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Toyah - Ophelia's Shadow

Toyah

Ophelia's Shadow

12inchDEMREC591
Demon Records
13.03.2020

Toyah's personal favourite album of her catalogue, “Ophelia’s Shadow” (1991), features a band line-up including Trey Gunn on stick, Paul Beavis on drums and Tony Geballe on guitar. Two tracks, “Brilliant Day” and “Lords Of The Never Known” feature Robert Fripp and were originally played live by the band Sunday All Over The World (which featured Toyah, Fripp, Beavis and Gunn).

Issued on vinyl for the first time since 1991, with a new inner sleeve, the album is pressed on 180 gram translucent aqua vinyl.

pre-order now13.03.2020

expected to be published on 13.03.2020

19,54
The Illuminated - 040 - 010 EP

180g - Vinyl Only

After messing about with vinyl, Ableton and music in general for more than 10 years, Dyzz from The Illuminated decided it's time to take 'matters' into his own hands:

Introducing Degenerate Music - a label focused on bass heavy, chest rattlin', floor shaking & dub influenced soundsystem music - starting off 2020 with his inaugural and sharply curated 040 - 010 EP.

On "That Side" we can find 2 sought after VIP's from the duo Dyzz & Rebus, better known as The Illuminated. Both originals Scavenger & Eindhoviah have been released on New Moon Recordings, the deeper / techy sister label from the Moonshine camp and Underslung Audio (digi only). Scavenger got picked up early by the likes of Skream & Benga (BBC1 Extra radio premiere), Joe Nice (cut on dub), N-type & Walsh (Rinse.fm) and more. Eindhoviah became a warehouse dub for the gentlemen and close friends. The VIP's go way beyond the originals, fulfilling the gunfinger reload requests from the last few years.

On "This Side" we find another Scavenger version, this one fully locked on the triplets and loaded with some vocal samples from a galaxy far far away. Last but not least, Eindhoviah gets the young gun Hebbe treatment, this one's for the heads.

Now all the VIPS, versions & remix get the treatment they deserve, freshly cut on a 180 grams 12" heavyweight plate

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8,36

Last In: 6 years ago
Calum Gunn - Addenda

Calum Gunn

Addenda

12inchCPU01010100
CENTRAL PROCESSING UNIT
25.02.2020

Calum Gunn has spent the past few years becoming a key figure in the European electronic avant-garde. As well as releasing his own music through labels like Entr'acte, FLUF and Tsuku Boshi, the Berlin-based Gunn also helms Conditional Records, one of the most forward-thinking computer-music imprints to emerge in recent times.

Gunn's Addenda EP, his debut drop for Central Processing Unit, contains some of his most dynamic work to date. While his commitment to experimentalism remains, these four tracks represent a clear shift in focus for Gunn - namely that, for perhaps the first time in his career, he is making music that is club-friendly. A whole host of dancefloor innovators are recalled when listening to Addenda - particularly Autechre, Analord-era AFX and several of Mark Pritchard's projects as well as Gunn's contemporaries Rian Treanor and Renick Bell.

These tracks never sit still, their rhythms constantly evolving and turning themselves over. Addenda's first two cuts use metronomic hi-hats to keep these ever-changing grooves in check. With its thwacking kicks and snares, opener 'Esephony' enters the fray with the heft of an early Wiley riddim. Atop these drums we find squeaky half-melodies interlocking and breaking apart, meaning that the overall effect is not dissimilar to the tweaking beats that Pritchard came up with as part of Africa Hitech. 'Esephony' is followed by 'Moebu', another track that harks to grime through its fluttering lead synth. The way that this single-note line snakes above a slow, steady drum pulse pitches 'Moebu' halfway between Last Japan and rRoxymore.

