Buscar:m black

"Palomino" ist das mit Spannung erwartete neue Album von First Aid Kit, dem von der Kritik gefeierten schwedischen Folk-Duo, bestehend aus den Singer-Songwriterinnen und Schwestern Johanna und Klara Soderberg. Der erste Track des Albums, "Angel", wurde bereits vor der Ankündigung des Albums veröffentlicht. "Palomino" ist ihr 5. Studioalbum, bestehend aus 11 Songs und vom Schweden Daniel Bengtson produziert. « Palomino » est le cinquième album du groupe suédois First Aid Kit. Écrit et enregistré dans leur pays d'origine, la Suède, « Palomino » a été créé pendant cette période sombre de pandémie mondiale, mais s'avère être l'album le plus pop de First Aid Kit à ce jour. Composé de 11 titres, il a été produit par Daniel Bengtson. «C'est le premier album que nous enregistrons en Suède depuis notre premier album « The Big Black & The Blue » il y a 12 ans ! Nous avons travaillé avec le producteur suédois Daniel Bengtson dans son charmant studio Rymden à Stockholm. C'était une expérience super amusante. Nous nous sommes vraiment laissé le temps d'enregistrer, nous ne voulions pas nous précipiter. Les morceaux ont été principalement écrits pendant la pandémie. Durant cette période compliquée, la musique était synonyme d'évasion, une bouffée d'air face à ce qu'il se passait dans le monde. Nous voulions que cet album soit plus optimiste et joyeux que notre album précédent, « Ruins », qui était un album de rupture. Ce nouveau projet est probablement notre album le plus pop à ce jour. Nous avons trouvé de l'inspiration partout - auprès de groupes tels que Fleetwood Mac, Carole King, Tom Petty, T Rex, Elton John, mais aussi Angel Olsen, Whitney et Big Thief.''

1999, drei Jahre nach dem Erfolgsalbum "Synkronized", kehrten Jamiroquai, angeführt von Jay Kay und dem Keyboarder Tobby Smith, mit einem Longplayer zurück, das noch mehr Hits wie "Little L", "You Give Me Something" und das geniale "Love Foolosophy" enthielt. Doppel-LP aus schwarzem Vinyl, Cover aufklappbar, bedruckte Innenhüllen. Jamiroquai feiert 2022 sein 30-jähriges Jubiläum!En 1999, trois ans après le raz de marée "Synkronized", Jamiroquai emmené par Jay Kay et le clavier Tobby Smith, reviennent avec un album qui aligne encore les tubes comme «Little L», «You Give Me Something», l'imparable «Love Foolosophy». Double LP vinyle noir, pochette ouvrante, sous pochettes imprimées. Jamiroquai fête ses 30 ans en 2022 !

Mit 'Seeing the Elephant' haben THE OFFERING ein Album geschaffen, das so reichhaltig, abenteuerlich und gefühlvoll ist wie nichts anderes, das man in nächster Zeit hören wird. 'Seeing the Elephant' entstand während des Chaos der Proteste von 2020 und der darauffolgenden kulturellen Umwälzungen und ist ein herausforderndes (und letztendlich lohnendes) Album für extreme Zeiten. Auf dem Nachfolger des hochgelobten Debüts 'Home' von THE OFFERING aus dem Jahr 2019 startet die Band mit dem frenetischen, 7-minütigen Opener 'WASP' in eine politisch aufgeladene Hochphase und steigert dann die Dynamik und den Klang, indem sie sich durch elektronisch angehauchte Tracks wie 'With Consent' und das treibende 'Rose Fire' windet und mit dem epischen Abschlusstrack 'Esther Weeps' zu etwas Schönem und Erhabenem gelangt. Sänger Alex Richichi und Gitarrist Nishad George haben mit Hilfe von Mixer Zach Weeks (Kvelertak, The Armed) in den renommierten God City Studios in Salem, Massachusetts, ein neues Gerüst aus vergangenen Arbeiten konstruiert und THE OFFERING als eine Band bewiesen, die nicht nur die Norm herausfordert, sondern sie auch verfeinern und neu definieren wird. THE OFFERING 'Seeing the Elephant' ist erhältlich als: Standard CD Jewelcase, black LP, Digitales Album

