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Aretha Franklin - Live In Cologne May '68' (LP)
  • A1: You Are My Sunshine
  • A2: Satisfaction
  • A3: Night Life
  • A4: A Natural Woman
  • A5: Baby I Love You
  • A6: Dr. Feelgood
  • A7: Since You've Been Gone
  • B1: Good To Me As I Am To You
  • B2: I Never Loved A Man
  • B3: Chain Of Fools
  • B4: Soul Serenade
  • B5: Respect
  • B6: Play Out

When Aretha Franklin passed away on August 16, 2018 we lost the Queen of Soul, acknowledged as the foremost female singer of her generation, someone who sold over 75 million records in her glittering career. The sadness that so many soul fans felt at that time was most acute knowing that we would never hear her beautiful voice on any new recordings. So it is with great pleasure that we present a live set from Aretha never before heard on a commercial CD. And it is with pride that we can say that the recordings, made in a TV studio in Cologne during her first European tour in 1968, are smack in the middle of soul’s Golden Age. The musical quality - the great artist at her peak – is so high that this issue can only enhance her reputation. This is prime Aretha Franklin – and soul music doesn’t get much better than this. Notes by John Ridley.

pre-order now13.03.2026

expected to be published on 13.03.2026

9,45 €
PICTISH TRAIL - ISLAND FAMILY

PICTISH TRAIL

ISLAND FAMILY

12inchFIRELPG656
Fire Records
13.03.2026
  • 1: ISLAND FAMILY
  • 2: NATURAL SUCCESSOR
  • 3: THE RIVER IT RUNS INSIDE OF ME
  • 4: IN THE LAND OF THE DEAD
  • 5: IT CAME BACK
  • 6: THISTLE
  • 7: MELODY SOMETHING
  • 8: NUCLEAR SUNFLOWER SWAMP
  • 9: GREEN MOUNTAIN
  • 10: REMOTE CONTROL

Limited Green LP is for Indies only. all LPs include a DL card. Island Family is the fifth album from Isle-of-Eigg dwelling electro-acoustic psych-pop wonder Pictish Trail, AKA Johnny Lynch. A strange, unpredictable, sardonic and yet deeply personal record inspired by all from Fever Ray to The Flaming Lips, Liars, Mercury Rev and Beck, Island Family is Pictish Trail's contrarian view of arcadia; a search for the euphoric in the bucolic, bound up in sometimes conflicting ideas and feelings around nature and environment, sincerity and artifice, escapism and belonging. It's an album about how no man can remain an island, however hard he might try. Released by Fire Records, with support from Johnny's own label Lost Map, and produced by long-term collaborator Rob Jones (The Voluntary Butler Scheme, The Gene Dudley Group), 'Island Family' opens with its title track, a song of death, ghosts and the ties that bind, fusing abrasive electronic beats with a tongue-in-cheek fireside folk refrain and the haunted ice cream van melody of a digitally reincarnated traditional Scottish jig. A purgative surrender to nature's whim driven by a clattering machine drumbeat rolled in a puddle of filthy dirty fuzz, 'Natural Successor' is five-and-a-half-minutes of cathartic churning bass. 'In The Land of The Dead' is an eight-bit glitch-core reflection on island party excesses spasming into existential dread and regret, suitably accompanied by a funereal mariachi band. It's followed by the epic 'It Came Back', the understated verses and arms-aloft falsetto chorus of which are accompanied by a tense, foreboding bass-driven electro hip hop instrumental with (spoiler) a brain-shattering industrial-metal meltdown. 'Melody Something' is the album's purest moment, a cautiously uplifting solar-powered-ballad about losing track of time in the cycle of the seasons, and the gap between memory and reality. Shapeshifting closer 'Remote Control' is a channel hopping cabin-fever-dream flipping from warped boyband ballad to deep-fried fuzz pop. "One of my favourite artists" Lauren Laverne, BBC 6 Music

pre-order now13.03.2026

expected to be published on 13.03.2026

23,49 €
Lacrimas Profundere - Burning: A Wish LP
  • 1: Melantroduction
  • 2: Without
  • 3: Adorer And Somebody
  • 4: A Summer's End
  • 5: Solicitude, Silence
  • 6 2: Sec. And A Tear
  • 7: Lastdance
  • 8: Morning... Gray
  • 9: Diotima
  • 10: Re-Silence

For here lies one of the most influential bands in the realm of gothic metal, a group with doom and death metal roots that has flourished for over three decades, boasting thirteen albums that have garnered devoted acclaim. This injustice is now being set right by The Circle Music , beginning with the vinyl release of the classic album "Burning: A Wish", which emerged twenty-four years ago. "Burning: A Wish", released in the twilight of the year 2001, stands as a dark reliquary of dreams lost to the velvet fog of melancholy. To revisit it now, two dozen years later, is to unseal a time capsule of gothic ache, doom- laced longing, and the tormented tenderness that only Lacrimas Profundere could conjure at their creative height. It was a candle-lit corridor between worlds. A slow fall into velvet shadows. A scream muffled by rain.

By the time "Burning: A Wish" was released, Lacrimas Profundere had already begun to evolve from their early death- doom origins, shaping their identity with the sophistication of seasoned mourners. The death growls had receded, replaced by the haunted, baritone croon of Christopher Schmid, whose voice is an echo from a chapel ruined by time. Yet, while the growls faded, the emotional gravitas remained intact, transmuted into melody, into baroque gloom, into something more sorrowfully refined. Produced with lush, theatrical clarity, the album never drowns in its own atmosphere, it breathes with it, moves with it. The soundscape is dominated by somber guitar textures, languid tempos, and subtle orchestral touches. From the very first notes, it is clear that this is music for ruined lovers and moon-drenched graveyards.

This is the hallmark of Lacrimas Profundere 's style: an emotional minimalism that does not explain or elaborate, but merely opens wounds and lets them breathe. That this album has remained, until now, absent from the warm embrace of vinyl is both tragic and oddly poetic. For what format better suits a record such as this than the one that cracks and hisses like an old seance? Vinyl is tactile, intimate. It requires attention, reverence. To place Burning: A Wish on a turntable is to light a candle in the dark.

pre-order now13.03.2026

expected to be published on 13.03.2026

28,36 €
Various - Great Lakes Gospel: Detroit LP
  • A1: Voices of Conquest - O Yes My Lord
  • A2: Ada Richards - I’m Drunk & I’m Real High (In The Spirit Of God)
  • A3: The Gospel Supremes - Sinnerman
  • A4: Mighty Voices Of Wonder - I Thank The Lord
  • A5: The Mighty Walker Brothers - God’s Been Good To Me
  • A6: The Apostles Of Music - Wade In The Water
  • A7: LaVice & Company - Thoughs Were The Days
  • B1: Calvin Cooke - Walk With Me
  • B2: Deliverance Echoes - Heaven
  • B3: Liz Davis - Motherless Child
  • B4: The Soul Superiors - Faith
  • B5: Otis G. Johnson - Time To Go Home
  • B6: Wayne & Thelma And The McAllister Singers - Peace When He Comes

Over the decades, Numero has excavated a metric ton of recordings from the depths of Detroit. From all manner of mini Motowns we’ve uncovered soul, R&B, funk, disco, boogie, and by nature of proximity—gospel. Previous examinations of the Revival and Big Mack la- bels turned up more than a few new apocryphal hymns, and Great Lakes Gospel Vol. 2 compiles a dozen curious church groups devotionally reaching towards the genre’s frayed edge. Get lost in ecstatic choir funk, pulpit rappin’, direct-injection guitar solos, and the holy spirit, should it move you. Look around the room. You could start a church with this thing.

pre-order now13.03.2026

expected to be published on 13.03.2026

29,83 €
HCL - Pattern I

HCL

Pattern I

12inchKLNKTR104
Klinika Musik
13.03.2026

So… what are we actually supposed to tell you about HCL? Honestly, it’s a pretty nice story. A collaboration the way it’s meant to be.

HCL stands for Horkheimer, Consti aka Zeitstill, and Delenz — not hydrochloric acid, but liquid music. One shared idea of sound, without a fully mastered plan. Most of the tracks were born during long studio sessions — long nights, extended jams, ideas taking shape naturally. No big concept, just working it out together and seeing where things go (or not).

After the first two HCL tracks found their way onto various samplers — including the 25 Years of Live at Robert Johnson compilation and Freeride Millennium’s own Queer Base Vol. 2 — it felt like the right moment to take the next step and release the first pattern. Not as a conclusion, but more as a checkpoint. This is far from the end. There are more patterns, more sessions, more ideas already waiting to be published.

Describing the genre is, as always, not that easy. It drifts somewhere between techno and all the other things orbiting around it. Purely electronic music, rooted in the club, but not obsessed with functionality. In a way, it reminds us of the early 2000s — deep, slightly twisted, hypnotic, driving but never aggressive. Music that takes its time, creates space, and pulls you in rather than pushing you forward.