Gunn increases the tempo in Addenda's second half. 'Ternenmarz' introduces itself with more blarts of bass, but whereas these were steady on 'Esephony' they now jump around unexpectedly. Gunn holds the erratic kicks in place with twittering hats and snares - indeed, when you factor in its gnarly synth lines, 'Ternenmarz' steers closer than any other cut here to the high-grade electro drops that CPU has made its name with. Closer 'Pins' supercharges the snap of 'Esephony' to 145 bpm before Gunn softens up the track with reverb-drenched synths that nod to the sombre post-grime of Mr. Mitch's Gobstopper Records.

With the Addenda EP, Calum Gunn has achieved something that proves elusive to so many producers - making club tracks that are at once innovative and immediate, their experimental tendencies serving to elevate their dancefloor impact.

RIYL: Rian Treanor, Africa Hitech, Autechre, Renick Bell, Brainwaltzera

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9,20

Last In: 6 years ago
Soundsof The Universe - Art + Sound 2012-2015  Record B

Soul Jazz Records set Sounds of the Universe:
Art + Sound 2012-15 features some of the heaviest Afrofuturistic producers out there, PITCHFORK.

Soul Jazz Records new Sounds of the Universe: Art + Sound 2012-15 is a new double album CD (and two separate volumes of double-vinyl) featuring a line-up of some of the most forward-thinking and progressive artists and producers working with electronic music around the world today.

This lovingly compiled collection features a stunning array of contemporary artists: Chicago’s Afro-futurist genius Hieroglyphic Being; Kaseem Mosse (aka Gunnar Wendell/Siege of Troy), one of the most talked-about, respected artists in underground house and techno; out of Detroit’s Moodyman stable comes Andres; also featured is Los Angeles-based Ras G, associated with the Brainfeeder label established by fellow producer Flying Lotus; and many more!

This new collection features a first CD of tracks recorded exclusively for Soul Jazz Record’s bespoke Sounds of the Universe label. These were originally issued under their Art + Sound series between 2012 and 2015 as unique hand-etched and original commissioned art pieces (reproduced here) collectors’ 12” singles - all pressed in micro-editions of 250 copies for each artist’s release that were only ever available exclusively from Soul Jazz Records’ boutique Sounds of the Universe shop in Soho, London.

The second CD features a fantastic set of all brand new exclusive tracks from the likes of Seven Davis Jr, Drexciya collaborator DJ Stingray, deep house virtuoso Mike Huckaby, Glaswegian noise-punk six-piece Golden Teacher, and lots more – all created and commissioned especially for this release. These songs are not available anywhere else in the world.

Together these 2CDs comprise an amazing selection of new progressive electronic music.

This album is released as double CD pack with slipcase and booklet. It is also available as two separate limited edition double vinyl editions in heavyweight vinyl and gatefold sleeves with full artwork + free download codes, and as a worldwide digital release.

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30,21

Last In: 6 years ago
The Hanging Stars - A New Kind Of Sky

London-based folk-psych-country band The Hanging Stars return with their eclectic third studio album, A New Kind Of Sky, due out on 21 February 2019. Carrying on their exploration of transatlantic psychedelic folk and cosmic country, the new album blends twelve-string, harmony-laden lullabies with soft rock anthems to create a guilded box of bucolic folk-rock. As well as the band’s signature wistful pastoral escapism, there are lyrical concerns about the recent past; the systematic division of people, values, facts and humanity in The West in general - and the UK in particular. The band weave the same thread they have always woven but this time with a more unified vision, creating a kaleidoscopic poncho for these times.

The Hanging Stars comprise songwriter, singer and guitarist Richard Olson, Sam Ferman on bass, Paulie Cobra on drums, Patrick Ralla on guitars, keys and vocals, and renowned pedal steel player Joe Harvey-Whyte. Returning guest Collin Hegna from Brian Jonestown Massacre plays an instrument called a Marxophone on “Choir of Criers”. They also welcome Sean Read of The Rockingbirds and Dexy's Midnight Runners, who adds horns to “Three Rolling Hills” and “I Was A Stone”.