Auf ihrem Sony Classical Doppel-Album Two Steps From Hell: Live - An Epic Music Experience definieren Two Steps From Hell - aka Thomas Bergersen und Nick Phoenix - die Schöpfer des "epischen Sounds", ihre fantastische Musik mit dem Odessa Opera Orchester, Chor und Rockband neu. Das Album enthält über zwei Stunden Musik und 28 der bekanntesten Titel der Gruppe, die im Rahmen ihrer erfolgreichen Europa-Konzerte im Sommer 2022 neu-arrangiert und aufgenommen wurden. Genre-Hits wie "Heart of Courage", "Victory", "Star Sky", "Protectors of the Earth" oder "Strength Of A Thousand Men" verbinden die in Kalifornien ansässigen Komponisten und Produzenten Thomas Bergersen und Nick Phoenix - die Masterminds hinter Two Steps From Hell - zu episch-akustischen Klangwelten zwischen Klassik, Filmmusik und Rock. Bei ihren Aufnahmen wurden die Multiinstrumentalisten von einer Reihe herausragender Solist*Innen begleitet wie Esther Abrami (Violine), Skye Emanuel (Gitarre), Elaine Correa (Keyboards), Saulius Petreikis (Windwoods) oder Greg Ellis (Drums) und den Sängerinnen Merethe Solvedt, Úyanga Bold und Kamila Nývltová. Two Steps From Hell sind eine der weltweit erfolgreichsten Produzenten für epische Musik und gehören zu den Vorreitern des "epischen Sounds". Seit ihrer Gründung im Jahr 2006 haben Thomas Bergersen und Nick Phoenix diverse Filmtrailer für Blockbuster (Avengers, X-Men, Star Trek, Harry Potter, Indiana Jones), Fernsehserien (Doctor Who, Breaking Bad, The Walking Dead) und Videospiele (Mass Effect, Resident Evil, League of Legends, Kill Zone) vertont. Ihr Song "Heart of Courage" leitete die Spiele der Fußball-EM 2012 und das Finale der Olympischen Spiele 2012 in London ein. Die Musik, die Thomas Bergersen und Nick Phoenix für Film, Fernsehen und Videospiele produzierten, löste euphorische Reaktionen bei den Zuhörern aus und sie begannen ganze Alben aufzunehmen und ihre Musik bei Musikportalen selbst zu veröffentlichen. Two Steps From Hell, ein Internet-Phänomen, war geboren und eine treue internationale Fan-Base sorgte für über fünf Milliarden Streams auf YouTube und anderen Plattformen, vier Platin-Alben, zwei Nummer 1 Alben in den Billboard Classical Charts ("Battlecry" und "Unleashed") und insgesamt 10 Platzierungen in den Top 10 der Billboard Classical Albums Charts.

High Roller Records, black vinyl, ltd 150, lyric sheet, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in May 2016

High Roller Records, black vinyl, ltd 150, lyric sheet, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in May 2016

High Roller Records, black vinyl, ltd 150, lyric sheet, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in May 2016

High Roller Records, black vinyl, ltd 150, lyric sheet, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in May 2016

High Roller Records, black vinyl, ltd 150, lyric sheet, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in May 2016

High Roller Records, black vinyl, ltd 150, lyric sheet, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in May 2016

High Roller Records, black vinyl, ltd 500, 425gsm heavy cardboard cover, lyric sheet printed on uncoated paper, poster, A5 photo

High Roller Records, black vinyl, ltd 500, 425gsm heavy cardboard cover, lyric sheet printed on uncoated paper, poster, A5 photo

Strut present 3 separate reissues of the 1970s album trilogy from Idris Ackamoor & The Pyramids. As students at Antioch ollege, Ohio, alto saxophonist Idris Ackamoor, flautist Margaux Simmons and bass player Kimathi Asante created three lasting monuments in sound — Lalibela, King of Kings, and Birth / Speed / Merging, a trio of albums produced without any label backing or distribution between 1972 and 1976. Their music is unique among the varied canon of avant-garde and experimental music of 1970s America: high intensity African-styled percussion topped with songs, chants, and horns, laced with African instruments and arranged into long, flowing suites that surge and roll.

Birth/Speed/Merging was recorded in 1976 after the band's move to San Francisco. The album closes the Pyramids' 70s trilogy and makes more use of studio technology: adding overdubs and other effects, a marked departure from the previous two releases, though at no cost to the urgent message and energy of their earlier works.

