bastien Bonnefont on drums and Gary Haguenauer on guitar.
These formidable instrumentalists have given a handful of concerts, notably at the Petite Halle de la Villette in Paris, one of the hotbeds of the French jazz revival. The group also competed in the prestigious Tiny Desk series of intimate concerts, delivering a performance that impressed American public radio station NPR
Zuerst war da Howlin 'Wolf, dann Jimi Hendrix, jetzt hat die Welt Lord Bishop!" - und dieser legt mit "Tear Down The Empire" sein bislang bestes Werk vor. Für die Produktion hat sich Lord Bishop Rocks gleich zwei schwergewichtige Stromgitarrenexperten ins Boot geholt: Gemeinsam mit dem Godfather of Grunge Jack Endino (Nirvana, Soundgarden u.a.) und dem deutschen Producer-Geheimtipp Andy Schmidt (u.a. Disillusion) ist ein Album entstanden, das den Blues-, Punk- und Hardrock- Spirit der amerikanisch-deutschen Band in einen zeitlosen, rohen und energiegeladenen Sound übersetzt, vor dem Frontmann Lord Bishops sprühendes Charisma so gut zur Geltung kommt, wie noch nie zuvor. In knapp drei Jahrzehnten mit tausenden Performances rund um den Globus ist Lord Bishop Rocks zu einer Institution geworden. In den Adern des 2 Meter Riesen aus der Bronx fließt purer Rock'n'Roll. Genau wie sein Äußeres ist Lord Bishops Auftritt auf der Bühne groß, kraftvoll, unnachahmlich, entschlossen und einfach unvergesslich. "Wow, it was like watching Jimi Hendrix on steroids. Great and powerful live show and a one of kind performer" (Lemmy Kilmister / Motörhead); "Blues is his soul, and I heard the ghosts of Howlin Wolf when he sang. Lord Bishop is an authentic bloke" (Eric Burdon / The Animals);"If James Brown and Jimi Hendrix had a love child, he would be Lord Bishop. Truly outstanding, great songs, cool guitar and funky riffs. It was a pleasure to have him support my tour" (Ian Paice / Schlagzeuger von Deep Purple). Seine Karriere begann Lord Bishop mit einem Umzug ins wilde Nachwende- Ostdeutschland. Straight ahead aus der amerikanischen Heimat ins Ungewisse, das Durchbeißen gegen alle widrigen Umstände war ihm ohnehin buchstäblich in die Wiege gelegt. In Dresden begann er seine musikalische Mission, den handgemachten Rock um die Welt und ins nächste Jahrtausend zu tragen.
Da Buze BruvazpresentsClever 1 X Lord Beatjitzu
Master Sip, Legendary teacher of Bruce Lo Da First Drunken
Grilchy Party presents another epic from Da Buze Bruvaz own Clever 1 and mysterious production wizard Lord Beatjitzu. This new adventure follows where the last one, Perverted and Drunken, left off. They have cooked up another album following the footsteps of their classic Perverted and Drunken LP. This new adventure follows where the last one left off. Introducing Master Sip, Legendary Teacher Of Bruce Lo Da First Drunken. It is illuminating one of the many chambers of their Drunken Fly Chi style, the martial arts mind states of Clever 1 and Lord Beatjitzu combining as the "Fly Chi School Of Da Drunken Artz". The duo pops the listener in the face With vicious, bloody Nunchuck Lyrics over high-velocity, swift kick-in-the-chest production. With these seasoned masters of their perspective arts, they form a powerful, unstoppable combo and truly take no prisoners in this Action-Packed sophomore foray. It's a pure Saturday morning Kung Fu sound theater where Wing Chun enters the world of Drunken Fist on Wax. Beware as you enter the Dojo and watch your step!
Paice Ashton Lord hatten einen kurzen, aber dafür spektakulären Moment in der Geschichte des Rock'n'Roll.
Es gab großes Getöse in der Musikpresse als Drummer Ian Paice und Organist Jon Lord nach der unschönen Auflösung von Deep Purple eine neue Band zusammen mit Tony Ashton (Vocals, Keyboards) aufmachte.
Ein Album, einen verpatzten TV Auftritt, eine Tour und ein nie vollendetes zweites Album später endete die Geschichte von PAL im Jahre 1978 auch schon wieder. Eine Geschichte, die es wert ist, noch einmal zelebriert zu werden.
Mit einer Fusion aus Rock mit Big Band Swing, Blues und Funk bietet »Malice In Wonderland« treibenden Feel Good Rock vom Feinsten.
Violently bleeding out into the mid-90s with their lone release "Feel My Hate-The Power Is The Weight - R.I.P. Cain" vinyl lp then completely disappearing into the ether. Southern Lord compiled all known recordings in 2003 on the "Hortators Lament" compact disc.
Then in commiseration of the label's 20th anniversary (2018), TL allowed Southern Lord to release all these recordings (and even some more cryptic, current musings) on the limited edition 2xLP set: "Cease & Decease".
2024! Toadliquor continues their decades-long onslaught of desolation, despair, and damaged vocal cords with Back in the Hole. Seven prize picks for the communal trough. Strap in and feed.
FFO: Pain, Misery, Destruction. (not bands, emotions/actions)
- Six Feet Underground (Swan Song Version)
- Dry The Rain (Swan Song Version)
- Beyond Beautiful (Swan Song Version)
- See You Soon (Swan Song Version)
- Go To Hell (Swan Song Version)
- Antagony (Swan Song Version)
- Love In A Time Of War (Swan Song Version)
- October 29 (Swan Song Version)
- 3: Prison (Swan Song Version)
- Till Death Us Do Part (Swan Song Version)
- Afterlife (Swan Song Version)
- Sober (Swan Song Version)
- Credo (Swan Song Version)
- Porcelain
- Lost In A Heartbeat
- Annabel Lee
- So Good It Hurts
- This Life Divided
- The Sands Of Time
- If Johnny Cash Was Here
- Somewhere
Die Wiederveröffentlichung von "Swan Songs" von Lord of the Lost ist ein bedeutendes Ereignis für Fans der Band und des Dark Rock-Genres. Ursprünglich wurde "Swan Songs" als Teil der vielfältigen Diskografie der Band veröffentlicht, die Elemente aus Gothic, Metal und Rockmusik miteinander verbindet. Lord of the Lost, 2007 von Chris Harms in Hamburg gegründet, ist bekannt für ihre theatralischen und visuell beeindruckenden Auftritte sowie für ihre tiefgründigen, erzählerischen Texte. Das Album "Swan Songs" nimmt einen besonderen Platz im Repertoire von Lord of the Lost ein, da es eine eher symphonische und orchestrale Seite der Band zeigt. Diese Herangehensweise unterscheidet sich von ihrem typischen schwereren und aggressiveren Stil und unterstreicht ihre Vielseitigkeit als Musiker. Das Album enthält neu interpretierte Versionen ihrer bestehenden Songs, die an ein klassischeres und symphonischeres Arrangement angepasst wurden, bei dem oft Instrumente wie Streicher und Klavier zum Einsatz kommen, was dem Album einen unverwechselbaren und gefühlvollen Klang verleiht.
