The main bulk of the recording for the new album was done live in the studio at Echozoo in Eastbourne with Dave Lynch. For the first time, the band decided to dive straight in to the recording studio following their German tour in 2018. Having lived in each other’s pockets and playing their new songs every night, the band were as tight and primed as they could possibly be. There ensued a few, very long, days of recording, capturing the essence of the band in their element.

The songwriting process was even more collaborative for this album, with the usual co-writes between Richard Olson, Sam Ferman and Patrick Ralla enhanced by Joe Harvey-White’s arrangements and Paulie Cobra’s harmonies. The biggest difference is that Sam Ferman sings lead on the first single “‘(I’ve Seen) The Summer in Her Eyes”, a song about lost love and self doubt channeled through two and a half minutes of garage pastoralism.

The album’s title track “A New Kind of Sky” tells a story from the point of view of somebody who idealises a past that never existed. The band go glam-rock on the stand-out track “I Will Please You”, a tale of a cult leader/world leader and his irresistible (for some) charm from the point-of-view of his most recent victim and “Heavy Blue” is a country music tale of drunken debauchery seen through the eyes of an inexperienced young man. The triumphant trumpet-driven song “These Rolling Hills” is a minor-key tale of a journey into the hills of Marin County, California undertaken by Paulie and Richard to visit friends Asteroid No. 4, with a most interesting outcome.

The Hanging Stars released their debut album Over the Silvery Lake in 2016, which received plaudits from broadsheets such as The Times, who described it as; "An album with enough of a hazy, sun-dappled charm to make the capital's dreariest weather bearable”, as well as The Guardian, who said; “Mersey-laced harmonies and just a whiff of the Gun Club.” They picked up a good amount of support at 6 Music and “The House on the Hill” scored a much-coveted 10/10 by John Robb on Steve Lamacq’s Roundtable.

Their second album Songs For Somewhere Else in 2017 received critical acclaim from the likes of Uncut (Revelations article), Shindig (several features and 4* review) as well as The Quietus and The Line Of Best Fit, plus radio support from Gideon Coe and Bob Harris (they performed an Under the Apple Tree Session for Bob Harris in January 2019).

Whilst playing their own successful sold-out headline dates, the band were invited to share the stage with Teenage Fanclub, The Clientele, Wolf People, The Long Ryders and GospelbeacH, as well as playing festivals such as Liverpool’s International Festival of Psychedelia, Red Rooster, Ramblin' Roots, UK Americana Festival and The Long Road.

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13,92

Last In: 6 years ago
Pierre Raph - Jeunes Filles Impudiques

Five track EP of previously unreleased drum heavy Gallic hard-bop and risqué acidic folk.

The long-lost Parisian skin flick ‘Jeunes Filles Impudiques’ (AKA ‘Schoolgirl Hitchhikers’) marks a particularly vulnerable period in the career of one of the most underrated and misunderstood directors to emerge from the rising smoke of the 1968 Parisian social explosion.

From a director with early links with the Paris underground, the letterists, the surrealists, improv theatre and the free-press comes the reclaimed audio tracks from one of his rarest celluloid moments - but let’s not confuse this for high-art. Finders Keepers make no bones, this is Jean Rollin’s maiden voyage into adult entertainment, directed under the pseudonym of Miche Gentil with a flimsy plot, questionable acting skills and an awesome little schizophrenic soundtrack.

This long-lost movie has been buried for some 40 odd years, with a musical score bursting to jump out of the can and down your tone arm, now made possible by a recently renovated negative print and new source material. These original Pierre Raph (of ‘Requiem For A Vampire’ infamy) compositions from the publishing Library Of Paris’ Musicale Editions Dellamarre (of Acanthus / Unity fame) come straight from Rollin himself as an introduction to Finders Keepers’ new Rollinade series documenting some of the finest musical moments of the director’s career as an avant-gardener, counter-culture vulture and Gallic vamptramp, all housed in their original hand-painted promotional artwork.