Originally released via Devil's Head Records in 2004, and subsequently picked up and released worldwide via PROSTHETIC RECORDS, 3750 is the first "official" full album debut from Chicopee, Massachusetts deathcore/metalcore pioneers THE ACACIA STRAIN. The initial vinyl pressings were licensed to Spare Change Records. 800 black LPs and 200 clear / numbered copies were pressed.

Originally released via Devil's Head Records in 2004, and subsequently picked up and released worldwide via PROSTHETIC RECORDS, 3750 is the first "official" full album debut from Chicopee, Massachusetts deathcore/metalcore pioneers THE ACACIA STRAIN. The initial vinyl pressings were licensed to Spare Change Records. 800 black LPs and 200 clear / numbered copies were pressed.

Metal Blade Records is proud to announce the signing of British death metal band, Ingested, to its global roster. The flagbearers of modern UK death metal recently celebrated the band's 15th anniversary, as well as the 10th anniversary of their sophomore effort "The Surreption" with "The Surreption II," a complete re-recording of the album earlier this summer. Ingested was founded in 2006 in Manchester, England and have since toured extensively with Cannibal Corpse, The Black Dahlia Murder, Nile, Carnifex, Revocation, and have been seen on European festival stages including Summer Breeze Open Air. The band earned Billboard chart entries in 2018 with their album "The Level Above Human," including: #35 Independent Albums, #16 Hard Rock Albums, #135 Top 200. The band saw chart action again with their 2020 release "Where Only Gods May Tread" including #4 Current Hard Music Albums, #10 Top new Artist Albums, #139 Billboard Top Albums and #15 on the UK Rock & Metal Albums, and #50 UK Independent Albums chart. With an already extensive release and touring history, Ingested are eagerly anticipating an exciting new era as part of the Metal Blade Records roster.

Black feminist punk band Big Joanie have announced their upcoming second album 'Back Home', set for release 4th November on Daydream Library Series in the UK and Kill Rock Stars in the US. The brand new album 'Back Home' follows on from last month's one-off single 'Happier Still', and the release of their 2020 single ‘Cranes in the Sky’, a cover of Solange Knowles released on Jack White’s Third Man Records. Recorded at Hermitage Works Studios in North London, 'Back Home' was produced and mixed by Margo Broom (Goat Girl, Fat White Family) and features violin courtesy of Charlotte Valentine of the experimental art rock project No Home, who recently collaborated with the LA-based artist SASAMI. 'Back Home' is a dramatic leap forward for the band; the band build on their tightly knit, lo-fi punk formula to bring forth a collage of blazing guitars, down tempo dance punk, and melancholic strings that evoke the full depth of the band’s expansive art punk vision. The album title references a search for a place to call home, whether real or metaphysical. “We were really ruminating on the idea of a home and what it means,” explains Stephanie. “It’s about the different ideas of home, whether that’s here in the UK, back in Africa or the Caribbean, or a place that doesn’t really exist; it’s neither here nor there." The band worked with multidisciplinary artist Angelica Ellis to design the striking embroidered cover art, which is a depiction of Chardine’s nephew at the barbers. The artwork is a reference to the embroidered wall hangings popular in Caribbean homes post-Windrush that were a callback to the homes they left behind. The album’s strength lies in the band’s bold and varied new sound. Album opener ‘Cactus Tree’ is an eerie, gothic folk tale that tells the story of a woman waiting for her lover while a wall of euphoric harmonies and screaming feedback roll in the background. Lead single ‘Happier Still’ is a driving, Nirvana-influenced track that grapples with the idea of wanting to push through a depressive episode. Inspired equally by the melodic rock of Hüsker Dü and the mystical sensibilities of Stevie Nicks, closer ‘Sainted’ brings the club-ready sentiment of the 2018 single ‘Fall Asleep’ to its natural conclusion. Big Joanie live dates 2022 Sun 31st July - Liverpool International Festival @ Camp & Furnace Sat 20th August - La Route Du Rock Festival St Malo, France Sun 28th August - Greenbelt Festival, Kettering, United Kingdom Could the song splits across the sides be changed to this: Side A 1.Cactus Tree 2.Taut 3.Confident Man 4.What Are You Waiting For? 5.In My Arms 6.Your Words 7.Count to Ten Side B: 1.Happier Still 2.Insecure 3.Today 4.I Will 5.In My Arms (Reprise)6.Sainted












