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'Test Driving The New Prius' is a 35 minute radio play (with sound effects) written and performed by Jim Fry (Earl Brutus, Pre New) and Luke Haines. (The Auteurs, Baader Meinhof a.o.). Just as that other modernist masterpiece Ulysses depicted a day in the life of Leopold Bloom, Test Driving The New Prius follows the life in a daze of Endgame Man. In this tale of derring-do our hero acts out a perilous adventure in the 400 yards between his home, his local pub and the off-licence. With nervous system reduced to a series of involuntary twitches and reality reduced to a background hum of decades of half absorbed mindless daytime TV wittering. Can Endgame Man get home and make it through to Wednesday with only his spirit familiars - an endless trail of 75cl bottles of Glen's vodka to guide him? With cameos from Jayne MacDonald, Brian Eno, Martin Degville /sigue Sigue Sputnik) and the cast of Blankety Blank (1980). Written and executed by Jim Fry and Luke Haines Originally Broadcast as a Radio Play in 2022, now a limited-edition 12-inch vinyl LP on berry red vinyl,exclusively released for RSD 2025

Formerly one third of the much-loved trio Black Box Recorder, alongside The Auteurs’ Luke Haines and Jesus and Mary Chain guitarist John Moore, the British singer-songwriter Sarah Nixey has steadily gained acclaim as a solo artist who makes savvy, sophisticated and poised pop.

Delivering vocals with a detached elegance over opulent tracks, any perceived nonchalance in Nixey’s luxe, cut glass voice belies her empathy, where social commentary serves as protest, both explicit and implied. Like Billy Bragg deepfaked as prime Julie Andrews, this strange but effective juxtaposition radiates soft power. ‘Lies of the Land’ depicts a corrupt post-Brexit and Covid-19 world where inequality and division flourish. ‘England's On Fire’ delves into the nuanced concepts of patriotism and nationalism, and ‘Pleasure Bay’ narrates the story of a love affair with a deprived yet beautiful English seaside town, written after Nixey left London, drawn back to the Dorset coast.
More than just a political record though, Nixey was drawn to the poetic elements of living too, telling stories of life and death, love and loss, conflicts and symmetry, in an intimate and close-up way, as if whispering secrets to her listeners.

“Sea Fever explores the bittersweet beauty of human life amid a volatile world of changing seasons and brutal elements,” says Nixey. “These are songs of deep sorrow, remembrance, birth, and change, set against a backdrop of the sensuous natural world.”
‘Rolling Waves’ explores profound grief following her beloved grandmother's death, while ‘Spring Equinox’ celebrates the joy and awe of life after welcoming her first grandchild. ‘At the Edge of the Forest’ is a poignant story of someone losing their memory, and ‘On This Wide Night’ recounts the early hours return home of a teenage runaway.

English indie rock group Black Box Recorder formed in London in 1997 and featured Sarah Nixey, Luke Haines (of The Auteurs), and John Moore (of The Jesus and Mary Chain). Their debut album, England Made Me, was released on Chrysalis Records in 1998. The album was named after the eponymous Graham Greene novel and fuses indie rock and easy-listening pop stylings with lyrics that explore life and the experience of growing up in England. Pitchfork's Michael Sandlin described the sound of the album as \"mildly morose but slightly tongue-in-cheek Sylvia Plath-meets-Paul McCartney pop sensibility\". England Made Me remains a high point in the band's catalogue with standout tracks including 'Kidnapping An Heiress', 'Girl Singing In The Wreckage', and the single 'Child Psychology' which was recently back in the spotlight with a viral moment on social media after being championed by Billie Eilish. This new anniversary edition has been curated with the assistance of the band and features a newly remaster version of the album, along with a bonus 10\" vinyl that includes six b-sides, 4 of which are first time on vinyl. All audio has been remastered from the original production tapes by Phil Kinrade at AIR Mastering and and cut by Alex Wharton at Abbey Road Studios.