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9,20

Last In: 6 years ago
Nick Walters - Active Imagination

Nick Walters

Active Imagination

12inch22A031
22a
28.01.2020

'Active Imagination' is a result of the bringing together of musicians for a day in the studio, with minimal rehearsal, to collectively experiment and improvise in the moment - in contrast to the more composed and structured recordings of the Paradox Ensemble album 'Awakening' from January 2019. All musicians contributed their distinctive individual voices, creating a united force of spiritual, freeform jazz. Each composition is based on a different mode, all with their own distinctive flavour: "So Long Chef" nod's to Coltrane with its chords jumping by major thirds, before a more static middle section,offering a chance for Walters and Jeff Guntren (tenor sax) to explore the Lydian mode."Ahimsa" is a meditative reflection and group improvisation, based around a simple theme in the mixolydian mode, resulting in a spiritual journey steered by Rebecca Nash's hypnotic piano solo. "Gordian Knot" was conceived as a vehicle for Ed Cawthorne (aka Tenderlonious) to cut loose on soprano sax in the phrygian mode, which he achieves with devastating effect, backed up by Nim Sadot's infectious bass hook and complimented by an equally striking trumpet solo from the band leader. Finally, "Dansoman Last Stop" uses the dorian mode to channel the spirit of a bustling travel interchange in southern Accra, Ghana, conceived further by another exquisite trumpet solo from Walters.

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23,49

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Kirk Reed - California

Kirk Reed

California

7"-VinylBEL7001
Believe Recordings
28.01.2020

We are proud to present the first release of Believe! International Records – the re-issue of Kirk Reed "California", "Shawn Lee Mix".

American songwriter and artist Kirk Reed first published the west coast gem "California" in 1979. It was the b-side of the Meca Records 7" release "Lazy Mind". The song is a folky groover that pays tribute to The Golden State through its imagery of sunshine and wide open roads. The original record is in high demand among collectors.

The flip side features an exclusive mix of the track by Shawn Lee (Shawn Lee's Ping Pong Orchestra/Young Gun Silver Fox).
Shawn has performed a full studio re-work of "California" with added instrumentation, vocals and production. The result is a luscious adaptation of the original song that truly captures its casual west coast vibe. creditKirk Reed: California.

Written by Kirk Reed. Producer: Carl Edmondson.
Originally released on Meca Records 1979. Shawn Lee Mix: Mix & additional production by Shawn Lee. Shawn Lee: background vocals, guitar solo, Jen SX1000 synth, Crumar MultiMan-S, bass drum, toms, congas, wood blocks, shaker, tambourine. Recorded by Pierre Duplan.
Mixed by: Pierre Duplan & Shawn Lee at The Shop London.

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10,38

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Brötzmann Schlippenbach Bennink - Fifty Years After... Live at the Lila Eule 2018

For the celebration of the 50th anniversary of the legendary Machine Gun recordings at the Lila Eule in Bremen, Peter Brötzmann put together a trio with the Berlin pianist, composer Alexander von Schlippenbach and the percussionist Han Bennink, who already sat on the drums 50 years ago. They were so pleased with the music ,that they decided to release it and continue to play gigs as the trio.

Machine Gun was originally recorded in May 1968 by an octet consisting of influential musicians of new jazz and improvised music . The LP was repressed on Cien Fuegos in 2018.

pre-order now06.12.2019

expected to be published on 06.12.2019

22,06
Otik - Blasphemy

Otik

Blasphemy

12inchBOOGIE007
Boogie Box
03.12.2019

Airplay on Tom Ravenscroft (BBC Radio 6 Music), Re:lax w/ Re:ni, Laksa & Biggabush (NTS), Gage (NTS), From The Depths with Drakeford (NTS)