[l] 12 IN MY ARMS [REPRISE]

Black feminist punk band Big Joanie have announced their upcoming second album 'Back Home', set for release 4th November on Daydream Library Series in the UK and Kill Rock Stars in the US. The brand new album 'Back Home' follows on from last month's one-off single 'Happier Still', and the release of their 2020 single ‘Cranes in the Sky’, a cover of Solange Knowles released on Jack White’s Third Man Records. Recorded at Hermitage Works Studios in North London, 'Back Home' was produced and mixed by Margo Broom (Goat Girl, Fat White Family) and features violin courtesy of Charlotte Valentine of the experimental art rock project No Home, who recently collaborated with the LA-based artist SASAMI. 'Back Home' is a dramatic leap forward for the band; the band build on their tightly knit, lo-fi punk formula to bring forth a collage of blazing guitars, down tempo dance punk, and melancholic strings that evoke the full depth of the band’s expansive art punk vision. The album title references a search for a place to call home, whether real or metaphysical. “We were really ruminating on the idea of a home and what it means,” explains Stephanie. “It’s about the different ideas of home, whether that’s here in the UK, back in Africa or the Caribbean, or a place that doesn’t really exist; it’s neither here nor there." The band worked with multidisciplinary artist Angelica Ellis to design the striking embroidered cover art, which is a depiction of Chardine’s nephew at the barbers. The artwork is a reference to the embroidered wall hangings popular in Caribbean homes post-Windrush that were a callback to the homes they left behind. The album’s strength lies in the band’s bold and varied new sound. Album opener ‘Cactus Tree’ is an eerie, gothic folk tale that tells the story of a woman waiting for her lover while a wall of euphoric harmonies and screaming feedback roll in the background. Lead single ‘Happier Still’ is a driving, Nirvana-influenced track that grapples with the idea of wanting to push through a depressive episode. Inspired equally by the melodic rock of Hüsker Dü and the mystical sensibilities of Stevie Nicks, closer ‘Sainted’ brings the club-ready sentiment of the 2018 single ‘Fall Asleep’ to its natural conclusion. Big Joanie live dates 2022 Sun 31st July - Liverpool International Festival @ Camp & Furnace Sat 20th August - La Route Du Rock Festival St Malo, France Sun 28th August - Greenbelt Festival, Kettering, United Kingdom Could the song splits across the sides be changed to this: Side A 1.Cactus Tree 2.Taut 3.Confident Man 4.What Are You Waiting For? 5.In My Arms 6.Your Words 7.Count to Ten Side B: 1.Happier Still 2.Insecure 3.Today 4.I Will 5.In My Arms (Reprise)6.Sainted












[l] 12. IN MY ARMS [REPRISE]

2LP black vinyl in a gatefold sleeve, polylined inners and download code. 2 x CD in 6 panel digifile sleeve.
When Darren Hayman made his debut in 1997 with the acclaimed indie band Hefner his lyrical remit was the broken hearted. His early songs told the story of the lonesome and lost, and broken dreams of love on the back streets of London. After Hefner, Hayman’s palette grew to include a unique take on place and memory. In the early 2000s he wrote a trilogy of albums around the history of Essex. In 2012 he made an instrumental album describing the tranquillity of Lidos. In 2016 Darren was awarded ‘Hardest Working Musician’ by the Association of Independent Music for his epic project on Thankful Villages, the 55 villages that survived the Great War with no casualties. His most recent record, 12 Astronauts, tells the personal story of the only men to have walked on the Moon. Darren is continually obsessed with the idea of what songs can be, and the stories they can tell. As he explains, “With projects like Thankful Villages, I became interested in what a record could be, using field recordings, interviews and songs to make sound collages. I wanted to return to the stricter art of song writing and try and make the twelve best compositions I could. I wanted to make useful songs, words that could be comfort, not just thoughts that would depress.” // "bold and unique" The Sunday Times // "Its delicately observed song cycle unfolds like a novella or short film, with tracks that might seem slight in isloation gaining resonance in situ." Q // “Bugbears is a rich and warming curio, and there’s something quietly noble about Hayman dragging the thoughts of these long-dead writers back into the light.” Mojo // “uniquely intimate and very satisfying” - BBC // “Hayman has hit a creative purple patch… a treat”. Mojo