Described as a ‘minor classic’ by Luke Haines.
Available on vinyl for the first time in 36 years. and CD for the first time in 30 years.
12-Track LP compilation pressed on Clear Vinyl with printed innersleeve.
CD in digipack with 8 page booklet. Sleeve notes by Luke Haines.
Band features Luke Haines, Martyn Casey (The Triffids/Nick Cave & The Bad Seeds ) & Alsy Macdonald (The Triffids).
Includes: DW’s ‘Westlake’ album from 1987; BBC session recorded with members of The Go-Betweens plus two studio demos of unused songs.
David Westlake’s first album finally gets a new day in the sun in the wake of his brilliant current LP ‘My Beautiful England’. 36 years after it first appeared in 1987 on Creation Records
David Westlake formed The Servants in 1985, who released 2 excellent singles and appeared on the NME compiled C86 LP.
Searching for a stable Servants line-up to release an album he recruited Luke Haines (The Auteurs/Black Box Recorder) via an NME advert , who came on board, and stayed for five years. After failing to find a committed rhythm section, he enlisted the help of Martyn Casey (The Triffids/Nick Cave & The Bad Seeds ) & Alsy Macdonald (The Triffids)and recorded the 1987 ‘Westlake’ album for Creation. Overlooked at the time, the record was later described as a minor classic by Luke Haines himself. It is included here on Side One of the album, available on vinyl for the first time in 36 years. and CD for the first time in 30 years
Side Two contains the previously unreleased Janice Long BBC session recorded in the summer of 1987 featuring Go Betweens members Robert Forster, Amanda Brown & Robert Vickers
As chronicled in an interview in US music magazine The Big Takeover (issue 53, 2004), Belle and Sebastian frontman Stuart Murdoch was a huge Westlake fan and tried to locate him in the early 1990s in hope of forming a band with him, before launching Belle and Sebastian in his school class instead

We love nothing more than belated success, from the Nightingales' rise to top cult band, to the string of five marvelous Blue Orchids LPs in six years (as much as Martin Bramah had managed in the previous four decades) . . . so give us more. Like David Westlake. The release of NME's C86 cassette heralded a new generation of artists who'd emerged since the preceding C81 assembled a set of acts who'd coaxed new dialects out of punk, rhythms, reggae and the avant-garde. Though variable, C86 became a phenomenon, making a bigger splash and enduring longer than anyone could have predicted. The evolution by 1986 of "independent" or "alternative" music into "indie" brought a modified focus. From C81's post-punk negotiations of politics and cross-cultural influence to C86's compact blasts of, on the one hand, effervescent melodic pop and, on the other, jagged Beefheart-esque racket. Tiny Global Productions has proudly presented already one of the best from C86. The Wolfhounds' leader David Callahan's talent evolved masterfully into Moonshake, and more recently to a strain of blistering raga-folk psychedelia which deals with sociopolitical issues in brilliantly idiosyncratic fashion. And what of another of the best from C86 - the Servants, David Westlake's band? Ambivalent about the invitation to be on C86, Westlake gave the NME a wrong-footing b-side, before keeping a distance from the noise around the compilation. Subsequent releases from Westlake and The Servants and Westlake attracted fine reviews but settled quietly into relative obscurity, despite musical involvement from various Housemartins, Go-Betweens and Triffids, a quest by Stuart from Belle & Sebastian to find Westlake and form a band; not to mention Luke Haines' own five-year presence in the Servants before forming The Auteurs, Baader Meinhof and Black Box Recorder. Westlake went first into the law, then spent years in literary academia. Now the surprise arrival of My Beautiful England. The album is a masterpiece of concept, composition and performance, a conceptual work of truths and reflections of difficult but deft and unflinching expression. "It is not only fashionable now to denigrate England and its past; it is heresy to recognise good in it. The place that made me is disappearing. Its values and traditions. Among them: good manners, humility and clemency, resilience and perseverance, good humour. History is being refashioned – in spirit and material fact – by ideologues unshakeably certain they are in the right, and people are being distanced from their pasts. Some find themselves forced into passive acceptance of new distortions of the past, out of imitativeness or cowardice. I resist. This album is a memorial. Intentionally, a museum piece. It is a personal tribute to the England I knew."