Premieres of Four Feet and Blasphemy on Trax Mag and Ransom Note

Review on 2 Hungry Ghosts

DJ support from Midland, Bruce, Re:ni, Troy Gunner, Maya Jane Coles, Minor Science, Via Maris, Mosca, Blackdown/Martin Clark, Horse Meat Disco, Tony Thorpe, Daire Carolan (All City Records), Deft, Phototherapy, Shadow Child / Polymod, Lukas Wigflex, Soulphiction/ Jackmate

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9,20

Last In: 4 years ago
Clark - Branding Problem / Legacy Pet

Rounding-off a landmark year for Clark which saw an accelerated drive for variety and freshness - including skewed renditions of Bach performed at the Royal Albert Hall and a hugely acclaimed score for TV series ‘Kiri’ - the leftfield legend takes it back to the source with two bangers for the massive.

The riff-powered heavy electrics of ‘Branding Problem’ romp from Detroit to Belgium via Chicago and the M25. It’s platinum-grade dancefloor techno, but it’s more too. The production flair and inventive sound sculpting ensure a level of quality and originality not found in your average grist-for-the-mill DJ fodder.

‘Legacy Pet’ is hardcore and tech step dipped in loopy juice; it’s the sound of a raver wandering out from a cavernous warehouse, across fields and into an enchanted dingily dell dance, throwing gun fingers with the goblins and faeries.

“I’ve been quite amused at how easy it is to stream background music these days. How accessible it all is and how entitled we all feel to it, like it’s some sort of air freshener you spray in your Uber.

For some reason I’m imagining a future where Elon Musk does a streaming deal, so he can prance around controlling nano implant VR chips for 1 million amortal coastal elites, while the rest of us don’t have electricity and only manage one rave a year - to a sound system powered by rationed candles. This is music for that fantasy scenario, ha.

Anyway, I don’t want these 2 tracks to be part of background air freshener world. They are limited edition club gear. I wanna play them out so badly in my live show.

Influences: Hardcore UK rave, Detroit techno, Jungle, Oizo, Ed Rush and Optical, No U-Turn. The origins, the source and it’s constant subsequent mutations. BEHOLD THE CONTINUUM, HARDCORE WILL NEVER DIE.” Clark

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11,72

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Thomas Brinkmann - Raupenbahn

Editions Mego is proud to present the latest addition to the compelling discography of Thomas Brinkmann. Throughout his career Brinkmann has focussed on the human operating amongst industry alongside rhythms that manifest as a result of technological advancement. With this new release Brinkmann makes a u-turn, looking back to the early industrial age. Comprised of recordings of various looms, Raupenbahn investigates the sonic properties and consequences of the first automatic loom as constructed by Jacques de Vaucanson in 1745. Thomas Brinkmann once again adheres to his tendency for clarity and simplicity whilst further investigating not only the sound and rhythms of the machines (looms) but also what role they serve in society and what consequences they have on the environment. Raupenbahn presents 21 tracks in total, 11 feature on the vinyl, the remaining 10 as digital bonus tracks. The majority of recordings were undertaken by Brinkmann in 2017 with a Neumann KM 184 stereo set. Additional recordings were sourced with permission from Monika W. recs. from 2014 Central Museum of Textiles Łódź, Poland. Each piece presents a diversity of material which borders on the breathtaking and beautiful in richness and complexity. The various looms unravel rhythms and patterns unexpected from machines of the early industrial age.

The loom holds a significant role in shaping our world being the catalyst for Charles Babbage's Analytical Engine which, alongside the subsequent work of Byron's daughter Ada Lovelace, paved the way for modern computing. There is a linage of the loom that fits succinctly in Brinkmann's overall argument. Here we encounter a parallel between machine driven economies and the music that rose from such places, consider the Sheffield steel industries, the Manchester weaving industry or the Rhineland / Düsseldorf loom and machine industry. Is it a coincidence that the practice of such machines in the environment gave rise to today's predilection for electronic dance music, in pop, soundtracks, etc.