For moments that are meant to last — tracks you don’t want to hear mixed out. For getting lost on the dancefloor, for forgetting the noise and madness outside for a while, for drifting into yourself and letting time fly. Honest club music, built for immersion.

Enjoy the music. Enjoy yourself. Love.

Yours, HCL

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Last In: 6 months ago
20,59 €
The 7:45s - I'll Be Fine / I Will Be There for You (7")

The 7:45s are a soul collective from Manchester, UK – the brainchild of songwriter and bassist Sam Flynn. Inspired by the house bands of labels from Motown to Big Crown, the young collective spotlights guest vocalists on each tune. Named after 7-inch vinyl, The 7:45s write snappy singles that blend the vintage feel of rare groove with the songcraft of perfect pop. BBC Radio 6 Music has played seven songs by The 7:45s this year.

Clocking in at under three minutes, 'I'll Be Fine' is a short and snappy soul sensation. The guitar hooks your ear, the rhythm reels you in, and the arrangement keeps you on your toes – adding exuberant horns, break downs and build ups. Featured vocalist Yemi Bolatiwa shines through the song's bittersweet theme, that it's better to have loved and lost… 'I'll Be Fine' has been played on BBC Radio 6 Music. Craig Charles called it "Proper up-tempo soul of the highest order".

pre-order now13.03.2026

expected to be published on 13.03.2026

18,91 €
Various - Child Of Nature

Various

Child Of Nature

12inchFOR-LP007
Forager Records
13.03.2026

2026 Repress

A further exercise in musical curation, Child Of Nature is our latest sonic confluence of self-released tracks from the loners, hippies and outsiders of the 70s and early 80s. A collection of privately pressed music, able to breathe and be created free from the constraints of heavy handed commercialism, yielding a pure vision of artistic expression. Child Of Nature features ten songs of brooding soft rock and psychedelic folk steeped in melancholia. Some ache for better times or past lovers, while others seek spiritual fulfilment or social progress.
A compilation to evoke the raw and unobstructed, to summon the occult, to fundamentally conjure a vivid portrait of our untamed natural environment. Recorded on the north coast of California, Luellen Reese’s ethereal “Silvery Waterfalls” drifts and swirls with electric guitar as her unearthly vocals transcend across a seven minute opus, fit for the golden age of labels like 4AD or Dedicated. “The flowers are dancing just for you …”, Reggie Russell croons over glistening Key Of Creek’s title track “Child Of Nature”, evoking a utopian world of natural harmony free from the present day realities of industrial decay.
Tap into your inner primal being, to embrace wholeheartedly, with frivolity and without reserve, your own child of nature.

out of Stock

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Last In: 6 months ago
27,94 €
No Icons - Nothing But Fixes

No Icons

Nothing But Fixes

12inchLOVE147
Modern Love
11.03.2026

New from Modern Love; diamond-cut club fancies x tripped-out energies from a longtime pal of the label, oiling the wheels before a full album drops later this year.

»Nothing But Fixes« spans the A like some lost Gerald white label; 12 minutes of expressive, golden era romance spiked with absolute delirium on the drums. On the flip, Carinho loosens the hips with the kinky swivel of his Lisbon locale, Dojo lifts a half-step fidget, and Echochrome cuts thru liquid Eski, spiked with expressive trills. For dancers and DJs; myriad geometries for movement inside.

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Last In: 6 months ago
23,49 €
Elvis Presley - That's The Way It Is (4x12")
  • A1: I Just Can't Help Believin
  • A2: Twenty Days and Twenty Nights
  • A3: How the Web Was Woven
  • A4: Patch It Up
  • A5: Mary in the Morning
  • B1: You Don't Have to Say You Love Me
  • B2: You've Lost That Loving Feeling
  • B3: I've Lost You
  • B4: Just Pretend
  • B5: Stranger in the Crowd
  • C1: The Next Step Is Love
  • C2: Bridge over Troubled Water
  • C3: I've Lost You (Single Version)
  • C4: The Next Step Is Love (Single Version)
  • C5: You Don't Have to Say You Love Me (Single Version)
  • C6: Patch It Up (Single Version)
  • D1: How the Web Was Woven (Take 1)
  • D2: I've Lost You (Take 1)
  • D3: You Don't Have to Say You Love Me (Take 2)
  • D4: Patch It Up (Take 1)
  • D5: Bridge over Troubled Water (Take 1)
  • E1: That's All Right
  • E2: I Got a Woman
  • E3: Hound Dog
  • F1: I've Lost You
  • F2: I Just Can't Help Believin
  • F3: Patch It Up
  • F4: Twenty Days and Twenty Nights
  • F5: You've Lost That Lovin' Feelin
  • F6: Polk Salad Annie
  • F7: Introductions
  • F8: Blue Suede Shoes
  • F9: You Don't Have to Say You Love Me
  • F10: Bridge over Troubled Water
  • F11: Suspicious Minds
  • F12: Can't Help Falling in Love
  • E4: Heartbreak Hotel
  • E5: Love Me Tender

After being out of print for a good number of years, we are making 15 titles out of our Elvis Presley back catalogue available again between August 2025 and February 2026. Each title will see two different editions: one on regular-coloured vinyl and one very limited on mix-coloured, marbled vinyl, both housed in deluxe sleeves with a linen look and feel.

That’s The Way It Is is Elvis’ 12th studio album, consisting of eight studio tracks recorded at the RCA studios in Nashville and four songs performed live at The International Hotel in Las Vegas. It accompanied the theatrical release of the eponymous documentary film, although it is not generally considered a soundtrack album.

Added to this definitive 4LP legacy edition are four single sides from the period and a selection of fly-on-the-wall outtakes from the June Nashville sessions that produced the majority of tracks for the LP. Disc 3 and 4 feature the first complete release of a concert from Elvis’ 1970 "Summer Season” recorded on August 12. The 20-page booklet features an insightful essay, photos and memorabilia.

That’s The Way It Is (Legacy Edition) is available as a limited edition of 500 individually numbered copies on yellow and black marble vinyl.

pre-order now06.03.2026

expected to be published on 06.03.2026

89,29 €
Various - The Sound of Hardstyle Vol. 2 LP

The Sound of Hardstyle Vol. 2 – The Anthems marks the long-awaited return of the iconic vinyl series, celebrating the most unforgettable anthems that defined an era. This exclusive release features monumental tracks like ‘Scrap Attack’ by Headhunterz, ‘Lost In Dreams (Alpha² Remix)’, and Alternate Reality, the legendary Qlimax anthem by Brennan Heart.

Each groove on this vinyl takes you back to a time when anthems weren’t just tracks, they were moments that united crowds, shaped festivals, and pushed the boundaries of the Hardstyle sound.

Whether you’re a vinyl collector or a true Hardstyle devotee, The Sound of Hardstyle Vol. 2 – The Anthems is a must-have piece of history.

out of Stock

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Last In: 9 months ago
21,43 €
Smag På Dig Selv - This Is Why We Lost LP
  • 1: Like a Word I Never Knew
  • 2: Let's Go!
  • 3: Interlude
  • 4: Vik's Rawcore
  • 5: Ya Tal3een
  • 6: This Is Why We Lost
  • 7: Fitness Bro
  • 8: Jeg Ved Ikke Hvad Jeg Siger
  • 9: Hits 4 Kids Vol. 3000
  • 10: Our Mothers Made A Punk Band
pre-order now06.03.2026

expected to be published on 06.03.2026

29,37 €
Seamus Fogarty - Ships LP
  • 1: Come Down To The Square
  • 2: Fire
  • 3: Ships
  • 4: I Passed Your House
  • 5: They Recognised Him
  • 6: Woking
  • 7: Plodder
  • 8: The Last Days Of Watchmaker Joe
  • 9: Doer Undoer
also available

Pink Vinyl[23,32 €]


London-based Irish singer-songwriter Seamus Fogarty returns with 'Ships', his most expansive and uplifting album to date, released March 6, 2026 on limited-edition 12” coloured vinyl, CD and digital formats. Praised for crafting “magical journeys through fable and modern life and back again, often in the same song” (----- – The Guardian), Fogarty blends motorik rhythms, folk traditions and leftfield electronics into a richly detailed collection that channels influences from Tortoise to early ’90s hip hop. Following 2023’s 'Hee Haw EP,' 'Ships' is packed with poignant, funny and deeply human vignettes touching on love, loss, DIY coffins, chance encounters and the quiet determination required to keep going.
Written in the wake of 'A Bag Of Eyes' and road-tested on tour with Lisa O’Neill, 'Ships' was brought to life with an esteemed cast of collaborators including Emma Smith, Chris Vatalaro, Aram Zarikian, Joe Auckland, Leo Abrahams and Mike Lindsay. Recorded across London, St Leonards-on-Sea and Margate, and fine-tuned in Fogarty’s Walthamstow home studio, the album moves effortlessly from the urban hum of ‘Come Down To The Square’ to the romantic sweep of the title track ‘Ships’ and the defiant crescendo of closing track ‘Doer Undoer’. “There’s something strangely uplifting about this collection,” Fogarty says. “It’s more honest than anything I’ve released before.”