Following on from the 2 heavyweight EPs, Ah-Free-Ka & Ja-Maye-Ka, Marc Mac continues to fuse worldly music influences into broken beat. This time the sounds of Brazil are featured and blended into that London nu-boogie, broken beat vibe. The strings, piano and bass at times are reminiscent of Marc's 4hero productions as he is joined by musicians Luke Parkhouse on percussion, Nathan Haines on Sax and Canada's Octavio Santos & Mookie Williams on horns. It's a 4 track journey just right for the sun and ready for your summer eclectic musical adventures. The cover art by Mitchy Bwoy is a fantastic compliment to the music and makes up a cool art package in full

Danish singer-songwriter Soren Munk releases his debut solo album Purr Show on 15 April 2022 via Navarino Records.Soren also travels the world as a cameraman for Channel 4 News, and the album was written and recorded in between trips to cover some of the major global events of recent times, from the war in Mali to the Taliban resurgence in Afghanistan

Soren also co- wrote the much- loved theme tune to the hit animated TV series Charlie and Lola – which is currently trending on TikTok with millions of views.Despite the nature of his news work, the songwriting on Purr Show has a more private focus, dealing in intimate but ambiguous moments of love and loss.

Melodic and intense, the album has elements of Dream Pop, Slowcore and classic songwriting, while the blend of electric guitars, analogue synths and vocals draws on the work of artists that combine restraint and power, such as Neil Young, Low, Big Star and Elliot Smith. Soren worked with Andy Ramsay from Stereolab to record the album, and Jimmie Robertson (Depeche Mode, Arctic Monkeys) during the mixing Soren explains, “I wanted to create slow pop songs. Romantic and melodic but with an edge of strangeness that makes them harder to pin down. That's the music I respond to – things that are assertive but fragile at the same time. Where every element counts.”Soren drew together a strong lineup of musicians and collaborators, including guitarists Garo Nahoulakian (Emiliana Torrini, Gaz Coombes, Piney Gir) and Nick 'Growler' Fowler (Gaz Coombes, Luke Haines); a Danish rhythm section of drummer Nikolaj Bjerre (Lamb) and bassist Andreas Jensen (Dub Pistols); and
pianist Tom Dyson (co-writer of the Charlie and Lola theme). Soren's vocals are often combined on the songs with the soft alto of backing singer Emma Faulkner, creating a sense of something confidential, like snatches of pillow talk.

Cathal Coughlan is the co-founder and singer of acclaimed 80s/90s pop-rock groups Microdisney and Fatima Mansions, and widely considered to be one of Ireland's most revered singer/songwriters, beloved by fans of caustic literate music in the vein of Wilco, Robert Forster and Mark Eitzel. He's released four acclaimed solo albums and this will be his first new music in 10 years. Features and reviews already set for Mojo and The Wire and expect plentiful support from BBC6 Music. Enclosed in a stunning sleeve by award-winning Bruce Brand (The Darkness and White Stripes) with a focus image portrait by outsider artist Cristabel Christo. The new record not only has his usual backing musicians, The Necropolitan String Quartet, but also Luke Haines (Auteurs/Black Box Recorder), Sean O'Hagan (Microdisney/High Llamas), Rhodri Marsden (Scritti Politti) , Aindrías O Gruama (Fatima Mansions), Cory Gray (The Delines) and Dublin singer-songwriter Eileen Gogan.. Loosely conceptual, and based around the persona of Co-Aklan, the LP is melodic and inventive. Twelve fabulous new songs; three will have videos from Marry Waterson and Andy Golding of the Wolfhounds. "Coughlan's intelligence and passion are a rebuke to a vapid music industry, his chronicles of disaffection and disgust an inspiration." - David Peschek, The Guardian