Raupenbahn features no treatment or processing and explicitly displays varying tempo and timbres which ascertain a wide range of acoustic structures. The artwork features Ingrid Wiener, Rosemarie Trockel and Alexandra Bircken, three different generations who would with ideas of fabric weaving, loming and the like. This exceptional release works on a number of levels alongside it's striking sonic palette.


i 9 Günne (Irmscher) BO Möhnesee / D

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21,47

Last In: 6 years ago
Various - A-Sides Vol.8 Part 3

Various

A-Sides Vol.8 Part 3

12inchDC211.3
Drumcode
05.11.2019

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.

The 25-track strong compilation, split across 7 EPs, features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.

Part 3 includes Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’, whilst Ramon Tapia unleashes the heavy hitting ‘Sonic Therapy’ and Nicole Moudaber drops her first DC release in 5 years with the mesmerizing ‘This Is Us’.

The highlight-rich compilation also includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘The Grid’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’. The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, while the exciting Hyperloop project links up with Upercent for the slinky loop-driven ‘Rouge’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johansson, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

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14,08

Last In: 9 months ago
Coyu - You Don’t Know

Coyu

You Don’t Know

3x12inchSALBUM003
SUARA
31.10.2019

Influential Spanish artist Coyu is stepping out on his own Suara label with a long overdue debut album entitled ‘You Don’t Know’ that is going to shatter all conceptions about him. Due for release this September 23rd, the 16 track affair showcases his broad range and takes in collaborators like Moby, Lazarusman, The Horrorist, Thomas Gandey and many more.

Coyu quickly rose through the ranks to become one of the most prominent names in underground dance music. The Spanish man famous for his love of cats has established his Suara label as a go-to outlet for the most essential house and tech tracks, as well as releasing his own expressive grooves on Cocoon Recordings, Diynamic, Bedrock Records, Turbo Recordings and MORE. Now he really stretches his legs across a fantastic full length album that goes way beyond the dance floor and shows many new sides to his sound. The artist has been working on it since 2012 and aims to show people that whatever they think about him is wrong.

Says the artist himself, “the album is named ‘You Don't Know’ because many people have a preconceived idea of who I am. Until now, maybe I wasn't smart enough to show them my roots, what I love and what I can offer to the music. I'm not just a DJ or a producer who can play or make grooves – I love many different genres and many different kinds of music. With this album I want to change that preconception.”

The album kicks off with a dramatic spoken word from legendary vocalist Lazarusman before exploring low slung and sleazy grooves on ‘The Three Chimney’, floaty light melodic and dreamy house on ‘Out of The Pain’ and more club focussed but just as dreamy fair on ‘We All Try’ with Mike Leary.

Proving he can do everything from poolside gems to peak time techno, ‘Fear Is Gunna Be A Player In Your Life’ is one to get you in a trance with its sonar like synths and rolling deep space drums. Thomas Gandey aka Cagedbaby then steps up to guest on ‘1+1’ which is a hands in the air piano anthem to pump the party, and ‘Wanna Do Right, Wanna Do Wrong’ is a techno cut with brilliantly energetic drum programming and a big, perfectly placed vocal sample.

Switching up the vibe is ‘I May Be Dead, But One Day The World Will Be Beautiful Again’ with none other than dance legend Moby. It is a heavenly track with break beats, angelic melodies and a celestial feel that leaves you refreshed. The second half touches on raved-up drum & bass, gurgling minimal techno and harder techno with mind melting acid synths. The Horrorist contributes to the banging ‘My First Pill’, while the techno journey continues with ‘Unite’ featuring Gabriella Vergilov before the album finishes on the fluttering ambient track ‘Insania’, with mad church bells and manic percussion all bringing things to a close in style.

This is a broad, adventurous album that covers plenty of music ground and takes you on a true electronic trip from one of dance music’s most accomplished names.

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28,36

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Hannah Williams & The Affirmations - 50 Foot Woman

The highly anticipated album by Jay-Z's 4:44 soul hurricane Hannah Williams & the Affirmations produced by award-winning composer and multi-instrumentalist Shawn Lee.