pre-order now06.03.2026

expected to be published on 06.03.2026

21,81 €
Seamus Fogarty - Ships LP

Seamus Fogarty

Ships LP

12inchLAT048LPC1
Lost Map Records
06.03.2026

London-based Irish singer-songwriter Seamus Fogarty returns with 'Ships', his most expansive and uplifting album to date, released March 6, 2026 on limited-edition 12” coloured vinyl, CD and digital formats. Praised for crafting “magical journeys through fable and modern life and back again, often in the same song” (----- – The Guardian), Fogarty blends motorik rhythms, folk traditions and leftfield electronics into a richly detailed collection that channels influences from Tortoise to early ’90s hip hop. Following 2023’s 'Hee Haw EP,' 'Ships' is packed with poignant, funny and deeply human vignettes touching on love, loss, DIY coffins, chance encounters and the quiet determination required to keep going.
Written in the wake of 'A Bag Of Eyes' and road-tested on tour with Lisa O’Neill, 'Ships' was brought to life with an esteemed cast of collaborators including Emma Smith, Chris Vatalaro, Aram Zarikian, Joe Auckland, Leo Abrahams and Mike Lindsay. Recorded across London, St Leonards-on-Sea and Margate, and fine-tuned in Fogarty’s Walthamstow home studio, the album moves effortlessly from the urban hum of ‘Come Down To The Square’ to the romantic sweep of the title track ‘Ships’ and the defiant crescendo of closing track ‘Doer Undoer’. “There’s something strangely uplifting about this collection,” Fogarty says. “It’s more honest than anything I’ve released before.”

pre-order now06.03.2026

expected to be published on 06.03.2026

23,32 €
Amuleto - Becoming Forest

Amuleto

Becoming Forest

12inchLAAPS050LP
LAAPS
06.03.2026

Becoming Forest is the fifth full-length record by Amuleto. It comes from an encounter between the group’s core duo, Francesco Dillon and Riccardo Wanke, and multi-instrumentalist performer and composer Stefano Pilia (Mike Watt, Rokia Traoré, 3/4HadBeenElminated, Massimo Volume, Afterhours, Zaire).

This meeting — developed from long-term parallel collaborations and converging musical paths — produced a set of tracks that combine acoustic and traditional instruments (cello, guitar, harmonium, voice) with electronics, natural sounds and unconventional sound manipulations.

Drawing on literature, travels, drawings, poetry and little-known traditions from around the world, the tracks of Becoming Forest sit in a subtle equilibrium between contemporary composition, folk themes and electronic music.

This is a journey through memories of the past and echoes of the future — intimate and aggressive; music that combines minimal textures with distorted progressions, with delicate vocal lines inhabiting post-digital, noisy environments — a reminder that individual voices form part of a larger, living forest.

pre-order now06.03.2026

expected to be published on 06.03.2026

24,79 €
October Tide - Grey Dawn LP

October Tide

Grey Dawn LP

12inchVILELP1327
Peaceville
06.03.2026
  • Grey Dawn ( 04:27 )
  • October Insight ( 05:02 )
  • Sweetness Dies ( 05:44 )
  • Heart Of The Dead ( 04:15 )
  • Floating ( 06:13 )
  • Lost In The Dark - And Then Gone ( 05:24 )
  • Into Deep Sleep ( 05:12 )
  • Dear Sun ( 03:31 )
pre-order now06.03.2026

expected to be published on 06.03.2026

24,08 €
A Thousand Details - Lost Culture Paradise Club - Tar LP4 (2x12")

Repetition stops being mechanical and starts to breathe. Beauty is taken apart piece by piece to get rebuild with irony as A Thousand Details' minimalism blinds the mind.

This is the main version of TAR-LP4, 2x12inch with a download code including 4 extra tracks.

stock from07.10.2026

Last In: 8 days ago
23,32 €
La Compagnie Créole & The Reflex Revision - Le Bal Masqué / La Nuit Des Requins

Welcome to the second instalment of the collaboration between THE REFLEX’ DISCOLIDAYS label and BECAUSE MUSIC in Paris, remixing gems from the ZAGORA catalogue.

Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood.

On this 12’’, we’ve got two first time ever remixes from LA COMPAGNIE CREOLE, one of the most successful acts in France during the 80’s who expertly mixed tropical sounds from the West Indies with pop and disco to staggering record sales.

With tapes thought to be long lost, a chance find of stems from two of their songs not only makes this release possible, but also perfectly showcases two sides of the band with ‘Le Bal Masqué’ which was a huge hit commercially in 1984 and ‘La Nuit Des Requins’ which is probably their least known and most underground track, both masterminded by songwriters DANIEL VANGARDE and JEAN KLUGER.

‘LE BAL MASQUE’, now devoid of its cheesiest sections, puts the focus on that infectious groove adorned with percussions and electronics but with its singalong chorus intact and stronger than ever. A guaranteed tropical disco floor filler at 122bpm, regardless of your knowledge of the French language!

‘LA NUIT DES REQUINS’, an ode to session musicians found regularly in Paris studios back in the day, gets a complete overhaul by putting the exhilarating drums and killer bass line of the original to the fore into a brand new 124bpm version that is destined to rock the most discerning dance floors the world over.

Released on 180g vinyl with custom artwork on card sleeve designed by AL KENT / MILLION DOLLAR DISCO.

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Last In: 4 months ago
14,50 €
Various - Lost Tracks: Accra To Addis LP
  • Opambuo International Band Of Ghana - Show Me Your Love (Afrocat Edit, 2025)
  • Ashanti Afrika-Jah Int. Band Of Ghana - Aluluya
  • Afro Funk - Farewell To Ibusa (Afrocat Edit, 2025)
  • Bezunesh Bekele - Aha Gedawo
  • Mulatu Astatke - Munayé (My Muna)
  • Mulatu Astatke & Tilahun Gessesse - Lanchi Biye
  • Alèmayèhu Eshèté - Mèkèyèrshin Salawiq
  • Tesfa-Maryam Kidane - Yetesfa Tezeta
  • Seifu Yohannes - Ebo Lala

"Lost Tracks: Accra To Addis" wurde von Afrocat zusammengestellt, seit 25 Jahren als DJ, Musik-/Kulturkuratorin, Radiomoderatorin der "Blaxploitation Lounge" (Totally Radio) und Abenteurerin tätig ist. Sie reiste nach Ghana und Äthiopien, um die Vielfalt der Vintage-Sounds zu erkunden und den Geist der ersten Revolutionsära Afrikas wiederzubeleben, in der Unabhängigkeit, Fortschritt und die Gleichstellung aller Menschen im Vordergrund standen – in diesem mitreißenden, funkigen und tiefgründigen Soundtrack, geprägt von Ethio-Jazz, Highlife, Gospel, afrikanische Polyrhythmen und psychedelischen Klängen. Aus der Idee eines Samplers entstand schließlich ein eigenes Plattenlabel: Lost Tracks Records ist unter Vertrag und hat einige fantastische Releases, internationale Live & Club-Events sowie Kollaborationen in petto. Als eine der wenigen schwarzen, weiblichen Labelinhaberinnen der Branche ist dies eine Stimme, die gehört werden muss. Freut euch auf die Entdeckung internationaler Disco-Klänge, Deep Funk, Blaxploitation, Dancefloor-Jazz und intergalaktische, afro-futuristische Klangabenteuer!

pre-order now27.02.2026

expected to be published on 27.02.2026

25,17 €
Arthur Russell - Another Thought 2x12"

2026 Repress


Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released in 1993 on Point Music it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD reissue.

Both versions of Be With’s 2021 reissue of Another Thought have been mastered by Simon Francis and the vinyl cut by Pete Norman. The original artwork has been restored and tweaked at Be With HQ for the gatefold sleeve and the triple-fold digipak, with the essential help of Janette Beckman. Each version comes with an insert reproducing the liner notes and lyrics from the original CD release.

Together with Calling Out Of Context, Soul Jazz’s World of Arthur Russell, and much of the ongoing work of Audika, Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact we’d argue it’s essential for any fan of non-obvious pop music. This is the only place where you can hear some of Arthur’s most recognisable tunes and it’s an album that absolutely deserves to be kept in press.


We’ll assume that by now you’re all at least a little familiar with the story of Arthur Russell, the farm boy from Iowa who moved to 1970s New York. Arthur Russell the genuine musical genius who died just 40 years old, leaving behind a wealth of music that dwarfed the few 12"s and LPs that were released during his short life.