Hannah Williams, the British soul hurricane who sensationally became part of Jay-Z's chart-topping 4:44 album, is primed and ready for her own national and international breakthrough.

Williams turned heads worldwide when the hip-hop superstar sampled her heart-stopping vocals on 'Late Nights & Heartbreak' for the title track, '4.44' on his 2017 album. Now Hannah and her exemplary, Bristol-based band the Affirmations deliver a definitive career statement with the drop-dead soulful new album 50 Foot Woman which will be released October 18th on the Milan based imprint Record Kicks.

The album captures all of the visceral power of the band's increasingly legendary live performances. Shades of classic Soul and Psychedelic Funk blend uniquely with modern-day flavours on a record destined to set the soul agenda for 2019 and far beyond. "I've never been as proud of anything in my entire career" says Hannah.

Born in High Wycombe in Buckinghamshire, Williams'father was a musically gifted minister, and her mother let her join the church choir at the age of six. Hannah could read music before she could properly read words, and when she discovered soul by listening with her mum to Motown and Bill Withers, there was no turning back.

After a 2012 debut with her previous band the Tastemakers, it was 2016's Late Nights & Heartbreak that announced the arrival of Hannah Williams and the Affirmations. But little did she know that Jay-Z was listening. One day, at her then-day job running the music department at the University of Winchester, he sent her a text.

Once she'd established that it wasn't a wind-up, and summoned the courage to call him back, she learned that JayZ's producer, No I.D., had played him Hannah's track to inspire his response to Beyoncé's Lemonade, on which she sang of his infidelities.

Williams was as in the dark about how 'Late Nights & Heartbreak' would be used until 4:44 dropped. But the substantial sample of her voice opened doors she never dreamed of. "It was an incredible catalyst," she says, "as a change in our collective career, and getting a global audience. Suddenly, there were millions of predominantly American hip-hop fans listening to my voice, going 'Is this from the '60s? Is she dead?'"

What followed was a year of the band's widest-ever touring including an invitation to perform at Central Park Summer Stage NY, Toronto Jazz Festival and Brooklyn Bowl NY and expanded audiences in continental Europe where she and the Affirmations had already made a mark. Then came the burning determination to make the record of their lives. The captivating 50 Foot Woman is that album, produced by Shawn Lee, a respected presence on the funk/soul scene whose credits include Amy Winehouse, Lana Del Rey and Alicia Keys. Lee has released five solo albums as Shawn Lee's Ping Pong Orchestra on San Francisco label Ubiquity Records and is also one half of the cool melodic pop duo Young Gun Silver Fox.

Now the world will hear what the cognoscenti have known for a while: that Hannah Williams is the real deal, and sings from her very soul. "I feel like my performance comes from my solar plexus," she says. "The emotional side of it is so intrinsic; I can't take it away from what I do."

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15,92

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Kanot - Bottenmannen / La Danse Des Corneilles

Kanot is Jesper Jarold and Anton Kolbe. With their wide open ears and sharp sense of adaptation they have been involved in some of the last year’s most interesting Swedish musical acts - Fontän, Tross, Uran Gbg, Ultra Satan among others. With the help of Lindha Kallerdahl’s expressive vocals, Jarold and Kolbe weave an eclectic yet durable sonic textile. Call it music for psychadelic hiking, primitive dance beats or speculative folk music - most of all, it is unrestrained music, for the smartest and the dumbest kid in the classroom. In the dense, and at the same time airy production, some drums anchor themselves steadily into the ground while others lash out like reverberating rhythmic gunshots. The tones from Jesper’s guitar and fretless bass float like leaves on the Drangme Chhu River, at times almost drowning in effects only to resurface in surprising and skillfully chiseled melodies that could play forever. This Höga Nord Rekords 7” is just a teaser of an exciting collaboration of which we have yet only seen the opening credits!

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9,20

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