Although Arthur had been working on an album for Rough Trade during his last years, with the label no-longer operating it was Point Music (Philip Glass and Michael Riesman’s label set up together with Philips) who stepped in to help Arthur’s partner Tom Lee start working out exactly what Arthur had left behind.

Tom suggested that Arthur’s friend Mikel Rouse was the right person to make the first catalogue. Working in Tom and Arthur’s apartment he had only two weeks to go through what turned out to be around 800 tapes.

As Tom explained “at the end of each day he would generally wait for me to come home and I would, to the best of my knowledge, name and identify pieces in question from that day’s work. As he worked Mikel compiled about a dozen cassettes that he thought would present the most finished sounding songs for Don/Point to use. As Don listened he would then suggest and ask me and thus we collaborated on the choices.”

Don is Don Christensen, Another Thought’s producer. With a final selection of songs from recordings made between 1982 and 1990, including sessions with some of Arthur’s regular collaborators Peter Zummo, Steven Hall, Mustafa Ahmed, Elodie Lauten, Julius Eastman, Jennifer Warnes and Joyce Bowden, it was then Don’s job to turn these into a finished album.

Another Thought is a little different from the compilations of Arthur’s music that came out since. In our conversations with Steve Knutson (who founded Audika Records and who manages Arthur’s estate together with Tom), he explained that “more than any project released by Arthur during his lifetime or posthumously by Audika, ‘Another Thought’ is the most worked over. The material was significantly edited and rearranged from the original source tapes”.

If the aim was to release a comprehensive exploration of every facet of Arthur’s music, from the most avant-garde of his avant-garde compositions through to the most disco-not-disco of his disco-not-disco tunes then the project was a spectacular failure. But as a coherent album of non-obvious pop music Another Thought is wonderful.

Starting with the sparse voice-and-cello of the title track, A Little Lost adds some guitar along with the sneaking suspicion that we’re listening to something nowhere near as simple as it first sounds. By the time we get to This Is How We Walk On The Moon - it could be the moment you notice the congas, or the percussion that’s been building behind them, or maybe it’s that blast of trumpet and trombone - we realise we’ve gone from splashing around to being completely submerged in the musical world of Arthur Russell.

From here the album heads off on its journey around the sounds of the left-field contemporary classical music of the time, re-directed towards pop ears, with minor detours through the swirling woozy disco of the half-remembered night before on In The Light Of The Miracle and My Tiger, My Timing. Whether it’s just Arthur, his cello and some bleeps on Just A Blip, or whether he has some vocal help as he does on the bounding Keeping Up, this is difficult music made so, so easy. And through it all is Arthur’s voice and cello. Sometimes drowned in distortion and sometimes clear as a bell, but always there somewhere.

A Sudden Chill finally returns us to the calmer waters we started in and this last track closes the album with a melancholy that’s not surprising given how soon after Arthur’s death the album was put together.

Whilst Another Thought holds together with the consistency of a proper album, there’s still no getting away from the fact that this was put together from audio recorded in different ways, in different places, with different people at different times. Those with keen ears will hear traces of tape hiss, the occasional blown-out note and some digital fuzz, all fingerprints of those original recordings as well as of the 1990s digital equipment that was used to piece Another Thought together.

Add to this Arthur’s obvious pleasure in making music from the sort of sounds that can make microphones, speakers and ears uncomfortable, it’s no surprise that Another Thought isn’t glossy and pristine. Don Christensen’s productions have been careful to not scrub up those original recordings so much that they lose their original vibe, understandable given that Arthur wasn’t around as a guide. We’ve applied a similarly light touch with the mastering for these Be With versions, just working to make sure they sound like they should on both the vinyl and the CD.

Despite the Discogs rumours, Another Thought was never originally released as an LP. So when it came to the sleeve for this Be With vinyl version we took the original CD artwork as a starting point to come up with something that looks like it could have been in the record racks back in 1993.

We have to thank Janette Beckman for helping us reproduce her iconic photograph of Arthur in his newspaper boat hat. One of many photographs she took of Arthur, Janette shot this in her New York studio back in 1986 for a short article in the January ’87 issue of The Face Magazine. Those with eagle-eyes will notice we’ve used an ever-so-slightly different shot from the one that appeared in The Face and then again on the original cover of Another Thought. The original has long since been lost so we’ve worked with what is left in Janette’s archives. And we also have to thank Tom Lee for giving us permission to reproduce his liner notes from the original CD booklet, together with Arthur’s lyrics.

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28,19 €
PIPER SPRAY & LENA TSIBIZOVA - LEAVING MEMORY

Impatience is thrilled to present Leaving Memory, the latest album-length work by Piper Spray and Lena Tsibizova. Leaving Memory is a searing distillation of the duo’s ouevre - it’s eleven prismatic electronic seances combining for a mind warping wormhole with it’s own internal (il)llogic, where pop, ambient, and industrial music convene beneath a rugged HD of digital processing and brain fog. Equally rosy with nostalgia as it is ominously forward looking, Leaving Memory defies easy categorization and makes for an astounding, confounding listen.

By turns violently abrasive and disarmingly touching, Piper and Lena deploy sounds that fracture and disintegrate, burn up and explode, synthetic supernovas that give the record an unmistakable, inimitable texture. Song structures often abide by their own blueprint - heading in one direction before making an abrupt dive elsewhere. Bursts of vibrant colour lurk below layers of grayscale noise. Unidentifiable voices deliver secret messages from the murk. When rhythm’s emerge they ground the tracks to some unknown terrain and invigorate.

Lame Line veers towards the sweeter end of their spectrum, a hazy plaintive repetition increasingly lashed with friction, before Exit erupts with clanging rhythm and shards of distortion. Diagnosis is an almost sweet alt-pop song, Lena’s vocals yearning beneath a dubby shuffle, while Keeper Of The Void’s possessed incantations open up to a ripping, fried climax. Beryl Grey releases the pressure gauge, a gently lilting drift arpeggiating as the sun sets, and Lost Cars sweats through claustrophobic drones and bird song before the clouds part on a serene scene. Leaving Memory closes with Shin, offering a genuinely sweet resolution and a gentle landing back down to earth of either footsteps or fireworks, swelling synthesized horns and woodwinds, a kiss on the cheek for making it out the other side.

On Leaving Memory, Piper Spray & Lena Tsibizova share their uniquely discordant take on freaky music for unsettled minds, an intensely energized set that offers a deeply evocative, unimaginable otherworld for adventurous ears.

Piper Spray and Lena Tsibizova have been producing music together since 2020. Leaving Memory is the first to be presented in the LP format. Piper has previously released music via Orange Milk, Hausu Mountain and Gost Zvuk, as well as his own Singapore Sling Tapes label. Lena works predominantly as a photographer, and together Piper and Lena have released music via radio.syg.ma and Kartaskvazhin. Both make music as part of Air Krew, who have released music on the Echotourist and Motion Ward labels. They’re both currently based nowhere.

Leaving Memory was written, produced and mixed by Piper Spray and Lena Tsibizova, and mastered by Sergey Podluzhniy. Cover photo by Lena Tsibizova, design and layout by Justin Sloane.

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21,81 €
TRYPHEME - ODD BALADE LP

TRYPHEME

ODD BALADE LP

12inchIMPTNC09
IMPATIENCE
27.02.2026

French artist Trypheme debuts on Impatience with “Odd Balade”, a darkly-hued collection of songs drawn from human delicacy and dreamworld mythology.

“Odd Balade” is Trypheme’s most ambitious and boldest record to date - both lyrically and musically. The album’s thirteen tracks resist rigid genre boundaries and flutter from medieval folk realms, sprawling synths, gothic 80s wave, leftfield pop, haunted vocals, mutant electronica to reverbed guitars - all reflected through her own shadowy prism. Especially album closer “A Walk In The Vercors” evokes a soothing serenity that echoes the sonic balm of Julee Cruise.

Trypheme’s musical repertoire trends heavily electronic and somewhat abstracted, but on “Odd Balade”, the artist slips into the role of the modern troubadour with a shift to a more poetically and personal songwriting that is infused with symbolism and dreamlike fantasies. The connective tissue of the album is the audacity to love and the vulnerability that ensues. As intimate and introspective as the lyrics are, the themes remain universal and human to the core: the fear of losing a loved one, the melancholia of leaving places and t“the fear of losing a loved one, the melancholia of leaving places and the cycles of life. The record was largely composed in Chars, stirred by the French village’s eerie atmosphere and frequent trips to the seaside in Brittany, where Trypheme resides. Drawing inspiration from the rugged terrain of the seaside landscapes, the writings of Allen Ginsberg and Mark Fisher and the hyperrealist art of Scott Prior, Trypheme uses her songs to depict life with broad strokes of rhythm.

On “Odd Balade” Trypheme consolidates herself as a gifted, nimble songwriter, masterly producer and subtly powerful vocalist. The record combines her skill for crafting lush, alien sound worlds and efficient, alluring arrangements with stealthily devastating songs. Belin’s voice becomes a key ingredient, appearing on eleven of Odd Balade’s thirteen tracks, by turns heavily manipulated, sampled and replayed as a form of percussion, or basically bare.

“Odd Balade” is the manifestation of Trypheme’s roving artistic practice, a ceremonial-grade sacrament cast in a rich nocturnal glow. Pairing the mundane with the mythic, the album stays true to its core: odd and strangely familiar.

RIYL - Riding off into the sunset to an unknown destination, hauntology, present, tales told by the fireside, hot summer rain, adventures, to feel a warm presence when you are walking in the forest or in the mountain, coastal landscapes, sailor’s stories, slow motion, vitesse, heavy blossoms, colors, the warmth of the sun, the tenderness of the moon, getting lost in unfamiliar streets, city’s lights, motorway rest area by night, magic numbers, rendez-vous, picnic, serendipity, poetry, the smell of old records and old books.

Tiphaine Belin has been releasing music as Trypheme since 2016. Odd Balade was written and produced by Belin, and mixed by Belin and Abel Roux. It was mastered by Amir Shoat. Cover art photography is by Ariane Kiks, with art direction by Ariane Kiks in collaboration with Mathilde Chaize.

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22,90 €
NATION OF LANGUAGE - DANCE CALLED MEMORY

Synthpop, minimal wave, post-punk, goth, new romantic - fans and critics alike have dug deeply into their vintage thesauruses to describe the beguiling work of Nation of Language. And if you can't precisely define the band, that's the point. Frontman Ian Richard Devaney has become prodigious in expanding what synthesizer-driven music can evoke, such that his output is as much an extrasensory journey as it is an all-too-human destination. With that experience in mind, he wrote the band's fourth album - the spectral, spacious Dance Called Memory - in the most humble of ways: chipping away at melancholia by sitting around and strumming his guitar. Nation of Language's first two albums, Introduction, Presence (2020), and A Way Forward (2021), came as pandemic godsends: gorgeous, relatable soundtracks to our collective doldrums. But it was their last LP, Strange Disciple (2023), that catapulted the group from cultural standouts to critical darlings, with the album being named Rough Trade's Album of the Year. With that release, Pitchfork wrote that the band "are learning what it means to get bigger and better." This is Devaney's calling: soulfully translating individual despair into a comforting, collective mourning. The single "Now That You're Gone," which radiates and reverberates with a devastating wistfulness, was inspired by witnessing his godfather's tragic death from ALS, and his parents' role as caretakers for this ailing friend. At its heart, the song is a reflection of how friends can be there for each other, and also highlights a theme throughout the record: the pain and lost promise of friendships that fall apart. On Dance Called Memory, the band once again collaborated with friend and Strange Disciple producer Nick Millhiser (LCD Soundsystem, Holy Ghost!). "What's so great about Nick is his ability to make us feel like we don't need to do what might be expected of us," says synth player Aidan Noell, who, along with bassist Alex MacKay, rounds out the Nation of Language lineup. They imbued Dance Called Memory with a shifted palette - sampling chopped-up drum breaks on "I'm Not Ready for the Change" for a touch of Loveless-era My Bloody Valentine or smashing all of the percussion of "In Another Life" through a synthesizer to cast a shade of early-2000s electronic music. Ultimately, the hope was to weave raw vulnerability and humanity into a synth-heavy album. "There is a dichotomy between the Kraftwerk school of thought and the Brian Eno school of thought, each of which I've been drawn to at different points. I've read about how Kraftwerk wanted to remove all the humanity from their music, but Eno often spoke about wanting to make synthesized music that felt distinctly human," Devaney says. "As much as Kraftwerk is a sonically foundational influence, with this record I leaned much more towards the Eno school of thought. In this era quickly being defined by the rise of AI supplanting human creators I'm focusing more on the human condition, and I need the underlying music to support that_ Instead of hopelessness, I want to leave the listener with a feeling of us really seeing one another, that our individual struggles can actually unite us in empathy."

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32,14 €
Barbara Moore - Bright And Shining (LP)

Finally, finally, FINALLY! After many years of fruitless praying, a true collector grail can finally grace every turntable the world over. Bright And Shining is a miraculous leftfield library classic from the genius mind of Barbara Moore. It's Highly Addictive Happiness Music TM and one of the coolest records to come out of anywhere...ever! With originals almost impossible to find - and, when they do, going for over £300 - you already know how crucial this beautiful reissue is.

Recorded in 1981 for Sylvester Music Company, Bright And Shining is breezy, dreamy and funky in a perfectly smooth jazzy-soul-groove fashion, with Moore's patented celestial male-female vocal harmonies this time benefitting from the addition of Fender Rhodes and pumping bass lines.

As one particularly enthusiastic Discogs user put it: "If Eno is responsible for Music for Airports, Moore is responsible for Music for Holidays." Indeed, this is brilliantly unique, "maximum happiness music". If you miss the sun-dappled soft-psych soul of Koushik, the heavenly vocal arrangements of the great Library Music doyenne Barbara Moore - her depth, richness, sophistication and warmth - will see you just right.

The gigantic title track, "Bright And Shining", gallops out the gate, all sophisticated, jazzy leisure-soul with sax and guitars backing Moore's effortless vocal swag in this relaxed, mid-tempo head-nod strut. Worth the price of admission alone. Up next, the sunny, vibey "Fly Me High" features strolling, "unworded" vocals (aside from the refrain of the title) alongside breezy alto sax and electric guitar. Pastoral and perfect. The slow'n'sultry "Affluence" presents a moody elegance, a classical "downlifting" gem. Another crucial highlight is the breezy "Going On Holiday". It's happy. It's sunny. It's lively. It's cool and happy. Did we say happy? A mid-tempo, romantic sax workout, "Alto Sex"presents smooth jazzy funk before the first side closes out with the soaring, jazzy "Stay With Me". Seriously uplifting.

Side B opens with "Feel Fine", an excellent uptempo and bright jazz groove. Up next, "Canon" is wracked with refinement, a peaceful, smooth vocal harmony over repeating bass making for an elegant, late-night classic. It's followed by the laconic "Smooth And Soft", a laidback, casual sophisticated soul and easy-feeling jazz gem. The jazzy "Real Thing" is another exercise in strolling sophistication, complete with wordless vocal harmonies. The fairly self-explanatory "Voice Over Sax" sounds precisely how you would expect; a relaxed sax number with heavenly vocal support! To close, the carefree "Feeling Free" is a pleasant, light and breezy mid-tempo groove.

The audio for Bright And Shining has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. We'll grant the final word to MillionDollars. on discogs from about 10 years ago: "If you listen to the record on a sunny day you feel like going out surfing in a white linen suit with a blunt on your lips, catching a cool breeze."

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26,01 €
Soul City Orchestra - Meal Ticket (LP)

A great name. A great cover. And - of course - outstanding library music.

Soul City Orchestra's Meal Ticket houses titanic funk, mellow groove and symphonic disco-soul.

Released in 1977 on Rouge, a subsidiary of the prestigious and long-established British library label Music De Wolfe, Meal Ticket was crafted by the studio band Soul City Orchestra (a pseudonym for the De Wolfe in-house composers Chris Rae & Franck McDonald).

The driving instrumental funk-rock of the A Side is enhanced with strings and no little drama. However, it's undoubtedly the peerless flipside that makes this record an essential part of any collection.

Head straight to highlight "Chamber Maid"; insistent, conga-driven funky rock with lashings of string-heightened drama. It's sophisticated, classical and deeply classy.

The majestic, powerfully emotive "Sore Head" contains an excellent intro drum break and sultry slo-mo disco breaks throughout. It's low-key stunning. With a few melodic switch-ups, it's symphonic soul heaven and is comfortably the best and most beautifully crucial track on Side A.

The breezy, Philly soul-tinged "Short Change", its intense strings reminiscent of the Salsoul Orchestra and TSOP, presents an easy-glide funk that's just irresistible.

The funky, cool and slick AF "Wheeling And Dealing" is laconic flute and string-propelled sophisticated mid-tempo disco soul. It's worth the price of admission alone.

The breezy, mellowed out disco-funk workout "The Jam" is a deliciously slinky and sophisticated soul strut. Try not swaggering into the club with this in your head next time you venture into the murky world of "the night". Just ace.

The crowning glory is the sweeping, sublime symphonic disco breaks of horn-infused "Soul City Drive", an absolute monster of radiant heavy soul-funk à la Barry White with great string & brass arrangement.

Basically, this is essential for all groove-aficionados.

The audio for Meal Ticket has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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26,01 €
Various - Hogan, The Hawk And Dirty John Crown (LP)

This is that absolute stank-face filth: hard, espionage drama-soul and tough, jazzy street-funk. Hogan, The Hawk & Dirty John Crown sounds like the soundtrack of a blaxploitation movie from the early 70s and, packed with funky fusion and smoother orchestral numbers, it is basically that.

Featuring a veritable who's who of killer library break snakes - Alan Parker, Alan Hawkshaw (under sneaky alias William Parrish), Simon Haseley, Reg Tilsley and Gordon Grant - it's not hard to see how this commands over £350 on secondary markets.

This beautifully presented reissue, part of Be With's fresh campaign with the legendary library label Music De Wolfe, is well overdue.

Recorded for De Wolfe in 1972, Hogan, The Hawk, Dirty John Crown is a fantastic start-to-finish listen. The flute-funk of Hawkshaw and Parker's opener "The Hawk" comprises driving, fuzzy, wah-wah-drizzled bell-laced breaks with synths and basslines to murder for. Up next, Haseley's "The Happening" is a carefree, rhythmic builder with strings and horns. Let's face it, it doesn't prepare us for the monster that follows...

Hawkshaw and Parker's amazing "Main Chance" is likely the reason you're here; it's a moody, beaty proto-hip-hop banger; all rolling drums and flute-laced, organ-drenched, synth-funk breaks. Just sensational - you'll want to play it again and again and again.

The cool AF "Hogan Baby" has a soft, rounded, bluesy feel - it's a lighter number and Haseley's work here sounds more than a little indebted to Burt Bacharach. It's melancholic, reflective and contains ace breaks with beautiful flutes and wistful horns. It's just gorgeous. Grant's pounding "Dirty John Crown" brilliantly conjures swirling string-swept serenity atop driving, incisive drama-funk breaks. Sublime. Hawkshaw and Parker come roaring back with the murky, creeping crime-funk of "Swarf" with killer basslines underpinning slow-mo high-class flute-funk.

Reg Tilsley enters the fray with the bright, snappy, carefree "Turnover". It's lightweight but still retains some nice orchestral movements. The brief “Tarantula” gets us back on track - from the pen and chops of Hawkshaw and Parker, are we surprised? - with the driving crime funk breaks, super clean yet brooding. Synths, sax and 'nuff guitars. YES.

Side 2 opens with the car chase swag of Haseley's dramatic, driving "Precinct". Jazzy, instrumental flute funk over great percussive breaks. We love this. Haseley's rolling "Sidewinder Version 1" is robust and exuberant with bouncy horns before a cracking Parker-Hawkshaw one-two featuring the tense "Pressure" and the deeply soulful "Call Me", a relaxed, medium-tempo organ feature. With building piano and strings Gordon Grant's excellently titled "Scorch" is as aggressive and dramatic as you'd hope. Hawkshaw and Parker's furtive flute-funk of "Digger" precede the light, melodic and romantic themes of Tilsley's "Marianne" whilst "Sidewinder Version 2", a faster iteration of Track B2 sees Haseley close out this remarkable set in bouncy, bright fashion.

The audio for Hogan, The Hawk, Dirty John Crown has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

pre-order now27.02.2026

expected to be published on 27.02.2026

26,01 €
Simon Haseley / Peter Reno - Great Day (LP)

Great Day is one of the very best albums on the Music De Wolfe label and certainly one of the most sought after library records, full stop. It's been sampled by such heavyweights as Madlib, LTJ Bukem, El-P and The Alchemist (among many others). You likely already know all this. If you don't, get to know. One listen through and the £350 asking price for a VG copy starts to all make sense...

Originally released in 1972, it's credited to Music De Wolfe legends Simon Haseley (real name Simon Park) and "Peter Reno" (a collaborative alias used by composers Clifford "Cliff" Twemlow and Peter Taylor) Confused? No matter. It's one of the most consistent libraries you'll ever hear, packed with heavy blaxploitation-esque drama-funk break themes.

It opens with the feel-good, breezy piano beat number "Little Big John" before switching up to modern sweeping orchestral with heavy drums on the warm, deeply emotive "Summer Friend". Total highlight "Hammerhead" is as heavy as you'd want, from a track so-titled. It's a driving, imposing, orchestral funk-rock monster, famously used by The High & Mighty for their classic "Dirty Decibels" and, also, it was used as the backing for Beyonce's ace "Woman Like Me".

Up next, "Crimson" is melodic, plaintive and moodily introspective; a soft, oboe-enhanced instrumental of delicate beauty. Again, ace beats and breaks abound. The expansive title track, "Great Day" is melodic and bold; a horn-fuelled, mid-tempo rhythmic workout which builds to rather big end. Rounding out this first side, "Hard Crust" ups the ante with thrilling wah-wah funk-rock, a dramatic, pounding and aggressive thriller. Killer!

Side B opens with the steady, stealthy crime-funk of "Highball" before segueing brilliantly into the Hammond-laced relentless flute-funk of the driving "Bora". The powerful wah-wah wonderful "Hold Back" is haunting orchestral funk-rock, sampled by Madlib, El-P, Rakim, Sean Price and The Alchemist. It's easy to see why. Swaggering and staggering.

The cop show funk of "Silver Thrust" is fast, purposeful and persistent. Is it a cover version of the godlike "Stepping Stones" from Johnny Harris's Movements album? Either way, with up-tempo drums, bongos and flute you're going to be thrusting all night. The dynamic "Convoy" is a brassy, organ-fuelled sports-soundtrack b-boy breaks monster. Super Bowl Soul! Essential. To close out this quite extraordinary set, the insistent "Barracuda" presents dramatic rock feels over a persistent funky flute beat. It was sampled by LTJ Bukem for his classic "Sunrain" from 2000.

The audio for Great Day has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Last In: 7 months ago
26,01 €
NIGHT PUNCH - GODISNOWHERE
  • INTRO
  • WHEN DAILIGHT FADES AWAY
  • ASH WILLIAMS
  • NOBLE ROT
  • SIETRA RIVERA
  • BLACK ART & ALCHEMY
  • OH DAE SU
  • THE ENDLESS LONGING OF A GUILLOTINE

Night Punch sind fünf Musiker aus Hamburg, die einen einzigartigen, apokalyptischen Sound zwischen Hardcore Punk, Dark Punk und kalten Synth-Elementen formen. Mit ihrem 2023 erschienenen Album "Where Sins Bloom (So Does Death)" lieferten sie eine gnadenlose, 32-minütige Klangattacke aus druckvollen Schlagzeug- und Bass-Teppichen, sägend verzerrten E-Gitarren, eisigen Synth-Flächen und wütenden Vocals, roh, kompromisslos und tief in einer düsteren Klangästhetik verankert. Seit ihrer Gründung hat sich um Night Punch, deren Identität stets in Masken zerfällt, eine treue Szene gebildet; sie veröffentlichen limitierte Tapes und Vinyls, spielen auf Festivals wie dem Get Lost! Fest und überzeugen mit intensiven, energiegeladenen Live-Shows, die den DIY-Ethos der Band unmittelbar spürbar machen. 2026 setzen sie diesen Weg mit dem Album "godisnowhere" fort: noch härter, direkter und aggressiver als der Vorgänger, ohne den eigenen Klangkern aufzugeben. Die Songs wirken dichter, kantiger und unerbittlicher, behalten aber die vertraute Mischung aus massiver Rhythmik, apokalyptischer Stimmung und nihilistischer Wucht bei. Eine weitere Eskalationsstufe im kompromisslosen Kosmos von Night Punch

pre-order now27.02.2026

expected to be published on 27.02.2026

11,98 €
SWEET - PLATINUM RARE 1 2x12"

SWEET

PLATINUM RARE 1 2x12"

2x12inch2919407MV
Metalville
27.02.2026
  • A1: Ballroom Blitz (Rough Mix)
  • A2: IDC Jam
  • A3: Midnight To Daylight (Outtake)
  • A4: Show Me The Way (Alternative Mix)
  • A5: Log One (That Girl) (Brian Vox)
  • A6: Cover Girl (Band Demo)
  • B1: Love Is Like Oxygen (Instrumental)
  • B2: Windy City (Band Demo)
  • B3: Falling In Love
  • B4: Yesterday's Hero
  • B5: Live For Today (Rough Mix)
  • B6: New Shoes
  • C1: Rebel Rouser (Steve Vocal)
  • C2: Fire Engine
  • C3: Blockbuster (Rough Mix)
  • C4: Play All Night (Brian Vox)
  • C5: Strong Love (Outtake)
  • C6: Teenage Rampage (Rough Mix)
  • D1: California Nights (Band Demo)
  • D2: Hellraiser (Rough Mix)
  • D3: Where Do We Go From Here
  • D4: Silverbird (Band Demo)
  • D5: Maggie
  • D6: Lettres D'amour (Band Demo)
  • D7: Lost Angels (Extended Rough Mix)

‘Platinum Rare 1’ contains extremely rare recordings by the four original SWEET members. The legendary glam/hard rock band continues to thrill fans all over the world to this day. Over the years, SWEET have sold more than 55 million records and reached 34 number 1 chart positions. The songs on ‘Platinum Rare 1’ come from the private archive of SWEET guitarist Andy Scott and were personally selected by him. Fans of the band will be thrilled with this collection of rare and alternative takes and mixes. Many of the songs on the album have never before seen the light of day on a regular SWEET release. ‘Platinum Rare 1’ is an absolute enrichment for every true fan of SWEET.

pre-order now27.02.2026

expected to be published on 27.02.2026

41,98 €
The 1975 - I like it when you sleep, for you are so beautiful yet so unaware of it (2x12")
  • A1: The 1975
  • A2: Love Me
  • A3: UGH!
  • A4: A Change Of Heart
  • A5: She's American
  • A6: If I Believe You
  • A7: Please Be Naked
  • A8: Lostmyhead
  • A9: The Ballad Of Me And My Brain
  • B1: Somebody Else
  • B2: Loving Someone
  • B3: I like it when you sleep, for you are so beautiful yet so unaware of it
  • B4: The Sound
  • B5: This Must Be My Dream
  • B6: Paris
  • B7: Nana
  • B8: She Lays Down

The 1975 veröffentlichten am 26. Februar 2016 ihr zweites Studioalbum „I Like It When You Sleep, for You
Are So Beautiful yet So Unaware of It”. Es führte sowohl die britischen (BPI Platinum) als auch die USamerikanischen (RIAA Gold) Albumcharts an und brachte sieben Singles hervor: „Love Me”, „Ugh!”, „A
Change of Heart”, „She’s American”, „Somebody Else”, „Loving Someone” und „The Sound”. Pitchfork,
Rolling Stone und The Guardian führten es als eines der besten Alben des Jahres 2016 auf. Die BoxsetVersion wurde bei den Grammy Awards 2017 für die Kategorie „Best Boxed or Special Limited-Edition
Package” nominiert.
2026 ist das 10-jährige Jubiläum dieses viel beachteten Albums. Um dies zu feiern, wird das Album
auf farbigem Vinyl (Farbe noch zu bestätigen) in einer 6-seitigen Dreifach-Gatefold-Verpackung mit alternativem Artwork und 17 12”x12”-Kunstkarten veröffentlicht, wobei jedes Kartenbild einen Song mit dem
Text auf der Rückseite darstellt.

pre-order now27.02.2026

expected to be published on 27.02.2026

44,50 €
Harvey Scales - Exclusive Rights (To Your Love) / Don’t Make Me Spend Another Night (7")
  • A1: Exclusive Rights (To Your Love)
  • B1: Don’t Make Me Spend Another Night

These 2 tracks were almost lost until Soul Direction in conjunction with Hoffman House Music & Triple Scale Music organised the publishing and licensing required. Soul Direction were able to get the tracks out on 45, where they need to be.

pre-order now27.02.2026

expected to be published on 27.02.2026

19,75 €
LOCUS NOIR - Shadow Sun LP
  • Walpurgisnacht 1996
  • Shadow Sun
  • Cemetery Youth
  • A Dismal Romance
  • She Haunts the Night
  • Thicker Than Darkness Itself
  • In Despair We Trust
  • Death, That Elusive Mistress
  • Hollow
  • Full Moon Therianthropy
  • Reburial

Conceived as a return to the music that shaped his formative years, the project draws its energy from late-night introspection, creative renewal, and a distinctly crepuscular sensibility. Initially conceived as a solo project, LOCUS NOIR is set to evolve into a fully-fledged band . Musically, LOCUS NOIR blends Type O Negative gloom, The Fields of the Nephilim mysticism, and Paradise Lost melancholy, all infused with a post- punk edge.

The result is a sound that feels both contemporary and timeless -- a modern interpretation of what Gothic Metal can be. On debut album 'Shadow Sun' , band main songwriter and vocalist Ben steps fully into a melodic, haunting vocal register, merging the theatrical delivery of Peter Murphy with subtle echoes of the late Peter Steele. The lyrics move between the esoteric and the intimate: love and death, desire and decay, nocturnal excess and the bitter aftertaste of parties stretching well past dawn.

pre-order now27.02.2026

expected to be published on 27.02.2026

28,36 €
UNIFORM - PERFECT WORLD LP

UNIFORM

PERFECT WORLD LP

12inchALT21
ALTER
25.02.2026
  • A1: Perfect World
  • A2: Indifference
  • A3: Footnote
  • B1: Buyers Remorse
  • B2: Lost Causes
  • B3: Learning To Forget
out of Stock

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Last In: 7 months ago
18,07 €
shinetiac - Infiltrating Roku City

West Mineral returns with lushly amorphous actions by Shiner, Pontiac Streator & Ben Bondy aka Shinetiac; together fused for an immersive flux of vapoured dub, chopped and droned Billie Eilish, and fidgety algorithmic jams.

There's not a single, specific sound you can peg to the West Mineral axis at this stage in the label’s evolution - it's rather a set of shared aesthetics that freely bend into various interconnected shapes. Shinetiac's contemptuous, critic-baiting gear is the ideal example; on their last album, 2023's 'Not All Who Wander Are Lost', skittery, ketamized IDM sparkled over Spice Girls samples and the Foo Fighters' 'Everlong' was transmuted into Sneaker Pimps-style trip-hop. 'Infiltrating Roku City' might be a little less blatant with its out-and-out poptimism, but it takes a similarly dim view of conservative "big ambient" snobbishness. Just a few minutes of 'Bluemosa' should be enough to let you know what's up; the overall character of the sound is hazed, with frozen pads and garbled, dubbed-out voices smudged into a mess of effects and samples. But it sups up different nuances as it wriggles, absorbing scampering breaks, dizzy acoustic guitar strums and half-heard wordless vocals, flipping in the third act to emerge from its shell as minimalist balearic folk-pop - something like Bon Iver doing 'Electric Counterpoint'.

Brooklyn's Shiner, Philly's Pontiac Streator and Berlin-based Ben Bondy navigate the labyrinthine streaming landscape, guided by their own private experiences of mindless doom-scrolling and cruising the darkest corners of YouTube. They formulated 'Infiltrating Roku City' while they were rehearsing last year and spent the winter stitching together various recordings and jams into a layered, dry-witted commentary on our algorithmic reality. Laden with inside jokes and refried memes, it's surprisingly elegant gear; handling the most unseemly elements like sonic recyclers, earnestly repurposing pop and nostalgia to create an atmospheric echo of contemporary reality.

Screwing Chief Keef's enduring 'Citgo', 'Clublyfe (hulu)' emphasises the original's AFX-pilled euphoria with Robert Miles-style piano hits, replacing Young Ravisu's brittle 128kbps trap rhythm with a glitchy rattle that picks up dembow spikes as it rolls. 'I Hate Being Sober' vaporises the Chicago drill pioneer's 'Hate Bein' Sober', blocking out his voice with glitchy, downsampled interference and elasticated Rhodes. The trio team up with Orange Milk's goo age on the sublime 'Crisis Angel', catching a ray of Malibu's sunshine in the process, and reduce Billie Eilish's voice to a Romance-does-Celine cinder on 'Billie', stretching it to fit next to gassed Future ad-libs and swooping 808 Mafia sub womps. And although the album takes a murky diversion on 'Roku Axes Ultra’, and a cloud-stepping centrepiece ‘Purelink’ in homage to the eponymous dubbed ambient dynamos, it's back on course with 'Jiafei (NETFLIX)', taking aim at TikTok bot videos and welding screams from Florida metal band Underoath to AI-strength vocal curlicues.

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Last In: 7 months ago
32,98 €
Submerse, Quaad, Samurai Breaks, Fixate & Tim Reaper - Meeting Of The Minds Vol. 14

And another new volume of the Meeting Of The Minds series is here, with 4 new collaborations I've done with other producers in the jungle scene!

"Casual Loop" is a collaboration that me & Submerse started working on in 2023 but it was another one of the tracks that I had lost due to my computer being stolen in early 2024, & I hadn't fully backed up everything I had done for a few months, including this track. This meant I had to re-do a lot of the work I had done with what Submerse had started but I was lucky enough to get it near identical to how it was sounding and ready for release. Submerse has been on Future Retro London a few times, with his EP release (FR033) & a track featured on the atmospheric VA EP (FR049) that came out late last year, I'm a huge fan of his musicality & his melodies, which made this track really fun to work on, even with all the obstacles faced!

My first interaction with Quaad goes way back to 2013, when he asked me for a guest mix for a radio show called The After Party that was on C89.5FM in Seattle (which is still up on my SoundCloud for anyone curious) and then before he started his current label (Heavy Sounds), he had started a label with Wetman called Vivid Recordings, which he was sending me the releases on (but I think in standard fashion, I kept forgetting to check them!). But it wasn't until 2022 when me & Dwarde played in Seattle with him and I saw his live Amiga set where he was playing a lot of his own music, & from then on, I was better aware of what he was doing & I got to hang out with him & know him a bit better, which is when I then fully started following what he was doing. Then eventually, we ended up doing a track together (he also uses FL Studio, just like me) and "Judge Dredd" is the end result of that.

Samurai Breaks is also someone that I've known of for a long time but didn't really properly connect with until recent years where I saw what he was doing with his label Super Sonic Booty Bangers, which also does events in Sheffield which I played for in 2024. It was quite an interesting collab because I don't think many people would have necessarily expected our styles to really gel well together but I think we managed to hit a nice midpoint between his craziness & mine haha

Fixate is most likely another person that people would not have anticipated as someone that I would collaborate with, mainly because the style of tune people know him for is more tied with the footwork/halftime sound that became popular in the 2010s, as well as his output as 1/2 of dubstep duo Leftlow, but he has made some jungle in the past & I'm always down for the challenge of stepping outside of my comfort zone to work with people who are not mainly based in the newskool jungle scene but have an appreciation for it. I found out about him through the releases he had on Exit Records from 2015 onwards, plus he was also a part of Richie Brains (the project in 2016 involving many artists forming a loose collective) so I was aware of what he was doing but I properly got to know him from when I went bowling with him, Dwarde & LMajor back in 2022 and then he sent me something to work on early last year (another FL Studio producer btw!), which I took my sweet time in starting it but eventually got done & here we are! And for those wondering, the track title (May Contain Traces) alludes to me & Fixate's shared allergy towards nuts (although his is a lot more severe than mine), which was the only thing I could think of to name the track after when it came down to it!

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Last In: 3 months ago
16,39 €
Brandy Dalton - Fallen Angel LP

Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths.

This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.

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Last In: 33 days ago
19,75 €
TX2 - END OF US

TX2

END OF US

12inchHR17492
Hopeless
23.02.2026
  • FEED (FEAT. DEATHBYROMY)
  • NICE GUY (FEAT. EKOH)
  • REJECT VAMPIRISM (INTERLUDE)
  • HOSTAGE (THEY WILL NOT ERASE US)
  • THE RESISTANCE
  • 6: SHOTS LEFT
  • THE RAIN
  • SINGING ALONG
  • LOST SOULS
  • DIE ALONE
  • MURDER SCENE (FEAT. MAGNOLIA PARK)
  • MAD (FEAT. ICE NINE KILLS)
  • THE END OF US (FEAT. BLACK VEIL BRIDES)

End of Us, ist das 13 Tracks umfassende Debütalbum von TX2, mit Features von DeathbyRomy, Ekoh, Magnolia Park, Ice Nine Kills und Black Veil Brides. Die Wahrheit ist simpel: TX2 polarisiert. Es gibt Kräfte in dieser Welt, die versuchen, das zu zerstören, wofür gekämpft und was hart erkämpft wurde, und zu einer Zeit zurückzukehren, in der die Menschen ihr wahres Ich versteckten. Es gibt Künstler wie TX2 - den Anti-Ronald Radke -, die dir zeigen wollen, dass du in diesem Kampf gegen den Hass nicht allein bist. TX2 hat Politiker namentlich genannt, schwenkt auf der Bühne eine Trans-Flagge, thematisiert in seinen Songs Waffengewalt, Essstörungen, Trauer und Depressionen und verspottet die Gatekeeper, die offensichtlich noch nie einen Punk-Song gehört haben. Der Sänger ist bereit, mit seiner Musik ein wenig Chaos zu verursachen, wenn es nötig ist, um die Aufmerksamkeit auf wichtige gesellschaftliche Themen zu lenken. So hat TX2 unter seinen Fans eine Bewegung ins Leben gerufen, die als ,X Movement" bekannt ist und deren Ziel es ist, das Bewusstsein für psychische Gesundheit zu schärfen und einen sicheren Raum für diejenigen zu schaffen, die jemanden zum Reden brauchen. In den letzten 24 Monaten tourte TX2 um die Welt, trat mit Ice Nine Kills, Hail the Sun, Dark Divine, tiLLie, In This Moment, Magnolia Park, Warped Tour & Summer of Loud Tour auf, wurde auf SiriusXM Octane gespielt, erreichte über 1 Million monatliche Hörer, gab über 50.000 Autogramme und erhielt 42 Millionen Likes auf Tik Tok. End of US ist ein lauter, unverblümter Aufruf zum Handeln. Beherzigen Sie den Aufruf oder treten Sie beiseite.

pre-order now23.02.2026

expected to be published on 23.02.2026

24,33 €
MARIELLE V JAKOBSONS - THE PATTERNS LOST TO AIR
  • Warm Spring
  • Everything Lost Remains
  • The Salt Rounds
  • Without You Inside Time
  • Insistence
  • Before the Air Remembers
  • Silently Spinning Around You
also available

OPAQUE TURQUOISE Vinyl[29,20 €]

OPAQUE PINK Vinyl[29,20 €]


Marielle V Jakobsons has cultivated a signature voice molded by minimalist, ambient and spiritual traditions. Her recordings, from her early work with Date Palms, to the ongoing work with Chuck Johnson in Saariselka, and most definitively with The Patterns Lost to Air, show Jakobsons to be an exceptionally skillful sound sculptor, a musician who knows the value of patience and control. An artist able to derive maximum impact from her chosen sound elements, the album"s layout is shaped by three primary voices of violin, Fender Rhodes, and Moog Matriarch and was recorded in 2024 in the studio Jakobsons built in Oakland, California.

pre-order now20.02.2026

expected to be published on 20.02.2026

26,68 €
MARIELLE V JAKOBSONS - THE PATTERNS LOST TO AIR

Marielle V Jakobsons has cultivated a signature voice molded by minimalist, ambient and spiritual traditions. Her recordings, from her early work with Date Palms, to the ongoing work with Chuck Johnson in Saariselka, and most definitively with The Patterns Lost to Air, show Jakobsons to be an exceptionally skillful sound sculptor, a musician who knows the value of patience and control. An artist able to derive maximum impact from her chosen sound elements, the album"s layout is shaped by three primary voices of violin, Fender Rhodes, and Moog Matriarch and was recorded in 2024 in the studio Jakobsons built in Oakland, California.

pre-order now20.02.2026

expected to be published on 20.02.2026

29,20 €
SOUL OF ANUBIS - RITUAL
  • RITUAL
  • MIND CRUSHER (FEAT. KEIJO NIINIMAA FROM ROTTEN SOUND)
  • INCARNATION
  • VERMIN
  • DEAD CULT
  • GOD'S BURIAL
  • HUMAN TORCH
  • REMNANTS OF HATRED
  • SHIELD OF THE SON
  • THE EVIL WITHIN
  • SANDS OF TIME
  • BEAST WITH VENGEANCE
  • BACK FROM BEYOND
  • HONOR THE FALLEN
also available

Red Vinyl[26,01 €]


Soul of Anubis is a power duo formed in 2010 from the North of Portugal. Their music is a blast on stage with a ferocity of sound that goes from thrash to sludge, capturing doom and post-metal at same time, performing energetic and contagious live acts. "Ritual" represents the passage from life to death and rebirth into a new cycle. During these last years, we have lost beloved ones, we have lost the freedom to breathe, we have lost some companionship and we had to fight to lift our souls back on trial. In Egyptian mythology, Ra, God of the Sun, goes down to the underworld every night to help the dead cross to the other world and ensure that a new dawn would happen. So, "Ritual" is a memorial to our beloved ones who passed away, speaks for the mental struggle that everyone has to face to overcome their demons and glorifies the victory of rebirth. As we have our demons, this is our ritual to cross our pathway.

pre-order now20.02.2026

expected to be published on 20.02.2026

23,11 €
SOUL OF ANUBIS - RITUAL

Red Vinyl. Soul of Anubis is a power duo formed in 2010 from the North of Portugal. Their music is a blast on stage with a ferocity of sound that goes from thrash to sludge, capturing doom and post-metal at same time, performing energetic and contagious live acts. "Ritual" represents the passage from life to death and rebirth into a new cycle. During these last years, we have lost beloved ones, we have lost the freedom to breathe, we have lost some companionship and we had to fight to lift our souls back on trial. In Egyptian mythology, Ra, God of the Sun, goes down to the underworld every night to help the dead cross to the other world and ensure that a new dawn would happen. So, "Ritual" is a memorial to our beloved ones who passed away, speaks for the mental struggle that everyone has to face to overcome their demons and glorifies the victory of rebirth. As we have our demons, this is our ritual to cross our pathway.n. So, "Ritual" is a memorial to our beloved ones who passed away, speaks for the mental struggle that everyone has to face to overcome their demons and glorifies the victory of rebirth. As we have our demons, this is our ritual to cross our pathway.

pre-order now20.02.2026

expected to be published on 20.02.2026

26,01 €
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